Tag: ALLBLK

TV Interview!

 

Interview with Chrystee Pharris of “Monogamy” on ALLBLK by Suzanne 11/23/21

This was such a fun interview! Chrystee is just great. She’s smart, passionate, funny – and an amazing actress! I’ve enjoyed reading her Facebook posts for years as well as seeing her on TV. I’m so glad we were able to do this.

Chrystee: How are you doing today?

Suzanne: All right. I’m not quite awake.

Chrystee: Where are you located?

Suzanne: I’m in Arkansas right now. I’m from San Diego originally, and then we move around a lot for my husband’s job.

Chrystee: Oh, I was gonna say, “San Diego to Arkansas?”

Suzanne: Oh, it’s worse than that. I haven’t lived to San Diego since 1982. We went here from Hawaii.

Chrystee: Oh my gosh. Is he military?

Suzanne: No, he’s a professor.

Chrystee: Okay, because as soon as you said San Diego and Hawaii, I was like, “Oh, that sounds like military.”

Suzanne: Yeah, actually, the reason I was in San Diego is because my dad was in the military, and he had been there and then liked it. So, we went back after he retired.

Chrystee: My dad was in the military as well.

Suzanne: Which branch?

Chrystee: He was in the Air Force. So I was born on Nellis Air Force Base in Las Vegas, Nevada.

Suzanne: Oh, nice. Yeah, my dad was in the Air Force too. I was born in Northern California. It used to be Travis Air Force Base, but I guess it’s gone now, or the hospital’s gone. One of them’s gone. I can’t remember. I was too young to know anyway.

Chrystee: I feel you on that one.

Suzanne: Yeah. So, we’ve been Facebook friends for a long time. I don’t know if you recognize my name. You actually have a lot of Facebook friends.

Chrystee: Oh, wow. No, I don’t think I’ve paid that much attention. There’re so many people. That’s so wonderful.

Suzanne: It’s so great to finally meet you, because I had thought about asking you for an interview at one point, but I thought, “Well I don’t know what she’s doing,” and then I sort of forgot about it, because I got busy.

Chrystee: Oh, yeah. I would have said yes. You know, what else? It also just depends. I mean, like, a lot of times we are super busy, but a lot of times we’re not. And because we’re all independent contractors, it’s a hustle market. It’s not like you have a nine to five where you know what doing and you have a steady paycheck. But in the acting world, you’re an independent contractor, and you’re constantly trying to find work. So, you have to stay busy, otherwise you don’t have income coming in. So, we’re always busy, but yet we’re not busy. You know what I mean?

Suzanne: Yeah. So, so what attracted you to the role of Diandra?

Chrystee: You know, it’s interesting, I know, Caryn Ward and Craig Ross Jr., they’re both married, they created the show. Craig called me out of the blue and said, “Hey, Chrystee, I have this show, kind of an experimental situation. It’s a new network -” which at the time it was called, I can’t remember; now It’s called Allblk, and that’s owned by AMC. He was like, “We’re not really sure what’s going to happen, but I would love for you to play this role.” And I was like, “Okay, of course,” and then he was like, “Do you want to read the script first?” And I was like, “Oh, I guess I should do that, but, yeah, of course, I’ll do this role.”

Then, next thing you know, I remember reading it and kind of getting a little nervous, because I was like, “Wow, I’ve never played a character like this before.” It was definitely a challenge. I remember the first day, and we were doing it, and I’m just “Da da da da,” and he’s like, “No, no, no. You gotta – she’s not – she’s more like this,” you know, because I have to be opposite of Caryn’s character.

And from there, I just was able to slip into this wonderful character that’s changed my life in a lot of ways. I mean, she’s so complex. Things have changed a little bit now, just because the industry has changed. Especially with Black Lives Matter, black people are hot at this moment. So, I say that with a joke. Of course, nobody would understand that, because they’re reading it as opposed to seeing this interview, but when you look at things that are like, I don’t know, different shows, the black girl was always the side chick, the best friend. She didn’t have complex dialogue, storyline. This character is so complex. She has so much stuff going on in her life. This third season, I mean, you just see so much come out that the fans are like, “Wow.” The first season they loved me. Second season, they did not like me. Third season, they were like, “Oh, my God, I completely understand her. Wow, been through that. Wow.” Then, they had compassion for me. Then, the next episode after that, after the first episode, they were like, they had compassion for me. They’re like, “Oh, man, I understand her. Wow.” The next episode after that, episode three, they hated me again. Then, by the end of the season, they’re just like, “Oh, my God, we’re pulling for her.” I’ve never seen fans go through the emotional up and down with the character that I played before. It’s just beautiful. I mean, I just I love Diandra. She’s probably my favorite so far.

