GH Opinion Article 7/20/21

Lenny and Phyllis at the Tan-O on GH

Our Opinions

5 Reasons why Sonny and Nina in Nixon Falls Is a Good Story By Suzanne

I just started watching the show again after an absence of a few years. It’s not that I intentionally stopped watching…I just watch a lot of TV and fell behind. I was slowly, ever so slowly, catching up, but I’m still back in 2018. I’ve decided to try to watch the new ones so that I can edit our daily GH Transcripts and write some of the GH Updates while our regular writer Anthony catches up on past episodes. He’s behind, too. It’s so easy to fall behind in these busy times.  The pandemic slowed some people down, but for those of us who worked at home (as well as essential workers and others), we never slowed down.

Even though I haven’t watched many episodes in the past 3 years, I do still regularly read the GH news and spoilers, and I read other fans’ posts about it on Twitter and Facebook, so I know what’s been going on.

I know that a lot of fans are not happy with the fact that Sonny has been stuck in a small town with amnesia, away from his friends and family (who think he’s dead).  It’s not usually a good idea to stick one or two characters off on their own for too long because the fun of a soap is seeing everyone in the cast interact.  I’m not saying I’m a huge fan of Nina and Sonny’s “romance,” but here are a few good reasons to have this story.

#1 It keeps Maurice Benard happy. He’s the star of the show, as we were reminded recently when the shows EP said it. He obviously wanted to do something different than playing the same mob boss every day. It’s good to keep him happy so he doesn’t decide to retire. I know that not everyone loves him, but he’s very popular, so I do believe the show would suffer without him.  Even though they had to create a different town and set of characters, I give them props for doing a pretty good job of it. Lenny and Phyllis are very likable.  Maybe Maurice just got tired of wearing suits every day….he might be enjoying wearing those blue collar shirts. 😉

#2 It was a good choice for the Cyrus storyline because getting Sonny out of the way created a lot of problems for the other people in Port Charles, and they had to band together to get rid of him.

#3 It’s forcing Jason and Carly together. Now, most of us don’t really want to see them in a romantic relationship at this point. It’s been too long since they were together (1996, to be exact). They’re great friends, and they shouldn’t screw that up. I believe the writers are only putting them together to create more conflict for Jason and Britt (not to mention, Jason and Sam) as well as making it worse for Sonny’s eventual return. Hopefully, Jason and Carly won’t actually sleep together. Thank goodness she’s too old to get pregnant, too. Well, never say never in Soap Land…

#4 Having one of the characters leave town, lose their memory, and then everyone thinks he’s dead… that’s a soap trope by now. In fact, Sonny did something similar years ago when he was stabbed and nursed back to health by Angel (who was really boring). Micky Horton on Days did it way back in 1973.  Victor on Y&R has done it a few times. It happened to Tad on All My Children, too. Those story memories are just off the top of my head, so I’m sure there are many more examples.

#5 The eventual reveal will be great – when Sonny gets his memory back and finds out that Nina kept his existence a secret from his family. I’m sure Carly will have a few slaps to give, too. With a real mobster, Nina would be dead from that kind of thing, but Sonny rarely kills anyone, so most likely Nina will just be persona non grata for a while around Port Charles. It would be really great if Sonny just forgave her because he still loves her, but I’m not going to hold my breath. Will Jason and Carly be sleeping together by then? Maybe. There will be a long list of people just waiting to yell at Nina (or worse).

The only thing I don’t like about this story is that Nina is the perpetual victim. She always makes the worst choices when it comes to love: Valentin, Franco, Jax and now a married mobster. Soap characters often have these problems, but hers seem to be worst than most.  She was in a coma for 12 years because her evil mother put her there to steal her money, and she stole her baby, too. She can’t have more children, and the one she did have was dead by the time she learned about her.

It’s not only too sad to have her go through so many horrible love affairs, but it makes her look really dumb to keep making such poor decisions.  This time it’s not just her romantic heart on the line, but she’ll probably also have a hard time getting permission to see grandson Wiley again, too. It’s great for Cynthia Watros because she’s outstanding in the role, but I just wish that Nina would have a nice, fun fling once in a while.

Most people hate change, but life – and daytime drama – is all about change. Fans want their favorite couples to stay together forever, and that’s just not what these shows are about. I can’t wait for the fireworks when Nina is found out!

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Sonny and Nina kiss on GH

Primetime TV Review: Small Fortune

TV Review!

“Small Fortune” Review on by Eva 6/3/2021

I enjoy watching game shows so when I saw a commercial that a new game show called Small Fortune was going to be on I said I can’t wait to watch a new game show.

This game show is based on a British game show. The American version of the show is hosted by Lil Rel Howery who does a wonderful job as host of the show. He is funny and very encouraging to the contestants as they play these very difficult games. The games are difficult because they are the size of doll house furniture and the teams of three contestants have to play several rounds of these tiny games to win big money. One example of a game is a contestant must stack six tiny aluminum cans in one minute to win the money. The contestant gets one free chance to practice the game and if they want more practice games they must pay an amount from their possible winnings from that round. When the team of three contestants done playing they must play the big heist bonus game in which the team must work together to open a tiny safe in two minutes. If they open the safe they take home the money they earned in previous rounds.

I wanted to like this show, but I don’t because of two reasons. The first being that watching the team play these tiny games makes me very tense as I watch them try and fail several times before they possibly win the game. The second reason I don’t like it is because its missing the most important element of a game show it doesn’t allow the viewer at home to participate in the show. The viewers are bored by the show because they can’t answer questions or feel invested in the show in some way. I give this show a two out of five stars just because the host is good.



Game Show Marks Lil Rel Howery’s Return to NBC as Teams Test Their Skills for $250,000 Prize in Miniature-Sized Competition

· “Small Fortune,” NBC’s newest team competition game show hosted by Lil Rel Howery, premieres on Monday, May 31 at 10 p.m. ET/PT. The series is a British import based on Youngest Media’s popular U.K. format and is unlike any team competition ever seen on U.S. television.

· In each heart-pounding episode, teams of three from various backgrounds, including first responders and Olympians from around the country, work together to earn a shot at competing for the $250,000 cash prize in the “Big Little Heist” finale game.

· To get there, each team must prove their skills on miniature playing fields from a shrunken sushi conveyor belt with tiny chopsticks (“Teeny Sashimi”) to a mini Ellis Island (“Statue of Liberteeny”). Challenges will require considerable dexterity and intense focus because with games this small, there’s no room for error as the slightest miscalculation or tremble may result in losing tens of thousands of dollars.

· In the eight-episode series, Howery raises the stakes by mixing encouragement with his brand of laughs to keep the players on their toes and audiences equally as anxious and entertained.

· Howery is fresh off his successful HBO comedy special “Lil Rel Howery: Live in Crenshaw,” which was rated the #1 hourlong comedy special of 2019 by In film, he is perhaps best known for his roles as TSA agent Rod Williams in the Oscar-winning “Get Out,” Charlie in the Netflix smash “Bird Box, and more recently as Wayne in the Oscar-nominated “Judas and The Black Messiah.” On the small screen, he starred as Bobby, brother to Jerrod Carmichael, on the critically acclaimed NBC series “The Carmichael Show,” also starring Tiffany Haddish as his ex-wife. In addition to making an impression with his own comedy series, “Rel” on Fox, Howery has lent his talents to “Insecure” on HBO, “Southside” on Comedy Central and more.

· “Small Fortune” is co-produced by Universal Television Alternative Studio and entertainment studio Youngest Media, which created and produced the U.K. format.

· Lucas Church and David Flynn will serve as executive producers for Youngest Media alongside Steve Barry and Joe Braswell, who will serve as executive producers for Kelchris and showrunners for the series. Lil Rel Howery also executive produces.

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Primetime TV Review: Girls5eva

TV Review!

“Girls5eva” Review on by Eva 5/17/2021

I thought this show sounded interesting so I thought I would watch it. A one-hit wonder girl group from the 90’s makes a brief come back because famous rapper Lil Stinker decides to use a part of their song in one of his rap songs. The ladies get the group back together to do the Tonight Show because Jimmy Fallon thinks its a good idea for the ladies to sing back-up for Lil Stinker ( Jeremiah Craft) when he appears on the show. The appearance goes well and since the ladies haven’t done much since the group split ip, they decide to make a comeback because people still want to hear them sing.

The cast includes Sara Bareilles (Dawn Solano), Paula Pell (Gloria Mcmanus), Renee Elise Goldsberry (Wickie Roy) and Busy Phillips (Summer Dutkowsky) have great chemistry together and really seem like good friends who have not seen each other in a long time and are trying to reconnect with each other. What I enjoyed most about the show where cameos by people like Jimmy Fallon and Dolly Parton will appear in a future episode. The show also has great music which sounds like it comes from the 90’s but is written for the show.

I think this show is a bit corny and uses the F Bomb when it really doesn’t need to do so. The show is already funny so useless profanity isn’t needed in the show. I think if you grew up in the 90’s, you will love the show but if you didn’t grow up in the 90’s the show won’t make any sense to you.

I give this show a 4 out of 5 stars. It is worth watching if you just want to watch some good mindless television. You can binge all eight episodes on the weekend or watch them one at a time when you need a break from the stress of life.


Peacock Original comedy GIRLS5EVA will premiere Thursday, May 6. All eight episodes will drop at once on Peacock.

· When a one-hit-wonder girl group from the 90’s gets sampled by a young rapper, its members reunite to give their pop star dreams one more shot. They may be grown women balancing spouses, kids, jobs, debt, aging parents, and shoulder pain, but can’t they also be Girls5eva?

· The series stars Grammy(R) Award-winner and Tony(R) and Emmy(R) Award-nominated singer Sara Bareilles, Grammy and Tony Award-winning actress and singer Renée Elise Goldsberry, Emmy(R) winning “Saturday Night Live” mainstay and comedy icon Paula Pell, and New York Times Best-Selling author, actor, activist, writer and host Busy Philipps.

· Meredith Scardino serves as creator and executive producer for the series. Jeff Richmond, Tina Fey (Little Stranger, Inc.), Robert Carlock (Bevel Gears), David Miner (3 Arts Entertainment), Eric Gurian (Little Stranger) also serve as executive producers. Girls5eva is produced by Universal Television, a division of Universal Studio Group.

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Primetime TV Review: Home Economics

TV Review!

“Home Economics” Review on by Eva 4/9/2021



New Comedy “Home Economics” Coming WEDNESDAY APRIL 7 to ABC

By Steve Dove
Jan 25th, 2021

Starring and executive produced by Topher Grace, “Home Economics” takes a look at the heartwarming yet super uncomfortable and sometimes frustrating relationship between three adult siblings: one in the 1%, one middle-class and one barely holding on. The comedy is inspired by the life of writer and executive producer Michael Colton. The new comedy premieres WEDNESDAY APRIL 7 8:30|7:30c on ABC.

The series stars Topher Grace as Tom, Caitlin McGee as Sarah, Jimmy Tatro as Connor, Karla Souza as Marina, and Sasheer Zamata as Denise. Also starring is Shiloh Bearman as Gretchen, Jordyn Curet as Shamiah, Chloe Jo Rountree as Camila and JeCobi Swain as Kelvin.

“Home Economics” was created by writers Michael Colton & John Aboud. They serve as executive producers alongside Topher Grace and Eric and Kim Tannenbaum of The Tannenbaum Company, whose Jason Wang will co-executive produce. The series is produced by Lionsgate and ABC Signature. ABC Signature, alongside 20th Television, is a part of Disney Television Studios.

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HOME ECONOMICS – Starring and executive produced by Topher Grace, ÒHome EconomicsÓ takes a look at the heartwarming yet super uncomfortable and sometimes frustrating relationship between three adult siblings: one in the 1%, one middle-class and one barely holding on. The comedy is inspired by the life of writer and executive producer Michael Colton. (ABC/Temma Hankin)

Primetime TV Review: United States of Al

TV Review!

“United States of Al” on CBS Review on by Eva 4/4/2021

I was really interested in this show because the commercials for the it looked funny. It is funny, but not as much as I thought it would be.

The story revolves around Riley (Parker Young), a Marine combat veteran who is having trouble adjusting to his life back home in Ohio. Riley decides to help his friend Awalimir (Adhir Kalyan) – or Al for short – and his family get out of Afghanistan. Al was Riley’s interpreter, and that’s why the two men formed a close friendship. Al saved Riley’s life. The comedy arises as the audience watches Al adjust to life in America, which leads Riley and his family being appreciative of the opportunities they have had in America. Al is also determined to reunite Riley with his wife because they are in the process of a divorce.

I like several things about the show, such as the strong brotherly friendship between Al and Riley.  It’s heartwarming and touching that these two men have shared so much that they consider each other family. The relationship is my favorite part of the show and the reason I will keep watching it – to give it a chance to improve and get funnier. The jokes didn’t make me laugh because I have seen some version of the jokes in other fish-out-of-water type comedies. I think that the cast needs time to mesh together so they become a group that works together well. If the show can write jokes that are funny, and the cast can work together better, I think this show will do well. I think that you should give it a chance because it’s a show that needs some time to warm up and come into its own. I give this show a 3 out of 5 stars.



Series Hails From Award-Winning Executive Producers Chuck Lorre, David Goetsch and Maria Ferrari

Dean Norris, Elizabeth Alderfer, Kelli Goss and Farrah Mackenzie Also Star

“Pilot” – Marine veteran Riley, home at last after serving in Afghanistan, is happily reunited with his friend Awalmir, who goes by Al, the interpreter with his unit, after a long struggle to get him a visa to travel to the United States from Afghanistan, on the series premiere of UNITED STATES OF AL, Thursday, April 1 (8:30-9:00 PM, ET/PT) on the CBS Television Network.

Riley (Young), a marine combat veteran, is struggling to adjust to civilian life in Ohio and the interpreter, Al (Kalyan), who served with his unit in Afghanistan, has just arrived to start a new life in America. Dean Norris stars as Art, Riley’s father; Elizabeth Alderfer stars as Lizzie, Riley’s sister; Kelli Goss stars as Vanessa, Riley’s ex-wife and Farrah Mackenzie stars as Hazel, Riley and Vanessa’s daughter.


Adhir Kalyan (Al)
Parker Young (Riley)
Dean Norris (Art)
Elizabeth Alderfer (Lizzie)
Kelli Goss (Vanessa)
Farrah Mackenzie (Hazel)

David Goetsch & Maria Ferrari

DIRECTED BY: Mark Cendrowski

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Adhir Kalyan as Al and Parker Young as Riley, from the CBS series United States of Al. Photo Credit: Robert Voets/ 2020 Warner Bros. Entertainment Inc. All Rights Reserved.

Primetime TV Review: “Punky Brewster (2021)”

TV Review!

“Punky Brewster (2021)” Review on by Eva 2/27/2021

I was excited to watch the new Punky Brewster show now streaming on Peacock because I used to watch the original show…it was one of my favorite shows that I watched with my dad. I don’t expect much for reboot shows because very few of them can remain true to the original show and add a fresh update and keep my interest. The only other show that managed to do that in my opinion, although it had a slow start in its first season, was Fuller House on Netflix. Punky Brewster on Peacock does however manage to have an update that makes sense and the cast is great and the show is well written. Punky is now a recently divorced mother of three who still has feelings for her husband Travis (Freddie Prince Jr). Punky was a famous photojournalist who became a special occasion photographer because she wanted to spend time with her kids. Punky’s best friend Cherie (Cherie Johnson) now is the director of the orphanage where Punky lived until Henry became Punky’s foster father and eventually adopted Punky.

Punky has three children Hannah (Lauren Lindsey Donzis) Diego (Noah Cotrell) and Daniel (Oliver de Los Santos) Punky feels her life is a mess right now since she is trying to figure out how to be a divorced mom and handle the work/life balance. Cherie asks Punky to keep one of the little girls from the orphanage Izzy (Quinn Copeland) at her house for two weeks while she gets the paperwork together for her to have a couple foster her. Cherie is afraid that Izzy will run away from the orphanage before she can get the papers ready.

I really enjoyed this show. It is rated PG and I do suggest parents watch it with their kids because it deals with topics like drug abuse and child abandonment so your children may have questions for you. I think this show will be a hit for Peacock and it is worth watching because although it is modern it has the feel of a classic 80’s sitcom. I give this show a 5 out of 5 stars.


Watch Punky Brewster, the continuation of the 80s sitcom. Punky Brewster (Soleil Moon Frye) is now a single mother of three trying to get her life back on track when she meets Izzy (Quinn Copeland), a girl who reminds her of her younger self. History repeats itself as Punky welcomes Izzy into her family with the help of her childhood friend Cherie and her love interest Travis (Freddie Prinze Jr). Upon the return of her long-lost mother, Punky must navigate the identity issues that link her past and her future.

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Primetime TV Review of “Firefly Lane”

TV Review!

Kate and Tully as teens in "Firefly Lane" on Netflix

“Firefly Lane” on Netflix Review by Suzanne 2/6/21

This drama is about two girls who become great friends during the early 70’s. One is shy and unpopular (Kate), and the other one is very cool and popular (Tully), but with a terrible home life. The show traces their beginning until middle age (it goes back and forth a lot, which I found a bit confusing). In the present, Tully is a successful (but lonely) talk show host. Kate has just been divorced and is raising her teen daughter, so she’s trying to get back into journalism. Although they’re good friends, they have their issues. However, they face what life throws at them, together.

I think most women will be able to relate to this great female friendship and the struggles that women have. It’s entertaining yet realistic. There haven’t too many shows or movies that involve important female friendships. There are some fun and lighthearted moments as well as real drama.  Check it out!


Based on the New York Times Bestselling book, Firefly Lane is the sweeping story of two inseparable best friends and their enduring, complicated bond, spanning four tumultuous decades.

Starring: Katherine Heigl and Sarah Chalke

Showrunner and Executive Producer: Maggie Friedman

Executive Producers: Stephanie Germain, Lee Rose, Katherine Heigl

Best friends Tully and Kate support each other through good times and bad with an unbreakable bond that carries them from their teens to their 40s.

· Ali Skovbye as Young Tully Hart
· Beau Garrett as Cloud
· Ben Lawson as Ryan
· Brandon Jay McLaren as Travis
· Brendan Taylor as Mutt
· Jenna Rosenow as Kimber Watts
· Jon Ecker as Max Brody
· Katherine Heigl as Tully Hart
· Patrick Sabongui as Chad Wiley
· Roan Curtis as Young Kate Mularkey
· Sarah Chalke as Kate Mularkey
· Yael Yurman as Marah
· Katherine Heigl as EP
· Kristin Hannah as BOOK/CO-EP
· Lee Rose as EP
· Maggie Friedman as CRTR/EP
· Peter O’Fallon as EP/DIR (Pilot)
· Stephanie Germain as EP


Logline: Kate and Tully meet as young girls and become inseparable best friends throughout thirty years of ups and downs, successes and failures, depression and disappointments. When an unthinkable betrayal breaks them apart, the two women go their separate ways and it’s unclear whether they will ever be able to reconcile.

The series is based on the novel of the same name by New York Times bestselling author Kristin Hannah, who serves as co-executive producer.

