Times and Dates are subject to change!
Shows we cover have 
next to the title – click on it to see our page for the show!
|
* NCIS **Previously aired on Paramount+ |
These listings and dates are subject to change! Click on the link of each show to double-check and see what dates the networks give.
Info from TV Insider, TVline and the TV network sites.
Back to the Main Primetime TV Page
Times and Dates are subject to change!
Shows we cover have next to the title – click on it to see our page for the show!
|
*premieres an hour later because of “Big Brother” and then resumes this time slot the following week |
These listings and dates are subject to change! Click on the link of each show to double-check and see what dates the networks give.
Cable, streaming, and midseason shows guide
Interview with Grace Caroline Currey of the movie “Fall” by Suzanne 8/10/22
It was really great to speak with this lovely young actress who stars in “FALL.” She is outstanding in this exciting movie. You don’t want to miss it; it comes out tomorrow, August 12. Trailer
You might recognize her from one of her many TV shows and movie appearances. She’s probably best known for playing Mary in the “Shazam!” movies. The second one comes out later this year. I can’t wait because I love superhero movies, and the first one was pretty good.
When she was younger, she played the young Natalie Wood in the TV miniseries “The Mystery of Natalie Wood”; and she played the young Melinda in “Ghost Whisperer“; and she played the young Victoria in “Revenge“! Those are some of my favorite shows. Now that she’s older, she can play so many different roles and has many movies coming out.
MORE INFO:
Grace Caroline Currey (Becky)
Grace Caroline Currey has been in back-to-back films across every genre. Grace
stars as the lead in the Lionsgate adventure thriller, FALL, directed by Scott Mann
and set to hit theaters August 12, 2022. Next up for Grace is her portrayal of
Superhero Mary/Mary Bromfield in the Warner Bros. and DC Entertainment franchise
sequel, Shazam: Fury of the Gods, set to hit screens December 21, 2022. Prior to
that she starred in New Line’s popular Conjuring franchise, Annabelle:
Creation. Grace brings her boyfriend home to meet the parents in the rom com, Most
Guys Are Losers, based on the best-selling book, which was recently released in
theaters. She has studied at the renowned Royal Academy of Dramatic Arts in
London and was nominated for Best Actress at the Milan International Film Festival
for her role in Badland, an indie feature with Vinessa Shaw. She is also a level 6
ballerina to boot!
https://www.high-endrolex.com/20
From the Producers of 47 Meters Down
Dropping in Theaters Only on August 12, 2022
PRODUCTION NOTES
RUNNING TIME: 107 minutes
RATING: PG-1
SYNOPSIS
For best friends Becky (Grace Caroline Currey) and Hunter (Virginia Gardner), life is all about conquering fears and pushing limits. But after they climb 2,000 feet to the top of a remote, abandoned radio tower, they find themselves stranded with no way down. Now Becky and Hunter’s expert climbing skills will be put to the ultimate test as they desperately fight to survive the elements, a lack of supplies, and vertigo-inducing heights in this adrenaline-fueled thriller from the producers of 47 Meters Down. Costarring Jeffrey Dean Morgan.
ABOUT THE PRODUCTION
A nerve-shredding, knuckle-whitening, vertigo-inducing action thriller, FALL tells the
terrifying tale of climbers Becky (Grace Caroline Currey) and Hunter (Virginia
Gardner) who ascend the abandoned 2,000-ft B67 TV Tower in the California desert
as a means of moving on from the death of Becky’s husband Dan (Mason Gooding)
in a climbing accident a year earlier. But when the tower’s external ladder gives way,
the two best friends find themselves stuck on a platform at the top. Too high to use
their cell phones to ring for help, the pair must find a way down. Or die trying.
FALL began life as a short film idea hatched by British-born, L.A.-based
writer-director Scott Mann (Heist) and his regular cowriter Jonathan Frank (The
Tournament) in response to a production company’s call for experiential shorts.
“They were looking at experiential shorts, action thrillers, and we pitched this,” recalls
Mann. “We got so excited about the idea of the fear of falling and the horror of
heights, that it almost wrote itself for 25-30 pages. They wanted to make it, but then
the whole thing shut down.”
With the short film series cancelled, Mann and Frank decided to expand their
idea into a feature, on spec, and see if they could get it set up somewhere else.
“We’ve written specs before, but this was the most fun to write because the two of us
kind of lived it and acted it out as we went on, trying to think what we would do in the
situation that the girls find themselves in,” continues Mann who built a paper version
of the platform at the top of the tower so he and Frank could perch on it, “to figure
out what to do and really play on the horror and tension. We wanted it to be the
ultimate fear-of-heights movie, so we looked at previous films and wrote the script
accordingly.”
Among those cinematic references were Martin Campbell’s 2000 survival
thriller Vertical Limit, Brad Bird’s Mission: Impossible – Ghost Protocol, in which Tom
Cruise’s Ethan Hunt scales the outside of the 2,717-foot Burj Khalifa Tower in Dubai,
and Elizabeth Chai Vasarhelyi & Jimmy Chin’s incredible Oscar®-winning
documentary Free Solo which detailed Alex Honnold’s quest to climb El Capitan in
Yosemite National Park without ropes (2018, Documentary, Feature – Elizabeth Chai
Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill).
“The experience of watching Free Solo was a big influence,” Mann recalls. “It
got me thinking about the psychology of the fear of heights as opposed to just a
visual medium because in Free Solo you are with the character, you can hear him
breathe and the reflectance of fear is where it’s at. There’s a psychological fear I
think we all go through at heights. Even a lot of climbing videos on the internet tap
into that well. It’s the reaction, the ‘Oh my God, oh my God’ that influenced how Fall
would eventually play out. From an experiential point of view, you’ve got to put
yourself through the eyes of the character, be with them, and then you climb it with
them. So, you’ve done it together. What we wanted to get was a feeling of being raw
and real at height and very human. So that was the backbone of it all.”
One of the things that makes FALL unique is its location. Namely, the real-life
2,000-foot-high B67 TV tower — the fourth highest structure in the U.S. “What we
found was there were a lot of internet videos of daredevils doing crazy stuff, but they
were usually climbing things like cranes,” explains Mann. “So, we said, let’s find
somewhere that would be the ultimate place to get stuck, and we came across this
tower in California. When you’re at the bottom looking up, the tower seems to go out
into infinity, into the clouds. It is a marvel of architecture. And being in the desert,
made for a very barren, difficult place to survive in the first instance, let alone 2,000
feet up.”
Initially, both the short script and Mann and Frank’s first draft of the feature
version focused on a boyfriend-girlfriend couple stuck on the tower, but for the
second draft they decided to center the story on two female friends, with Becky
losing her husband Dan at the start of the film in a tragic climbing accident and being
unable to cope. The character was inspired by a member of Mann’s wife’s family
whose husband had died young. “It’s quite personal,” says Mann. “It was the first
time someone my age, in my family, had died. And I’d seen her go through a lot of
the things Becky goes through in the script; finding the strength and the will to live
after such a world-changing loss. Also, Covid was rearing its head when we wrote
this, and the world was going into this grief-stricken place that felt more relevant as
we went forward.”
“Becky and her husband are adventuring types,” says Grace Caroline Currey
who plays her. “They love to climb and push their limits and seek out extraordinary
experiences, and at the start of the film we have a very different Becky to the one we
meet post Dan’s accident. She’s consumed with grief, loss, a lack of self and a lack
of desire to live, and through the film Becky finds her fight again and wants to live.
Scott had mentioned she was largely based on his brother-in-law’s widow and how
she survived him. They were this adventure couple, although he died of cancer.”
Becky’s best friend Hunter is a daredevil YouTuber who has her own reason
to be devasted by Dan’s death. “Hunter is a vlogger,” reveals Virginia Gardner who
plays her, “so I watched a lot of YouTube and Instagram influencer videos for some
ideas on her larger-than-life influencer persona ‘Danger D.’ But we wanted to keep
her grounded as well. And we learn there is more than meets the eye to Hunter.”
As with Becky, Hunter was also inspired by a real person, in this case one of
Mann’s wife’s friends. “We used her as the basis,” he admits, “but it is a friend type
that I see a lot, the adventurer who is always searching for something, but is not sure
what. The idea was that Becky retracted, went internal and went into herself, while
Hunter escaped and ran away. They’re two very different personality types who,
typically, become best friends because they need each other’s dynamics, but,
obviously, deal with death and trauma differently.”
THE BIG-SCREEN EXPERIENCE
From the beginning, Mann envisioned FALL as a movie, a film made for the big
screen. “I wanted to do something that had genuinely theatrical potential,” he
reflects. The idea with this was to really go for it.”
“This is a unique experience that you have to see in theatres,” says producer
James Harris (47 Meters Down). “It’s like a ride. Vertigo is one of our biggest fears,
and this film maximises it.”
Given that most of FALL takes place on a small, circular platform at the top of
a 2,000-foot TV tower, Mann wrestled with the best way to make his movie. Initially,
Mann considered using a version of the Volume — the ground-breaking curved LED
screen backdrop on which digital environments are displayed — that had been
pioneered for the first season of the Star Wars/Disney+ show “The Mandalorian.”
“We looked at designing a ‘Mandalorian’ stage that you could look down upon, which
would give you a depth background. But there are limitations to that technology
which meant it wasn’t going to work out.” Plus, there was the budgetary issue. “It’s
enormously expensive to do.”
The second option was to find a mountain where Mann could build the upper
portion of the tower, then film the actors on it against a real background, which
because of the height and positioning would make them appear to be thousands of
feet in the air. “Then you’re able to look down and it’s only from certain angles that
you see the ground is there,” he continues. “Originally, I wanted to do it next to a
steep drop.”
This practical approach required his two leads to not only be able to climb for
real, but more importantly, have a head for heights. During the audition process,
Mann would show Becky and Hunter auditionees a sketch of the proposed tower
built on the edge of a cliff, and tell them they would be up there for real. “In an effort
to weed out the real ones from the fake ones, I would tell them, ‘You’re going to be
really high up so bear that in mind.’ I tried to scare them into being serious about the
fact they were going to be on top of a mountain. And that did weed out people who
weren’t fit for the purpose. I could see it in their eyes, even though they said, ‘I could
do that.’ I was thinking, ‘You can’t.’ The honest ones, like Grace and Ginni, were like,
‘This sounds f**ed up and terrifying, but I’ll give it a go.’”
“I read the script and thought it was really exciting and exhilarating and would
require a lot of discipline,” remembers Currey, whose credits include Shazam!,
Annabelle: Creation, and TV’s “Revenge.” “Scott told me how much he wanted to
shoot practically which is the kind of stuff you hope to work on, something
immersive, that really makes you feel like you’re there. He was gauging to see if I’d
be able to cope with it, but I have a background in dance, so the technical nature of it
really appealed to me. I did go through a phase where I did have a membership at a
climbing gym, and I saw a lot of parallels between climbing and dance. I started
nerding out about climbing and how excited I was at the idea of what he was
proposing.”
“Scott made it clear it was going to be a very physical movie filmed on a real
60-foot tower. I told him I was so excited for the challenge and didn’t have a fear of
heights,” says Gardner, who costarred in TV’s “Runaways” as well as the 2018
Halloween reboot. “It also was right in the middle of Covid so the idea of being so
active and outside every day after being locked down for so long was very appealing.
I had done a lot of indoor rock climbing in the past and worked with a personal
trainer to make sure I would be able to handle the physical requirements.”