Suzanne: And what would you say that you and she have the most in common and what you have that’s very different?

Chrystee: Well, one thing that is not in common is that I’m not worth $10 million. I mean, this character is worth – her parents left her money before they died. That portion of it, I definitely cannot relate to, and being calm and collected, but people would look at me and go, “No, what are you talking about? That is you,” Like, I suppress my emotions, but yet I can’t suppress my emotions. So, it’s like this dual battle.

What I probably can relate to is just the complexity of marriage and divorce and the complexity of family and the trauma that you can go through with family. I think I can relate to that. Not to say that my family went through crazy times, but enough that you think you’re the only person who’s gone through this, and you realize, no, a lot of people have complex relationships with their families, you know? Like my brother passed away. Actually, it’ll be three years now, but he was bipolar, schizophrenic, homeless, you know what I mean? So, you try to hide those things. You don’t want people to see what’s really going on in your family. You try to hide those, and then you realize, “Oh, maybe you don’t have to hide it,” that a lot more of us have gone through these things, and you try to deal with it. Then, the heartbreak of losing them without even being able to say goodbye is the hardest thing in the world, you know?

Suzanne: Yeah, I can imagine. I watched season one yesterday, and I really enjoyed it.

Chrystee: Thanks.

Suzanne: I’m sure I’m not the only one that is playing catch up, because people nowadays, they’ll binge watch some show they never watched.

Chrystee: Yeah.

Suzanne: So, what can you tell me do I have to look forward to in seasons two and three?

Chrystee: Well, part of the thing that you look forward to is that the production value is better. laughs

Suzanne: I did see the first episode of the second season, so I know what you’re talking about.

Chrystee: Yeah, I mean, it’s like night and day, because we actually finally had gotten a budget. That’s definitely number one. But that journey of season two, now you’re pulling for you know, who do you want to stay together? Who do you want to split apart? And for the people who are reading this article, the show, Craig Ross Jr.’s Monogamy is about four couples who are going through marital issues, and they decide to do a spousal swap through an experiment to work out their relationship. Which is crazy in itself, but that second season, you’re really sitting there going, “Oh my gosh, which relationship do I want to stay together?” Like, who do you want to to stay? You get to season three, and you’re not expecting any of what happens in season three. I remember getting the script and going, “What in the world?” You know what I mean? Like, “What the what?”

And that’s the great thing about the writers, for this show, is you think that the show is going to go one way, and it completely goes left, and you’re kind of in shock. Nothing in the show is predictable, like nothing. Even I remember this particular season – I’m watching the show in real time, because we don’t get to see it ahead of time, and, literally, I remember when I got to episode three or four, and I remember saying, “I cannot remember what happens. I have to go back and reread the script.” And I reread the script, and my significant other was so mad, because he was like, “Well, let me read it.” And I was like, “No, you gotta watch it.” And he’s like, “That’s not fair! You’re gonna read it, and I don’t get to read it. That’s just not fair.” And I was like, “I don’t care.” And I went back and read the whole entire last season of episodes.

But yeah, I promise you, people are going to go through an emotional roller coaster ride, because it’s just so unpredictable. It really isn’t predictable. It almost makes me go, “Really Diandra?”

Suzanne: It has a sci-fi vibe to it, even though it’s not sci-fi, because of the people that you never see and that kind of thing.

Chrystee:
Yeah.

Suzanne: It makes it interesting. Or one of those weird Korean dramas that may or may not be sci-fi.

Chrystee: Yeah, like it seems like some extraterrestrial, although it’s not in any way, shape, or form, but it’s kind of like, it’s not quite like Squid Games, but Squid Games –

Suzanne: It has that vibe.

Chrystee: Yeah. Where you have these people that are talking, and you never see their faces and so forth. Just a little bit, yeah.

Suzanne: And it kind of goes back all the way, if you want to go back all the way to a show like The Prisoner from the 1960s, which I don’t remember if it was strictly sci-fi or it just felt that way, where they had a man who was being kept prisoner. They wouldn’t give him a name. He had a number.