Episodes: 10

Writer/Showrunner/Executive Producer: Maggie Friedman

Executive Producer: Stephanie Germain

Kristin Hannah bio

Kristin Hannah is the award-winning, bestselling author of more than 20 novels published in 43 languages, including the international blockbusters, The Nightingale and The Great Alone both of which are currently in production at TriStar Pictures with Michelle MacLaren set to direct The Nightingale. Now with her novel Firefly Lane being adapted for Netflix, Kristin Hannah has three of her bestsellers currently in production.


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Kate and Tully as women in "Firefly Lane" on Netflix

Primetime TV Review of “The Long Song”

TV Review!

"The Long Song" on PBS

“The Long Song” on PBS Review by Suzanne 2/6/21

This is a brilliant historical miniseries from PBS. It’s a little bit hard to watch at times because of the realistic depiction of slavery. July (Tamara Lawrance) is a slave in 1800’s Jamaica. She becomes the house maid for a spoiled white woman (Hayley Atwell) and her brother. The Christmas Rebellion, a slave uprising, causes problems for everyone. Then the king declares that slavery will be over soon, and a new young man comes to the plantation to improve conditions.

This is very well done, with lots of great music and drama. Although the slaves speak with heavy accents, it’s easy enough to understand them without the closed-captioning. It’s a bit heartbreaking, but you have to admire July’s spirit in the face of great odds. Although she suffers greatly, she perseveres and eventually finds some love, family and freedom. Don’t look for a completely happy ending, though, because this is not a particularly happy period in history.


A tale of hope and endurance based on the bestselling novel by Andrea Levyon MASTERPIECE Sundays, January 31 – February 14, 2021 on PBS. Tamara Lawrance (King Charles III) stars as an indomitable house slave in Jamaica during the era of emancipation, with Hayley Atwell (The Avengers) as her demanding, capricious mistress, in The Long Song. Based on the award-winning novel by Andrea Levy, the miniseries airs in three parts on MASTERPIECE, Sundays, January 31 – February 14, 2021 at 10/9c on PBS.

The British press applauded the UK broadcast of The Long Song, with The Guardian calling it “a beautiful, moving, horrifying adaptation of Levy’s unsimple tale, that honors the source and its subject.” The Radio Times judged it “so finely-tuned and carefully-balanced that it’ll break your heart—and make you laugh at the same time.” And The Times opined, “What can a period slavery drama tell us that we don’t already know? Quite a bit.”Scripted by Sarah Williams (Flesh and Blood), who previously adapted Levy’s International Emmy® Award–winning Small Island for MASTERPIECE, The Long Song also stars Jack Lowden (Mary Queen of Scots), Sharon Duncan-Brewster (Rogue One), Jordan Bolger (Peaky Blinders), Ayesha Antoine (Doctor Who), Gordon Brown (Only God Forgives), Leo Bill (The Living and the Dead), Madeleine Mantock (Into the Badlands), and the acclaimed comic, actor, and activist Sir Lenny Henry (Broadchurch). Andrea Levy, who died in 2019, was born in London to Jamaican parents and spent her writing career probing her heritage. Her numerous literary awards included the Walter Scott Prize for The Long Song (published in 2010), which was also a finalist for the English language’s most prestigious book award: the Man Booker Prize.The Long Song is framed by the reminiscences of July (played as a young woman by Lawrance), who grew up as a slave on a sugar plantation in Jamaica and is now looking back on her life. In extended flashbacks, she recounts her tumultuous story, which has been shaped by villains, heroes, and well-meaning people who are an unsettled mix of the two.

FUNDING FOR MASTERPIECE PROVIDED BYFirst there are July’s parents: Her mother, Kitty (Duncan-Brewster), is a stoic field slave. Her father is the brutal Scottish overseer of the plantation, Tam Dewar (Brown), who regularly rapes Kitty.As a young girl, July is callously taken from her mother at the whim of Caroline (Atwell), the sister of the plantation owner, John Howarth (Bill). Caroline wants July for a lady’s maid and bestows on her a more genteel name, Marguerite. July grows up catering to Caroline’s impulses, surrounded by other slaves, including the canny Godfrey (Henry), the spiteful Molly (Antoine), and the haughty Clara (Mantock). There is also the debonaire Nimrod (Bolger), who has bought his freedom and fancies July, promising her a fairy-tale life with him.A moment of truth arrives with the Christmas Rebellion of 1831, a slave uprising that heralds the end of official slavery in Jamaica and other English colonies—but at a great cost in lives, including some who are near and dear to July. In the aftermath, a handsome new overseer, Robert Goodwin (Lowden), rides into the story. He will set hearts aflutter, establish an enlightened tone with the emancipated slaves, and play a tragic role in the fates of all.The Long Song is a Heyday Television Production for BBC. It is based on the novel by Andrea Levy. The Executive Producers are David Heyman, Rosie Alison, Andrea Levy, Sarah Williams, and Tom Coan. Ben Irving is the Executive Producer for the BBC. The Producer is Roopesh Parekh. The writer is Sarah Williams. The Director is Mahalia Belo.

About MASTERPIECE Winner of 83 Primetime Emmys® and 18 Peabody Awards, MASTERPIECE has been essential Sunday night viewing for millions of fans since 1971. Susanne Simpson is the executive producer and Rebecca Eaton is the executive producer-at-large for the series. Funding for MASTERPIECE is provided by Viking and Raymond James with additional support from public television viewers and contributors to The MASTERPIECE Trust. Produced for PBS by GBH Boston, MASTERPIECE is known for recent hits such as Sherlock, Downton Abbey and Victoria, and beloved classics such as Upstairs Downstairs, Prime Suspect, The Forsythe Saga and Poldark.

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"The Long Song" on PBS

Primetime TV Review of “Jann”

TV Review!

"Jann" on HULU

“Jann” on HULU Review by Suzanne 2/5/21

Canadian singer/songwriter Jann Arden stars in this series, which she also helped create. It’s about a middle-aged singer/songwriter who had some hits back in the 90’s, but now she’s having trouble booking gigs. She’s “washed up,” according to the rest of the world. She has a manager, Todd (Jason Blicker) who’s not very good; an ex-girlfriend, Cynthia (Sharon Taylor) that she still pines for – who ditched her for a younger woman; a mom, Nora (Deborah Grover) with memory problems: and a married sister, Max (The wonderful Zoie Palmer), who keeps getting pregnant and isn’t happy about it. Jann even has to rent out her home to celebrities when they visit her town. One of the best characters on the show is Cale (Elena Juatco), who is not too polite but later helps Jann out. The series is a wry commentary on family, the entertainment world and fame.

It’s a pretty funny show, but I felt that the second episode dragged a bit. It picks up later. This was a hit in Canada, where they’ve aired the first two seasons. HULU has picked it up now. The 3rd season will be filming soon. Since Jann is a real-life person, with real hit songs, they play those in the series, and we do hear her perform as well.

The show is only semi-autobiographical, according to Arden. Just sit back and enjoy the laughs and the music. Check out our interview with Jann Arden below.

Read My Interview with Jann Arden!


CTV Original Comedy JANN to Exclusively Stream in The U.S. on Hulu

− Premium streaming service to become U.S. home to Seasons 1 and 2 of hit comedy from Project 10 Productions and SEVEN24 Films –

− Co-created by series star Jann Arden, with Leah Gauthier and Jennica Harper, new episodes of Season 2 of JANN continue Mondays at 8 p.m. ET/PT on CTV –

− The critically acclaimed series was the most-watched new Canadian comedy series of the 2018-19 broadcast season −

“JANN blew everyone out of the water, establishing Jann Arden as a comic force on television.” – TV, eh?

“JANN is the real deal: a funny, biting satire about the entertainment industry that isn’t afraid to make fun of its star.” – NOW Magazine

“Arden aces it. She is fearless, a born comedienne, as in on the joke as a Second City veteran.” – Bill Brioux

“Jann Arden’s narcissistic alter ego shines in CTV’s JANN… Arden, with her sheer force of personality, breezy blunt speak and take-no-prisoners delivery, manages to showcase remarkable comic chops.” – Toronto Star

TORONTO (October 21, 2020) – CTV, Project 10 Productions, and SEVEN24 Films announced today that hit CTV Original comedy JANN has been acquired by streaming platform Hulu. In a deal executed by Project 10 Productions and SEVEN24 Films, Hulu secures exclusive U.S. rights for the first two seasons of the Canadian Screen Award-nominated series. The half-hour comedy, which was the most-watched new Canadian comedy series of the 2018/19 season, was co-developed by Bell Media and Project 10 Productions and is produced by Project 10 Productions and SEVEN24 Films in association with CTV. The first season, consisting of six episodes, and the eight episode second season of JANN will stream in the U.S. exclusively on Hulu early next year.

“Jann has done such an incredible job bringing this character to life, and the series is enjoyed by viewers across Canada,” said Randy Lennox, President, Bell Media. “Along with our partners at Project 10 Productions and SEVEN24 Films, we’re absolutely thrilled to introduce JANN, and the hilarious and heartwarming world they’ve created, to U.S. audiences through this sale to Hulu.”

“JANN is quickly becoming an iconic comedy sensation in Canada, and launching on Hulu is the first step in sharing this series with the rest of the world,” said Andrew Barnsley of Project 10 Productions and Jordy Randall of SEVEN24 Films in a shared statement.

“I cannot even begin to express my excitement and sincere gratitude to be partnered with the incredible people at Hulu,” said Jann Arden, co-creator, star, and executive producer. “We look forward to having JANN join their lineup of world class programming and we can’t wait to launch south of the border.”

JANN is created by multi-platinum award-winning Canadian singer, songwriter, broadcaster, and author Jann Arden, who is also an Executive Producer alongside co-creators Leah Gauthier and Jennica Harper, who also serves as Showrunner. In JANN, Arden plays a fictionalized, self-deprecating version of herself: a singer songwriter of a “certain age” in severe denial of the harsh reality that her former music career is slowly (okay rapidly) fading away. But it’s not just Jann’s career that’s on life support – she’s newly single (don’t remind her), her sister may disown her, and her mother may be showing early signs of memory loss. Jann’s personal life is in shambles and she’s convinced that the cure-all is to enlist a new manager to help rebrand her image. Jann is at the crossroads between who she was and who she wants to be. Can Jann stage a comeback, reclaim fame… and be there for the people who love her?

Starring alongside Arden in JANN are Zoie Palmer (PURE, DARK MATTER) as Jann’s sister Max; Deborah Grover (ANNE WITH AN “E”) as Jann’s mom Nora; Patrick Gilmore (TRAVELERS; YOU, ME, HER) as Jann’s brother-in-law Dave; Elena Juatco (OPEN HEART, SCHITT’S CREEK) as Jann’s new manager Cale; Jason Blicker (F/X: THE SERIES, STATE OF GRACE) as Jann’s long-time manager Todd; Sharon Taylor (BAD BLOOD) as Jann’s ex-girlfriend Cynthia; Alexa Rose Steele (DEGRASSI: THE NEXT GENERATION) as Jann’s eldest niece Charley; Ceilidh MacDonald as Jann’s niece Sammie; and Keaira Pliva (TIN STAR) as Jann’s niece Frankie.

Guest stars in the inaugural season of JANN include Canadian indie pop singer-songwriter and guitarist Leslie Feist, Canadian singer and multi-instrumentalist Kiesza, and TV personality Rick Mercer. Guest stars for Season 2 include singer-songwriter Sarah McLachlan as herself; Canadian singer-songwriter k.d. lang as herself; actress Elisha Cuthbert (THE RANCH, HAPPY ENDINGS); singer, host, and actress Keshia Chanté (SOUL, PRIVATE EYES); and more.

Season 2 of JANN airs Mondays at 8 p.m. ET/PT on CTV, with episodes from both seasons streaming on, the CTV app, and Crave.

JANN is executive produced by Andrew Barnsley and Ben Murray for Project 10 Productions, Tom Cox and Jordy Randall for SEVEN24 Films, and Randy Lennox for Bell Media. Jann Arden, Leah Gauthier, and Jennica Harper created the series and also serve as Executive Producers with Jennica Harper showrunning. For Bell Media, Chris Kelley is Production Executive; Sarah Fowlie is Director, Comedy Original Programming; Corrie Coe is Senior Vice-President, Original Programming. Pat DiVittorio is Vice-President, Programming, CTV and Specialty. Mike Cosentino is President, Content and Programming, Bell Media. Randy Lennox is President, Bell Media.

Source: Numeris, Broadcast Season 2018-19 (Sept. 24, 2018 – May 26, 2019). Final data.

Social Media links @CTV_PR @CTV @TheLede_ca @JannArden @ZoiePalmer @PatrickGilmore @ElenaJuatco @AlexaSteele @SharonCTaylor @CTV_PR @CTV @TheLede_ca @JannArden @Zoiepalmerzeeeps @PatrickGilmore @ElenaJuatco @JasonBlicker @AlexaSteele @Sharontwashere

About Project 10 Productions

Project 10 is a global television production company with offices in Toronto and Los Angeles specializing in scripted comedy. The company works closely with high-profile talent to develop and produce compelling content for the worldwide marketplace. The principal executives for Project 10 Productions Inc. are Andrew Barnsley, Ben Murray (Toronto) and Andrew Moncrief (Los Angeles). Leveraging their considerable strengths and decades of experience with those of partner and three-time MLB All-Star Vernon Wells, Project 10 has established itself as a go-to partner for domestic and international creators, broadcasters and distributors alike.

About SEVEN24 Films

SEVEN24 Films is an independent film and television production company whose work has spanned over two decades. Executive Producers Tom Cox and Jordy Randall have produced dramatic series, mini-series, television movies and feature films garnering over one hundred industry awards and nominations. Their focus on integration of scripted programming with interactive content and social media has helped make Heartland and Wynonna Earp two of the most dynamic scripted television projects in the digital space.

In addition to the People’s Choice Award winning series, Wynonna Earp, current projects include: Family Law, a one-hour legal series for Global, JANN, the #1 new Comedy on CTV, and the hit family series Heartland, the longest running one-hour series in Canadian history, now in its fourteenth season for CBC and UPtv.

Previous projects include Fortunate Son, a political thriller for CBC and NBCU International, Dark Cargo, a noir thriller for YouTube Premium, Young Drunk Punk for Rogers and CBC, the Canadian Screen Award winner Borealis, the Gemini Award winning movie Mayerthorpe and Gemini Award winning Mini-Series Burn Up. Tom Cox and Jordy Randall were also co-producers on numerous high-profile feature films including the Academy Award nominated Brokeback Mountain, The Assassination of Jesse James by the Coward Robert Ford and Resurrecting the Champ and are both recipients of the Queen Elizabeth II Diamond Jubilee Medal in recognition of their contribution to the arts.

About Bell Media Original Productions

Bell Media has commissioned some of Canada’s most-watched and most-acclaimed original programming, working with the best Canadian independent producers in the country. Hit series commissioned by CTV include #1 Canadian drama TRANSPLANT; record-breaking Canadian formats THE AMAZING RACE CANADA and MASTERCHEF CANADA; #1 new Canadian comedy series JANN; culinary series MARY’S KITCHEN CRUSH; and CANADA’S WALK OF FAME AWARDS. Upcoming new series include CHILDREN RUIN EVERYTHING from the producers of LETTERKENNY and the inspirational lifestyle series HOLMES FAMILY EFFECT starring Mike Holmes, his son Michael, and daughter Sherry. Among the original series on Bell Media specialty and streaming platforms are CTV Sci-Fi Channel’s WYNONNA EARP and upcoming THE SURREALTOR; CTV Drama Channel’s mystery dramedy CARTER; and CTV Comedy Channel’s CORNER GAS ANIMATED. Crave Originals include hit comedy LETTERKENNY and much-anticipated CANADA’S DRAG RACE; dozens of original stand-up specials; original feature documentaries THE NEW CORPORATION and INCONVENIENT INDIAN, and more. Discovery is home to Bell Media’s hit factual series and franchises HIGHWAY THRU HELL, HEAVY RESCUE: 401, and DISASTERS AT SEA, in addition to upcoming docu-series MUD MOUNTAIN HAULERS and THE LAST OF THE GIANTS, and others. Bell Media is part of BCE Inc. (TSX, NYSE: BCE), Canada’s largest communications company. Learn more at

About CTV

CTV is Canada’s #1 television brand. CTV provides unparalleled entertainment programming across two broadcast television networks; a powerful suite of specialty channels including CTV Comedy Channel, CTV Drama Channel, CTV Life Channel, and CTV Sci-Fi Channel; and digital channels CTV Throwback and CTV Movies, streaming on demand from and the CTV app. CTV has been Canada’s most-watched television network for the past 19 years in a row and features a wide range of sports and information programming, including CTV News, Canada’s highest-rated national and local newscasts. CTV’s parent company is Bell Media, Canada’s premier multimedia company with leading assets in television, radio, digital, and out-of-home advertising.

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Jann and her mom, Nora (Deborah Grover)

Primetime TV Review of “Resident Alien”

TV Review!

"Resident Alien" on Syfy

“Resident Alien” on Syfy Review by Suzanne 2/5/21

I love this show. Syfy let me see the first 7 episodes because I recently interviewed the star of the show, Alan Tudyk. The first episode is good, but it gets better and better. There were many times I laughed out loud. The story is great, and it has many wonderful characters.

Alan Tudyk (Firefly, Doom Patrol) stars as an alien that crash-lands in the small, snowy town of Patience, Colorado. He finds this doctor in a nearby cabin and kills him, then takes his identity. His mission was to drop a small device that will kill everyone, but he ends up crashing instead. He then has to try to find his spaceship and the pieces of the device, out in the snowy wilderness.

However, the town doctor is found dead, so the alien, now posing as Harry, the doctor, takes over his office temporarily. It’s fun to watch Harry learn how to be human. We also hear his voice-over, which is very funny. There are many characters, but the writing is so good that you don’t get any confusion about who they all are. Harry makes friends with the doctor’s nurse, Asta (Sara Tomko), and her friend D’arcy (Alice Wetterlund), the town bartender. There is also a funny town sheriff, Mike (Corey Reynolds), his deputy Liv (Elizabeth Bowen), the mayor (Levi Fiehler), the mayor’s son, Max (Judah Prehn), and more. Max is the only one in town that can see the alien as he really is.

You’ll notice that the show will remind you of other scifi shows, like “Mork & Mindy,” “Starman,” “Alien Nation” and more. We’ve really never seen a scifi comedy like this one, however. Not only is it a comedy/drama/scifi show, but it’s also a mystery. For each episode, they really leave you wanting more. As the episodes progress, we see that Harry is not alone here and that there are some people who know he’s here (and are not friendly). Linda Hamilton (“The Terminator”) plays a general that’s hunting for the alien.

Asta and her family are native Americans, and it’s great that they showcase them because that’s rare on American TV. Canadian TV shows seem to show them much more often than we do on this side of the border.

If you’re a fan of scifi or comedy, you won’t want to miss this one.


Season Finale Airs Wednesday, March 31 at 10/9c
In advance of the season finale, we’re excited to share the hysterical season 1 blooper reel and deleted scene from episode 7.