“We also discussed Becky and how easy it could be to have her come off too
despairing,” she continues, “because she has been through so much and there is so
much sadness and she is so paralyzed by her grief. And there are many moments
where she speaks up and says she can’t climb, she can’t do what’s in front of her, so
I expressed to Scott that I wanted to make sure she didn’t come off too complaining,
and you feel compassion for her, because you should.”
“Hunter is a rebel and Becky is the heart of the movie,” says Harris. “We went
through a very lengthy casting process and the chemistry between Ginni and Grace
was amazing.”
“I was lucky the financers and producers backed the idea of going for the best
actors, as opposed to the biggest names,” adds Mann, “because from a theatrical
point of view, the tower is the star.”
Because of Covid, all auditions needed to be done over Zoom. “Which was
awkward,” says Mann, “although a few of them did lock themselves up for a period to
do it together.”
“I expressed to Scott I don’t like auditioning, it makes me very uncomfortable,
how unnatural it is,” recalls Currey. “And because so many of Becky’s scenes are
with Hunter, he suggested we should do a chemistry read with the potential
Hunters.” A chemistry read is when actors audition with other potential cast. “I was
sent over a couple of names and one of those was Virginia Gardner, and so I
Instagram-stalked them, and slid into their DMs and said, did they want to practice
before our reads? Ginni responded right away, and she and I rehearsed the day
before our read. I immediately liked her so much and hoped she was going to be
Hunter, and I hoped I would be Becky. Later, Scott told us he felt the fact that we
pursued each other outside the chemistry read and rehearsed together spoke to how
we were going to apply ourselves to the film in general, so I guess preparation paid
off.”
“There were some good actresses who auditioned but what I found with
Grace and Ginni was they had great discipline,” recalls Mann. “Very different
dynamics as actors. Ginni’s extremely controlled, Grace is much more emotive and
method, but they had a real good chemistry and really helped each other. They just
seemed like friends, and they couldn’t help but bond.”
In the small but pivotal role of Becky’s husband Dan — who is killed in a
climbing accident in the opening sequence but whose presence looms large over the
film — is Mason Gooding, one of the stars of the latest Scream. “I loved his energy,”
says Mann of Gooding. “Again, it was a Zoom meeting, but I found him extremely
charismatic and honest. He had a vulnerable charisma about him I liked for Becky’s
partner, who’s a bit softer around the edges and is not your typical alpha male. I also
wanted someone you might think is going to be in the whole movie.”
“Mason is amazing,” adds producer Harris. “He’s going to be a superstar. We
were so lucky to have him.”
Rounding out the rest of the main cast is Jeffrey Dean Morgan as Becky’s
dad. “I’d worked with him and Robert De Niro on a film called Heist and had a great
time,” notes Mann. “I’ve always loved Jeff as an actor and became friends on that.
So, when we wrote the dad character, we literally wrote it for Jeff, thinking, ‘Okay,
who’s the most caring, empathetic, vulnerable dad you can pick out of a pile?’ It’s
Jeffrey Dean Morgan. And he was up for it.”
With his main cast in place, Mann set about rehearsing with his two leads at
ground level, knowing that once they were on location and up the tower, things
would be much trickier. Having utilized a paper platform during the writing stage to
act out the movie with Frank, Mann built a wooden one in his backyard and invited
Currey and Gardner over to play. “We blocked out the movie very thoroughly over
the course of a couple of days, so there was no doubt about any of it.”
“It was the platform and the pole, propped on some boxes or some crates and
we mostly spent the time figuring out how two people could possibly sleep on such a
small platform,” Currey recalls. “We played around with the different physical
configurations our bodies could make on the platform for it to be believable. If our
characters had been sitting for hours, how might they sit? There were also specific
scenes to block, like when Becky and Hunter discuss the affair. Scott had it in his
mind we would be back to back. And many of the scenes that required action and
movement we had to figure out beforehand because when we shot it, we were going
to be so high up and Scott would be far away, and it would have been very tricky to
figure out scenes in that circumstance. But because we blocked it ahead of time it
allowed for efficiency when it came to shooting.”
To recreate the lower portion of the tower on location, Mann approached the
designers of the real one in California that had been their inspiration during the
writing process and had them construct the first 15 feet in the desert just outside of
Los Angeles, in a place near Palmdale called Rocky Buttes. “They built a section of
tower on the ground there, which was safe, but we made it look rusty and
abandoned, and we had the girls climb up that,” recalls Mann. “And then, past a
certain point, it becomes a CGI extension.”
For the upper portion of the tower, Mann needed to find a mountaintop within
easy reach of Los Angeles, given they were planning to shoot while the U.S. was still
in the throes of Covid and there was uncertainty whether cast and crew were allowed
to stay in hotels overnight. “I would drive around in my wife’s SUV out to the desert,
to all these strange places I would find on Google maps, to try and find the correct
mountain with the right landscape,” he recalls. “Because you’re shooting outdoors,
you’ve got to consider where the sun is, the cinematography of it, everything. Also,
how do you get a Technocrane [a telescopic camera crane] up a mountain?”
Eventually, after several weeks, Mann found the perfect spot in Shadow
Mountain near Victorville. “It’s in the middle of nowhere,” he says. “But frankly, on the
top of that mountain, when you’re looking out, filming it for real, it looks amazing.”
BATTLING THE ELEMENTS
Once the mountaintop location was chosen, production designer Scott Daniel
(Wrong Turn) built two different towers of varying height, the tallest being around 60
feet, not including the final section with the light, as well as a five-foot high platform
for shooting closeups. “We were limited by engineering how high you could make it,
what we could get up there safely and construct to make it safe,” explains Mann of
the main tower. “Also, there was a limit on the height of the Technocrane which only
goes 70 or 80 feet up. If we made it too high, we wouldn’t get the look down and the
swing round, so we reduced its height.”
Even so, it was still plenty high. “Obviously, with actors we must be very
careful, and everything must be safe, but when you were climbing up it was quite
scary,” says Mann. “The first time I went there with Ginni and Grace I went first, so I
wasn’t asking it just of them. I remember climbing that ladder all the way at the top,
and it’s hard to get on the top, because there’s a ridge and you must really trust the
fact that if you do fall, you’re attached with a wire that’s going to save you. But I
remember getting up there, thinking, oh my God, that’s horrible, because when you
look out, your mind says, I’m 2,000 feet in the air, and you have to look back around
to realize, oh, it’s okay, there are people down there, 60 feet away. But when Grace
got to the top, she burst into tears. I think it was relief, because the other thing that
makes it feel very high is the wind, and the platform is rocking and swinging and
shaking. So they were very brave. And then from there it got easier.”
“When we first climbed up the tower, Scott went first, and in general
throughout the shoot, he did make sure to show us he was in it with us, which
speaks so much to the kind of director he is,” recalls Currey. “And when we got to
the top, there was a big relief. What was so exciting for me was seeing how high up
we were, feeling how strong the wind was, the elements, and the view was insane. It
was just this immersive feeling and I teared up because I felt so excited.”
“I remember the first climb being taxing and long,” says Gardner. “But the
more we did it the easier it got, although our hands were covered in blisters from so
much climbing. The first time we made it to the top Scott went first so we felt
confident. I remember how beautiful the sunset was and feeling the excitement and
adrenaline Hunter would be feeling in the moment when she reaches the top.”
Both actors wore harnesses which were attached to a safety cable that went
from the ground, up through the center column and out of the pole at the very top,
and back down again. “The characters having real harnesses on helped,” laughs
Mann. “Like, don’t take your harness off until this page [of the script.] So, if they’re
standing or moving around, they know if they fall, they’re safe, although the idea that
you’ve got to trust a tiny cable with your life is a little bit terrifying.”
What helped is that the riggers responsible were the same guys who did the
big tower stunt with Tom Cruise in Mission: Impossible – Ghost Protocol. “Our stunt
coordinator Ingrid Kleinig said, ‘I know the best riggers and they’re not working at the
minute because of Covid, so let’s see if they want to help us.’ And they came out and
did all the rigging. So each actor had their own safety person. The most special
effects in this movie arguably are the safety wire removals,” says Mann, who
estimates FALL has about a thousand visual effects shots, mostly wire removal and
also digitally erasing the mountain from shots and replacing it with aerial footage of
the flat desert at the tower’s base in Palmdale for downward-looking shots.
“Climbing the ladder for the first time, we were getting to know the wires and
the rigging,” says Currey. “The most important thing for me was to understand how it
worked. If I feel safe, the more trust I have to go for the stunts. So, we would sit into
our harnesses and feel the wire take our weight and know there’s this safety net
that’s always with you. Trust was a major component for us diving into so many of
our stunts. Without it, we wouldn’t have been so brave.”
While Currey and Gardner had their own stunt doubles — Alice Rietveld for
the former, Alice Ford for the latter — both did many of the stunts themselves,
including hanging off the platform one-handed to take a selfie. “They did all that stuff
themselves and it is quite terrifying,” says Mann. “But the more we see their faces,
the more we’re with them. Audiences know when it’s a stunt double. They can sense
it because you change your film grammar around it.
“One of my favorite shots in the movie is where Grace is hanging off the
ladder and the ladder comes down and she lets go. That’s really Grace doing that
whole shot, doing that full drop. Originally, I was planning to start with her, then have
the stunt double drop and do face replacement. But in the end, she was like, ‘I want
to do it,’ and she went for it. It was great that our leads loved the experience and felt
safe. The shot where Hunter first climbs down to lower the phone, that’s really Ginni
doing all that. And I hold that take as long as I can, because at one point, Ginni
almost slips. But those kinds of shots are physically demanding and Ginni and Grace
just went for it.”
“The stunts were a lot of fun,” says Currey. “They were athletic and required
work but were fun and invigorating. We were pushing our mental and physical
stamina each day. But I couldn’t be prouder knowing I gave it my all and had such a
wild experience. Ginni and I often look at each other and go, ‘Did that really happen?
That was insane.’ But we were given the time and the space to test the stunts out
and try them and rehearse them and understand them, which made all the difference
and really enabled us to have trust between the riggers, our stunt coordinator,
everyone involved. I felt safe to speak up and say, ‘This feels a little scary,’ and then
we’d figure out what I needed to do to feel I understood what I was doing.”
“The climbing scenes were challenging but it was so much fun to do it all
practically and not in front of a green screen,” agrees Gardner. “It added some real
grit to the scenes and made our lives easier as actors when we could interact with
the real environment. It’s not often you get to do so many of your own stunts, and
getting the thrill of falling off a building that high and hanging off with one hand was
an unforgettable experience! To get to shoot those scenes with the wind hitting our
faces and the sun beating on our backs and the ground so far below gives you the
feeling you’re in the situation. Also, so many of our scenes we are climbing up the
ladder, and so we would climb up and go up and down. Those scenes took days to
shoot, but I think the physical exhaustion of it made our job easier.”
To communicate with his two leads while they were perched on a tiny platform
60 feet off the ground required Mann to use a bullhorn. “I wouldn’t normally use one,
but it was too windy to talk via radio,” he recalls. “I also had a feed of their mics, so I
could always hear what they were saying.”
“Being directed by Scott with a bullhorn 60 feet below us was so funny,”
remembers Gardner. “He knew exactly what he wanted and would often play badass movie soundtracks on a loudspeaker while we were headed up the tower to get
us in the mood. If we were up there for a while, they would use a pulley system to
send up sunscreen and water.” But whenever there was something a bit more
intimate to film or discuss, Mann would hop a ride on a 70-foot cherry picker to lift
him up to platform level. “I could be beside them and the camera, and I could talk to
them, so it was a bit more normal. But it was very physical for me, for everyone,
scorching temperatures, crazy conditions.”