Chrystee:
I never saw that.

Suzanne: Yeah. It’s a little obscure, but sci-fi fans know it.

Chrystee: Gotcha.

Suzanne: So, that kind of thing is very interesting, and even though they’re not really prisoners, they sign up to be prisoners. So, it’s similar in a way. They have to follow the rules. It struck me interesting that they all followed the rules, I guess because their financial finances were on the line. It would make me wonder how people would act that would do that if their finances were not on the line. It was almost like a reality show, in a way. It was scripted. I guess they did have a Wife Swap reality show, but it wasn’t quite the same way. It wasn’t really wife swapping; they called it wife swapping, but it was family swapping. It didn’t have the whole sexual aspect to it.

Chrystee: Yeah, and, I mean, in season two, there’s a financial challenge, and it makes you wonder how people are going to react, and Diandra goes through that a little bit, in the second season, and it takes her out of her cool, calm collected, “I know how to handle this stuff.” I mean, I think that’s why season two has its own journey.

Suzanne: Yeah, and it struck me as odd that the show is on a streaming channel, and it’s very sexual, but at least what I’ve seen so far, there’s no actual nudity.

Chrystee: No.

Suzanne: You know If this was on HBO, Showtime, Netflix there would have been nudity. So, do you know why they chose that?

Chrystee: Well, I mean, I just think because of the streaming network; this particular network is still limited. I’m not sure if they can take it that far, but I think also, out of respect – I mean, which is why the director is so amazing is that he makes sure that you’re all comfortable with what’s happening. Like in season three, it gets, for my character, in my opinion, a little more riskier, to a certain degree. He and I had had a talk about it, what I was comfortable with, but because of the fact that we shot it during the pandemic, and you want to be COVID safe, he had to change things around and be sure that they could still get the story across without compromising anything or putting us in jeopardy, our lives in jeopardy, because of COVID.

Suzanne: Right. So, that was why there was a year between season two and three with COVID, but you didn’t take the whole year off?

Chrystee: Yes. So the reason why it was it prolonged the first season to the second season was because it was a new network, so they had to do whatever you do. Then, finally we got greenlit; we shot it. We were getting ready to shoot the next season. The pandemic hit. Okay, so, we were like, “Hey, we’re gonna be shooting.” “Wait; hold on. Something’s happening. Oh, wait a minute.” Like, you know, “I’m scared. I don’t want to go anywhere.”

Suzanne: Yeah, I know. So, what’s it been like working with Brian White and Darius McCrary? What a choice your character had.

Chrystee: Yeah, yeah. Well, it was it’s so interesting, because Darius, Wesley Jonathan, and Caryn and I, we all did this movie that really wasn’t the best movie in the world, but people love it. So, I don’t say anything bad about it, but we all did a movie together back in the day, which is how we all met. Then, fast forward to doing this together. I mean, Darius is a very energetic, sweet, breezy, lovable teddy bear. He’s just the sweetest guy, and it was it’s always a joy. Brian is completely opposite. Brian is a little more low key, very business oriented. You know, “let’s get this done” kind of thing. Very focused, you know, that type. Darius is more like, “Hey, everybody, I love you guys! What are we doing today?” So, they’re completely different character people, like just people in general, and they fit their characters to a tee, because Brian’s character is really intense; he’s so intense. Then, you have Darius’s character, who’s kind of like, you know. So, it was a joy to work with both of them, because they’re completely opposite. Completely opposite, but great people. Great people.

Suzanne: Good. Brian has been in so many great things. I just love him. And Darius was on The Young and the Restless. So, you actually have that in common with the soap. It’s funny, because he was brought in to sort of replace Shemar Moore’s character, and it didn’t really work, and I think it might have had to do with the directing or something, the writing, because this character that he’s playing in your show reminds me a lot of Mr. Moore’s character when he played him, and I think if they had given him the right writing and direction then he would have worked better as that character, because…they sort of made him boring in the show. That’s unfortunate, because he’s obviously a very good actor.

Chrystee: Yeah, yeah.

Suzanne: So yeah, I know that a lot of times fans blame the actor when it when a lot of it has to do with the writing and the directing and other factors that we don’t even know about.