Based on the Dark Horse comic, SYFY’s RESIDENT ALIEN follows Harry, an alien played by Alan Tudyk (“Rogue One,” “Firefly”) that crash lands on Earth and passes himself off as a small-town human doctor. Arriving with a secret mission to kill all humans, Harry starts off living a simple life… but things get a bit rocky when he’s roped into solving a local murder and realizes he needs to assimilate into his new world. As he does so, he begins to wrestle with the moral dilemma of his mission and asking the big life questions like: “Are human beings worth saving?” and “Why do they fold their pizza before eating it?”

From UCP, in association with Amblin TV and Dark Horse Entertainment, RESIDENT ALIEN was adapted to television by executive producer Chris Sheridan (“Family Guy”). Mike Richardson (“Hellboy”) and Keith Goldberg (“The Legend of Tarzan”) of Dark Horse Entertainment (“The Umbrella Academy”), and Justin Falvey (“The Americans”) and Darryl Frank (“The Americans”) of Amblin TV also executive produce. David Dobkin (“Wedding Crashers”) executive produced and directed the pilot. “Resident Alien” also stars Sara Tomko, Corey Reynolds, Alice Wetterlund and Levi Fiehler.


breaking news | May 30, 2019Alan Tudyk Stars in Series from UCP, with Chris Sheridan Executive Producing Alongside Dark Horse Entertainment and Amblin TV

David Dobkin Executive Produced and Directed the Pilot

NEW YORK, NY – February 28, 2019 — SYFY today announced the series pickup of RESIDENT ALIEN, a comedic drama based on the popular Dark Horse comics series by co-creators Peter Hogan and Steve Parkhouse. From Universal Content Productions (UCP), in association with Amblin TV and Dark Horse Entertainment, the series was adapted to television by executive producer Chris Sheridan (“Family Guy”). Mike Richardson (“Hellboy”) and Keith Goldberg (“The Legend of Tarzan”) of Dark Horse Entertainment (“The Umbrella Academy”), and Justin Falvey (“The Americans”) and Darryl Frank (“The Americans”) of Amblin TV will also executive produce. David Dobkin (“The Judge”) executive produced and directed the pilot.

RESIDENT ALIEN is a twisted and comedic fish-out-of-water story that follows a crash-landed alien named Harry (Alan Tudyk) who, after taking on the identity of a small-town Colorado doctor, slowly begins to wrestle with the moral dilemma of his secret mission on Earth — ultimately asking the question, “Are human beings worth saving?”

Tudyk (“Doom Patrol,” “Rogue One”) is joined by series regulars Sara Tomko (“Once Upon A Time”), Corey Reynolds (“The Closer”), Alice Wetterlund (“People of Earth”) and Levi Fiehler (“Mars”). The series will begin production in Vancouver this summer.

About SYFY
SYFY is a global, multiplatform media brand that gives science fiction fans of all kinds a universe to call home. Celebrating the genre in all its forms, SYFY super-serves passionate fans with original science fiction, fantasy, paranormal and superhero programming, live event coverage and imaginative digital and social content. The brand is powered by SYFY WIRE (, the premier portal for breaking genre news, insight and commentary. SYFY is a network of NBCUniversal, one of the world’s leading media and entertainment companies. NBCUniversal is a subsidiary of Comcast Corporation.

About UCP
UCP is a premium content studio that operates with a highly curated indie sensibility, while simultaneously leveraging the power and scale of NBCUniversal. As fierce advocates for creators with an eclectic point of view, the UCP team develops pioneering original programming with partners such as Amazon (“Homecoming”), Netflix (“The Umbrella Academy”), Hulu (“The Act”) and YouTube (“Impulse”). In addition, UCP produces high-caliber content for NBCU Cable networks, including Bravo (“Dirty John”), USA (the Emmy® and Golden Globe®-winning drama “Mr. Robot,” the Golden Globe nominated “The Sinner,” “The Purge” and “Suits” ) and SYFY (“Happy!,” and “The Magicians”). UCP’s content library also features 800 hours of award-winning and critically-acclaimed content, including the Emmy Award-winning “Monk,” the Peabody and Hugo Award-winning “Battlestar Galactica” and the Emmy nominated “Psych.”

About Amblin Television:
Amblin Television, a long-time leader in quality programming, is a division of Amblin Partners, a content creation company led by Steven Spielberg. Amblin Television’s co-presidents, Darryl Frank and Justin Falvey, oversee all development, production and programming for the company. Amblin Television currently has thirteen projects in various stages of production including “Bull” and “Tommy” for CBS, “Roswell, New Mexico” for the CW, “The Haunting of Bly Manor” for Netflix – the follow-up chapter to The Haunting of Hill House, “Amazing Stories” for Apple, “Halo” for Showtime, a straight-to-series order for “Brave New World” from USA Network, “Cortes and Moctezuma” for Amazon, “Animaniacs” for Hulu, “Why We Hate” for Discovery, “Resident Alien” for SYFY, and the documentary films “Natalie Wood: What Remains Behind” for HBO and “Laurel Canyon” for Epix.

Some of Amblin Television’s previous credits include the Emmy and Golden Globe Award-winning drama “The Americans” for FX, Emmy-nominated HBO movie “All The Way” starring Bryan Cranston, “Smash” for NBC, “Under the Dome” for CBS, “Falling Skies” for TNT, “The Borgias” and “The United States of Tara” for Showtime, and “Las Vegas” for NBC.

About Dark Horse Entertainment:
Dark Horse Entertainment was spun off from founder Mike Richardson’s Dark Horse Comics in 1992. The company’s first major hits—THE MASK and TIMECOP — were based on Richardson’s creations and DHE has since produced over 30 films and series, including an Emmy Award–winning documentary, MR. WARMTH: THE DON RICKLES PROJECT. Recent projects include THE LEGEND OF TARZAN with Warner Bros., the DARK MATTER television series for Syfy network and POLAR, adapted from Victor Santo’s noir graphic novel starring Mads Mikkelsen (Rogue One) at Netflix. Current projects include a reboot of Mike Mignola’s HELLBOY starring David Harbour (Stranger Things) directed by Neil Marshall (The Descent), and THE UMBRELLA ACADEMY, a Netflix original series based on the comics created by Gerard Way (My Chemical Romance) and Gabriel Ba.

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"Resident Alien" on Syfy

Primetime TV Review of “50M2”

TV Review!

"50M2" on Netflix

“50M2” on Netflix Review by Suzanne 2/5/21

In this entertaining Turkish show, a man named Gölge is working for a mobster, Servet, that took him in as a child and trained him to be his henchman. Gölge only has a photo of his parents and wants to know who they are and where he comes from (as well as his real name). He learns that Servet has been lying to him. Servet tries to kill him, but he escapes. Meanwhile, he finds out that a tailor, Adil, in the small village of Güzelce, has died, and the people there think that he’s the tailor’s long-lost son, Adem. He hides out at the tailor’s shop, posing as Adem and building a very different life for himself.

The name is based on the size of the small shop: 50 meters squared (That’s 165 square feet to us Americans).

This is a really cool, stylish show that reminds me of shows I liked growing up, like “Mission: Impossible” or “It Takes a Thief.” It has some aspects of “The Bourne Identity” as well. It’s a good action-drama, but there’s a lot of humor and mystery in it as well. Of course, it is violent, but not exceedingly so. Any fan of action should enjoy it.




Starring Engin Ozturk, Aybuke Pusat, Kursat Alniacik, Cengiz Bozkurt, Tolga Tekin, Yigit Kirazci, Hasan Yalnizoglu, Ozgur Emre Yildirim, Tuncay Beyazit, Tugce Karabacak and Murat Kilic

He needs a 50m2 space to be reborn… How many lives could fit in a 50m2?

Istanbul, Turkey – January 15 2020 – Netflix, the world’s leading internet entertainment service, begins principal photography on 50m2, a dark comedy series, in partnership with BKM.

Produced by BKM, 50m2 will be directed by the highly acknowledged director Selcuk Aydemir alongside the renowned writer/director Burak Aksak who is also the scriptwriter of the series. The eight-part dark comedy series stars Engin Ozturk, Aybuke Pusat, Kursat Alniacik, Cengiz Bozkurt, Tolga Tekin, Yigit Kirazci, Ozgur Emre Yildirim, Tuncay Beyazit, Tugce Karabacak, Hasan Yalnizoglu and Murat Kilic.

The series tells the story of a mysterious hitman named Golge (Engin Ozturk) who tries to find himself on the run for his life. While escaping from his wealthy and dark like followed by a betrayal from Servet who treated him like his long-lost father, he suddenly finds himself living in a 50 meter square tailor shop in a foreign neighborhood. While hiding in there until the situation settles down, he discovers those in the neighborhood think that he is the son of the deceased store-owner. However, he quickly realizes that maintaining this identity won’t be as easy as he thinks.The more he lives in this new neighborhood, the more he will discover the secrets about his past and his real identity, the more he helps those around him, the more he will become someone else.

The series is expected to launch globally in 2020.

Video    Source Netflix, Inc.

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"50M2" on Netflix

Primetime TV Review of “Go Dog Go”

TV Review!

"Go Dog Go" on Netflix

“Go Dog Go” on Netflix Review by Suzanne 2/5/21

This is a very entertaining and cute CGI animated kids show. All of the characters are dogs, and they live in Pawston. They have a lot of energy and fun. Some of them sing. Of course, they also learn some valuable lessons. The show doesn’t hammer you over the head with the “lesson,” though. They like to zoom around in fast cars, which is why it’s entitled “Go, dog, go!”

The main dog is Tag, who’s like a 6 year old child, and in the first episode he meets a newcomer to town, Scooch Pooch. Scooch Pooch is from a farm, so he is new to city life. They have a big dog party in a tree. Everyone wants to go, so the traffic is slow. They keep trying different ways to get there: on foot, by river and by blimp! They are all slow.

The show is based on a series of children’s books that have been around a long time. Dreamworks is behind the series, and they always have top-notch shows.


Handy and inventive pup Tag chases adventure with her best pal, Scooch, solving problems and helping the citizens of Pawston along the way.


Hollywood, Calif. – July 22, 2019 – In a commitment to deliver high quality, age-appropriate content for kids ages 2-6 everywhere, Netflix today announced seven original preschool series from some of the industry’s most respected and prolific creators. Netflix’s preschool slate is produced by creators from all over the world, designed for diverse audiences, and inclusive of a wide range of genres and formats – from educational to nonverbal comedies, and with many options in between.

“With high-quality, age-appropriate programming for kids at every age and stage, we want to help young people find and connect with the stories and characters they love on Netflix,” said Melissa Cobb, vice president of original animation at Netflix. “We are also here to empower parents to find the shows that are just right for their families during whatever time they feel is appropriate to enjoy entertainment.”

The Netflix Kids experience gives adults the ability to prevent access to certain content on their account by setting age restrictions and requiring PIN controls.

The seven new Netflix Original Preschool titles include:

DreamWorks Dragons Rescue Riders (2019) is a CG animated comedy adventure series that opens a brand new chapter in DreamWorks Animation’s Academy Award-nominated and Golden Globe-winning How to Train Your Dragon franchise. The all-new series is about twins, Dak and Leyla, who because they were raised by dragons, share a unique ability to communicate with them. The brother and sister lead a team of five young dragons that spend their days rescuing other dragons, and helping the people in their adopted town of Huttsgalor.

Executive Producers: Emmy Award winner Jack Thomas (Dragons: Race to the Edge, The Fairly OddParents) as executive producer and Brian K. Roberts (VeggieTales in the House) as co-executive producer.

Director: TJ Sullivan (Barnyard, Beware the Batman)

Hello Ninja (2019) For Wesley and his best friend Georgie, every day is an adventure. When Wesley puts his hands together, bows to his reflection and says the words, “Hello, Ninja” his surroundings instantly transform into an enchanting Ninja world. From Atomic Cartoons, a Thunderbird Company, this CG animated series is based on the picture book of the same name from author N.D. Wilson.

Executive Producer: N.D. Wilson

EP/showrunner: Mark Palmer (Treehouse Detectives, Kim Possible)

Story Editor: Susan Kim (Wonder Pets, Handy Manny)

Director: Michael Dowding (Slugterra, Reboot)

StarBeam (2020) Zoey is excited to tackle second grade, but when danger beckons, she sneaks away and – with her signature call out “It’s time to shine!” – transforms into StarBeam, the speediest, most powerful and most enthusiastic superhero to ever sip from a juicebox. StarBeam is a CG animated series produced by Kickstart Entertainment.

Executive Producers: Jason Netter (Preacher), Loris Kramer Lunsford. (Johnny Test), and Heather Puttock (Ready Jet Go!)

Head Writer: Noelle Wright (Doc McStuffins, Super Monsters)

DreamWorks Go, Dog. Go! (2020) is a CG animated series produced by DreamWorks Animation and DHX Media, based on the beloved, classic children’s book by P. D. Eastman, published by Random House Children’s Books. Every dog wants to go! Go fast, go far, go to a big dog party in a tree. The series follows young pup Tag Barker and her adventures in Pawston, a colorful community of dogs on the go.

Showrunner / Executive Producer: Adam Peltzman (Odd Squad, Wallykazam)

What-To-Doodles (2020) A team of adventurous and lovable young creatures play, grow, laugh, learn, and sing together in this CG animated series that teaches young viewers “what to do” in everyday social experiences and firsts. Created by Art Spigel and Hannah Kole, the series is produced by creative production company 7ate9 Entertainment.

Story Editor: Doug Wood (Molly of Denali, Bob the Builder)

Izzy Bee’s Koala World (2020) 11-year old Izzy Bee, known affectionately as the Koala Whisperer, lives on Australia’s Magnetic Island where she rescues and rehabilitates koalas with her veterinarian Mom, Ali and her dad, Tim. This non-fiction series is produced in partnership with The Dodo and Nomadica Films.

Executive Producers: Jared McGillard (Dodo Heroes, Last Alaskans), Izzie Lerer (Founder/Chief Creative Officer The Dodo, Dodo Heroes), Suzanne Kolb (Dodo Heroes, The Swim), Elizabeth Keyishian (Sesame Street, Paw Patrol, Astroblast)

Producers: David Glauber (Snug’s House, Toca Boca: Toca TV), John Collin (Dodo Heroes)

Emily’s Wonder Lab (2020) Discover what makes STEAM fun with these visual demonstrations that will blow your mind! Acclaimed science communicator Emily Calandrelli takes kids through lively experiments and entertaining activities in this new live-action series created and produced by Bunim Murray Productions (The Real World, Crystal Maze, Keeping up with the Kardashians).

Executive Producer & Host: Emily Calandrelli (Xploration Outer Space, Bill Nye Saves the World)

Executive Producers: Gil Goldschein, Maria Peppin, Trish Gold

The new slate joins the already robust Netflix original preschool offering for kids aged 2-6, which includes beloved shows such as Ask The StoryBots, Chip and Potato, Mighty Little Bheem, Motown Magic, Super Monsters, True and the Rainbow Kingdom, Word Party, and YooHoo to the Rescue. Other previously announced Netflix preschool originals that are soon to launch include DreamWorks Archibald’s Next Big Thing, Go! Go! Cory Carson, and Chico Bon Bon.

About Netflix

Netflix is the world’s leading internet entertainment service with over 151 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.

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"Go Dog Go" on Netflix

Primetime TV Review of “Deer Squad”

TV Review!

"Deer Squad" on Nick

“Deer Squad” on Nickelodeon Review by Suzanne 2/5/21

This is a typical children’s show. The characters are deer, but they live in a town like people. They have super powers that remind me a little bit of Power Rangers. Since it’s a show for young kids, they teach many lessons in the show. In the first episode, the rich human “bad guy” wants to stay in bed all day, so he makes giant sunglasses that block the sun. The Deer Squad have to find a way to get rid of the sunglasses, since their powers come from the sun. They learn the lesson that even though the sun might be annoying some times (such as when it gets in your eyes), it’s important for life.

The Deer Squad protect the animals in Central Forest and the people who live in Platinum City. This seems a lot to ask for deer, but they do have super powers. I’m sure young children will enjoy it.



First Chinese-Originated Nickelodeon International and VIS KIDS collaboration with iQIYI to premiere on Nickelodeon in the U.S. on Jan. 25 

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NEW YORK—JAN. 13, 2021—Nickelodeon will premiere CG-animated series Deer Squad in the U.S. following a successful run overseas. The result of a partnership between iQIYI, an innovative market-leading online entertainment service in China, Nickelodeon International and VIS KIDS, a division of ViacomCBS International Studios, Deer Squad will premiere on Nickelodeon in the U.S. on Jan. 25, at 9 a.m. (ET/PT) in the preschool block. The series will continue to air regularly weekdays at 9 a.m. (ET/PT).

The adventure-rescue show follows four, lovable, enthusiastic and heroic deer friends—Kai, Lola, Bobbi and Rammy—who protect the animals of Central Forest and the humans who inhabit Platinum City, a futuristic metropolis surrounding their woodland home. When there’s trouble, the Deer summon their special Planet Powers of Water (Kai), Wood (Lola), Earth (Bobbi) and Sun (Rammy) to solve problems.

“We first partnered with iQIYI on the series with a worldwide audience in mind. We’re incredibly proud to see this original preschool series become the first Nickelodeon International global Chinese-originated collaborative project, as we further our commitment to developing kids-first content from around the world,” said Nina Hahn, Head of VIS KIDS and Senior Vice President of International Production & Development for Nickelodeon International.

Deer Squad is a major breakthrough for iQIYI’s development of original children’s animation, creatively supervised by Nickelodeon International. We appreciate Nickelodeon’s international broadcasting strategy on the show, and it is great news that we have achieved No.1 in viewership in many regions. We hope that there will be more Chinese original animations to go international,” said Yang Xiaoxuan, Vice President of iQIYI and Head of Original Animation and Investment.

Nickelodeon International aired Deer Squad across Asia in August 2020, including iQIYI’s platform in China, and premiered in Australia, New Zealand and the UK later in the year. It was the #1 show in the Philippines amongst kids 2-141, ranked Nick Jr. as the #1 STV channel in Australia among kids 0-4 during Deer Squad premieres2 and averaged +148% in the UK compared to the timeslot benchmark3. The series is scheduled to air in Europe and Africa in March 2021.

Deer Squad is currently in production for a second season.  The show marks the first time for Nickelodeon Asia to partner on a Chinese original from its conception phase.

About Nickelodeon International

Nickelodeon, now in its 41st year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The brand includes television programming and production in the United States and around the world, plus consumer products, digital, location-based experiences, publishing and feature films. Nickelodeon is one of the most globally recognized and widely distributed multimedia entertainment brands for kids and family, available in nearly 400 million households across 170+ countries and territories, via more than 80+ locally programmed channels and branded blocks. Outside of the United States, Nickelodeon is part of ViacomCBS Networks International, a division of ViacomCBS Inc. (Nasdaq: VIACA, VIAC). For more information or artwork, visit Nickelodeon and all related titles, characters and logos are trademarks of ViacomCBS Inc.