Partnering with Mann on making FALL as cinematic an experience as
possible was Spanish-born cinematographer MacGregor (Vivarium). “He was
amazing. He’s a director as well, is super talented and, like me, is into his
technology,” says Mann. “His rule to me was production value in a movie is dictated
by location. If you get the location right and you’re filming it for real, and you get the
sun in the right place and everything else, you don’t need anything else. You just film
the desert at the right time of day, and it looks incredible. This film has a low budget
for what it is. And it looks bigger than that because of that rule — filming real stuff.”
On the first day of shooting on the mountaintop, the weather turned nasty.
“The first day was a disaster,” remembers Mann. “It got really windy, windier than it
had been on any of the prep days. And at a certain point when the wind reaches 50
miles an hour, it’s too dangerous to be near that tower in case it blows over. So we
had to stop filming and get people in a safe place or off the mountain and there was
a threat the tower might collapse. There was a building at the top of the mountain, an
old radio hut, and we got everyone inside and there was a bloody sandstorm outside.
It was horrendous, like Dune or something. And then the low tower we built for
closeups blew away.”
“We had flying ant infestation, bee infestation, rain, thunder, lightning,
windstorms, the whole gamut,” remembers Currey. “You’re out there in nature and
nature is deciding when you shoot and when you don’t. I mean, we had to be very
careful being so high up on the tower because the winds would get intense, and if
they reached a certain speed, we had to climb down because it was too dangerous.
That was a little stressful at first, but eventually we understood we didn’t get to
dictate the schedule, the weather did. It felt like Indiana Jones. It felt like we were on
an adventure every day. The dirt, the dust, the grime. I took a selfie of myself on the
first day to send to my husband and I looked so fresh and chipper, and about 30
minutes later, being in the wind, I took another, and I am not chipper anymore.”
“It was crazy,” agrees producer Harris. “We were probably the first movie
made after Covid struck and we had those protocols plus all the plagues of the
Bible…it was crazy. But Capstone, our financiers, were very brave taking the risk
and plowing ahead.”
The remainder of the four-week mountaintop shoot was no less challenging,
with cast and crew pushed to their collective limits daily. “There were lots of physical
challenges, but we didn’t have any Covid cases the whole shoot,” says Mann. “Still,
we had about five hurricanes. There were fires nearby that blocked out the view. We
had several lightning incidents, and we had to be very careful because the girls were
standing on a big metal pole at the top of the mountain.”
The production also had to contend with a host of insects, including a swarm
of locusts and an infestation of bees. “After it rained, locusts collected inside the
tower and when we went to film, they all came out and we got swarmed on,” recalls
Mann. “Every other day we would have some physical or environmental disaster.
And we would just have to keep filming.”
“We had a lot of crazy issues at the beginning,” notes Gardner. “We had a
locust invasion and Scott had to use a massive vacuum-like device and suck up all
the bugs. Then we had a bee infestation. I got stung twice during takes. And to top it
all off, we had a thunder and rainstorm that almost ruined all our set dressing. But
we all had a great attitude about it and had to laugh it off and roll with the punches.”
Ultimately, Mann feels all the various environmental challenges were to the
film’s benefit. “They shifted the look of the movie,” he reveals. “At the time I thought,
this is disaster, because it’s all going to look completely different. But I’m glad of it
now. And my favorite moments in the movie are when we had something challenging
happen, like when it’s windy when our leads are on top. That’s real wind. As
everyone says, that’s free production value.”
While filming on a tower on top of a mountain exposed to the elements was
challenging enough, the final week of shooting, which mostly featured scenes in act
one — prior to Becky and Hunter’s tower climb — were among the hardest to
capture due to Covid. “The shoot for the tower element and the mountain we did in
one run and, apart from all the disasters, we got through it,” recalls Mann.
With Jeffrey Dean Morgan in a bubble shooting AMC’s “The Walking Dead” in
North Carolina, it was decided that Mann, Currey, and a small crew would fly to him,
build the bar set there, film the scene with Becky and her dad and then fly home to
L.A. But after Mann landed in North Carolina, he got a text from Currey saying she’d
come down with Covid, so she couldn’t travel. Rather than waste the trip and lose
the opportunity to shoot Morgan, Mann opted to build the bar set and film the scene
with Morgan with a double for Becky, before rebuilding the set four months later in
L.A. where Currey acted opposite a double for Morgan.
“So, the truth is, they never met in real life,” chuckles Mann, “and we filmed
both halves of that scene at different ends of the country. It was crazy. And one of
those filmmaking tricks we had to go through.”
CAST AND CREW BIOGRAPHIES
Scott Mann (Cowriter, Director)
Scott is a seasoned Hollywood director and producer, working with A-list talent on
several blockbuster films. His credits include Heist, Final Score, and The
Tournament. Mann has directed talent such as Robert De Niro, Pierce Brosnan,
David Bautista, Robert Carlyle, Kate Bosworth, Jeffrey Dean Morgan, and Bruce
Willis. Scott has been at the forefront of the visual effects domain for over 25 years
and has had a lifelong passion for science, innovation, and storytelling.
Virginia Gardner (Hunter)
Virginia Gardner is best known for starring as Karolina Dean in the Hulu original
series of Marvel’s “Runaways” and Vicky in Universal Pictures’ Halloween. She
made her feature debut as Christina Raskin in Paramount’s Project Almanac, and
since then has appeared in various films including Goat, Little Bitches, Monster
Party, Starfish, and All the Bright Places. In television, she can be seen in HBO’s
“The Righteous Gemstones,” FX’s “American Horror Stories,” and Starz’s “Gaslit.”
She will next be seen starring opposite Dylan Sprouse in Voltage’s Beautiful
Disaster.
Jeffrey Dean Morgan (James)
Jeffrey Dean Morgan’s charisma, undeniable charm, and versatility have landed him
a variety of prestigious films and television series working alongside award-winning
actors and filmmakers. Having worked nonstop the past few years, Morgan
continues to capture the attention of Hollywood and has emerged as one of the
industry’s most sought-after leading men.
Morgan can currently be seen in the hit AMC series, “The Walking Dead,” where he
made his debut in the final episode of season six as the infamous antagonist,
Negan. This performance earned him a 2016 Critics’ Choice Award for Best Guest
Performer in a Drama Series. He also won Best Villain at the 2017 MTV Movie and
TV Awards for his work in season seven. The 11th and final season of “The Walking
Dead” is currently airing on AMC.
Following the conclusion of “The Walking Dead”, Morgan will reprise his role of
Negan in the upcoming spin-off series “Isle of the Dead.” Along with Lauren Cohan
reprising her role as Maggie, “Isle of the Dead” will follow the pair through postapocalyptic Manhattan. Morgan and Cohan will also serve as executive producers on
the series that is set to premiere in 2023 on AMC.
Other recent projects include “Friday Night in with The Morgans”, which premiered in
April 2020 on AMC. The talk show was produced and hosted by Morgan and his
wife, Hilarie Burton Morgan, and was filmed from their home in upstate New York
during the early days of the COVID-19 pandemic. On the film side, recent credits
include Warner Brothers’ Rampage, directed by Brad Peyton, alongside Dwayne
Johnson and Naomie Harris; Walkaway Joe alongside David Strathairn and under
the direction of Tom Wright; The Postcard Killings with Famke Janssen for director
Danis Tanovic; and horror film The Unholy based on the best-selling James Herbert
novel Shrine.
Morgan began his career in television. In 2005 and 2006, he endeared himself to
television audiences worldwide with three concurrent recurring roles – on the CW
series “Supernatural” as John Winchester, on the ABC hit series “Grey’s Anatomy”
as transplant patient Denny Duquette, and on Showtime’s award-winning comedy
series “Weeds” as Judah Botwin, all of which made Morgan a universal fan favorite.
He then starred in the feature film P.S. I Love You with Hilary Swank and he
captivated genre fans as Edward Blake / Comedian in Watchmen for director Zack
Snyder, an adaptation of the iconic graphic novel. Morgan went on to star in The
Losers, an adaptation of DC-Vertigo’s acclaimed comic book series, produced by
Joel Silver and directed by Sylvain White, and in Ang Lee’s film Taking Woodstock.
He then appeared in the murder mystery Texas Killing Fields alongside Sam
Worthington, Chloë Grace Moretz, and Jessica Chastain.
Morgan’s additional feature film credits include Peace, Love & Misunderstanding
alongside Catherine Keener, Jane Fonda, and Elizabeth Olsen for director Bruce
Beresford; the thriller The Possession with Kyra Sedgwick for producer Sam Raimi;
Red Dawn, the reboot of the 1984 action movie; The Salvation with Eva Green and
Mads Mikkelsen which premiered at the Cannes Film Festival; Heist alongside
Robert De Niro; Solace opposite Anthony Hopkins, Colin Farrell, and Abbie Cornish;
Desierto alongside Gael García Bernal; and in 2016 he re-teamed with Zack Snyder,
making a cameo appearance in Batman v. Superman: Dawn of Justice.
On the television side, Morgan’s additional credits include the award-winning CBS
series “The Good Wife,” the critically acclaimed Starz series “Magic City,” the CBS
series “Extant” alongside Halle Berry and produced by Steven Spielberg, and the
Emmy®-nominated History Channel miniseries “Texas Rising” with Bill Paxton and
Ray Liotta.
Morgan currently resides on a farm in Hudson Valley, New York, with his wife and
two children.
Mason Gooding (Dan)
Mason Gooding is quickly making a name for himself. He can currently be seen
starring in Hulu’s “Love, Victor” opposite Michael Cimino and Rachel Hilson. The
series, set in the world of the 2018 film Love, Simon, returned for its third and final
season on June 15.
This year, Gooding was seen starring in Paramount Pictures’ Scream alongside
Courteney Cox, David Arquette, Jack Quaid, Melissa Barrera, Jenna Ortega, and
Dylan Minnette. He was also seen in the Amazon rom com I Want You Back
alongside Charlie Day and Jenny Slate and in Christopher Winterbauer’s Moonshot
for HBO MAX alongside Lana Condor and Cole Sprouse.
Upcoming, Gooding will be seen starring in Sam Hayes’ indie feature Pools
alongside Ariel Winter.
In 2021, Gooding lent his voice to QCODE Media’s neo-noir podcast series “Electric
Easy,” which featured original music from Kesha and Chloe Bailey. In
2019, Gooding starred in Olivia Wilde’s critically acclaimed Booksmart opposite
Beanie Feldstein and Kaitlyn Dever. The film made its world premiere at the 2019
SXSW Film Festival where it was nominated for the Audience Award.
Later that year, he was seen in Netflix’s Let It Snow alongside Kiernan Shipka,
Odeya Rush, and Isabela Merced. The romantic comedy, based on the John Green
novel of the same name, was released in November 2019.
On the small screen, Gooding’s credits include: “Ballers,” “Everything’s Gonna Be
Okay,” “Star Trek: Picard,” and “The Good Doctor.”
Madison Beer (Songwriter, “I Have Never Felt More Alive”)
Following unprecedented success as an independent artist, rising pop star Madison
Beer released her major label album debut, Life Support, in early 2021. The album, a
strong personal and artistic statement, received acclaim from the likes of V
Magazine, Nylon, and NME who called it a “thrilling listen.” Life Support features
certified platinum single “Selfish,” and “Boyshit,” which Billboard said, “…makes a
late case for one of the best pop chorus openings of 2020.” The album saw Madison
continue to command creative through writing her own songs, producing, and
creating her own visuals. Most recently she released “Reckless,” the first track to
come from her next project. The song was her personal best streaming week debut
on Spotify and currently has over 222 million streams on the platform. Madison has
seen partnerships with beauty brands like Fenty Beauty and Morphe Cosmetics,
which she showcased in her edition of Vogue’s marquee video series “Beauty
Secrets.” Her episode is one of the highest-performing installments with over 12
million views on YouTube, and it went viral on TikTok, selling out the Morphe
products featured globally for six months. Madison is also the face of Victoria’s
Secret’s line of Tease Fragrances, with a campaign shot by legendary photographer
Mario Sorrenti. Currently, Madison has over 4.2 billion streams across her catalogue
globally and commands a highly engaged social following of over 32 million on
Instagram, 17 million on TikTok, and 3 million on Twitter.