Chrystee: Yeah, I mean, it happens, and it’s not it’s also not easy to replace somebody. I came in replacing — her name was Lena Cardwell on Passions, and I remember, in the beginning, people were a little, you know, “Well, no.” Then, I stood my ground. I had good skills, and people accepted me and loved me, and I didn’t have any issues with the transition.

But when the new girl came in, Cathy Doe, she came in, and I’ll never forget, because I remember, we ended up the week that I left was the day that she started, but that same day, we worked on a film together, and we happened to go [unintelligible] film. I know she thought I wasn’t going to like her, or would be standoffish or whatever, because she’s taking my role. And the first thing I did, I was like, “Oh, my gosh, we get to meet! Do you have any questions? Make sure you do you. Don’t try to be like me; just create your own character.” And she was just like, “Oh, my god, she was so nice to me.” She said this in an interview, and I responded back, because the same people who interviewed her interviewed me. I said, “Well, I had to tell her, and for everybody out there, I chose to leave the show.” I wanted to give another woman, another black woman, in particular, the opportunity that I had. It was just time for me to move on. But it’s always love. It wasn’t like she came in and auditioned or something and talked her way in and took my role away from me. No, that’s not what happened. I chose to leave. I wanted to give another opportunity to another amazing actress, and she got the opportunity to do it.

But I just think, in this industry, people can be so insecure about somebody taking over. And not to say stuff like that doesn’t happen, but I just don’t see it that way. I don’t hate on reality star people, or Instagram, people who are getting roles now. I don’t hate on other actresses who are younger than me or whatever the case may be, or have a better body than me or are better actors than me or are prettier than me. I know that I’m talented, and no one can take that away from me.

And now, we’re in a place where you can create your own destiny. It wasn’t like that when we started back in the 90s, in the 2000s and stuff. Things were not like that. You couldn’t create your own projects, because we didn’t have cell phones. We didn’t have little cameras and stuff like that that we could create our own projects. So, now, if you’re hating on other people, then you have an issue, because you can create your own shit.

Suzanne: That’s right. So, I used to watch you on Passions,. Do you still keep in touch with any of the actors on that show?

Chrystee: I keep in contact with Donn Swaby, who played Chad, the original bad. I still speak to Rodney Van Johnson who played my father, and I still keep in contact with Tracey Ross who played my mom on the show. Then, Brook Kerr and Lindsay Hartley who played Whitney and Theresa, a lot of them, and Sam, I keep in touch with all of them on Instagram or Facebook. So, I feel like I talk to them, but then I’m like, “Oh, but do I?”…I’m like, “Oh wait, this is on Facebook.” So, I never know if Facebook is a false – Like, is it a false communication or is it really real? You know what I mean? Because in my mind, I’m like, “Oh yeah, Jade Harlow. I talked to Jade,” but the question is do I really?

Suzanne: Yeah, I think it depends on the actor and how active they actually are on Facebook. I mean, some people just post on Twitter, and they have it set up to go directly to Facebook, and they don’t interact very much, whereas others like yourself are more active.

Chrystee: Yeah. So, I still talk to them all the time, via Facebook, like, even the character that played Ivy, we all keep in contact but, but then I’m like, “But do I?”

Suzanne: Hey, it’s like the rest of us who keep in contact with our old friends or old ex-coworkers or high school friends or whatever. It’s the same thing. Nobody has time to call up every single person that you ever knew.

Chrystee: Right, but I can say that if I ever needed something, I’m sure that I could hit any one of them up and say, “Hey, I need something. Can you help?”…I mean, all of them – They, actually have reached back out and were like, “Oh, what do you need,” blah, blah, blah. So, I mean, I keep in touch with them enough in that sense, but yeah, I talk to most of them.

Suzanne: Great. Brook is on General Hospital right now.

Chrystee: So happy for her. She just had a birthday too, yesterday.

Suzanne: Oh, okay. Cool. And then the actor who plays Sam, he was just in a Lifetime movie over the weekend. I don’t remember the title off the top my head. So, you have something coming out called The Myth of Control. Can you tell us about that?