About ViacomCBS International Studios (VIS)

Introduced in 2018, ViacomCBS International Studios (VIS) is a division of ViacomCBS Networks International that produces content for ViacomCBS brands and platforms, including Paramount+, Nickelodeon, MTV, Comedy Central, Channel 5, Network 10, Telefe and Porta Dos Fundos, as well as for third parties. In 2020, VIS Kids launched to further the expansion of the studio’s global kids content pipeline. The content that VIS produces covers all genres, from preschool to young adult and across live action and animation, as well as soap operas, dramas, short and long-form comedy formats and feature film productions. VIS global sales include original productions, co-productions, formats sold for local adaptations, and sale of ready-made content.

About iQIYI

iQIYI, Inc. is an innovative market-leading online entertainment service in China. Its corporate DNA combines creative talent with technology, fostering an environment for continuous innovation and the production of blockbuster content. iQIYI’s platform features highly popular original content, as well as a comprehensive library of other professionally-produced content, partner-generated content and user generated content. The Company distinguishes itself in the online entertainment industry by its leading technology platform powered by advanced AI, big data analytics and other core proprietary technologies. iQIYI attracts a massive user base with tremendous user engagement, and has developed a diversified monetization model including membership services, online advertising services, content distribution, live broadcasting, online games, IP licensing, online literature and e-commerce.

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"Deer Squad" on Nick

Primetime TV Review of “Bridge and Tunnel”

TV Review!

"Bridge and Tunnel" cast

“Bridge and Tunnel” on Epix Review by Suzanne 2/5/21

This show is about some friends in their 20’s who’ve graduated from college and have gotten together where they grew up, on Long Island.  The acting is fine. I found the story to be pretty boring. There are a lot of characters, and they don’t make us care about any of them, so it’s hard to tell them apart at times.

Even though the show is set in the 80’s, most of the music they play is from the 70’s…not even 1979, but earlier. Now, sure, if you grew up in the 70’s, you would still want to listen to your own music from college and high school, but you’d also probably still be listening to the current music.  Don’t get me wrong — I love 70’s music. I enjoyed that part of watching the show. I’m sure that it would have a great soundtrack. I just wondered why there wasn’t more music from the time the show is actually set in.

I only watched the first episode, so perhaps they do use more music from 1980 later on. I wasn’t interested enough in the show to keep watching, though.  There are so many wonderful shows out there…there’s no time for me to watch something I already don’t like, to see if it gets better.

Also, it seemed like the actors might have been paid extra every time they used the F word. Seriously.


Bridge and Tunnel

Premiered January 24, 2021 on EPIX

Written, directed and produced by Edward Burns (Saving Private Ryan, Public Morals), this dramedy series set in 1980 revolves around a group of recent college grads setting out to pursue their dreams in Manhattan while still clinging to the familiarity of their working-class Long Island home town. Production is currently underway in New York.

The series features a stellar ensemble cast including Sam Vartholomeos (Star Trek: Discovery), Caitlin Stasey (Reign, Please Like Me), Gigi Zumbado (9-1-1, Criminal Minds, Scream), JanLuis Castellanos (13 Reasons Why, Marvel’s Runways), Brian Muller (The Deuce, Madame Secretary, The Good Wife), Isabella Farrell (The Good Fight), Barrett Wilbert Weed (Mean Girls on Broadway) and Erica Hernandez (Hollywood Fringe, Brittany Runs a Marathon). 

In addition to Burns, the series is also executive produced by Aaron Lubin (Something Borrowed, Public Morals) and Lori Keith Douglas (The Village, Friends from College).  This is the second series from EPIX Studios. Bridge and Tunnel will be internationally distributed by MGM.

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"Bridge and Tunnel" on Epix

Primetime TV Review of “Pixar Popcorn”

TV Review!

"Pixar Popcorn" on Disney+

“Pixar Popcorn” on Disney+ Review by Suzanne 1/28/21

This is a cute little show that features Pixar characters you know from the movies doing fun things, such as exercising. The series is mostly wordless — probably because they’d have to pay the actors money if they were speaking.  There are only a few episodes, but they’re worth watching. Your kids will love them, too.


The collection of 10 mini shorts features characters from Pixar favorites like “Toy Story,” “Finding Nemo,” “Cars” and “The Incredibles” in all-new, bite-size stories created by Pixar Animation Studios’ talented animators.

Grab a quick snack of Pixar! This collection of mini shorts stars your favorite characters in all-new, bite size stories. Created directly by Pixar animators as a quick pop of Pixar fun.


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"Pixar Popcorn" on Disney+

Primetime TV Review of “The Sister”

TV Review!

"The Sister" on HULU

“The Sister” on HULU Review by Suzanne 1/25/21

This is a really good mystery/suspense/thriller. It grabs you from the beginning of the first episode and doesn’t let go.  Russell Tovey plays Nathan, who seems like a regular guy. He’s harboring a big secret, though.  Someone from his past, Bob (Bertie Carvel), appears, threatening his normal life.  Nathan gets more and more spun out of control as things happen.  This would be a good enough show, especially with these actors and the wonderful writing. However, it’s also a ghost story.

In the first episode, we learn that a woman died that Nathan had a crush on, and he and Bob had something to do with it.  In the meantime, Bob, who’s an expert on the supernatural, gives Nathan evidence that the woman is a ghost and haunting them. Nathan doesn’t want to believe it. Not only that, but he’s now married to the woman’s sister.

This is very well done. You should watch it. I don’t think you’ll be disappointed.


How far would you go to keep a secret? One rainy evening, Nathan is surprised by an unwelcome face from the past. Nathan has never been able to forget the worst night of his life: a party that led to the sudden, shocking death of a young woman. Only he and Bob, an eccentric old acquaintance, know what really happened… and they’ve resolved to keep it that way. But years later, Bob appears at Nathan’s door with terrifying news that threatens to tear Nathan’s world apart. Because Nathan has his own secrets now. Secrets that could destroy everything he has desperately fought to build for himself and his family.

The four-part series is written by Neil Cross and is inspired by the novel Burial, also written by Neil Cross (Luther, Hard Sun, Mama). Executive Producers are Euston Films Managing Director Kate Harwood (Dublin Murders, Hard Sun, Baghdad Central), alongside Executive Producer for Euston Films, Noemi Spanos (Dublin Murders), and Neil Cross. The series is directed by Niall MacCormick (The Victim, The Durrells, Doctor Thorne) and produced by Jonathan Curling (Tin Star, Baghdad Central). The Sister is a Euston Films (a Fremantle company) production for ITV and is distributed internationally by Fremantle. The series was commissioned for ITV by Head of Drama, Polly Hill.

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"The Sister" on HULU

Primetime TV Review of “Losing Alice”

TV Review!

"Losing Alice" on AppleTV+

“Losing Alice” on Apple TV+ Review by Suzanne 1/24/21

This is a very strange Israeli show. After viewing the first episode, I’m still not sure what’s really going on. That may be on purpose. They want to keep you guessing. I find it very hard to follow. In this psychological thriller, Alice (Ayelet Zure) is an older female film director/writer who has writer’s block and is feeling insecure. She meets a strange young woman, Sophie (Lihi Kornowski) on a train who seems to worship her. The young woman acts very odd and somewhat sexual. The older woman is clearly affected by her. She finds out that Sophie had submitted a script to her husband, David, and he liked it. Later, Alice goes home and has some unsettling encounters with her neighbors, who are remodeling their home.  She also talks to her husband about Sophie and reads Sophie’s script. She finds the script to be amazing.  We see part of the “movie” in the script, but I don’t know if it’s real or not.

If you love thrillers and aren’t bothered by movies that are very unusual and don’t follow a regular plot, then you’ll probably love this one. I don’t like to have to work this hard when I watch TV. I like to sit back, relax, and be entertained. Skip this one if you’re like me.


“Losing Alice” is a thrilling cinematic journey that uses flashbacks and flash-forwards in a satisfyingly complex narrative that takes the viewer through the conscious and subconscious of its protagonist’s mind. The series follows Alice (played by Ayelet Zurer), a 48-year-old female film director, who feels irrelevant since raising her family. After a brief encounter on the train, she becomes obsessed with a 24-year-old screenwriter femme fatale, Sophie (played by Lihi Kornowski), and eventually surrenders her moral integrity in order to achieve power, relevance and success. Through the prism of this female Faust, the series explores issues such as jealousy, guilt, fear of aging, and the complex relationships women have among themselves and each other. But above all, “Losing Alice” is a love letter for the still-too-rare female director.

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"Losing Alice" on AppleTV+

Primetime TV Review of “Daughter From Another Mother”

TV Review!

"Daughter From Another Mother" on

“Daughter From Another Mother” on Netflix Review by Suzanne 1/28/21

This is a fun dramedy from Mexico. Two mothers have babies on the same day.  One is a young student, a single mom (Mariana), and the other is an older, middle-aged well-to-do mom with 3 other kids and a husband (Ana).  Mariana had planned on a home birth, but things didn’t go as planned, so her mother rushes her to the hospital. Both women happen to meet and take an instant dislike of each other.  Later on, a new nurse accidentally switches the babies when she takes off their ID bracelets and then puts them back in the wrong order.

There are a lot of characters, which include Mariana’s mother, her girlfriend, and her ex-boyfriend; Ana’s children, husband, personal assistant, chauffeur and others she works with.  They all get involved in these family problems (and two are having an extra-marital affair).  When the hospital finds out that the babies were switched, they insist that each mother give the other’s baby back. However, both moms have bonded with the other baby, so it’s heartbreaking. They come up with an easy solution: Mariana moves in with Ana’s family.

I enjoyed this first episode, and if I had time, I would watch the rest of it. Maybe I will someday.



completed airing its first season on 1/20/21; has yet to be renewed for a second season.

(from Netflix’s web site, January 2021) After realizing their babies were exchanged at birth, two women develop a plan to adjust to their new lives: creating a single —and peculiar— family.

· Ludwika Paleta
· Martín Altomaro
· Paulina Goto

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Primetime TV Review of “Fate: The Winx Saga”

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“Fate: The Winx Saga” on Netflix Review by Suzanne 1/30/21

This series is based on a hit 2004 Italian-American animated series called “Winx Club” that also ran on Nickelodeon. The basic idea is similar to Harry Potter: a young person that wasn’t raised with magic goes to a boarding school for magical kids, where they learn to hone their powers.  They even make a joke about Harry Potter in the first episode. There are two types of teen students at Alfea, the magical boarding school in the Otherworld (a world parallel to ours): The women are fairies, with magical powers based on the elements such as fire, water, mind etc. Their emotions are linked to their powers. The men are specialists, which appear to be humans training to defend the Otherworld.

The star of the show is Bloom (Abigail Cowen), an American girl who grew up in our world, not knowing what she was or that magic existed.  She finds out that she was a Changeling, a fairy baby switched with a human one.  She left her human parents because she had accidentally burned down their house and injured her mother one day, after getting angry. She meets the other magical teens as she moves to Otherworld.

It’s a good fantasy show, with a lot of action and teen angst.  If you like shows such as “Legacies,” then you should enjoy this.



March 14, 2018 – Netflix is bringing the popular Italian animated franchise Winx Club to its members around the world in a new, live action young adult series. For the first time the popular six fairies will turn into real teenagers learning to hone their powers while living together in a magic boarding school.

Winx Club was created and produced in Italy in 2004 by Iginio Straffi, founder and CEO of Rainbow Group. After its launch, It has become one of the most successful animated series in Europe and one of the first Italian series to be sold in the US.

In 2016, Netflix globally and exclusively released two seasons of World of Winx, a spinoff from the successful Winx Club, which has been popular with audiences around the world.

Erik Barmack, VP of International Originals at Netflix, says: “Winx is a global phenomenon and through this exciting series we are thrilled to reinforce our relationship with Rainbow and to develop the next chapter of Winx. The famous fairies will grow up with their audience and will explore complex themes as real-life teenage super heroines in a live action show”.

Iginio Straffi – Winx Club’s author, Founder and CEO of Rainbow Group, says: “We are very pleased that our successful collaboration with Netflix continues with ever more ambitious projects. Netflix’s young adult series have touched a chord with audiences around the world and we are looking forward to seeing the Winx fairies in this new exciting live action adaptation.”

About Netflix

Netflix is the world’s leading internet entertainment service with over 117 million members in over 190 countries enjoying more than 140 million hours of TV shows and movies per day, including original series, documentaries and feature films. Members can watch as much as they want, anytime, anywhere, on nearly any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.

About Rainbow

The Rainbow Group was founded in 1995 by Iginio Straffi, current President and Chief Executive Officer, and gained a worldwide reputation thanks to the extraordinary success of the Winx Club fairies brand. The group operates in the children and teenager entertainment industry, ranking among the main international companies for the development of content – both animated and live action – for TV and cinema productions, as well as for the creation, development and licensing of content and the production of animated content for third parties, integrated by the group with the acquisition of Canadian studios Bardel Entertainment in 2015.With the acquisition of Iven Group in 2017, the Rainbow Group has also broadened its offer of TV and movie products dedicated to adults and families, with the TV formats and film library owned by Colorado Film Production S.r.l., (one of Iven Group’s companies) that has been active on the market for more than 30 years. In over 20 years of experience, the group has created and developed a variety of properties and can count on a product portfolio aired in over 100 countries through different broadcasting platforms; in the consumer products industry, has led to the company being 11th on the yearly Global Licensor List worldwide – and 1st in Europe – with more than 500 licensees worldwide on a global scale.

Abigail Cowen Has Joined the Cast of “Fate: The Winx Saga” – Adapted from the Popular Italian Franchise
Brian Young will showrun the YA-series set at a magical boarding school where five friends try to navigate their powers, romance, and deadly monsters.

Determined to master their enchanting powers, a group of teens navigate rivalry, romance and supernatural studies at Alfea, a magical boarding school.

· Abigail Cowen as Bloom
· Alex Macqueen
· Danny Griffin as Sky
· Eliot Salt as Terra
· Elisha Applebaum as Musa
· Eva Birthistle
· Eve Best
· Freddie Thorp as Riven
· Hannah van der Westhuysen as Stella
· Jacob Dudman as Sam
· Josh Cowdery
· Precious Mustapha as Aisha
· Robert James-Collier
· Sadie Soverall as Beatrix
· Theo Graham as Dane
· Brian Young as CRTR/EP
· Iginio Straffi as EP
· Jon Finn as PROD
· Lisa James Larsson as DIR

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Primetime DVD Review: “Doom Patrol: The Complete Second Season”

DVD Review!

Doom Patrol: The Complete Second Season [Blu-ray] DVD cover

“Doom Patrol: The Complete Second Season [Blu-ray] ” Review by Suzanne 1/23/21

Warner Bros. Home Entertainment provided me with a free copy of the Blu-ray I reviewed in this post. The opinions I share are my own.

I love this series. I grew up reading the “Doom Patrol” comic books. I love superhero shows, and the actors do a fabulous job. I’m very glad to have this on DVD because I never seem to have the time to watch it otherwise. The second season is just as good as the first, in my opinion. The characters, having vanguished the villain Mr. Nobody in season 1, now have plenty to do in season 2 as they battle their own inner demons as well as the real-life bad guys.  They do a wonderful job of bringing the comic book to life.

Season 2 ended on a cliffhanger because of the pandemic (there was supposed to be one more episode); there are 9 episodes total.  The show was renewed for season 3 and has already started filming. Hopefully, it will return later this year. It airs now on HBO Max, since DC Universe no longer shows TV shows.

Any comic book fan should love this series.  It’s great drama, tragedy, action and quite a bit of humor as well.

The special features include “Doom Patrol: The Magic of Makeup” and “Doom Patrol Season 2: Come Visit Georgia PSA.”  The first feature is very cool and shows how some of the makeup gets done for the show. The second feature is really boring, but it’s short. I wish they had more extras.


Now’s the Time to Get a Grip of Your Inner Demons!
Contains All Action-Packed Episodes from the Second Season of the Hit DC UNIVERSE Original Series, Plus Two Featurettes!
Come Face-To-Face with Your Secrets with the Release of the Hit Series on Blu-ray™ & DVD on January 26, 2021
BURBANK, CA (October 21, 2020) – Get ready to embrace the strange. DC’s favorite misfit heroes are back to save the world once again with the release of Doom Patrol: The Complete Second Season on Blu-ray and DVD on January 26, 2021 from Warner Bros. Home Entertainment. Strap yourself in for an exhilarating ride with all 9 episodes from the second season of the original DC series, plus enjoy the captivating extra features including two behind-the-scenes featurettes. Doom Patrol: The Complete Second Seasonis priced to own at $29.98 SRP for the DVD ($39.99 in Canada) and $39.99 SRP for the Blu-ray ($44.98 in Canada), which includes a Digital Copy (U.S. only). Both sets have an order due date of December 22, 2020.
DC’s strangest group of Super Heroes are back again to save the world – that is if they can find a way to grow up…both figuratively and literally. Following the defeat of Mr. Nobody, the DOOM PATROL now find themselves mini-sized and stranded on Cliff’s toy race car track. Here they begin to deal with their feelings of betrayal with Niles Caulder aka The Chief, while confronting their own personal baggage. As each Super Hero faces the challenge of moving beyond trauma and failure, they must come together to protect the newest family member, Niles’ daughter, whose powers remain a mysterious but real threat to bringing on the end of the world.
With Blu-ray’s unsurpassed picture and sound, Doom Patrol: The Complete Second Season will be released in 1080p Full HD Video with DTS-HD Master Audio for English 5.1. The 2-disc Blu-ray will feature a high-definition Blu-ray and a Digital Copy of all 9 episodes from season two (available in the U.S.).
Doom Patrol stars Diane Guerrero (“Orange is the New Black”), April Bowlby (“Two and a Half Men”), and Joivan Wade (“Doctor Who”), with Matt Bomer (Magic Mike), and Brendan Fraser (The Mummy), and a special appearance by Timothy Dalton (License to Kill). Based on the characters from DC, Doom Patrol is produced by Berlanti Productions in association with Warner Bros. Television, with executive producers Greg Berlanti (“The Flash,” “Supergirl,” “Riverdale,” “DC’s Legends of Tomorrow)”, Jeremy Carver (“Supernatural,” “Frequency”), Geoff Johns (Aquaman, Wonder Woman), Chris Dingess (Agent Carter, Eastwick) and Sarah Schechter (“The Flash,” “Supergirl,” “Blindspot,” “Black Lightning”). Doom Patrolhas been renewed for a third season exclusively on HBO Max.
  • The Transformers: Doom Patrol’s Make-up FX
  • Doom Patrol – Come Visit Georgia PSA
  1. Fun Size Patrol
  2. Tyme Patrol
  3. Pain Patrol
  4. Sex Patrol
  5. Finger Patrol
  6. Space Patrol
  7. Dumb Patrol
  8. Dad Patrol
  9. Wax Patrol
Street Date: January 26, 2021
BD and DVD Presented in 16×9 widescreen format
Running Time: Feature: Approx 405 min
Enhanced Content: Approx 11 min
Price: $29.98 SRP
3-Discs (3 DVD-9s)
Audio – English (5.1)
Subtitles – English SDH
US & Canada
UPC# 883929725298
Catalog# 1000780601
Price: $39.99 SRP
2-Discs (2 BD-50s)
Audio – DTS-HD Master Audio 5.1 – English
BD Subtitles – English SDH
UPC# 883929727759
Catalog# 1000781748
UPC# 883929725304
Catalog# 1000780602
About Warner Bros. Home Entertainment Inc.
Warner Bros. Home Entertainment (WBHE) brings together Warner Bros. Entertainment’s home video, digital distribution and interactive entertainment businesses in order to maximize current and next-generation distribution scenarios. An industry leader since its inception, WBHE oversees the global distribution of content through packaged goods (Blu-ray Disc™ and DVD) and digital media in the form of electronic sell-through and video-on-demand via cable, satellite, online and mobile channels, and is a significant developer and publisher for console and online video game titles worldwide. WBHE distributes its product through third party retail partners and licensees.
About DC
DC is one of the largest English-language publishers of comics and graphic novels in the world and home to some of the most iconic and recognizable characters ever created. As a creative unit of WarnerMedia, DC is charged with strategically integrating its stories and characters across film, television, consumer products, home entertainment, interactive games, and the DC Universe digital subscription service. For more information, visit and

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Doom Patrol Season 2 cast

Primetime DVD Review: “Snowpiercer: The Complete First Season”

DVD Review!