CAST & CREW LIST
LIONSGATE AND CAPSTONE GLOBAL
PRESENT
A TEA SHOP PRODUCTION
A CAPSTONE STUDIOS PRODUCTION
IN ASSOCIATION WITH FLAWLESS
IN ASSOCIATION WITH COUSIN JONES
IN ASSOCIATION WITH BUZZFEED STUDIOS
Directed by
Scott Mann
Written by
Jonathan Frank & Scott Mann
Produced by
James Harris and Mark Lane
Scott Mann
Produced by
Christian Mercuri
David Haring
Director of Photography
MacGregor
Production Designer
Scott Daniel
Editor
Rob Hall
Original Score Composed and Produced by
Tim Despic
Supervising Sound Designers
Alex Joseph
David Barber, M.P.S.E.
Re-recording Mixer
David Barber, CAS
VFX Supervisor
Matt Gardocki
Costume Designer
Lisa Catalina
Casting by
Colin Jones
Line Producer
Brianna Lee Johnson
Executive Produced by
Roman Viaris
Barry Brooker
Executive Produced by
John Long
Dan Asma
Unit Production Manager
Brianna Lee Johnson
First Assistant Director
Doug Turner
Second Assistant Director
Tami Kumin
CAST
Becky Connor Grace Caroline Currey
Shiloh Hunter Virginia Gardner
Dan Connor Mason Gooding
James Connor Jeffrey Dean Morgan
Steve Jasper Cole
Randy Darrell Dennis
Police Officer Bamm Ericsen
Diner Server Julia Mitchell
Flower Girl Evie Mann
Page Boy Joseph Mann
Confused Truck Driver Nick Lynes
Bar Man Branden Currey
Associate Producer
Ashley Waldron
Stunt Coordinator / Second Unit Director Ingrid Kleinig
Assistant Stunt Coordinator Genevieve Aitken
Key Stunt Rigger Chris Daniels
Stunt Utility Anthony Genova
Stunt Utility Jess King
Becky Stunt Double Alice Rietveld
Hunter Stunt Double Alice Ford
Rock Climbing Consultant Tai Devore
Becky Climbing Double Miya Tsudome
Hunter Climbing Double Jennifer Poe
Dan Climbing Double Chip Powell
Opening Stunts
Stunt Coordinator T.J. White
Dan Stunt Double Matthew Osborn
Stunt Utility Hank Kingi Jr.
Stunt Utility Ken Fournier
Stunt Utility Jimmy Ramono
Stunt Utility Jennifer Caputo
Production Supervisor Annie B. Compton
Assistant Production Supervisor Turner Fair
Key Set PA Chloe Huckins
Set PA Trevor Messenger
Set PA Eddy Gudakov
A Cam Operator Nick Muller
2nd Unit DP/B Cam Operator Geoff George
A Cam First Assistant Camera Nicholas Kramer
Additional AC (A Cam) Jacob Rosenblatt
Second Assistant Camera Sasha Wright
B Cam 1st AC Litong Zhen
Digital Imaging Technician Jack Damon
Script Supervisor Barbara Abelar
Production Sound Mixer Chris Polczinski
Boom Operator Tasha Ladwig
Casting Associate Marta Noguera
SFX Boyd Lacosse
Gaffer Mike Van Meter
Best Boy Electric Mitch Pratt
Electric Ronnie Ausborne
Key Grip Jesse Curl
Best Boy Grip Angel Villarreal
Best Boy Grip Alex Harris
Grip Daniel Vlahos
Grip Austin Nelson
Key Grip Jason Younger
Best Boy Grip Mitch Elliott
Grip Ryker Wells
Grip Ivan Garcia
Art Consultant Gabor Norman
Prop Master Bryan Staerkel
Art PA Samuel Figueroa
Scenic Darren Cheeks
Techno Crane Op Brett Folk
Techno Crane Op Harrison Reilly
Techno Crane Op Corey Kiefer
Techno Crane Op Brian Shreiner
Drone Pilot Chase Ellison
Drone Pilot Justin Enrique
Department Head Make Up Erin Blinn
Additional Make Up Brittany White
Department Head Hair Lauren McKeever
Animal Wrangler Mark Schwaiger
Dog Wrangler Ali Santoro
Production Accountant Sue McGraw
Assistant Production Accountant Chelsea McGraw
Production Secretary Mellinda Hensley
Office Production Assistant Ali Pinkerton
Location Managers Derek Tramont
Mitchell Gutman
Permit Service Miles Per Gallon
Key Set Medic Lindsey Roberts
Health and Safety Manager Jerry TerHorst
Health and Safety PA Nicole Daley
Caterer Moore Culinary Services
Security Bruno Mora
NC Goods & Services Lighthouse Films
Brad Walker
Michelle Roca
Kendall Stetson
Vicka Hanson
Ash Christ
Mikel Barton
Michael “Shawn” Lewellan
Alan “Shorty” Swanson
Paige Marsicano
Ben Pellington
Adrian Kohann
Kristen Bell
Paul Sitler
Ashley Spillane
Aaron Kelly
Brielle Barozzini
Nico Guerra
Marco Guerra
Yukimi Bishop
Josiah Graf
Kristen Shaughnessy
JD Lanier
Kristi Ray
Medical Advisor Dr Patrick Yu
(Corporate Medical Advisors)
Accounting & Tax Incentive Services Greenslate
Production and Finance Legal Services Levin Law Corp.
Ronald J. Levin
Rylan Mitchell
Erica Zohar
Associate Editor Michael Cheung
Assistant Editor Esther Sokolow
Music Supervisor Phil Canning
Original Song Music Supervisor Ashley Waldron
Completion Guarantee Film Finances
Mandy Yaeger
Helen Sam
Lieve Jansen
Insurance Services Daniel R’Bibo
Alex Ekizian
Rosita Roque
Head of Development Tea Shop Productions Lieve Jansen
Leo Darby
Head of Development Flawless Lieve Jansen
Sarah Mann
Audio Post Services Provided by Juniper Post, Inc.
Sound Supervisor David Kitchens, M.P.S.E.
Supervising Sound Designers Alex Joseph
David Barber, M.P.S.E.
Re-recording Mixer David Barber, CAS
Dialogue Editor Jeffery Alan Jones
ADR Mixer Alan Jaye
Sound Effects Editors Rob Walker
Payam Hosseinian
Foley Artist Gonzalo “Bino” Espinoza
Foley Editor Jackson Kitchens
Audio Post Accountant Stacy Kitchens
Additional ADR Recording Jed Elliot
Original Score composed and produced by Tim Despic
Composer/ Additional music by James Edward Barker
Music performed by Tim Despic, James Edward Barker and the Van Ness
Orchestra
Music mixed by Tim Despic
Digital Intermediate Services Provided by
TUNNEL POST
DI Producers Heather Toll
Shirley Luong
Alan Pao
DI Colorist Sebastian Perez-Burchard
Conform Editor J.D. Moore
Additional VFX Pulls Taylor Mahony
Visual Effects by
TUNNEL POST
Visual Effects Supervisors Shirley Luong
Heather Toll
Lead Compositors May Satsuki Asai
Wanyan Zhu
Compositors Gigi Babityan
Austin Brown
Xuncheng Chen
Grant Inouye
Yongfeng Lin
Cheng Qiu
Dandan Xiao
Roto Artists Victor Franco
Mia Chang
Additional VFX Supervision Koala FX
Consulting VFX Producer Dasha Sherman
Consulting VFX Supervisor Menelaos Pampoukidis
Lead VFX Artist Antoni Zakheos
VFX Artist Artem Isaakyan
GARDOCKI DIGITAL
VFX Supervisor Matt Gardocki
VFX Artists Jacob Brewer
Peter Epps
Candido Garcia
Sophia Post
Alex Stager
DEKOY
VFX Principal/Founder David Matheny
VFX Production Manager Grace Kao
VFX Artists Christian Feliciano
Brian Recktenwald
VFX2GO
Visual Effects Producers Jake Akuna
Christian Curry Akuna
Supervising Producer
(Sancio VFX Studios) Naresh Botha
Manager Karthik Sabbani
Coordinator Priscilla John
Visual Effects Artists Jake Akuna
Praveen Jambula
Varshini Botha
Anil Kancharla
Sunny Kandimalla
Sunil Kalyan
POSTVFX
Composite Supervisor Edward Anderson
Senior Compositor Ivan Pena Ortiz
22 DOGS STUDIO
VFX Executive Producers Andrea Marotti
Carlo Tosi
VFX Producer Giulio Campiglia
VFX Executive Supervisor Max Pareschi
VFX Lead Compositor Artist Thomas Kremer (II)
VFX Compositor Artists Andrew Antonyuk
Roman Antonyuk
Alexey Ermak
Polina Frolova
Vladislav Kravchenko
Mila Kremere
Dimitrijs Mass
Max Radukha
Roman Sagenov
VFXaddART
VFX Supervisor Eduard Karamshuk
Compositing Artists Aleksandr Pertsovoy
Denis Knyzev
Oleksandr Kuzmin
Dmytro Syrovatsky
Dmytro Shmidt
FLAWLESS
Nick Lynes
Sean Danischevsky
Stuart Lawrence
Allar Kaasik
Hyeongwoo Kim
Praveen Ilangoven
Pablo Garrido
Lindsey Morrow
Gaurav Bharaj
Piran Smith
Christian Theobalt
Jim Rivera
Gary Scullion
Paul Duhig
Alejandra Esquerro
Ryan Axe
BUZZFEED STUDIOS
Head of Studio Richard Alan Reid
Marketing Executive Dan Katt
Creative Executive Ayla Norris-Smith
Production Executive Sam Linder
Distribution & Strategy Executive Jason Nadel
Production Coordinator Brianna McFadden
Creative Will Hunt
STOCK FOOTAGE
Vulture Stock footage supplied by Film Studio Aves/Creatas Video via Getty Images
All Other Footage used under license from shutterstock.com
MUSIC CREDITS
“I Have Never Felt More Alive”
Written by Madison Beer and Leroy Clampitt
Performed by Madison Beer
Courtesy of Epic Records
By arrangement with Sony Music Entertainment
“Erase/Rewind”
Performed by The Cardigans
Written by Nina Elisabet Persson, Peter Anders Svensson
Licensed courtesy of Universal Music AB
By arrangement with Universal Music Operations
Published by Universal Music Publishing Limited on behalf of Stockholm Songs
“What a Rush”
Performed by Hart & Maguire
Written by Jimmy Hart & John J. Maguire
Licensed courtesy of WWE Inc
Published by Universal/MCA Music Ltd on behalf of Piledriver Music US
“Cherry Pie”
Performed by Warrant
Written by Jani Lane
Licensed courtesy of Roundhill Music & Zync Music
Used by kind permission of Carlin Music Delaware LLC, Courtesy of Round Hill
Records
SPECIAL THANKS
Sarah, Joseph and Evie
Annie Mahoney
Joyce Harris
Reid and Cindy Johnson
Maribelle and Zella Fischer
Jason Ballantine
Max Adams
Nicolas Chartier
Babacar Diene
Vicky and Mike
Lionel Uhry
Off the Ground
Jake Hebert Custom Tower LLC
AG Light and Sound Inc
Fox 6 News – Birmingham
Martin Spencer
Best Buy
Matthew Marenda
Alex Henes
Jian Giannini
FOR ANDY X
IN LOVING MEMORY OF KARL YOUNG
(c) 2022 FALL MOVIE PRODUCTIONS INC.