Chrystee: Oh, yeah. So The Myth of Control is a web series that I had the pleasure of acting and directing an episode. There’re seven episodes. And Mikail Chowdhury, the creator, he reached out to me and said, “Hey, I’d love to collaborate with you, and would you like to not only act, but I would love for you to direct.” And I was like, “Direct? What?” I’ve done stage plays and musicals and stuff, but I hadn’t really direct anything via film or television. So, after putting it off, and kind of sending other directors his way, he was like, “Hey, no, I still want you to do it, do one of these episodes.” And I was like, “Um okay.” So, I said “yes,” and oh my God, that was the best experience that I I’ve had in so long. It felt like the first time I’d ever seen myself on TV. It was that excitement, that joy, because we shot – This was the special part about it is that we shot during COVID, the height of COVID. We sent everybody – because we were sitting around. We were like, “Okay, what are we going to do? What can we do? Why don’t we send everybody a cell phone and lighting and send it to each actor?” None of the actors got a chance to rehearse. None of them saw each other. They didn’t interact with the other actors, if they had somebody in the same scene with them. Everybody shot at their own house; they had to use their own significant other to do the lighting and sound, blah, blah, blah. I had to direct over Zoom. And on top of the fact that I’m directing it over Zoom, my two actresses were deaf. So, imagine trying to communicate via Zoom, which we’re on right now, and communicate with deaf actors, when you don’t even know sign language.

Suzanne: So, what how did you do it?

Chrystee: There is something called Google Meets. They translate. They’re amazing. Thank you Google Meets. But they translated the words so that they could read what we were saying.

Suzanne: So, they had a life transcript, essentially.

Chrystee: Yes. So, that was how we were able to communicate, but it was so amazing, so beautiful. It made me realize that I have so much to give, like I’m a great director. I know how to interact with the actors. I know how to get out of them what they need. Some directors are more technical directors. They don’t know how to speak to actors, but I’m an actor’s director. Every actor communicates differently. You, as a director, have to figure out instantly, “How does this actor communicate? How do they receive information?” Because one person, you can just tell them. Another person, you have to show them. Another person, you just have to give them the psychological background of a character, and then they know how to do it. So, you have to know. And some directors just have to let the actors figure it out, because they’ll get there. They’ll get frustrated if you tell them. So, you really figure it out. You’re like a teacher. I have no idea how to –

Suzanne: I was just gonna say, it’s very much like being a teacher.

Chrystee: Yeah, you have to really be so present, to look at your students, your actor, whatever and really, like, figure out in two minutes how they [unintelligible].

So, this young actress, her name is Natash Ofili, and she is phenomenal. It made me realize how we separate ourselves, how there’s another group of people that we don’t communicate with, that either we’re afraid to communicate, or we just are oblivious to. And it made me realize – I have no deaf friends. Then, it made me realize how we do not cater to all the people in the world, because there’re events that I wanted them to come to, but they didn’t have any interpreters. It was like, “Hey, we want to do this; we want them to come to the film festival,” but they didn’t have any interpreters.

So, you realize that – you know, being a person of color, it’s tough. Things happen that, you know, no sense of even going through all the things, but I can only imagine being a person of color and being deaf and going through that trauma. Because one of the things that she said was during Black Lives Matter, like the deaf community is already small, but Black Lives Matter and the Trump era started happening, and it made it even smaller, because that community became separated. She said it was even worse. I mean, there were things that she was talking about that I didn’t even have a clue. I thought sign language was common amongst, just that world. She was like, “No.” Even from New York to LA, east coast, west coast, the south, they’re all different, because at one point in time, she was saying in the south, they would not teach the black community who are deaf sign language to [unintelligible]. So, if you go to the south, they don’t speak the same language as the west coast or the east coast. And even the east coast and the west coast talk differently. Like west coast, I think they talk with both hands and maybe the east coast talk with one hand? She was like, “Oh, yeah, it’s completely different.” And I was like, “I can only imagine.”

Suzanne: That’s interesting.

Chrystee: So, my point of all of me saying all of that was that directing this has opened my world to something I didn’t even know I was missing, and now I cannot live without them.

Suzanne: Right. And you won an award recently for directing something right?

Chrystee: I did. We won two awards so far. It’s been in twenty festivals. I won Best Director, and it won Best COVID film as well.

Suzanne: So, you’re going to have to do more directing, I guess.

Chrystee: Yes, that would be the goal. That would be the goal.

Suzanne: That’s great. It’s always great when somebody can seize the opportunity and then make something great out of it.

Chrystee: Yeah. I mean, that’s the thing about like how I told you we’re always busy, and yet we’re not busy all at the same time. You’ve go to create your own opportunities.