Snowpiercer: The Complete First Season [Blu-ray] DVD cover

“Snowpiercer: The Complete First Season (BD + Digital) [Blu-ray]” Review by Suzanne 1/23/21

Warner Bros. Home Entertainment provided me with a free copy of the Blu-ray I reviewed in this post. The opinions I share are my own.

In case you didn’t know, this is the TV version of the 2013 movie “Snowpiercer” starring Chris Evans (which was adapted from a book). It takes place in the future, after mankind, in trying to fix climate change, froze the earth. The rich people got together and built a massive train just for them and their families. However, many regular people forced their way on board with them before the train started up.  Now the people at the back of the train (the Tailies) are poor and starving, while the rich people live in the rest of the train, sectioned off from the rest.  The Tailies want to rebel and overtake the rest of the train, but the rich people try to keep the ecological balance of their part of the train and enforce their privacy with a security force.  They occasionally bring Tailies into the front part to work as maintenance, security and other menial tasks.

I never saw the original “Snowpiercer” movie, so I can’t compare the TNT series to that. I was reluctant to watch either because I had read what they were about, and I’m not a big fan of post-apocalyptic or dystopian movies/shows. They’re usually lacking in hope; everything is dark, dirty and depressing.  I love scifi, but I was raised on “Star Trek,” where everything is clean and hopeful.

However, they sent me the DVD to review, so I had to watch it. It’s not bad.  Things are bad for humanity in this show, but they’re not hopeless. There is a lot of violence, but they do have some nice moments to balance it a bit. It is a very intense show that keeps you watching.

It’s compelling drama as long as you ignore how ridiculous parts of it are. I don’t know about the movie, but it seems to me that without the Tailies, the rich people wouldn’t have anyone to do the manual labor (unless they already had brought on their favorite nannies and other staff). How do you build a track or train that long, and what happens if part of the tracks deteriorate or freeze over? What happens if other things go wrong mechanically on the train. I’m sure that in real life, they have maintenance crews to fix things. It doesn’t make a lot of sense as to why they would build a train to just go around and around on the ice planet, especially when they could have built a city instead, or a spaceship. Why a moving train at all? No one appears to have guns, so either they were outlawed or the rich people didn’t think they would need them, I guess. If they weren’t expecting people to jump on the train, then how do the security guards have all these fancy uniforms?

The show’s two main stars are Daveed Diggs of “Hamilton” fame (Andre Layton) and movie star Jennifer Connelly (Melanie Cavill).  You’ll no doubt recognize other familiar faces in the show, such as Mike O’Malley (“Glee,” “Yes, Dear”), Alison Wright (“Castle Rock”) or Sheila Vand (“Undone”).  Sean Bean joins the show in the 2nd season. Lyaton is the show’s hero from the Tail. He’s brought up to the front of the train to solve a murder because he was a former police detective in Detroit.  He’s forced to help the rich people, even though he doesn’t want to.  Connelly is the heroine (of sorts) who helps run the train and keep the status quo.  She and Diggs have a lot of chemistry.

The movie is, of course, about class warfare. It’s made even clearer by the fact that the rich people are all white or Asian, and the tailies tend to have more black people.  The tailies live in the dark, with no windows, and no creature comforts (I gather they’re back with the luggage? I wonder what happened to all the rich people’s luggage?). Everything looks dirty and raggedy.  The front part of the train is very clean, white and beautiful. They seem to have everything one could want. The show is set 7 years after the train started, and I believe the movie was set later than that. I supposed that makes it a prequel.

There are only 10 episodes, so there are only two disks. There are many bonus features, including an Overview of the show; a segment called Class Warfare; a behind-the-scenes interview with the two main stars; a feature about the train itself; and a segment called “Behind the Curtain: Art of the Frozen World” which focuses the Hollywood magic they use to make the cold parts of the show.  It’s a good show to binge-watch, along with the extras.


The World Outside Is Frozen Solid. The World Inside Is Heating Up.
All Aboard The World’s Most Elite Train On January 26, 2021
When the Blu-ray™ & DVD Become Available!
BURBANK, CA (October 20, 2020) Attention all passengers – the revolution is coming! Get ready for more secrets, plot twists, and reveals as Warner Bros Home Entertainment takes you on an epic journey with the release of “Snowpiercer: The Complete First Season” on Blu-ray and DVD on January 26, 2021. Strap yourself in for an exhilarating ride with all 10 episodes from the first season, plus enjoy the captivating extra features, behind-the-scenes interviews, featurettes, and more! “Snowpiercer: The Complete First Season” is priced to own at $24.98 SRP for the DVD and $29.98 SRP for the Blu-ray, which includes a Digital Copy. Both sets have an order due date of December 22, 2020. “Snowpiercer: The Complete First Season” is also available to own on Digital via purchase from digital retailers.
Set more than seven years after the world has become a frozen wasteland, “Snowpiercer”centers on the remnants of humanity who inhabit a perpetually moving train, with 1001 cars, that circles the globe. Class warfare, social injustice and the politics of survival play out in this riveting television adaptation.
“In only its first season this insanely brilliant series, with incredible actors takes us through the ultimate journey of what could potentially be the aftermath of global warming,” said Mary Ellen Thomas, WBHE Senior Vice President, Originals, Animation & Family Marketing. “Get ready for the ride of a lifetime as you binge watch the entire first season on Digital, Blu-ray & DVD!”
Based on the critically acclaimed graphic novel series and the film from Academy Award® winner Bong Joon Ho (“Parasite”), the all-new series stars Academy Awardwinner Jennifer Connelly (“A Beautiful Mind”),  Grammy® and Tony Award® winner Daveed Diggs (“Hamilton,” “Black-ish”) Emmy® nominee Alison Wright (“The Americans”), Mickey Sumner (“Frances Ha,” “Battle of the Sexes”), Susan Park (“Ghostbusters”), Iddo Goldberg (“Peaky Blinders,” “The Zookeeper’s Wife”), Katie McGuinness (“Dirty Filthy Love”), Tony Award winner and Grammy nominee Lena Hall (“Hedwig and the Angry Inch”), Annalise Basso (“Bedtime Stories”), Sam Otto (“Jellyfish”), Roberto Urbina (“Narcos”), Sheila Vand (“Argo”) and Jaylin Fletcher (“Saturday Church”).
The series is executive produced by Graeme Manson, Marty Adelstein and Becky Clements, James Hawes, Matthew O’Connor, Ben Rosenblatt and Scott Derrickson, and the original film’s producers, including Bong Joon Ho, Miky Lee, Tae-sung Jeong, Park Chan-wook, Lee Tae-hun and Dooho Choi. The show is produced by Tomorrow Studios (a joint venture between Adelstein and ITV Studios), along with CJ Entertainment. ITV Studios handles international distribution.  Cable’s #1 new drama series, “Snowpiercer” season two will premiere Monday, January 25 at 9 p.m. ET/PT on TNT.
  • Overview
  • Class Warfare
  • Jennifer & Daveed – Behind The Scenes Interview
  • The Train
  • Behind the Curtain: Art of the Frozen World
  1. First, The Weather Changed
  2. Prepare to Brace
  3. Access is Power
  4. Without Their Power
  5. Justice Never Boarded
  6. Trouble Comes Sideways
  7. The Universe Is Different
  8. These Are His Revolutions
  9. The Train Demanded Blood
  10. 994 Cars Long
The first season of Snowpiercer is also available to own on Digital. Digital allows consumers to instantly stream and download all episodes to watch anywhere and anytime on their favorite devices. Digital is available from various retailers including Apple TV, Amazon Video, Google Play, Vudu, PlayStation, Xbox and others. A Digital Copy is also included in the U.S. with the purchase of specially marked Blu-ray discs for redemption and cloud storage.
Street Date: January 26, 2021
Order Due Date: December 22, 2020
BD and DVD Presented in 16×9 widescreen format
Running Time: Feature: Approx 440 min
Enhanced Content: Approx 20 min
Price: $24.98 SRP
3-Discs (3 DVD-9s)
Audio – English (5.1)
Subtitles – English SDH
UPC# 883929723768
Catalog# 1000778531
Price: $29.98 SRP
2-Discs (2 BD-50s)
Audio – DTS-HD Master Audio 5.1 – English
BD Subtitles – English SDH
UPC# 883929723775
Catalog# 1000778532
About Warner Bros. Home Entertainment Inc.
Warner Bros. Home Entertainment (WBHE) brings together Warner Bros. Entertainment’s home video, digital distribution and interactive entertainment businesses in order to maximize current and next-generation distribution scenarios. An industry leader since its inception, WBHE oversees the global distribution of content through packaged goods (Blu-ray Disc™ and DVD) and digital media in the form of electronic sell-through and video-on-demand via cable, satellite, online and mobile channels, and is a significant developer and publisher for console and online video game titles worldwide. WBHE distributes its product through third party retail partners and licensees.
About TNT
TNT, a WarnerMedia brand, is watched by more people than any other cable network and known for big, lean-forward television that gives viewers the best seat in the house for electrifying stories, dynamic characters and thrilling events. TNT is home to some of television’s most popular original series including ”Snowpiercer,” ”The Alienist: The Angel of Darkness,” “Animal Kingdom” and ”Claws.” TNT is expanding its programming to include premium unscripted with the docuseries ”ShaqLife.” TNT also presents popular shows such as ”Bones” and ”Castle,” in addition to primetime specials and sports coverage, including the NBA and NCAA Division I Men’s Basketball Championships and the professional wrestling league All Elite Wrestling (AEW), which has exploded onto the scene with “AEW Dynamite,” premiering as the night’s #1 wrestling show. Website:

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Snowpiercer's Connelly and Diggs

Primetime TV Review: “Dino Ranch”

TV Review!

Dino Ranch

“Dino Ranch” on Disney Junior Review by Suzanne 1/21/21

This is a cute computer-animated kid’s show about a fantasy world where the Cassidy family tames and raises dinosaurs of all shapes, colors and sizes on a ranch (much as you would cattle or other animals). The show demonstrates cooperation, problem-solving and other ideas that kids should learn. Each episode is only 11 minutes long, so they show several in one half hour segment.

I think most kids should love this show, especially if they’re already into dinosaurs. There are three kids in the show (Jon, Min and Miguel), plus the parents, Bo and Jane. It’s aimed at preschool children. I’m sure there will be plenty of show-related toys for the kids to want to buy as well.


(from Boat Rocker Media’s press release, January 2021)

Filled with adventure and life-long friendships, the new preschool series “Dino Ranch” will make its U.S. debut January 18, 2021, on Disney Junior and in DisneyNOW. The animated series, produced by Industrial Brothers and Boat Rocker Studios, follows the Cassidy family as they tackle life in a fantastical, “pre-westoric” setting where dinosaurs roam. As the young explorers learn the ropes, they discover the thrill of ranch life while navigating the great outdoors through unpredictable challenges. In addition to an irresistible blend of dinosaurs and ranchers, the series has four key themes at its core and celebrates outdoor fun, embraces nurturing and friendship, demonstrates the strength of teamwork and personal growth, and promotes the importance of family and community. The sun rises. A Pterodactyl crows. Dinosaurs roar … and a dedicated family of dinosaur-riding Dino Ranchers hits the saddles to race off for another day of fun-filled, free-range roping ‘n’ riding, dinosaur-driven fun!

· Matt Fernandes as CRTR
· comedy (all)
· comedy (animated)
· Boat Rocker Media
· Industrial Brothers


More Information

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Dino Ranch

Primetime TV Review: “Miss Scarlet and the Duke”

TV Review!

Miss Scarlet and the Duke poster

“Miss Scarlet & The Duke” on PBS Review by Suzanne 1/21/21

This is a fun new mystery miniseries Sundays on PBS. I’m really enjoying it. It takes place in London, in Victorian England. Miss Eliza Scarlet (Kate Philips) is the daughter of a private detective (and former police officer). She wants to be a private detective, too. He trained her for many years as she was growing up. Her father goes missing and she has to handle a new client, and dealing with what happens to her father, among other things. Although she’s “a lady,” she’s not afraid and can defend herself. Her childhood friend is William Wellington, a police officer known as “The Duke” (Stuart Martin). Like most men of his time, he’s very chauvinistic. He doesn’t think young ladies should be involved in dead bodies and gruesome things like that. However, she’s a very good detective, so they work together.

I love most PBS mysteries, and especially ones that feature powerful women, and handsome men. Kate Philips is excellent in the role. She has just enough moxie to pull off the character while still seeming like someone who was raised in a genteel fashion. Stuart Martin reminds me a lot of Hugh Jackman. They make a great team. Eliza also has some household servants who are more like family, and there are other various characters (some unsavory). The ending of the first episode reminds me a little bit of “Remington Steele.”  Check this out.


Go on the case with private eye Eliza Scarlet, Victorian England’s first-ever female sleuth, as she solves crimes – and sometimes flirts – with her partner and childhood friend, Detective Inspector William “The Duke” Wellington.

Miss Scarlet in the parlor with the dead man

Miss Scarlet & The Duke

Kate Phillips and Stuart Martin star in a new Victorian mystery series


Sundays, January 17 February 21, 2021 on PBS

Before Marple and Tennison, there was Scarlet—Miss Eliza Scarlet, private detective. Kate Phillips (Wolf Hall) stars as Victorian London’s brilliant, beautiful, and first-ever female sleuth, with Stuart Martin (Jamestown) as her friend and associate, Detective Inspector William “The Duke” Wellington. Celebrating MASTERPIECE’s 50th anniversary in 2021, Miss Scarlet & The Duke premieres with six thrilling episodes, Sundays, January 17 – February 21, 2021 at 8/7c on PBS.

Lighthearted yet gripping, the series features Kevin Doyle (Downton Abbey) as Eliza’s father, Henry Scarlet, who is also her mentor in crime-solving.

Danny Midwinter (Casualty) plays the Duke’s profane but proficient sergeant, Frank Jenkins. And Ansu Kabia (World on Fire) is the shadowy underworld figure, Moses, whose motives keep the police guessing.

Also appearing are Andrew Gower (Poldark) as the companionable aristocrat Rupert Parker, who is living a double life; Cathy Belton (Philomena) as Eliza’s devoted housekeeper and former nursemaid, Ivy; and Nick Dunning (The Tudors) as the Duke’s insufferable boss, Superintendent Stirling.

Miss Scarlet & The Duke is set in London at the start of the Sherlock Holmes era, circa 1880. Eliza’s father, Henry, is a widowed retired police officer, currently a private detective running up bills and drinking through his occasional earnings. Nonetheless, he is a talented investigator, and he has taught his only child, Eliza, the trade since she was a girl. She is now determined to break into this male-only profession.

Fortunately, Eliza’s childhood friend happens to be a detective inspector at Scotland Yard: William “The Duke” Wellington. He gets his nickname from the most famous Englishman of the 19th century: the Duke of Wellington, victor over Napoleon at the Battle of Waterloo. Like that other Wellington, the Duke is cool and decisive in a scrape. And he is also a ladies’ man, which leads to interesting complications with Eliza.

Sometimes working together—but often at odds—Eliza and the Duke tackle a series of fascinating cases. On launching her business, Eliza’s initial chal- lenge is not criminals or clients so much as getting society to take a female detective seriously, even one who has mastered wounds, poisons, motives, and red herrings. But she forges ahead and sees her first commission—a simple search for an older gentleman’s lost niece—turn into something very sinister, which she resolves with the Duke’s help.

And with that her career, if not her income, is off and running. Eliza’s exploits range from an open-and-shut murder case that only she realizes is not so clear-cut, to a dastardly plot that will make history if it succeeds, to a client being harassed from beyond the grave. In her final investigation of the season, spanning Episodes 5 and 6, Eliza is pursuing the mystery of her father’s demise when she unwittingly lures the Duke into a deathtrap. Naturally, the ordeal is a bonding experience for the two quarrelsome but secretly affectionate crime-solvers.

Miss Scarlet & The Duke is an A+E NETWORKS INTERNATIONAL and ELEMENT 8 ENTERTAINMENT production co-produced with MASTERPIECE in association with Eighty Seven Films and Bandidos Yanquis. The writers are Rachael New (Episodes 1-3 & 6) and Ben Edwards (Episodes 4 & 5). The director is Declan O’Dwyer. The Executive Producers for A+E NETWORKS INTERNATIONAL are Melissa Madden, Moshe Laniado-Peleg, Hannah Dal Pozzo, Zalika Webley and Matthew Zagha.


Winner of 83 Primetime Emmys® and 18 Peabody Awards, MASTERPIECE has been essential Sunday night viewing for millions of fans since 1971. Susanne Simpson is the executive producer and Rebecca Eaton is the executive producer-at-large for the series. Funding for MASTERPIECE is provided by Viking and Raymond James with additional support from public television viewers and contributors to The MASTERPIECE Trust.

Produced for PBS by GBH Boston, MASTERPIECE is known for recent hits such as Sherlock, Downton Abbey and Victoria, and beloved classics such as Upstairs Downstairs, Prime Suspect, The Forsyte Saga and Poldark.


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Miss Scarlet and The Duke cast


Primetime TV Review: “Secrets of Sulphur Springs”

TV Review!

"Secrets of Sulphur Springs on Disney channel

“Secrets of Sulphur Springs” on Disney Channel Review by Suzanne 1/17/21

This is a good show. It’s aimed at kids, but I’m enjoying it.  It’s well written. It has some good mysteries. A lot of today’s “adult” mystery or horror shows are really gross and gory. This is more like what we used to see on TV, such as “The Hardy Boys/Nancy Drew Mysteries,” or “Murder She Wrote.” For you younger people, it’s like “Veronica Mars,” but without the sex.