Proofread and Edited by Brenda
Back to the Primetime Articles and Interviews Page
This is all we could find…let us know if you have more!
*#1 Chicken premieres 9/22 on YouTube.
100 Day Dream Home Season 3 premieres 12/20 on HGTV.
100 Foot Wave Season 2 premieres mid-season or later on HBO.
*1883 premieres 12/19 on Paramount+.
*61st Street premieres in late 2022 on AMC.
*9 Years to Neptune premieres 9/27 on BYUTV.
*9/11: One Day in America premiered 8/29 on National Geographic.
9-1-1: Lonestar Season 3 premieres mid-season on FOX.
90 Day: Bares All Season 2 premiered 9/12 on Discovery+ .
90 Day Fiance: The Other Way Season 3 premiered 8/29 on TLC.
A Time to Kill Season 4 premiered 8/2 on Investigation Discovery.
A.P. Bio Season 4 premiered 9/2 on Peacock.
*AEW: Rampage premiered 8/13 on TNT.
*Abbott Elementary premieres mid-season on ABC.
*Abandoned: Expedition Shipwreck premiered 8/5 on Science.
*Acapulco premieres 10/8 on Apple TV+.
*The Activist premieres 10/22 on CBS.
After Life Season 3 premieres mid-season on Netflix.
*Age of Humans premiered 8/18 on Smithsonian.
Aggretsuko Season 4 will probably premiere mid-season on Netflix.
*Ahsoka premieres either late 2021 or early 2022 on Disney+.
All American Season 4 premieres 10/25 on The CW.
*All American: Homecoming (spinoff) premieres mid-season on The CW.
*All the Queen’s Men premiered 9/9 on BET+.
Accident, Suicide or Murder Season 3B premiered 8/7 on Oxygen.
Accused: Guilty or Innocent? Season 2 premiered 8/12 on A&E.
*Ada Twist, Scientist premieres 9/28 on Netflix.
*All or Nothing: Toronto Maple Leafs premieres 10/1 on Amazon.
*All the Queen’s Men premiered 9/9 on BET+.
The Amber Ruffin Show Season 1 ended in August on Peacock.
*America’s Big Deal premieres 10/14 on USA Network.
America’s Got Talent Season 16 premiered 6/1 on NBC.
*American Auto premieres mid-season on NBC.
American Crime Story: Impeachment Season 3 premiered 9/7 on FX.
American Dad Season 17 finishes 9/6 on TBS.
American Horror Story Season 10 premiered 8/25 on FX.
American Horror Stories Season 2 premieres in 2022 on FX on HULU.
American Idol Season 20 premieres mid-season on ABC.
American Justice Season 30 premiered 8/20 on A&E.
American Masters Season 35b premieres 10/5 on PBS; Season 35C premieres 1/11.
American Ninja Warrior Season 13 premiered 5/31 on NBC.
American Ninja Warrior Junior Season 3 premiered 9/9 on Peacock.
American Pickers Season 22 premiered 7/19 on History.
*American Rust premiered 9/12 on Showtime.
*An American Story premieres 9/24 on Discovery+.
Amphibia Season 3 premieres 10/2 on Disney.
Ancient Aliens Season 17 premiered 8/6 on History.
Animal Kingdom Season 5 premiered 7/11 on TNT.
Animaniacs Season 2 premieres 11/5 on HULU.
*Among the Stars premieres 10/6 on Disney+.
*Anna premieres aa/18 on AMC+.
*Aquaman: King of Atlantis premieres 10/14 on HBO Max.
Archer Season 12 premiered 8/25 on FX.
*Art in Bloom with Helen Dealtry premieres 10/29 on Discovery+.
Assisted Living Season 3 premieres mid-season on BET.
Atlanta Season 3 premieres mid-season on FX.
ATL Homicide Season 3B finishes 9/6 on TV One.
Avenue 5 Season 2 probably premieres in 2022 on HBO.
Awkwafina is Nora from Queens Season 2 premiered 8/18 on Comedy Central.
The Baby-Sitters Club Season 2 premieres 10/11 on Netflix.
The Bachelor Season 26 premieres in January, 2022 on ABC.
Bachelor in Paradise Season 7 premiered 8/16 on ABC.
Back to Life Season 2 premiered 9/13 on Showtime.
*Backyard Bar Wars premiered 7/8 on truTV.
*Backyard Blowout premiered 9/16 on Peacock.
*Bad Sport premieres 10/6 on Netflix.
*Baker’s Dozen premieres 10/7 on HULU.
*Baki Hanma premieres 9/30 on Netflix.
*Baking Impossible premieres 10/13 on Netflix.
*Bangkok Breaking premieres 9/23 on Netflix.
Baptiste Season 3 premieres 10/17 on PBS.
Bar Rescue Season 8 premiered 5/2 on Paramount.
Barnwood Builders Season 12 premiered 8/29 on DIU.
Barrett-Jackson Revved Up Season 3 premiered 8/26 on FYI.
Barry Season 3 premieres mid-season on HBO.
Beachfront Bargain Hunt Renovation Season 5 premiered 6/4 on HGTV.
Beachfront Bargain Hunt Season 28 premiered 6/20 on HGTV.
Beast Buddies Season 2B premiered 8/8 on Animal Planet.
Beat Bobby Flay Season 28 premiered 5/13 on Food Network.
Beat Shazam Season 4 premiered 6/3 on FOX.
*The Beatles: Get Back premieres 11/25 on Disney+.
*Behind the Monsters premieres 10/26 on Shudder.
Below Deck Mediterranean Season 6 premieres 6/28 on Bravo.
Below Deck Season 9 premieres 10/25 on Bravo.
*Ben & Jerry’s: Clash of the Cones premiered 8/16 on Food Network.
Better Call Saul Season 6 premieres in early 2022 on AMC.
Better Things Season 5 premieres in 2022 or later on FX.
The Big Bake Season 3 premiered 9/13 on Food Network.
Big Brother Season 23 premiered 7/7 on CBS.
Big Mouth Season 5 will probably premiere mid-season on Netflix.
Big Shot Season 2 premieres in 2022 on Disney+.
*The Billion Dollar Code premieres 10/7 on Netflix.
Billions Season 5B premiered 9/5 on Showtime.
*Betraying the Badge premiered 7/19 on Vice TV.
A Black Lady Sketch Show premieres mid-season on HBO.
black-ish Season 8 premieres mid-season on ABC.
Black Monday Season 3 premiered 5/23 on Showtime.
Black Summer Season 2 premiered 6/17 on Netflix.
Blood & Treasure Season 2 premieres mid-season on CBS.
Blood & Water Season 3 premieres 9/24 on Netflix.
*BMF premieres 9/26 on Starz.
*The Book of Boba Fett premieres in December on Disney+.
The Boulet Brothers’ Dragula Season 4 premieres 10/19 on Shudder.
The Boys Season 3 premieres mid-season on Amazon.
Breeders Season 3 premieres mid-season on FX.
Bridgerton Season 2 premieres mid-season on Netflix.
Buddy vs. Duff Season 3 premiered 7/18 on Food Network.
The Bradshaw Bunch Season 2 premieres 10/6 on E!.
Brain Games Season 9 premieres mid-season on NatGeo.
*Brat Loves Judy premiered 8/5 on WE tv.
*Buried premieres 10/10 on Showtime.
Cake Season 5 premieres 9/30 on FXX.
Call Me Kat Season 2 premieres mid-season on FOX.
*Call the Closer premieres 11/10 on HGTV.
Call the Midwife Season 10 premieres 10/3 on PBS.
*The Canterville Ghost premieres 10/31 on BYUTV.
*The Canvas: Los Angeles premieres 10/6 on FuseTV.
Carnival Row Season 2 premieres mid-season on Amazon.
Carpool Karaoke – The Series Season 5 premieres mid-season on Apple TV+.
*Cash in the Attic premieres 10/1 on HGTV.
Castlevania Season 4 premiered 5/13 on Netflix.
Catfish: the TV Show Season 8B premiered 8/10 on MTV.
Celebrity Game Face Season 2 premiered 8/31 on E!.
Central Park Season 2 premiered 6/25 on Apple TV+.
*Cesar Millan: Better Human Better Dog premiered 7/30 on NatGeo.
Chad Season 2 premieres mid-season on TBS.
The Challenge Season 37 premiered 8/11 on MTV.
*The Chameleon Killer premiered 9/5 on Investigation Discovery.
*Chapelwaite premiered 8/22 on Epix.
Charmed Season 4 premieres mid-season on The CW.
*Charmed to Death premiered 7/18 on Oxygen.
The Chase Season 3 premiered 6/6 on ABC.
*Cheap Old Houses premiered 8/9 on HGTV.
Cherish the Day Season 2 premieres in 2022 on OWN.
Chesapeake Shores Season 5 premiered 8/15 on Hallmark.
*The Chestnut Man premieres 9/29 on Netflix .
*Cheyenne & Lola premiered 9/16 on Sundance Now.
The Chi Season 5 premieres in 2022 on Showtime.
*Chicago Party Aunt premiered 9/17 on Netflix .
*Chip ‘n’ Dale: Park Life premiered 7/28 on Disney+.
*Chocolate Meltdown: Hershey’s After Dark premieres 9/27 on Food Network.
Chopped Season 50 premiered 6/1 on Food Network.
Chrisley Knows Best Season 9 premiered 8/12 on USA Network.
Christina on the Coast Season 3 premiered 6/3 on HGTV.
*Chucky premieres 10/12 on Syfy and USA Network.
The Circle Season 3 premiered 9/8 on Netflix .
The Circus Season 7 premieres 9/19 on Showtime.
Cities of the Underworld Season 4 premiered 9/7 on History.
City on a Hill Season 3 premieres mid-season on Showtime.
*Clash of the Cover Bands premieres 10/13 on E!.
Claws Season 4 premieres 12/1 on TNT.
*The Cleaning Lady premieres mid-season on FOX.
Cobra Kai Season 4 premieres in December on Netflix.
Code 404 premiered 9/1 on Peacock.
*Colin in Black & White premieres 10/29 on Netflix.
Cold Case Files Season 2 premiered 8/20 on A&E.
Condor Season 2 premieres 11/7 on Epix.
*Countdown: Inspiration4 Mission to Space premiered 9/6 on Netflix.
Counting Cars Season 10 premiered 9/15 on History.
*Counting cars: Under the Hood premiered 9/15 on History.
Couples Therapy Season 3 premieres in 2022 on Showtime.
Court Cam Season 4 premiered 7/14 on A&E.
*Covenant premieres mid-season on ALLBLK.
*Cowboy Bebop premieres 11/19 on Netflix.
Craig Ross Jr.’s Monogamy Season 3 premiered 9/2 on ALLBLK.
Creepshow Season 3 premieres 9/23 on Shudder.
Cribs Season 18 premiered 8/11 on MTV.
*Crime Stories: India Detectives premieres 9/22 on Netflix.
*The Croods: Family Tree premieres 9/23 on HULU and Peacock.
Crossing Swords Season 2 premieres mid-season on HULU.