Suzanne: Is there anything else you have coming up that you want to tell us about? Or that you can tell us about?

Chrystee: I mean, I’m at a place in my life where, you know, you always hear those sayings where they say, “Enjoy what you do, and the money will follow?” I used to always look at people and go, “What?” In the beginning, I used to have fun, and then at some point in time, I stopped having fun, because I was always in hustle mode, trying to make sure that I stayed on top of whatever. I mean, I make a living off of this, what I do: voiceovers and acting and directing and whatever. So, the pandemic just opened my eyes to realize life is short, and you need to have fun and enjoy the process. So, now, I am learning how to do in my 40s martial arts and sword fighting, and now my new thing is learning how to do motion capture in animation.

…They did a video, because I was like, “Oh, I should videotape what I just learned.” And I looked at myself, and I was like, “Oh, my God, I look a hot mess.” And normally I’d be like, “There’s no sense in me starting this, because I just look a hot mess” during the sword fighting, and then I was like, “Yeah, but are you having fun?” “I am having fun.” “Okay, then why don’t you just keep going?” And don’t do it because you’re trying to get to this destination of doing motion capture being a kick-ass action hero on some TV show or film, do it because you’re enjoying it. Then, if something happens from it, okay. So, if you want to learn how to play the piano, don’t do because you’re trying to do something at Carnegie Hall, do it because you always wanted to play the piano, and it’s going to make you happy. So, if I die tomorrow, I would be happy, because I learned how to play the piano.

Suzanne: Right. Yeah, a lot of people don’t understand what you’re saying, and I get it, totally. It doesn’t matter what age you are, or what’s going on in your life, do what makes you happy. If you enjoy learning new things, learn new things. It’s not like you have to be fantastic at it. It’s just for you.

Chrystee: And I never looked at it like that. I was always like, “How am I going to make money off of this?” It’s like, when the pandemic happened, first thing I said was, “How am I gonna make money during the pandemic? What in the entertainment industry is still happening?” And it was, “Oh, voiceover work is still happening.” So, what did I do? I built that right there. [unintelligible] So, that’s what I mean. Like, are you having fun with it? You should do it, because it’s fun, not because you get to some destination.

So, yeah, that would be the wisdom that I would leave with my audience is to make sure that you’re having fun, because this life can be long; it could be short, but really, what you want to make sure is that no matter when it comes to an end, you enjoyed every single day of your life. And I don’t think I learned that until the pandemic.

Suzanne: Wow, okay, well, that’s good. That’s a good lesson to learn. It wasn’t a totally wasted.

Chrystee: Exactly. You’re right. You’re absolutely right. It wasn’t. Actually, as many people as I lost and I saw die and go through crazy stuff, it was a good time for me to sit back, because I’ve never taken a break before in my twenty years of doing this; I’ve never taken a break. I don’t take breaks for my birthday, holidays, none of that. I took my first vacation, and, I mean, it was like, “Wow, how come I haven’t been doing this this whole time?” Why was I not doings stuff with my friends when everybody’s like, “Yeah, we’re going on a cruise. You want to roll?” “No, can’t roll. I got to stay here to see if there’s any income coming in from a job.” I was always doing that, and the pandemic made me go, “Wow, all those people who I knew were hustling all the time, and they’re gone,” and they never made it to their destination either. So, you better enjoy this life, because we don’t know what tomorrow may bring.

Suzanne: That is true. And thank you. Those are great words of wisdom to end an interview, and I appreciate it.

Chrystee: I appreciate it as well, and thanks so much for the interview.

Suzanne: Oh, thank you. I’m glad I got to watch Monogamy; it’s great.

Chrystee: Yeah, if you get a chance to get to that third season, it’s a doozy. It’s a doozy.

Suzanne: I’m gonna definitely try. I watch a lot of TV.

Chrystee: Of course, of course. That’s why I said if you get a chance.

Suzanne: Yeah, I really enjoy it though. Yeah, I will add it to my list.

Chrystee: All right. All right. Thanks so much. Have a good one.

Suzanne: Thank you. Have a good Thanksgiving.

Chrystee: You too. All right. Bye bye.

Here is the audio version of it.

Interview Transcribed by Jamie of http://www.scifivision.com

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ALLBLK RELEASES TRAILER OF THE HIGHLY ANTICIPATED NEW SEASON OF CRAIG ROSS JR.’S MONOGAMY

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