The Campbell family move back to Sulphur Springs, where dad Ben (Josh Braaten) grew up. He hasn’t been there in a long time, but he was compelled to quit his job and buy a supposedly-haunted hotel, The Fremont, to fix up and re-open.  Ben doesn’t think the place is haunted, but many of the people in town do. Much of the action centers on his son, Griffin (Preston Oliver), and his new friend from school, Harper (Kyliegh Curran) as they explore the house and try to solve the mystery of what happened to Savannah (Elle Graham), who disappeared 30 years earlier. They find a lot more than a ghost. Griffin also has a mom, and a young brother and sister who are bratty twins.

Although there’s a Sulphur Springs in Texas, the series is set in a fictional town in Louisiana. The Campbell family gets a lot of warnings from the townspeople about re-opening the hotel. They don’t want Ben back in town, nor to have the hotel reopen.  If you like mysteries of “family shows,” check it out.



Disney Channel has ordered “Sulphur Springs,” a live-action, time travel mystery series from writer and executive producer Tracey Thomson (“The Young and the Restless”). Chuck Pratt (“STAR”) will serve as showrunner and executive producer. Jennifer Phang (Freeform’s “Cloak & Dagger”) directed the pilot episode. Production is set to begin in New Orleans in 2020.

“’Sulphur Springs’ is a truly genre-bending mystery that will help re-define the types of stories we tell on our network,” said Jonas Agin, vice president, Original Series, Disney Channel. “It’s a chilling, heartfelt, funny adventure that we can’t wait for our audience to tune into.”

The 11-episode series follows 12-year-old Griffin Campbell, whose family has just uprooted their lives to move to a new town and take ownership of an abandoned hotel in hopes of restoring it back to the lively vacation destination it once was. Not long after Griffin begins his first day at a new school, he learns that the hotel he’s just moved into is rumored to be haunted by the ghost of a girl who disappeared decades ago. Along the way, Griffin befriends Harper, a bright-eyed, mystery-obsessed classmate. Together, they uncover a secret portal that allows them to travel back in time where they’ll uncover that the key to solving the mystery may lie within Griffin’s own family.

Starring are Preston Oliver (“Chicago Fire”) as Griffin, Kyliegh Curran (“Doctor Sleep”) as Harper, Elle Graham (“Swamp Thing”) as Savannah, Kelly Frye (“Criminal Minds”) as Sarah, Josh Braaten (“American Horror Story”) as Ben, Landon Gordon (Disney Channel’s “Coop & Cami Ask the World”) as Wyatt and Madeleine McGraw (“Outcast”) as Zoey.

“Sulphur Springs” is a production of Gwave Productions LLC. Chuck Pratt and Tracey Thomson’s deals were brokered by Paradigm. The deals were completed prior to the expiration of the WGA/ATA franchise agreement.
*COPYRIGHT ©2019 Disney Enterprises, Inc.

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"Secrets of Sulphur Springs on Disney channel

Primetime TV Review: “WandaVision”

TV Review!

Elizabeth Olsen (Wanda) and Paul Bettany (Vision) in "WandaVision" on Disney+

“Wanda/Vision” on Disney+ Review by Suzanne 1/16/21

This is a very weird show. The two stars of this series (Elizabeth Olsen and Paul Bettany), and their characters, were in the Avengers’ movies as superheroes The Scarlet Witch and Vision. If you haven’t seen those films, you might not understand what’s going on. However, the rest of it is a mystery to all of us. They dropped the first two episodes today.  Clearly something strange is going on. Wanda and Vision are trapped as husband and wife in a 1950’s or 1960’s-style TV show. They know who they are, and they have their powers, but they don’t have much memory of what happened before this, or how they got there.  They did something similar in an episode of “Supernatural,” but I think this is going to turn out to be very different from that.

They do a great spoof of the old shows, like “The Dick Van Dyke Show,” “The Honeymooners,” “I Love Lucy,” and Bewitched.  I can’t wait to see more. In the first episode, Vision and Wanda can’t remember why there’s a heart on their calendar for some special day. She thinks it must be some anniversary, so she gets ready for that, with the help of her nosy-next-door neighbor, Agnes (Kathryn Hahn). Meanwhile, at his work, Vision learns that today is the day that his boss and the boss’ wife are expected for dinner. He calls Wanda to warn her, but in a typical situation comedy misunderstanding, it doesn’t help.  They have a very funny dinner, but it turns weird. In the next episode, they get involved with neighborhood watch as well as doing a magic act to raise money “for the children” (this phrase is repeated by everyone in a monotone that reminds one of a cult).

Besides the sitcom stories, Wanda and Vision get glimpses that something is not right. Vision computes figures at his job, but no one can tell him what their company actually does. Vision’s boss chokes at dinner, and his wife doesn’t act normal as he’s choking. She just keeps saying, “stop that.”  Finally, Wanda tells Vision to save him (I guess neither of them know CPR), so he uses his powers to reach into the man’s throat and take out the food that he’s choking on.  The boss and his wife don’t act like anything unusual happened.  Wanda notices some strange things going on in the second episode when a voice seems to be asking her, through a radio, what happened to her. Also, in their black-and-white world, she sees a red toy helicopter out in their bushes.  Some other strange things happen as well. I don’t want to give too much away. The second episode ended with something pretty cool happening.

What makes this show great is the chemistry between Wanda and Vision, and their comic timing; the production’s attention to detail also makes it work.  Since they’re in a sitcom, it is funny – funnier than the actual shows were back then.  There’s always an edge to what they’re saying, though, because everything is just a little off.

What we’re dying to know is how they got there and where they are. Are they in Wanda’s head? Is Vision dead (since he died in the movies)? Has he come back to life, or did this happen in the past, before he died? Are the other people really people?  Of course, the big question is: who’s behind this?

I look forward to the rest of the episodes….there are only 9 this season. If you like superheroes, or good fantasy, you should definitely check this out.


Marvel Studios presents “WandaVision,” a blend of classic television and the Marvel Cinematic Universe in which Wanda Maximoff (Elizabeth Olsen) and Vision (Paul Bettany) – two super-powered beings living idealized suburban lives – begin to suspect that everything is not as it seems. The new series is directed by Matt Shakman; Jac Schaeffer is head writer.

Fact Sheet: Synopsis:Marvel Studios presents “WandaVision,” The new series debuts exclusively on Disney+ beginning January 15, 2021.Title:“WandaVision”Category:Original live-action series U.S. Premiere:January 15, 2021Cast:Elizabeth Olsen, Paul Bettany, Kathryn Hahn, Teyonah Parris, Kat Dennings, Randall Park Directed by:Matt Shakman Head Writer:Jac SchaefferProduction Company:Marvel StudiosSocial Media:Twitter: @WandaVision, @DisneyPlusFacebook: @WandaVisionOfficial, @DisneyPlusInstagram: @MarvelStudios, @DisneyPlusHashtag:#WandaVision, #DisneyPlus

Production Info:



Marvel Studios presents “WandaVision,” a blend of classic television and the Marvel Cinematic Universe in which Wanda Maximoff and Vision—two super-powered beings living idealized suburban lives—begin to suspect that everything is not as it seems. “‘WandaVision’ will be the very first Marvel Studios series on Disney+,” says Kevin Feige, president, Marvel Studios and chief creative officer, Marvel. “Wanda and Vision are two of our most powerful and complex heroes, and this series is a perfect expansion point for MCU storytelling.”

The series not only marks the first Marvel Studios’ Disney+ series, it is its first journey into the world of sitcoms—with an MCU twist. “It’s a mash-up of classic sitcoms and large-scale Marvel action,” says Matt Shakman, who directs all nine episodes. “I think it’s really lovely that the first streaming show from Marvel Studios—producer of huge blockbuster films—is really a love letter to the history of television.”

According to head writer Jac Schaeffer, “WandaVision” is funny, mysterious and action- packed. “It picks up shortly after ‘Avengers: Endgame,’” she says. “Marvel fans have never seen Wanda and Vision in this way before. Their storyline has been so romantic and tragic—fans have really latched onto it. But really, it’s been precious little screen time, and it’s all been very fraught. In this show, we get to see them in a domestic light, and it gets to breathe. It’s really beautiful.

“In the first episode we meet Wanda and Vision after they’ve just been married,” continues Schaeffer. “They’re driving into this new town with ‘just married’ on the back of their cute little car. It’s 1950s, black and white, they’re absolutely adorable. They’re madly in love, and there is not a hint of the Avengers or the larger MCU. We see them going about their day, making breakfast. She’s a witch, he’s synthezoid. She can dry dishes in the air. He can change density and walk through things.”

Says Shakman, “Wanda and Vision are just starting their married life together in this new town, and they’re meeting their neighbors. Vision’s starting to work at his new job while Wanda navigates life at home. They’re concerned about hiding their powers from their new friends and neighbors, and when they’re pushed for more information about where they came from, they’re stumped. That’s when we start to realize that things are not quite what they seem.”

With nine episodes, the series was created much like a motion picture would be—but more extensive, allowing first-of-its-kind exploration of the relationship between Wanda and Vision. Says co-executive producer Mary Livanos, “Elizabeth Olsen and Paul Bettany have the opportunity to flex different muscles over the course of this series that usually an actor wouldn’t get to do within the scope of a single project.”

Olsen, who has portrayed Wanda since the character’s post-credits debut in Marvel Studios’ 2014 feature film “Captain America: The Winter Soldier,” returns to her signature role—taking it in a curious new direction. “Paul and I get to discover at a much deeper level who these characters are,” she says. “Wanda and Vision have always had an unspoken and inherent connection since ‘Ultron.’ “The infinity stone is such a huge part of their intrinsic connection and understanding of one another. I think just like any great love story, there is a strong energy that attracts both of them to one another. In ‘WandaVision,’ we watch them experience a domesticated lifestyle for the first time, or as domesticated as possible for them. We watch them experience the joys and complications of parenting, while also overcoming secrecy and distrust, but always coming together in the end with the common bond, respect and unconditional love for one another.”

Bettany, whose voice made his debut in the MCU as J.A.R.V.I.S. in “Iron Man,” first appeared on screen as Vision in “Avengers: Age of Ultron.” The actor says he first heard about “WandaVision” during a visit to Marvel Studios. “I went in, and much to my surprise, they pitched this idea for a show that is an homage to American sitcoms,” he says. “It’s a beautiful little puzzle box that you begin to open. As mad and chaotic as the trailer looks, everything has a reason. There are layers upon layers.”

“WandaVision” stars Elizabeth Olsen as Wanda Maximoff, Paul Bettany as Vision, Teyonah Parris as Monica Rambeau, who was introduced to audiences in “Captain Marvel,” and Kathryn Hahn as Agnes, the nosy neighbor. Randall Park will reprise his role as Jimmy Woo from “Ant-Man and The Wasp,” and Kat Dennings will reprise her role as Darcy from “Thor” and “Thor: The Dark World.”

The series is directed by Matt Shakman (“Game of Thrones,” “It’s Always Sunny in Philadelphia”) with Jac Schaeffer (“The Hustle,” “Olaf’s Frozen Adventure”) as head writer. Executive producers are Kevin Feige, Louis D’Esposito, Victoria Alonso, Shakman and Schaeffer, and co-executive producers are Mary Livanos and Trevor Waterson. Jess Hall, ASC, is director of photography, Mark Worthington is production designer, Mayes C. Rubeo is costume designer and Tara DeMarco is VFX supervisor. Composer is Christophe Beck, and theme (for certain episodes) is by Kristen Anderson- Lopez and Robert Lopez. “WandaVision” debuts on Disney+ on Jan. 15, 2021.


Filmmakers, Cast and Crew Go Back in Time to Capture Classic Sitcom Style


Marvel Studios’ foray into the world of the sitcom celebrates the genre in a big way. “The story imagines Wanda and Vision in a 1950s sitcom—when the show opens, that’s presented without explanation,” says head writer Jac Schaeffer, who also contributed to the story of Marvel Studios’ upcoming “Black Widow.” “We see them move thorough the various eras of sitcoms as the series progresses.”

Director Matt Shakman, Primetime Emmy® nominee for his work on “The Great,” came to the production with a unique background, having starred in shows like “Just the Ten of Us” and “Webster” as a child. “It was a unique challenge for me because I did spend my entire childhood as an actor around sitcoms,” he says. “I grew up on sitcom stages and backlots, and so this was a real trip down memory lane.”

The classic-sitcom approach offered exciting opportunities for humor and levity, but filmmakers were very serious about getting the genre right. Says Shakman, “It was really important to us from the get-go that we weren’t parodying sitcoms. We studied tone and style from era to era. We wanted to make sure the actors were really fluent in all of these different styles. So, we had a sitcom bootcamp with the cast before we began. We watched old episodes and we tried on different styles to figure out the physicality and the sound for each era.”

According to Elizabeth Olsen, there was a lot to learn. “Matt led us through a sitcom crash course,” she says. “We watched episodes from the specific shows we wanted to reference in each decade. And as I would any period piece, I worked on the vocal changes as well as the physical manners of the periods. There is also a really amazing arc in sitcoms throughout the decades that is a tug-o-war between earnestness and cynicism. I loved how Jac Schaeffer used these tonal shifts from decade to decade to directly affect Wanda’s emotional journey.”

Cast and crew studied classic sitcoms from the 1950s through the 2000s. “We wanted to make sure that what we were creating was absolutely faithful to the original touchstone shows,” says Shakman. “To that end, we watched lots of episodes, read books about the making of those shows, and interviewed, whenever possible, people who had actually worked on those shows.

“I went to lunch with the great Dick Van Dyke and Kevin Feige before we started production on ‘WandaVision,’” Shakman continues. “That was a lovely experience and a great way to hear how they approached production on his show, which was inspiration for our first episode.”


To achieve the desired authenticity, filmmakers decided to shoot the first episode in front of a live studio audience. The effort not only conjured genuine laughter, harkening back to classic sitcoms, it affected the performances. Says Shakman, “It’s amazing when you put actors in front of a live audience, how much that material jumps when the adrenaline, the excitement, the communication is happening between the actor and the audience. It elevates the material, and it becomes much more like a play. That was a huge part of what we captured in episode one—that spark, that kind of lightening in a bottle.”

Paul Bettany most definitely felt that spark. “You can’t help yourself when there are people there—you want them to hear it and laugh at it. It makes it all a little bigger. And that, I think, captured the style of the ’50s. It was a brilliant decision.

“I was really nervous,” Bettany continues. “We rehearsed it very thoroughly, and every member of the crew was dressed in [1950s] costumes. Everybody really got into the spirit of it. And then the audience came in, and we just went for it. We jumped into the abyss. I just loved it. I should’ve been on a sitcom all these years.”


As the episodes progress, so do the sitcom eras, which required a fresh approach with each episode—including production design, costumes, cinematography and performances. “There aren’t many opportunities as an actor to explore as many genres and tones as we do in this series,” says Olsen. “It was as much of a challenge as it was a joy. This Marvel story could only ever be told through the medium of television and that’s what makes it such a special piece of the MCU.”


MCU Veterans Wanda and Vision Join New Characters

In Marvel Studios’ “WandaVision,” two of the MCU’s most intriguing characters are joined by other favorites, plus new characters—some of whom will go on to appear in future features. Together with the filmmakers, the cast weaved together a mysterious and mesmerizing story. “They were all extraordinary, and they were all fabulous to work with,” says director Matt Shakman of the cast. “Lizzie and Paul are just absolute gems, and I can’t wait for people to see what they’re capable of. They changed tone and style sometimes three or four times a day—from these heartbreaking, dramatic scenes to these incredibly goofy, comedic scenes—and they pulled off everything so brilliantly.

They took huge risks, and they never shied away from a challenge. They set the tone for everybody.”

“They’re both such funny actors,” adds head writer Jac Schaeffer. “The physical comedy is really great, and they’ve been studying the classic shows with the nuanced performance styles. They’ve had to be like Swiss Army knife performers.”


WANDA MAXIMOFF and Vision say goodbye to city strife, and settle into a quiet suburban life in their new hometown of Westview. Try as Wanda may to fit in and conceal her powers from neighbors, merry domestic mishaps call this magical maven to action! With a magical wiggle of her fingers, is there anything she can’t do, or conflict she can’t resolve?

According to director Matt Shakman, in terms of the MCU timeline, Wanda has just helped to defeat Thanos. “The world just keeps putting up obstacles for her, and she has all of this untapped power that she doesn’t fully understand,” says Shakman. “Her journey for this show is to come into her own. She’s an incredibly powerful figure who’s been manipulated and used over the years. This is her opportunity to rediscover herself, and at the same time, it’s a brilliant love story.”

Elizabeth Olsen steps into the character’s shoes once again, bringing with her six years of experience. “I think more than anything, this show created an opportunity to expand upon what makes Wanda Wanda,” says Olsen. “She is a deep-feeling person, yet in this show she tries to push that part of herself aside. So, it was more of a journey of allowing Wanda to break through the sitcom facade and accept the woman she is and the life she has led.”

Head writer Jac Schaeffer says Wanda has a simple desire. “What she wants more than anything is to live happily with her husband in this community and to make friends and to be a part of the community.”

VISION lives happily alongside his wife Wanda Maximoff in the quiet suburb of Westview. Like Wanda, Vision endeavors to keep his powers under wraps, but the superpowered synthezoid has been known to slip. Though this domestic version of Vision is unlike any seen before, he remains as keenly aware of his unique existence as ever.

Paul Bettany once again portrays Vision, who seems to have traded in his super responsibilities for a decidedly human gig. “He finds himself fully formed and in the 1950s,” says Bettany. “His daily life is a nine-to-five, briefcase-hat-and-suit job.”

Shakman says Vision is one of the MCU’s most compelling characters. “Vision is this AI who is half human and half robot,” says Shakman. “And yet, he’s more human than any of us.”

Bettany agrees. “Even from his days as J.A.R.V.I.S., he’s always been becoming,” Bettany says. “Vision was born this omnipotent, naïve android, which is a weird combination, and he has always been growing and becoming—trying to understand what makes humans human, trying to understand love. This definitely feels like a culmination of that journey—an ending in some ways, and frankly, a new beginning.”

MONICA RAMBEAU, the daughter of Carol Danver’s best friend Maria, has always been like a niece to Carol who liked to call her “Lieutenant Trouble.” At age 11, Monica helped Carol choose the colors for the suit she’d ultimately wear as Captain Marvel.

Today, Monica is all grown up, destined for her own adventures, obstacles, setbacks and discoveries.

Teyonah Parris portrays Monica. “I am a huge Marvel fan,” she says. “I first connected with Marvel after seeing ‘Iron Man’ for the first time. My current favorite title is ‘Captain Marvel’—my character’s origin! That film was great fun and amplified girl power.”

Parris, who will appear as Monica Rambeau in the upcoming feature “Captain Marvel 2,” adds that filming the complex series has been a great introduction to the MCU. “There are a lot of moving parts to this production,” she says. “It feels like we are making something epic—and there are moments that are a nod to the amazing, iconic television shows from our past. The energy on set has been incredible—from the cast to the crew. It’s clear that we are making something special.”

AGNES is the brassy, nosy neighbor of Wanda and Vision. She’s well-versed in all things suburban, happily giving Wanda a leg up in navigating the social pressures of Westview. A beloved extended member of the family, Agnes is never far away.