The Crown Season 4 premieres mid-season on Netflix.
Cruel Summer Season 2 premieres in 2022 on Freeform.
*The Cube premiered 6/10 on TBS.
*Curb Appeal Xtreme premiered 9/8 on HGTV.
Curb Your Enthusiasm Season 11 premieres in October on HBO.
*Curse of the Chippendales premieres 9/24 on Discovery+.
*The Curse of Von Dutch premieres 11/18 on HULU.
*The D’Amelio Show premiered 9/3 on HULU.
The Daily Show With Trevor Noah Season 27 premiered 9/13 on Comedy Central.
*Dalgliesh Premieres in November on Acorn.
Dallas Cowboys Cheerleaders: Making the Team Season 16 premiered 9/17 on CMT.
*Dan Brown’s The Lost Symbol premiered 9/16 on Peacock.
Darcey & Stacey Season 2 premiered 7/19 on TLC.
*Dark Side of the 90s premiered 7/15 on VICE.
Dark Side of the Ring Season 3B premiered 9/16 on VICE.
David Makes Man Season 2 premiered 6/22 on OWN.
*Day of the Dead premieres 10/15 on Syfy.
*Days of Our Lives: Beyond Salem premiered 9/6 on Peacock.
Dead To Me Season 3 premieres mid-season on Netflix.
Deadliest Catch Season 17 premiered 4/20 on Discovery.
Deadly Women Season 14 premiered 7/15 on Investigation Discovery.
Dear… Season 2 premieres mid-season on Apple TV+.
Dear White People Season 4 premieres 9/22 on Netflix.
Departure Season 2 premiered 8/5 on Peacock.
Destination Fear Season 3 premiered 7/24 on Travel.
Desus & Mero Season 3 premiered 1/31 on Showtime.
*Detainee 101 premiered 9/10 on Showtime.
*The Detective Diaries premieres 9/27 on Investigation Discovery.
*Dexter: New Blood premieres 11/7 on Showtime.
*Diana premieres 10/10 on CNN.
Dickinson Season 3 premieres 11/5 on Apple TV+.
Diners, Drive-ins & Dives Season 34 premieres 11/20 on Food Network.
Dinner: Impossible Season 10 premieres 10/5 on Food Network.
Dino Hunters Season 2 premiered 7/30 on Discovery.
A Discovery of Witches premieres mid-season on AMC+, BBC America, Sundance and Shudder.
Disenchantment Part 4 premieres mid-season on Netflix.
*Disney Behind the Attraction premiered 7/21 on Disney+.
*Disney Monsters at Work premiered 7/7 on Disney+.
*Dive Club premiered 9/3 on HULU.
*Do, Re & Mi premiered 9/17 on Amazon.
Doctor Who Season 13 premieres mid-season on BBC America.
*Doctor’s Orders 9/3 on Discovery+.
Documentary Now! Season 4 probably premieres in 2022 on IFC.
Dog: Impossible Season 2 premiered 7/11 on NatGeo.
Dollface Season 2 premieres in 2022 on HULU.
*Don’t Cancel Me with Amara La Negra premieres 12/1 on FUSE.
*Doogie Kamealoha, M.D. premiered 9/8 on Disney+.
Doom Patrol Season 3 premieres 9/23 on HBO Max.
*Dopesick premieres 10/13 on HULU.
Double Shot at Love with DJ Pauly D & Vinny Season 3 premiered 9/16 on MTV.
*Dr. Mercy premieres 9/22 on TLC.
Dr. Pimple Popper Season 6 premiered 7/14 on TLC.
*Dug Days premiered 9/1 on Disney+.
Duncanville Season 3 premieres mid-season on FOX.
Dynasty Season 5 premieres mid-season on The CW.
*Eat, Grow, Love premieres 11/23 on Ovation.
*Eden: Untamed Planet premiered 7/24 on BBC America.
*Eli Roth Presents: A Ghost Ruined My Life premieres 10/8 on Discovery+.
Elite Season 5 premieres mid-season on Netflix.
Emily in Paris Season 2 premieres mid-season on Netflix.
Engineering Catastrophes Season 4 premiered 8/11 on Science.
*Engineering that Built the World premieres 10/10 on History.
Euphoria Season 2 premieres mid-season on HBO.
Evil Season 2 premiered 6/20 on Paramount+; Season 3 premieres in 2022.
Evil Lives Here Season 10 premiered 7/11 on Investigation Discovery.
The Expanse Season 6 premieres mid-season on Amazon.
Expedition X Season 4 premiered 9/1 on Discovery.
*Extreme Salvage Squad premieres 9/18 on Discovery+.
F Is For Family Season 5 premieres in November on Netflix.
The Falcon and the Winter Soldier Season 2 probably premieres in 2023 or 2024 on Disney+.
Families of the Mafia Season 2 premiered 7/15 on MTV.
Family or Fiance Season 2 premiered 7/17 on OWN.
*Fantasy Island premiered 8/10 on FOX.
Fate: The Winx Saga Season 2 premieres mid-season on Netflix.
FBOY Island Season 2 premieres mid-season on HBO Max.
Fear the Walking Dead Season 7 premieres 10/17 on AMC.
Feel Good Season 2 premiered 6/4 on Netflix.
*Fiasco premieres 9/19 on Epix.
*Finding Alice 9/13 on Acorn.
Firefly Lane Season 2 premieres mid-season on Netflix.
*The Five Juanas premieres 10/6 on Netflix.
Fixer to Fabulous Season 3 premieres 11/16 on HGTV.
Flack Season 3 premieres mid-season on Amazon.
The Flight Attendant Season 2 premieres in spring 2022 on HBO Max.
Flipping 101 w/ Tarek el Moussa Season 2 premiered 9/16 on HGTV.
*Flipping Showdown premieres 11/15 on HGTV.
Floribama Shore Season 5 premiered 9/16 on MTV.
Food Paradise Season 15 premiered 6/30 on Travel Channel.
For All Mankind Season 3 premieres mid-season on Apple TV+.
*Frogger premiered 9/9 on Peacock.
*Front and Center” premieres 10/9 on Ovation.
*Foundation premieres 9/24 on Apple TV+.
Full Frontal with Samantha Bee Season 6 premiered 1/13.
*Fully Torqued premieres 9/19 on History.
*Future of Work premiered 9/1 on PBS.
The Game Season 10 premieres 11/11 on Paramount+.
*Ganglands (Braqueurs) premieres 9/24 on Netflix.
Genius Season 4 premieres mid-season on Disney+.
Gentefied Season 2 premieres mid-season on Netflix.
Gentleman Jack Season 2 premieres mid-season on HBO.
*Get Rolling with Otis premieres 10/8 on Apple TV+.
*Getaway Driver premiered 7/19 on Discovery.
*The Ghost and Molly McGee premieres 10/1 on Disney.
*The Gilded Age premieres February, 2022 on HBO.
Ginny & Georgia Season 2 premieres mid-season on Netflix.
The Girlfriend Experience Season 3 premiered 5/3 on Starz.
Girls5eva Season 2 premieres mid-season on Peacock.
*Goblin Works Mod Shop premiered 8/3 on Discovery+.
Godfather of Harlem Season 2B premiered 8/8 on Epix.
*Gold Rush: Winter’s Fortune premiered 7/30 on Discovery.
Goliath Season 4 premieres 9/24 on Amazon.
Gomorrah Season 5 premieres mid-season on HBO Max.
Good Bones Season 6 premiered 6/29 on HGTV.
The Good Fight Season 5 premiered 6/24 on Paramount+.
*Good Grief premiered 9/30 on Sundance Now.
Good Omens Season 2 premieres in 2022 on Amazon.
*Good Sam premieres mid-season on CBS.
Good Trouble Season 3B premiered 7/14 on Freeform.
*Goofy in How to Stay at Home premiered 8/11 on Disney+.
*Gossip premiered 8/22 on Showtime.
Gordon Ramsay: Uncharted Season 3 premieres mid-season on NatGeo.
Grace and Frankie Season 7 premiered 8/13; 7B premieres in 2022 on Netflix.
The Graham Norton Show Season 29 premieres 10/1 on BBC America.
*Grand Crew premieres mid-season on NBC.
The Great Season 2 premieres 11/19 on Hulu.
*Great Escapes with Morgan Freeman premieres 11/9 on History.
Green Eggs & Ham Season 2 premieres 11/5 on Netflix.
Growing Up Chrisley Season 3 premiered 8/12 on USA Network.
Grown-ish Season 4A premiered 7/8 on Freeform.
*Guilt premiered 9/5 on PBS.
*The Guilty Party premieres 10/14 on Paramount+.
Guy’s Grocery Games Season 27 premiered 6/23 on Food Network.
Halloween Baking Championship Season 7 premiered 9/13 on Food Network.
Halloween Wars Season 11 premieres 9/19 on Food Network.
*Halo premieres in early 2022 on Paramount+.
The Handmaid’s Tale Season 5 premieres mid-season on HULU.
Hanna Season 3 premieres mid-season on Amazon.
Hard Knocks Season 16 premiered 8/10 on HBO.
Harley Quinn Season 3 premieres mid-season on HBO Max.
*The Harper House premiered 9/16 on Paramount+.
The Hatcher Family Dairy premiered 7/10 on NatGeo.
*The Haunted Museum premieres 10/2 on Discovery+.
Hawaii Life Season 14 premiered 9/5 on HGTV.
*Hawkeye premieres 11/24 on Disney+.
*He-Man and the Masters of the Universe premiered 9/16 on Netflix.
Heartland Season 14 premiered 7/8 on UPtv.
*Heels premiered 8/15 on Starz.
Hell’s Kitchen Season 20 premiered 5/31 on FOX.
Help! I Wrecked My House Season 2 premiered 9/6 on HGTV.
High on the Hog: How African American Cuisine Transformed America Season 2 premieres mid-season on Netflix.
Hightown Season 2F premieres 10/17 on Starz.
His Dark Materials Season 3 premieres mid-season on HBO.
History’s Greatest Mysteries Season 2 premiered 9/7 on History.
Hitmen Season 2 premiered 3/23/22 on Peacock.
Holey Moley Season 3 premiered 6/17 on ABC.
Home Town Season 6 premieres 1/2 on HGTV.
The Hot Zone: Anthrax Season 2 premieres 11/28 on NatGeo.
*House Haunters premieres 10/7 on Discovery+.
House Hunters International Season 144 airs now on HGTV.
House Hunters Season 204 airs now on HGTV.
House of Payne Season 11 premieres mid-season on BET.
Housebroken Season 2 premieres mid-season on FOX.
*Houses with History premieres 9/29 on HGTV.
*How To Be a Cowboy premiered 9/1 on Netflix.
How to with John Wilson premieres in November on HBO.
Hunters Season 2 premieres mid-season on Amazon.
The Hustler Season 2 premiered 6/17 on ABC.
I Can See Your Voice Season 2 premieres mid-season on FOX.
I Hate Suzie Season 2 premieres in 2022 on HBO Max.
*I Know What You Did Last Summer premieres 10/15 on Amazon.
I Love a Mama’s Boy Season 2 premiered 8/29 on TLC.
*I Survived a Serial Killer premiered 8/18 on A&E.
I Was a Teenage Felon Season 2 premieres 9/20 on Vice TV.
*iCarly premiered 6/17 on Paramount+; Season 2 premieres in 2022.
Impact Wrestling Season 16 premiered 4/8 on AXS TV.
Impact in 60 premiered 4/8 on AXS TV.
Impossible Engineering Season 10 premiered 8/11 on Science.