“Every sitcom needs a nosy neighbor character,” says Schaeffer. “Agnes is fabulous and brassy and hilarious. She invites herself over and wants to know everything about Wanda. Of course, Wanda doesn’t have the answers to any of the questions, but she’s very charming in deflecting them. It’s all in good fun and Wanda is relieved and excited to have a friend and an ally in this new town.”

Kathryn Hahn expertly fills Agnes’ shoes, embracing the sitcom approach, the MCU and everything else. “It could not be more fun and delicious,” she says. “The fact that I get to do all of this – with these actors, with Matt [Shakman], and play with all of these different characters – it’s a crazy dream that this is my way into this world. It’s bananas. And now with my kids, maybe I will have a little bit of cred! Not much yet, because I’m still a big old nerd to them, but maybe I will be a little bit cooler in their eyes after this comes out.”

“Kathryn Hahn can do anything,” says Shakman. “She is a brilliant comedian and a phenomenal dramatic actor. Having her skillset there to go along with Paul, Lizzie and Teyonah Parris—they are an exceptional ensemble.”

DARCY LEWIS and JIMMY WOO are an integral part of the complicated and mysterious story of “WandaVision.” According to Shakman, Darcy has come a long way since she was last seen in “Thor: The Dark World.” “She’s gone on to become Dr. Darcy Lewis now,” he says. “So, she’s a real expert in her field.”

Joining Darcy in her latest quest is Jimmy Woo, who’s the same diligent agent seen in “Ant-Man and The Wasp.” “They have a mystery to solve,” says Schaeffer. “They have so many questions and no answers.”

Kat Dennings and Randall Park reprise their roles as Darcy Lewis and Jimmy Woo, respectively.


Cinematography, Production Design, Costume Design and Visual Effects Work Together to Achieve Authenticity from Era to Era


“WandaVision” not only channels classic sitcoms, it aspired to capture specific eras throughout the series—which meant a fresh approach to each episode when it came to cinematography, production design, costume design and visual effects.


“The approach in essence was to study and absorb the references of each period, to distill their technical and aesthetic choices and then to selectively apply and to filter these within our own stylistic sensibility,” says director of photography Jess Hall, ASC. “The objective is to create images that were in a sense truly post-modern, not simply an homage to the past. This is what the complex narrative of ‘WandaVision’ demanded.”

Hall utilized 47 different lenses to create seven different periods—many custom modified to render specific period characteristics. “For the 1950s, I tested lenses of the actual period and then modified modern lenses to selectively render the characteristics that I liked—it was never a case of simply copying what had been done before.”

In terms of lighting, Hall utilized a carefully crafted lighting style, as well as lighting instruments that were period appropriate. “This meant delving deep into the archives of several studio equipment houses to source equipment that has become almost obsolete,” he says. “The 1950-1970s episodes are shot almost entirely with period tungsten lighting. LED lighting doesn’t make an appearance until the later episodes that are situated in the 2000s, which is in the correct time line for when this equipment entered the filmmaking vocabulary.”

Hall also studied and incorporated specific composition and camera movement to convey the various periods, adopting specific camera approaches to episodes, depending on what the period’s sitcoms tended to utilize. “However,” he says, “I like to think that ‘WandaVision’ has a unique quality and that in a certain sense its look is original, a visual synthesis that has transcended the cut and mix.”


“What’s really interesting was the fact that we’re not just dealing with the different eras—it’s a sitcom,” says production designer Mark Worthington. “So, what does that mean? The visual language and vocabulary of a sitcom are actually really specific and it changes radically between decades. ‘I Love Lucy’ had really simple little apartments that looked like theater sets. When you get to ‘The Dick Van Dyke Show,’ you’re starting to get really interesting period references and a little fun, modern design comes into it. ‘The Brady Bunch’ has ’70s wild beautiful colors.”

According to Worthington, the idea of setting the story within traditionally lighthearted sitcoms adds to the mystery. “What interested me about this story was that dichotomy, because these sitcoms are not just these fluffy things,” he says. “They imply a much darker idea. It’s really beautiful.”

Worthington also had to consider the series’ evolution from black-and-white to color.

“Half of film history is in black and white,” he says. “So, reentering this space has been interesting because we’ve discovered some stuff about how colors work in a black-and- white space.”


Costume designer Mayes C. Rubeo ensured the cast wardrobe enhanced the authenticity of each episode. “It is rare to find a story that arcs through so many decades, without the characters aging,” she says. “Jac [Schaeffer]’s concept of the story, and the brilliant way that Matt directed each episode made the work so exciting.”

Rubeo says she has favorite costumes from every episode. “The suit Vision wears and the wedding dress we made for Wanda for the opening titles were my favorite creations from that episode,” she says. “They were both made from scratch, and Paul loved the suit and tie so much he was sad it couldn’t be used for the whole episode. Wanda’s dress was a beautiful homage to Audrey Hepburn.”

As the series segued from black and white to color, Rubeo collaborated with the director of photography and production designer to ensure they achieved the perfect overall look. She describes the first three episodes as “particularly stunning,” including a psychedelic 1970s print dress for Wanda in the third episode.

“I think part of the wonder of this show is the strong and fast change between eras and broadcasting styles,” says Rubeo. “The sets, hair, make-up and costumes, as well as the photography, set the scene beautifully.”


According to VFX supervisor Tara DeMarco, filmmakers studied practical effects and early days visual effects of television and film from each era. For the first three episodes, says DeMarco, “we used puppeteered props, practical film cuts and rewind effects.”

While filmmakers leaned into the effects used during the era that inspired the episodes—technology that improved incrementally with each era—they enhanced the look using today’s tools. “We used contemporary technology to help remove the wires and smooth the cuts,” says DeMarco, “but many of the effects were shot in-camera. We occasionally used CG to bolster the storytelling in a beat where we were missing a wire gag. For example, Wanda’s kitchen in the first episode is a blend of practical puppeteered floating objects and CG ones created later to fill out the scene.”


Kristen Anderson-Lopez and Robert Lopez Behind Original Theme Songs with Original Score by Christophe Beck

“WandaVision” filmmakers’ research and detailed examinations of sitcoms throughout television history yielded a common thread: theme songs. The nature and style of the songs changed over the years—creating almost a calling card for each era. This signature enhanced the authenticity sought for “WandaVision” and its roots in classic sitcoms. Kristen Anderson-Lopez and Robert Lopez created unique theme songs for episodes spanning from the 1950s to the early 2000s, while Christophe Beck composed the score for the series.


“‘WandaVision’ is such a cool, strange, one-of-a-kind project,” says Lopez. “When the director, Matt Shakman—an old friend from my college days—pitched it to us, we didn’t have to think about it. We loved the bright feeling of American sitcoms mixed with the deep sense of unease the story had, and it was a really inviting challenge to help set that tone. We also really related as a couple to the feeling of chaos Wanda and Vision go through—trying to maintain a loving, happy family through an unyielding and constantly growing onslaught of problems.”

Adds Anderson-Lopez, “I grew up in the ’80s watching shows from every decade on the networks all day long. Episodes from ‘I Love Lucy,’ ‘Brady Bunch’ and ‘Family Ties’ shaped who I am and how I move through the world.”

Indeed, both consider themselves “total TV addicts as kids,” so they had already done much of the research in terms of creating identifiable themes for each era represented. The next step in their process was to find a way to tie the themes together. Says Lopez, “One thing we decided to do before writing anything was find a motif that would unify all the songs, since there were so many different styles and tunes. We found a four-note theme that would be kind of like the ‘WandaVision’ call-out, easily identifiable in some way in each song, that had to work with every style. Once we had that, everything flowed. It was honestly some of the most fun we’ve ever had.”

For the first episode, says Anderson-Lopez, they wanted to evoke the dawn of television. “We wanted to have an optimistic group of voices singing jazzily—though not too jazzily—about the love between these two, and the main question of the first episode, whether two Avengers in love can pass for normal in a typical American suburb,” she says. “It was a great chance to use words like ‘gal’ and ‘hubby’ that we just don’t throw into modern songs anymore. We knew there would be a moment where Vision, carrying Wanda across the threshold, forgot to open the door and just phased through the wall, unexpectedly dropping her, so we put a big musical pratfall in the middle of the piece. It was fun to see how the team executed it.”


Christophe Beck was called on to compose unique scores for all nine episodes. “For each era, the music is a loving homage to the sitcom scores typical of the time period,” says Beck. “This involved not only the instrumentation, but also the composition style. My team and I had enormous fun exploring these styles!

“It was also exciting to find ways to connect the scores together even as they span the stylistic variety across all the episodes,” continues Beck. “Wanda and Vision have a love theme that I was able to weave in and out within the context of all the different sitcom styles, for example.”

According to Beck, the score features instruments that were typical of the era being represented in a given episode. Early episodes feature small orchestral ensembles, while later episodes embrace a rock-pop style. Beck also utilized period-specific recording and mixing techniques to achieve the authenticity filmmakers wanted.

Beck adds that the length of the cues changed with the eras. “As the series progresses through the decades, the music becomes more pervasive.”



ELIZABETH OLSEN (Wanda Maximoff) is a vivacious and engaging young actress, a graduate from New York University’s prestigious Tisch School of the Arts, and a recipient of Hollywood Rising Star Award at the 41st Annual Deauville Film Festival in 2015.

Olsen starred in and executive produced the dark-comedy series “Sorry For Your Loss” on Facebook Watch. She starred as a young widow who’s dealing with the grief of losing her husband while reconnecting with relationships of her past. Olsen’s performance earned her a Critics Choice Award nomination for best actress in a drama series. The series wrapped its second and final season on Oct. 1, 2019.

Olsen reprises her role as Wanda Maximoff in Marvel Studios’ “WandaVision,” starring alongside Paul Bettany, who reprises his role as Vision. The series debuts Jan. 15, 2021, on Disney+. Olsen returns as Wanda in “Doctor Strange In The Multiverse of Madness,” which opens in theaters March 25, 2022.

Olsen resurrected her character Wanda Maximoff in Marvel Studios’ “Avengers: Endgame” alongside Chris Evans, Robert Downey Jr., Scarlett Johansson, Paul

Bettany, Brie Larson and Anthony Mackie. The globally anticipated continuation opened in theaters on April 26, 2019, and has grossed almost $3 billion. To date, the film has earned nearly $3 billion in the worldwide box office. Olsen originally appeared as Wanda in 2015’s “Avengers: Age of Ultron” and subsequently appeared in “Captain

America: Civil War” in 2016.

In 2018, Olsen starred in “Kodachome” opposite Ed Harris and Jason Sudeikis. The film is set during the final days of the still-photo development system known as Kodachrome. The ticking clock to get the rolls of film developed is the backdrop for a father-and-son bonding trip as they try to reach the Kansas photo lab before it closes its doors for good. “Kodachome,” which was acquired by Netflix during the 2017 Toronto International Film Festival, was released on the streaming platform in April 2018.

In 2017, Olsen starred in “Wind River” opposite her Avengers co-star, Jeremy Renner. The film, written and directed by Taylor Sheridan, centers on a murder on the Wind River Indian Reservation. That same year, Olsen starred in the dark comedy “Ingrid Goes West,” alongside Aubrey Plaza, Wyatt Russell and O’Shea Jackson Jr. The Matt Spicer-directed film follows Ingrid Thorburn (Plaza) who becomes obsessed with Taylor Sloane (Olsen), a social media influencer with a seemingly perfect life in Los Angeles. “Ingrid Goes West” was nominated for a 2018 Film Independent Spirit Award for best first screenplay and best first feature.

In 2016, Olsen appeared in the Hank Williams biopic titled “I Saw the Light” as Audrey Mae Williams, opposite Tom Hiddleston. The Sony Pictures Classics film premiered at the Toronto International Film Festival on Sept. 11, 2015, opening in theaters in March 2016. In 2014, Olsen appeared in the Warner Brothers and Legendary Pictures reboot of “Godzilla,” opposite Aaron-Taylor Johnson and Bryan Cranston.

In 2013, Olsen starred in the Spike Lee-directed film “Oldboy” with Samuel L. Jackson and Josh Brolin. The film centers around an everyday man that has only five days and limited resources to discover why he was imprisoned in a nondescript room for 15 years without any explanation. Olsen also appeared in the film “In Secret,” opposite Jessica Lange and Oscar Issacs, which opened in Feb. 2013. That same year, Olsen helped kick off the Classic Stage Company’s Fall 2013-2014 season as the lead role, Juliet, in the Off Broadway play “Romeo and Juliet.” Olsen also starred in “Very Good Girls,” opposite Dakota Fanning, which premiered at the 2013 Sundance Film Festival. The Naomi Foner-directed film is about two New York City girls that make a pact to lose their virginity during their first summer out of high school. Olsen had two previous films premiere at the 2012 Sundance Film Festival: “Liberal Arts” with Josh Radnor, John Magaro, Zac Efron and Richard Jenkins, and “Red Lights” opposite Robert DeNiro, Cillian Murphy and Sigourney Weaver.

In spring of 2012 Olsen starred in the independent film “Silent House” from Open Road Films. The film is the re-imagining of the successful Uruguayan psychological horror- thriller “La Casa Muda.” In 2011 Olsen received a Gotham Award, Critics Choice and Independent Spirit Award nomination for lead actress for her performance in Fox

Searchlight’s “Martha Marcy May Marlene.” The film is a drama that follows a young woman who is living with her older sister after escaping a cult. Olsen stars opposite Hugh Dancy, John Hawkes, Sarah Paulson and Brady Corbet. Martha Marcy May Marlene” was also selected in the Un Certain Regard as part of the 2011 Cannes Film Festival. She has been nominated for her performance from the following critic associations: St. Louis, Las Vegas, Houston, FIND Spirit, San Diego, IPA and Detroit. She won best actress from the Indiana Critics Association.

Olsen understudied both on the Off Broadway play “Dust” and the Broadway play “Impressionism” while attending New York University. Other workshops include “Bottom of the World” by Lucy Thurber (Atlantic Theatre Company), and “The Living Newspaper” (DRD Theatricals). Olsen has had formal training at Atlantic Acting School and Moscow Art Theatre School.

Olsen serves as a board member of The Latitude Project, which builds solutions to help alleviate the stresses of poverty in ways that engage and empower people from roofs to clean water and healthcare to education. On June 9, 2018, the Environmental Media Association (EMA) honored Olsen with the EMA Futures Award for her work with The Latitude Project. Since 1989, the Environmental Media Association (EMA) has been using its voice to effect change and honoring excelling and role modeling in entertainment, media, technology and business. The organization works to educate the public about water issues, energy solutions, animal protection and conscious consumption for lifestyle choices. The EMA Futures Award is given to young and emerging advocates for the environment. Olsen also is a dedicated volunteer at the Stuart House: Rape Treatment Center, which provides expert comprehensive services for victims of rape, sexual assault, and child sexual abuse, including specialized medical care, forensic services, crisis counseling and longer-term psychotherapy, advocacy, and other forms of support. The center also provides prevention education programs, professional training for law enforcement personnel, medical personnel and school personnel, and advocacy for needed policy rape, sexual assault and child sexual abuse, including specialized medical care, forensic services, crisis counseling and longer-term psychotherapy, advocacy and other forms of support.

PAUL BETTANY (Vision) reprises his role as Vision in the Disney+ series “WandaVision,” debuting on January 15, 2021. Previously, he starred as Vision in the films “Captain America: Civil War,” “The Avengers: Age of Ultron” and “Avengers: Infinity War.”

He was most recently seen in the film “Uncle Frank” for writer/director Alan Ball which premiered at Sundance and sold to Amazon Studios. It was released on Amazon Prime on Nov. 25, 2020.

Bettany was classically trained at the Drama Centre in London. He made his stage debut in a West End production of “An Inspector Calls” under the direction of Stephen Daldry.

Bettany was nominated for a British Independent Film Award and a London Film Critic’s Award for best newcomer in IFC’s “Gangster No. 1,” directed by Paul McGuigan. He went on to star in Brian Helgeland’s film “A Knight’s Tale” opposite Heath Ledger.

Bettany also starred in the Academy Award®-winning film “A Beautiful Mind,” and Fox’s “Master & Commander: The Far Side of the World” for director Peter Weir for which he won an Evening Standard Award for best British actor, the London Film Critic’s Award for best supporting actor and Elle Style Award for best actor. His nominations also include a BAFTA for best supporting actor and a Broadcast Film Critics Association nomination for best supporting actor.

Other credits include the Academy Award-nominated film “Margin Call,” the British films “Journey’s End” and “Blood,” the action films “The DaVinci Code,” “Solo: A Star Wars Story,” “Legion and Priest,” and the avant-garde film “Dogville.”

In television, Bettany starred as Ted Kaczynski in “Manhunt: Unabomber” where critics and audiences heralded his performance.

He made his directorial debut with the film “Shelter” starring Jennifer Connelly.

TEYONAH PARRIS (Monica Rambeau) has established herself as a versatile actress who continues to capture attention on stage and screen. She will star opposite John Boyega and Jamie Foxx in the Netflix sci-fi feature film “They Cloned Tyrone.” The film, which will mark the directorial debut of “Creed 2” scribe Juel Taylor, follows a series of events that thrusts an unlikely trio (Boyega, Foxx, Parris) onto the trail of a nefarious government conspiracy.

On January 15, 2021, global audiences will see Parris join the Marvel Cinematic Universe as the iconic character Monica Rambeau in the highly anticipated Disney+ original series “WandaVision” opposite Elizabeth Olsen and Paul Bettany.  Next August, Parris will star opposite Yahya Abdul-Mateen II in the contemporary take on the cult horror classic “Candyman.” The film, directed by Nia DaCosta and written by Oscar® winner Jordan Peele, is scheduled to be released in theaters by Universal Pictures on August 27, 2021.

Parris was recently seen in the HBO Max film “Charm City Kings” alongside Meek Mill, which had its world premiere at the 2020 Sundance Film Festival and won the Special Jury Prize for ensemble acting. Based on the documentary “12 O’Clock Boys,” the film adaptation was originally written by Barry Jenkins, with rewrites from Sherman Payne.

Parris gave a memorable performance in Annapurna’s “If Beale Street Could Talk,” directed by Academy Award®-winner Barry Jenkins(“Moonlight”). The film, adapted from the successful James Baldwin novel, explored the life and challenges faced by a young couple in Harlem. “If Beale Street Could Talk,” which first premiered at the 2018 Toronto International Film Festival and screened at the 2018 New York Film Festival, was nominated for a Golden Globe® Award for best motion picture drama, and was also honored by AFI as one of their movies of the year.

In 2014, Parris starred opposite Tessa Thompson in Justin Simien’s breakout independent film “Dear White People.” Her performance earned her a Black Reel Award in the category of outstanding breakthrough performance. That next year, Parris was cast as the lead role in Spike Lee’s “Chi-Raq,” for which she won the Black Reel and African-American Film Critics Association Awards for best actress, and also garnered an NAACP Image Award nomination. Parris then went on to appear as real-life singer Miki Howard in the Christine Swanson-directed telefilm “Love Under New Management: The Miki Howard Story,” in which she also served as a producer. Other film credits include “How Do You Know,” “Point Blank” and “The Photograph.”