Impractical Jokers Season 10 premieres mid-season on truTV.
In Pursuit with John Walsh Season 3 premiered 8/18 on Investigation Discovery.
In the Dark Season 4 premieres mid-season on The CW.
The Incredible Dr. Pol Season 19 premiered 7/10 on NatGeo.
*Indefensible premieres 10/14 on Sundance.
Industry Season 2 premieres mid-season on HBO.
Insecure Season 5 premieres 10/24 on HBO.
*Inside Job premieres 10/22 on Netflix.
*Inside the Factory premiered 8/15 on Smithsonian.
Into the Night Season 2 premiered 9/8 on Netflix.
*Invasion premieres 10/22 on Apple TV+.
Invincible Season 2 premieres mid-season on Amazon.
*It Couldn’t Happen Here premiered 9/9 on Sundance.
It’s Always Sunny in Philadelphia Season 14 premieres mid-season on FXX.
*Laetitia premiered 8/30 on HBO.
Jack Ryan Season 3 premieres in 2022 on Amazon.
Jack Whitehall: Travels With My Father Season 5 premiered 9/14 on Netflix.
Jade Fever Season 7 premiered 5/10 on Discovery Canada; Season 1 premiered on The Weather Channel in the US 6/5..
*Jaguar premieres 9/22 on Netflix.
*Jason Biggs’ Cash at Your Door premiered 8/31 on E!.
*Jailbirds New Orleans premieres 9/24 on Netflix.
Jay Leno’s Garage Season 6 premieres 9/22 on CNBC.
Jersey Shore Family Vacation Season 4B premiered 6/3 on MTV.
*Johnson premiered 8/1 on Bounce TV.
Josh Gates Tonight Season 4 premiered 8/11 on Discovery.
*Judy Justice premieres 11/1 on IMDb TV.
*Just Beyond premieres 10/13 on Disney+.
*Karma’s World premieres 10/15 on Netflix.
*The Katie Button Project premieres 10/29 on Discovery+.
Kenan Season 2 premieres mid-season on NBC.
*Kendra Sells Hollywood premieres 11/17 on Discovery+.
Kevin Can F**k Himself Season 2 premieres in 2022 on AMC.
Kid Cosmic Season 2 premiered 9/7 on Netflix.
Kids Behind Bars: Life or Parole Season 2 premiered 8/26 on A&E.
*The Kids Show Tonight premieres 10/14 on Peacock.
*Killers of the Cosmos premieres 9/19 on Science.
Killing Eve Season 4 premieres in 2022 on BBC America.
*Kin premiered 9/9 on AMC+ .
*The King’s Affection premieres 10/11 on Netflix.
The Kominsky Method Season 3 premiered 5/28 on Netflix.
Kung Fu Season 2 premieres mid-season on The CW.
The L Word: Generation Q Season 2A premiered 8/8, Season 2B premiered 9/13 on Showtime.
*La Frontera With Pati Jinich premieres 10/15 on PBS.
*Lace premieres mid-season on ALLBLK.
Lakefront Bargain Hunt Season 12 premiered 9/12 on HGTV.
*Last Chance Transplant premieres 9/22 on Discovery+.
The Last Kingdom Season 5 premieres mid-season on Netflix.
The Last O.G. Season 4 premieres 10/26 on TBS.
Last Week Tonight with John Oliver Season 8 premiered 2/14 on HBO.
*Law and Order: For the Defense premieres mid-season on NBC.
Legendary Season 3 premieres mid-season on HBO Max.
Lego Masters Season 2 premiered 6/1 on FOX.
*Level Playing Field premiered 9/14 on HBO.
Leverage: Redemption Season 1b premieres 10/8 IMDb TV.
Life Below Zero Season 17 premiered 9/6 on NatGeo.
Life Below Zero: Next Generation Season 3 premiered 9/6 on NatGeo.
*Little Ellen premiered 9/13 on HBO Max.
Little Women: Atlanta Season 6 premiered 8/26 on Lifetime.
Locke & Key Season 2 premieres in October on Netflix.
Loki Season 2 probably premieres in 2022 on Disney+.
*Lord of the Rings premieres 9/2/22 on Amazon.
Los Espookys Season Two premieres 7/16/22 on HBO.
Lost in Space Season 3 premieres mid-season on Netflix.
*Lost Kingdoms of South America premieres 9/22 on Ovation.
*Lost Ollie premieres mid-season on Netflix.
Love & Hip Hop: Atlanta Season 10 premiered 7/5 on VH1.
Love & Hip Hop: Miami Season 4 premiered 8/23 on VH1.
Love & Marriage: Huntsville Season 3 premiered 7/17 on OWN.
Love 101 Season 2 premieres 9/30 on Netflix.
Love After Lockup: Life After Lockup Season 3C premiered 8/27 on WE TV.
Love, Death & Robots Season 3 premieres in 2022 on Netflix.
Love It or List It Season 17 premieres 10/11 on HGTV.
Love Life Season 2 premieres 10/14 on HBO Max.
Love on the Spectrum Season 2 premieres 9/21 on Netflix.
Love, Victor Season 3 premieres mid-season on HULU.
Lucifer Season 6 premiered 9/10 on Netflix.
*LuLaRich premiered 9/10 on Amazon.
*Luna Park premieres 9/30 on Netflix.
Lupin Season 3 premieres in 2022 on Netflix.
MTV Floribama Shore Season 5 premiered 9/16 on MTV.
*The Machines That Built America premiered 8/22 on History.
*The Machines That Built America: Snack Sized premiered 8/22 on History.
Made For Love Season 2 premieres mid-season on HBO Max.
Made From Scratch Season 3 premiered 9/15 on FuseTV.
*Maggie premieres mid-season on ABC.
*Maid premieres 10/1 on Netflix.
*Making Modern With Brooke and Brice premiered 9/10 on Discovery+.
Making the Cut Season 2 premiered 7/16 on Amazon.
*Malverde: El Santo Patrón premieres 9/28 on Telemundo.
*Man VS. History premiered 7/20 on History.
The Mandalorian Season 3 premieres in 2022 on Disney+.
Manhunt Season 2 premieres 9/21 on Acorn.
Manifest Season 4 premieres mid-season on Netflix.
*Maradona: Blessed Dream premieres 10/29 on Amazon.
Marriage Boot Camp Season 18 premieres 10/7 on WE.
Married at First Sight Season 13 premiered 7/21 on Lifetime.
Married at First Sight: Couples’ Cam Season 3 premiered 7/28 on Lifetime.
*Marvel’s Moon Girl and Devil Dinosaur premieres in February 2022 on Disney.
The Marvelous Mrs. Maisel Season 4 premieres mid-season on Amazon.
Master Chef Season 12 premiered 6/2 on FOX.
Master Chef Jr. Season 8 premieres mid-season on FOX.
*Maya and the Three premieres 10/22 on Netflix.
Mayans, M.C. Season 4 premieres mid-season on FX.
The Mayor Season 2 premieres mid-season on NBC.
*Mayor of Kingstown 11/14 on Paramount+.
McMafia Season 2 premieres in 2022 on AMC.
MeatEater Season 10 premieres 9/29 on Netflix.
Meerkat Manor: Rise of the Dynasty Season 1B premiered 9/4 on BBC America.
*Meet Your Makers Showdown premieres 11/27 on Discovery+ .
*Metal Shop Masters premiered 9/10 on Netflix.
*Midnight Mass premieres 9/24 on Netflix.
Midsomer Murders Season 22 premieres 9/27 on Acorn and PBS.
The Mighty Ducks: Game Changers Season 2 premieres in 2022 or 2023 on Disney+.
Mighty Trains Season 4 premiered 7/11 on Smithsonian.
Million Dollar Listing: Los Angeles Season 13 premiered 9/2 on Bravo.
Mira, Royal Detective Season 2 premiered 4/5 on Disney Jr.
Miracle Workers Season 3 premiered 7/13 on TBS.
*Misfit: The Series premieres 10/16 on Netflix.
Modern Love Season 3 premiered 8/13 on Amazon.
*Monarch premieres 1/30 on FOX.
Money Heist (AKA La Casa de Papel) Season 5 premiered 9/3 on Netflix.
*Money Hungry premiered 8/10 on Food Network.
*Monsters Inside: The 24 Faces of Billy Milligan premieres 9/22 on Netflix.
Moonbase Alpha Season 2 premieres 11/7 on Showtime.
*More Than Blue: The Series premieres 10/22 on Netflix.
The Morning Show Season 2 premiered 9/17 on AppleTV+.
Motherland Fort Salem Season 3 premieres mid-season on Freeform.
*Mr. and Mrs. Murder premieres 10/7 on Ovation.
*Muhammad Ali premieres 9/19 on PBS.
*Mumbai Diaries 26/11 premiered 9/9 on Amazon .
My Big Fat Fabulous Life Season 9 premiered 8/17 on TLC.
My Brilliant Friend Season 3 probably premieres in 2022 on HBO.
My Feet Are Killing Me Season 3 premiered 8/4 on TLC.
My Life Is Murder Season Season 3 premiered 8/30 on Acorn.
My Lottery Dream Home Season 12B premieres 11/12 on HGTV.
*My Name premieres 10/15 on Netflix.
*My True Crime Story premiered 8/2 on VH1.
*The Mysterious Death of Eazy-E premiered 8/12 on WE tv.
Nailed It Season 6 premiered 9/15 on Netflix.
Naked and Afraid Season 13 premiered 8/1 on Discovery.
*Naked and Afraid of Love premiered 8/22 on Discovery+.
*Naomi premieres mid-season on The CW.
Narcos: Mexico Season 3 premieres mid-season on Netflix.
*The Nate & Jeremiah Home Project premieres 10/5 on HGTV.
Nature Season 40 premieres 10/20 on PBS.
*Neighborhood Wars premiered 8/25 on A&E.
Never Have I Ever Season 2 premiered 7/15; Season 3 premieres in 2020 on Netflix.
*The Next Thing You Eat premieres 10/21 on HULU.
Nick Cannon Presents: Wild ‘n Out Season 16 premiered 8/10 on VH1.
*The Nick Cannon Show premieres 9/27 in syndication.
*Nina Furia premieres 10/1 on HBO Max.
North Woods Law Season 16 premiered 6/20 on Animal Planet.
The Not-Too-Late Show with Elmo Season 2 premieres 9/30 on HBO Max.
*Noted: Alicia Keys The Untold Stories premieres 9/30 on YouTube.
*Nuclear Family premieres 9/26 on HBO.
*NYC Epicenters 9/11 – 2021 1/2 premiered 8/22 on HBO.
*Octonauts: Above & Beyond premiered 9/7 on Netflix.
On My Block Season 4 premieres 10/4 on Netflix.
On the Case with Paula Zahn Season 23 premiered 8/8 Investigation Discovery.
*On the Verge premiered 9/7 on Netflix.
*Once Upon a Time in Queens premiered 9/14 on ESPN.
One Lane Bridge Season 2 premieres 10/7 on Sundance Now.
*One of Us Is Lying premieres 10/7 on Peacock
*Only Murders in the Building premiered 8/31 on HULU.
The Osbournes Want to Believe Season 2 premiered 8/22 on Travel.
The Other Two Season 2 premiered 8/26 on HBO Max.
Outer Banks Season 2 premiered 7/30 on Netflix.
*Outgrown premieres 9/18 on HGTV.
Outlander Season 6 premieres mid-season on Starz.
The Outpost Season 4 premiered 7/15 on The CW.
Outrageous Pumpkins Season 2 premieres 10/6 on Food Network.
The Oval Season 2B premiered 7/20 on BET.