On television, Parris recurred opposite Jon Hamm on AMC Network’s critically acclaimed television series “Mad Men,” and remained with the show throughout its final four seasons. In 2013, Parris and her fellow “Mad Men” actors earned a Screen Actors Guild Award nomination for outstanding performance by an ensemble in a drama series. From 2014-2017, Parris also starred on the acclaimed television series “Survivor’s Remorse” for its entire four-season run on Starz.

On stage, Parris made her Broadway debut in John Guare’s play “A Free Man of Color” alongside Jeffrey Wright and Mos Def. The play, directed by George C. Wolfe, played at the Vivian Beaumont Theater. In 2019, Parris originated the role of Kaneisha in the Off-Broadway production of Jeremy O. Harris’ much-buzzed about production of “Slave Play.”

Parris is a graduate of the prestigious Juilliard School in New York City.

KATHRYN HAHN (Agnes) will be seen in “WandaVision,” alongside Elizabeth Olsen and Paul Bettany, portraying the nosy neighbor Agnes. The series is a blend of classic television and the Marvel Cinematic Universe in which two super-powered beings living idealized suburban lives begin to suspect that everything is not as it seems. It is set to debut on Disney+ on January 15.

Hahn is in production in Apple TV+’s “The Shrink Next Door,” alongside Paul Rudd and Will Ferrell. The limited series is based on the true story of a psychiatrist-patient dynamic that morphs into an exploitative relationship filled with manipulation, power grabs and dysfunction. Hahn portrays Phyllis, the younger sister to Martin Markowitz (Ferrell) who is the patient of Dr. Isaac Herschkopf (Rudd).

Recently, Hahn was seen in the HBO limited series “I Know This Much is True,” in which she co-stars with Mark Ruffalo, Melissa Leo, Rosie O’Donnell, Archie Panjabi, Imogen Poots and Juliette Lewis. The series depicts a family saga that follows the parallel lives of identical twin brothers in a story of betrayal, sacrifice and forgiveness set against the backdrop of 20th-century America, based on the best-selling novel of the same name by Wally Lamb.

Film credits include Tamara Jenkins’ “Private Life,” for which she received a Gotham Independent Film Award nomination; Phil Johnston and Rich Moore’s “Spider Man: Into the Spider-Verse”; Genndy Tartakovsky’s “Hotel Transylvannia 3: Summer Vacation”; ”Max Winkler’s “Flower”; Jon Lucas and Scott Moore’s “A Bad Moms Christmas” and “Bad Moms”; Matt Ross’ “Captain Fantastic” opposite Viggo Mortensen; Steven Brill’s “The Do-Over” alongside Adam Sandler and David Spade; Peter Bogdanovich’s “She’s Funny That Way,” alongside Imogen Poots, Owen Wilson and Jennifer Aniston; M. Night Shyamalan’s “The Visit”; Jarrad Paul and Andrew Mogel’s “The D Train”; Brad Bird’s “Tomorrowland” opposite George Clooney; as well as Shawn Levy’s “This is Where I Leave You.” Additional credits include Jason Bateman’s “Bad Words,” Ben Stiller’s “The Secret Life of Walter Mitty,” starring and directed by Ben Stiller, and Rawson Marshall Thurber’s “We’re the Millers” with Jennifer Aniston and Jason Sudeikis.

Hahn also starred in Jill Soloway’s “Afternoon Delight,” which premiered at the 2013 Sundance Film Festival and garnered her a 2013 breakthrough actor Gotham Award nomination. Other feature film credits include David Wain’s “Wanderlust,” Jesse Peretz’s “Our Idiot Brother,” James Brooks’ “How Do You Know,” Neal Brennan’s “The Goods: Live Hard, Sell Hard,” Sam Mendes’ Revolutionary Road,” Adam McKay’s “Step Brothers,” Robert Shaye’s “The Last Mimzy,” Nancy Meyers’ “The Holiday,” as well as Adam McKay’s “Anchorman: The Legend of Ron Burgundy.”

On television, Hahn was recently seen in the Tom Perrotta created HBO series “Mrs. Fletcher,” Matthew Weiner’s anthology “The Romanoffs” with Jay R. Ferguson, Annet Mahendru and Clea Duvall, and Jill Soloway’s “I Love Dick” opposite Kevin Bacon.

Additionally, Hahn co-starred in season three of the Emmy®-nominated Amazon original series “Transparent” created by Jill Soloway. For her portrayal of Raquel Fein, Hahn received a 2017 Emmy Award nomination for outstanding supporting actress in a comedy series. Additional television credits include Showtime’s dark comedy “Happyish” opposite Steve Coogan. Hahn had a guest-starring arc on the NBC hit show “Parks and Recreation,” as well as HBO’s “Newsroom” and “Girls.” Her previous roles include NBC’s “Crossing Jordan,” “Four Kings,” “Hung” and “Free Agents.” Hahn also has lent her voice to the Apple TV+ animated series “Central Park,” FX’s “Chozen,” and Fox’s “Bob’s Burgers” and “American Dad!”

Hahn made her Broadway debut in the Tony®-winning play “Boeing-Boeing,” alongside Bradley Whitford, Gina Gershon, Mary McCormack, Christine Baranski and Mark Rylance. “Boeing-Boeing” won the 2008 Tony in the category of best revival of a play. Additional theatre credits include “Dead End” at the Ahmanson Theater and Huntington Theater Company, “Ten Unknowns” at Huntington Theater Company, “A Midsummer Night’s Dream,” “Chaucer in Rome” and “Camino Real” at Williamstown Mainstage, and “Hedda Gabler” at Williamstown/Baystreet.

Hahn received her Bachelor’s degree from Northwestern University and her Masters in Fine Arts from Yale School of Drama.



MATT SHAKMAN (Director/Executive Producer) just finished directing and executive producing Marvel Studios’ “WandaVision,” starring Elizabeth Olson and Paul Bettany.

He previously wrapped the MRC/Hulu pilot “The Great,” starring Nicholas Hoult and Elle Fanning, for which he received an Emmy® nomination for outstanding directing for a comedy series, and directed an episode for the second season of HBO’s “Succession.” His two episodes from season seven of “Game of Thrones,” “The Spoils of War” (DGA nomination) and “Eastwatch,” received some of the best reviews of the entire series.

Last year, Shakman directed episodes of “The Boys” for Amazon and “Billions” for Showtime.

Shakman’s directorial credits also include the feature film “Cut Bank” for A24 (Toronto International Film Festival premiere), as well as many episodes of TV’s best shows including “Mad Men,” “The Good Wife,” and the season one finale of “Fargo” on

  1. Shakman also served as the series director and executive producer on “It’s Always Sunny in Philadelphia.” He was tapped to adapt his iconic episode “The Nightman Cometh” for the stage which resulted in a sold-out national tour. Shakman is also the artistic director of the Geffen Playhouse in Los Angeles.

JAC SCHAEFFER (Head Writer/Executive Producer/Created for Television By) is the head writer and an executive producer for Marvel Studios’ “WandaVision,” which kicks off on Disney+ on Jan. 15, 2021.

Schaeffer launched her career in 2009 as writer/director/producer of the feature film “TiMER.” She wrote the screenplay for Walt Disney Animation Studios’ 2017 featurette “Olaf’s Frozen Adventure,” and 2019’s “The Hustle,” which starred Anne Hathaway and Rebel Wilson. Schaeffer also contributed to the story for Marvel Studios’ upcoming feature film “Black Widow,” starring Scarlett Johansson as Natasha Romanoff.

Cinematographer JESS HALL (Director of Photography) demonstrates a versatility to move effortlessly between genres bringing his unique eye to a diverse range of projects, incorporating a multiplicity of cinematic styles. From his naturalistic palette and poetic minimal shot structure much celebrated on James Ponsoldt’s Sundance Special Jury Prize winner “The Spectacular Now” to the kinetic pace of Edgar Wright’s cult classic action comedy “Hot Fuzz.” Hall’s images charm, resonate and exhilarate with equal measure.

Hall received a Satellite Award Nomination for his cinematography on “Brideshead Revisited.” His 2017 live-action rendering of the anime classic “Ghost In The Shell” employed many innovative technical strategies, combining 65mm large format digital cinematography, state-of-the-art LED lighting technology, custom-built lenses and the first 24 FPS Photogrammetry capture rig to be used on a live-action feature film. Hall’s use of advanced LED lighting to achieve the precise rendering of the complex secondary anime color palette was honored in the reception of the HPA award for best color grading on a feature film.

In addition to his long-form work, Hall has continued to shoot award-winning commercials, including multiple Cannes Gold Lion winners and Silver D&AD pencils for cinematography. In 2020, Hall received the AICP award for best cinematography on “Smirnoff Infamous Since 1864.” The project also saw Hall’s work receive another award in the color grading category, cementing his reputation as an artist who has dexterously navigated the color science required to produce images of luxurious color depth in the digital format.

Hall collaborated with the Academy Award®-winning documentarian Kevin Macdonald on his film “Marley” and Academy Award-winning writer/director Stephen Knight on his latest film “Serenity.” Hall is a member of The American Society of Cinematographers, The British Society of Cinematographers and The Academy of Motion Picture Arts and Sciences.

MARK WORTHINGTON (Production Designer) counts among his designs for television include five seasons of “American Horror Story,” the pilot of “Lost,” four seasons of ABC’s “Ugly Betty” and the pilot for “Once Upon a Time,” “Political Animals” for TNT, and the pilot for “Star Trek: Discovery,” the return of the franchise to its original home on television. Worthington’s credits also include the pilot for “The Umbrella Academy” for Netflix, the pilot for Damon Lindelof’s adaptation of “Watchmen” for HBO, and the first season of the CBS All Access series “Why Women Kill.”

Worthington has also worked in feature film as an art director on such projects as “Tombstone,” “The Chamber,” “Wag the Dog,” “Hearts in Atlantis,” “Austin Powers in Goldmember,” and “Legally Blonde 2.”

Worthington has received nine nominations from the Art Director’s Guild for excellence in production design for television, winning the award five times; he has received eight Emmy® nominations.

Worthington holds a BA in Theatre from Reed College and an MFA in Scene Design from the Carnegie Mellon University School of Drama.

MAYES C. RUBEO (Costume Designer) adds Marvel Studios’ “WandaVision” to her roster of projects in the Marvel Cinematic Universe, which include 2017’s “Thor: Ragnarok” and the upcoming feature film “Thor: Love and Thunder, which opens on May 6, 2022. She is also known for her work on “Jojo Rabbit” (2019), for which she was nominated for an Oscar® and a BAFTA Award, as well “Apocalypto” (2006), “Avatar” (2009), “The Great Wall” (2016), “Warcraft: The Beginning” (2016), “World War Z” (2013) and “John Carter” (2012).

Rubeo was born in Mexico City and went on to train in fashion and costume at the Los Angeles Trade-Tech College (LATTC) and UCLA. In a design career spanning two decades, Rubeo has collaborated with visionary directors such as Mel Gibson and Zhang Yimou, leading studios such as Legendary and Marvel, and with screen stars including Cate Blanchett, Ruth Negga, Brad Pitt and Andy Lau. Rubeo’s early collaborations laid the foundations for a career that has demanded great versatility: she began work as an assistant costume designer and costume supervisor, gaining experience with designers Shay Cunliffe, Erica Edell Phillips, Ellen Mirojnick and Enrico Sabbatini, the latter becoming her career mentor.

After assisting Shay Cunliffe on “Lone Star” (1996), Rubeo continued to work with the same independent director-producer team John Sayles and Maggie Renzi, designing costumes for “Men with Guns” (1997), “Sunshine State” (2002), and “Casa de los Babys” (2003). For Hallmark’s movie “Saga Fidel” (2002), Mayes met the challenge of costuming to tell a story which spanned seven decades. But it was Rubeo’s collaboration with Mel Gibson on “Apocalypto” (2006), for which she delivered a powerful image of the lost Mayan civilization, that set her on the path to creating the look of the otherworldly at an epic scale. Since then, she has been known for creating the visual identities of the Na’vi people in James Cameron’s “Avatar” (2009), bringing to life Edgar Rice Burroughs’s 100-year-old vision of civilized Mars in Andrew Stanton’s “John Carter” (2012), and for transforming some of the world’s most popular video game and comic book characters into reality on-screen with Duncan Jones’ “Warcraft” (2016) and Taika Waititi’s “Thor: Ragnarok” (2017). Mayes put her energies back into gritty realism in 2013 for Marc Forster’s “World War Z” (2013), costuming thousands of people (living and un-dead) on a global scale.

Rubeo continues to bring her costumes into new territories, turning technological and technical challenges into creative opportunities. Her passion and collaborative spirit have enabled her to successfully lead diverse teams across five continents, merging traditional craft skills with state-of-the-art technology.

Rubeo received nominations from the Costume Designer’s Guild for her work on “Fidel,” “Avatar,” “Thor: Ragnarok” and “Jojo Rabbit,” the latter also earning her a WIN Costume Designers Guild award for excellence in period film. Rubeo’s work has been featured in international exhibitions, including the Deborah Nadoolman Landis curated exhibition Hollywood Costume (2012) at the Victoria & Albert Museum (V&A) in London. Three FIDM Exhibitions: 18th Annual Art of Motion Picture Costume Design for the film “Apocalypto,” 21st Annual Art of Motion Picture Costume Design for the film “John Carter,” and the 26th Annual Art of Motion Picture Costume Design for the film “Thor: Ragnarok.” Rubeo is a member of the Academy of Motion Pictures Arts and Sciences, the Costume Designers Guild of America and the Scenic Arts Guild.

TARA DEMARCO (Visual Effects Supervisor) is an award-winning VFX supervisor known for her cutting-edge work as a flame artist. Her 18-year career in visual effects is grounded in high-end commercial work, having composited on Emmy, Cannes Lion, and DA&D award-winning work. Through a 14-year run at The Mill as well as freelancing with several other studios (Method, Brickyard, Psyop), DeMarco has made her mark as compositor and VFX supervisor. She has worked on classic music videos like The White Stripes “The Denial Twist,” as well as Brian Buckley’s Sundance contender “The Bronze.” Her long career in commercial work was supporting the visions of brands like Old Spice, Geico, Nike, Pepsi, Gatorade, Doritos, Xbox, and Apple, for commercials that have aired at the Super Bowl, the World Cup, the Olympics, as well as the Oscars and Emmys.

DeMarco began her career by studying Fine Art Photography and Interrelated Media at Massachusetts College of Art in Boston. It was there that she discovered a passion for visual effects, and the seamless blending of created images with the footage captured in camera.

Award-winning composer CHRISTOPHE BECK (Composer) has a career that bridges genres and garners well-deserved acclaim. Beck displays his range from scoring Marvel Studios’ action-adventure “Ant-Man” to Fox’s film adaptation of Charles Schulz’s beloved comic strip “Peanuts.” Recent projects include “Like a Boss,” “Walkaway Joe,” “The Christmas Chronicles: Part Two,” and “Free Guy,” which is slated for release this year.

The prolific composer scored the Oscar® and GRAMMY®-winning animated film “Frozen” (the soundtrack album has sold over 3 million copies), and “Frozen 2”—whose soundtrack beat the “Frozen” record for most weeks at #1 on Billboard’s Soundtrack Charts at 45 non-consecutive weeks. Beck’s recent credits also include the documentary “Watson,” “The Christmas Chronicles” for Netflix, and Marvel Studios’ “Ant-Man and the Wasp.” He is the musical voice of iconic comedies of the last decade,

including: “The Hangover,” “American Pie,” “Hot Tub Time Machine” and “Pitch Perfect”; poignant films, including “Cake,” starring Jennifer Anniston, and the true-life-based drama “We Are Marshall”; documentaries including “Red Army” and the award-winning “Waiting for Superman”; rom-coms, including “Under the Tuscan Sun” and “Crazy,

Stupid, Love”; along with action films, including “Year of the Dog” and “Edge of Tomorrow,” the sci-fi thriller directed by Doug Liman, starring Tom Cruise and Emily

Blunt, as well as the drama/crime film “American Made.” Beck’s breakthrough success came by composing music for the TV series “Buffy the Vampire Slayer,” for which he earned an Emmy®.

Beck is unique in his versatile ability to develop the tone in any genre. His music combines a masterful use of complex dynamics to create tension and convey a vast spectrum of emotion. Beck’s scores add depth, intrigue, humor and sentiment, and his music contributes powerfully to the aesthetic of each film he scores.

Beck began playing piano at age 5. He then studied music at Yale and attended the USC film-scoring program under the tutelage of legendary composer Jerry Goldsmith. He began composing in television at the personal recommendation of Disney music legend Buddy Baker.

KRISTEN ANDERSON-LOPEZ and ROBERT LOPEZ (Episode-Specific Theme Songs by) are the Oscar®- and Grammy®-award winning, married songwriting team behind Walt Disney Animation Studios’ “Frozen 2.” They wrote the songs for original “Frozen,” for which they won the Oscar for best original song for “Let it Go.” They also wrote the Oscar-winning song “Remember Me” from Disney and Pixar’s “Coco,” and adapted “Frozen” for the Broadway stage. Their original song “Into the Unknown” from Disney’s 2019 feature film “Frozen 2” was also nominated for an Oscar and a Golden Globe®.

Lopez co-conceived and co-wrote the hit musicals “Avenue Q” and “The Book of Mormon,” both earning him Tony® Awards. Anderson-Lopez’s show “In Transit” made history as the first all a cappella musical to run on Broadway, after earning recognition at the Drama Desk, Drama League and Lucille Lortel Awards for its Off-Broadway run. Lopez and Anderson-Lopez have written for television, film and stage, including “Finding Nemo: The Musical,” songs for “The Wonder Pets” (two Emmy® Award wins) and the “Winnie the Pooh” animated film. Their original musical “Up Here” premiered at the La Jolla Playhouse.

Graduates of Yale University and Williams College, respectively, Lopez and Anderson- Lopez now reside in Brooklyn, NY, with their two daughters.



DIRECTOR: Matt Shakman
EXECUTIVE PRODUCERS: Kevin Feige, Louis D’Esposito, Victoria Alonso, Matt Shakman, Jac Schaeffer
CO-EXECUTIVE PRODUCERS: Mary Livanos, Trevor Waterson
EPISODE-SPECIFIC EDITORS: Tim Roche, Nona Khodai, Zene Baker
VFX PRODUCER: James Alexander
COMPOSER: Christophe Beck
EPISODE-SPECIFIC THEMES BY: Kristen Anderson-Lopez and Robert Lopez
CASTING BY: Sarah Halley Finn, CSA / Jason B. Stamey, CSA
MAIN CAST (not all cast in all episodes): Elizabeth Olsen, Paul Bettany, Teyonah Parris, Kathryn Hahn, Randall Park, Kat Dennings

Proofread and Edited by Brenda

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Elizabeth Olsen (Wanda) and Paul Bettany (Vision) in "WandaVision" on Disney+