Ozark Season 4 premieres in 2022 on Netflix.
P-Valley Season 2 premieres mid-season on Starz.
*Paik’s Spirit premieres 10/1 on Netflix.
Painting with John Season 2 probably premieres in 2022 on HBO.
*Partners in Rhyme premieres mid-season on ALLBLK.
Pawn Stars Season 18 premiered 8/14 on History.
*Peacemaker premieres in January 2022 on HBO Max.
Peaky Blinders Season 6 premieres mid-season on Netflix.
PEN15 Season 2B premieres mid-season on HULU.
Perry Mason Season 2 probably premieres in 2022 on HBO.
Physical Season 2 premieres in 2022 on Apple TV+.
*Pivoting premieres mid-season on FOX.
*Pocoyo premiered 9/13 on Cartoon Network.
Point of View: A Designer Profile Season Two premieres 9/24 on Discovery+.
Pokémon Journeys: The Series Season 5 premiered 9/10 on Netflix.
Pool Kings Season 11 premiered 6/3 on DIY.
*Pop Goes the Vet with Dr. Joya premieres 11/25 on NatGeo Wild.
*The Premise premiered 9/16 on HULU.
Power Book II: Ghost Season 2 premieres in November on Starz.
Power book III: Raising Kanan premiered 7/18 on Starz.
*Pretty Hard Cases premiered 9/10 on IMDb TV.
*Pretty Smart premieres 10/8 on Netflix.
*Prisoner of Love premiered 8/30 on Discovery+.
*The Problem With Jon Stewart premieres 9/30 on Apple TV+.
*The Program: Prison Detox premiered 8/25 on Discovery+.
Project Runway Season 19 premieres 10/14 on Bravo.
The Proof Is Out There Season 2 premiered 9/17 on History.
Property Brothers: Forever Home Season 5 premiered 5/26 on HGTV.
*Puppy Place premieres 10/1 on Apple TV+.
Put a Ring on It Season 2 premiered 6/25 on OWN.
*Q-Force premiered 9/2 on Netflix.
*Queen of the Universe premieres 12/2 on Paramount+.
Queen Sugar Season 6 premiered 9/7 on OWN.
Queer Eye Season 6 premieres mid-season on Netflix.
*Ragdoll premieres 11/11 on AMC+.
*Raid the Fridge premiered 9/1 on Food Network.
Raised by Wolves Season 2 premieres 9/30 on HBO Max.
Raising Dion Season 2 premieres mid-season on Netflix.
Ramy Season 3 premieres mid-season on HULU.
Random Acts of Flyness Season 2 probably premieres in 2022 on HBO.
Ready to Love Season 4 premieres 10/15 on OWN.
The Real Housewives of Beverly Hills Season 11 premiered 5/19 on Bravo.
The Real Housewives of New York City Season 13 premiered 5/4 on Bravo.
The Real Housewives of Salt Lake City Season 2 premiered 9/12 on Bravo.
The Real Housewives of the Potomac Season 6 premiered 7/11 on Bravo.
Real Time with Bill Maher Season 19 premiered 1/15 on HBO.
Reasonable Doubt Season 4 premiered 7/12 on Investigation Discovery.
*Reno My Rental premieres 9/18 on Discovery+.
Renovation island Season 2 premiered 6/20 on HGTV.
Renovation, Inc. Season 2 premiered 9/5 on HGTV.
*Renovation, Inc: Home Sweet Home premieres 10/10 on HGTV.
Resident Alien Season 2 premieres mid-season on Syfy.
Restaurant: Impossible Season 18 premiered 8/12 on Food Network.
Restoring Galveston Season 3 premiered 8/23 on DIY.
*Rhodes to the Top premieres 9/29 on TNT.
The Righteous Gemstones Season 2 probably premieres mid-season on HBO.
*Rise Up, Sing Out premieres in 2022 on Disney Jr.
Robot Chicken Season 11 premiered 9/6 on Adult Swim.
*Rock my Collection premiered 8/15 on AXS TV.
Roswell, New Mexico premieres mid-season on The CW.
Run the World Season 2 premieres mid-season on Starz.
Russian Doll Season 2 premieres mid-season on Netflix.
Rutherford Falls Season 2 premieres in 2022 on Peacock.
Saturday Night Live Season 47 premieres 10/2 on NBC.
Saved by the Bell Season 2 premieres mid-season on Peacock.
Say Yes to the Dress Season 20 premiered 7/17 on TLC.
*Scaredy Cats premieres 10/1 on Netflix.
*Scenes From a Marriage premiered 9/12 on HBO.
Search Party Season 5 premieres mid-season on HBO Max.
Secret Nazi Ruins Season 2 premiered 7/25 on Science.
*The Secrets of Plaboy premieres in 2022 on A&E.
Secrets of Sulphur Springs Season 2 premieres in 2022 on Disney.
*Secrets, Lies & Private Eyes premiered 9/15 on Discovery+.
See Season 2 premiered 8/28 on Apple TV+.
Selena + Chef Season 3 premieres in October on HBO Max.
Sell This House! Season 11 premiered 5/17 on FYI.
Selling the Big Easy Season 2 premiered 9/10 on HGTV.
Servant Season 3 premieres mid-season on Apple TV+.
Sex Education Season 3 premiered 9/17 on Netflix.
Shadow and Bone Season 2 premieres in 2022 on Netflix.
Shahs of Sunset Season 9 premiered 7/11 on Bravo.
*Sharkdog premiered 9/3 on Netflix.
Sherman’s Showcase Season 2 premieres mid-season on IFC and AMC.
*The Shining Vale premieres in 2022 on Starz.
*The Shrink Next Door premieres 11/12 on Apple TV+.
*A Sinister Sect: Colonia Dignidad premieres 10/1 on Netflix.
The Sinner Season 4 premieres 10/13 on USA Network.
Sistas Season 3 premiered 6/9 on BET.
*Smallwood premieres mid-season on CBS.
*Smart Home Nation premieres 9/20 on FYI.
*The Smurfs premiered 9/10 on Nickelodeon.
Snowfall Season 5 premieres mid-season on FX.
Snowpiercer Season 3 premieres mid-season on TNT.
Social Society premiered 9/6 on ALLBLK.
Solar Opposites Season 3 premieres mid-season on HULU.
Somebody Feed Phil Season 5 premieres mid-season on Netflix.
Soulmates Season 2 premieres in 2022 on AMC.
South Park has been renewed through 2022 on Comedy Central, but no word yet on when there will be new episodes.
South Side Season 2 premieres in November on HBO Max.
Space Force Season 2 premieres mid-season on Netflix.
*Sparking Joy with Marie Kondo premiered 8/31 on Netflix.
*Speakeasy premieres 11/1 on Ovation.
Special Season 2 premiered 5/20 on Netflix.
The Split Season 3 premieres mid-season on Sundance.
*Squid Game premiered 9/17 on Netflix .
Star Trek: Discovery Season 4 premieres 11/18 on Paramount+.
Star Trek: Lower Decks Season 2 premiered 8/12 on Paramount+.
Star Trek: Picard Season 2 premieres in February on Paramount+.
*Star Trek: Prodigy premieres 10/28 on Paramount+ and Nickelodeon.
*Star Trek: Strange New Worlds premieres in 2022 on Paramount+.
Star Wars: The Bad Batch Season 2 premieres in 2022 on Disney+.
*Star Wars: Visions premieres 9/22 on Disney+.
Stargirl Season 2 premiered 8/10 on The CW.
Stath Lets Flats Season 3 premieres mid-season on HBO Max.
Step Up Season 3 premieres mid-season on Starz.
Stone House Revival Season 4 premiered 7/7 on DIY.
Stranger Things Season 4 premieres mid-season on Netflix.
*Street Outlaws: Gone Girl premiered 9/6 on Discovery*.
Street Outlaws: Memphis Season 5 premiered 7/19 on Discovery.
Succession Season 3 premieres in October on HBO.
Sunday Night Baseball Season 32 premieres 4/4 on ESPN.
Superman & Lois Season 2 premieres mid-season on The CW.
*Surrealestate premiered 7/16 on Syfy.
*Swagger premieres 10/29 on AppleTV+.
Sweet Magnolias Season 2 premieres in 2022 on Netflix.
Sweet Tooth Season 2 premieres in 2022 on Netflix.
*Table Wars premieres 11/12 on HGTV.
Taboo Season 2 premieres in 2022 or later on FX.
Tacoma FD Season 3 premiered 9/16 on TruTV.
*A Tale Dark & Grimm premieres 10/8 on Netflix.
Tales Season 3 premieres mid-season on BET.
Talking Dead Season 10 premiered 8/22 on AMC.
Taste the Nation Season 2 premieres mid-season on HULU.
Ted Lasso Season 2 premiered 7/23 on Apple TV+.
*Teenage Euthanasia premieres 9/19 on Adult Swim.
Teen Mom OG Season 9B premiered 9/7 on MTV.
Teen Mom: Young and Pregnant Season 3 premiered 9/7 on MTV.
Tehran Season 2 premieres mid-season on Apple TV+.
*Ten-Year-Old Tom premieres 9/30 on HBO Max.
*Tha God’s Honest Truth With Lenard “Charlamagne” McKelvey premiered 9/17 on Comedy Central.
That Damned Michael Che Season 2 premieres mid-season on HBO Max.
*That Girl Lay Lay premieres 9/23 on Nickelodeon.
*The Thing About Pam premieres mid-season on NBC.
This Is Us Season 6 premieres mid-season on NBC.
Tig n’ Seek Season 3 premiered 9/16 on HBO Max.
*The Time It Takes premieres 10/29 on Netflix.
*Tiny Food Fight premiered 9/16 on Discovery* .
Titans Season 3 premiered 8/12 on HBO Max.
*Top 10 Secrets & Mysteries premieres 9/27 on Travel.
*Tom Swift premieres mid-season on The CW.
The Tonight Show Starring Jimmy Fallon airs weeknights after your local news on NBC.
Too Hot To Handle Season 3 premieres mid-season on Netflix.
*Too Hot to Handle Latino premiered 9/15 on Netflix.
Tooning Out the News Season 2 premiered 3/4 on Paramount+.
Top Chef probably returns in 2022 on Bravo.
*Top Chef Amateurs premiered 7/1 on Bravo.
*Top Chef Family Style premiered 9/9 on Peacock.
*Tough Love With Hilary Farr premieres 10/18 on Discovery+.
Trafficked with Mariana Van Zeller Season 2 premieres 12/1 on NatGeo.
Transplant Season 2 premieres mid-season on NBC.
*Trial in the Outback premieres 10/12 on Sundance Now.
*Triple Digit Flip premieres 10/2 on A&E.
Trolls: TrollsTopia Season 4 premiered 9/2 on HULU and Peacock.
True Life Crime Season 2 premiered 8/10 on MTV.
*True Story premieres 11/24 on Netflix.
Truth Be Told Season 2 premiered 8/20 on Apple TV+.
Trying Season 3 premieres mid-season on Apple TV+.
*Turner & Hooch premiered 7/21 on Disney+.
*Turning Point: 9/11 and the War on Terror premiered 9/1 on Netflix.
*Twenties premieres 10/13 on BET.
*Twenties After-Show With B. Scott premieres 10/13 on BET.
Two-Sentence Horror Stories Season 3 premieres mid-season on The CW .
*UFO premiered 8/8 on Showtime.
*Ugliest Home in America premieres in early 2022 on HGTV.
Ultimate Rides Season 2 premiered 8/12 on FYI.
*Ultra City Smiths premiered 9/13 on AMC (premiered 7/22 on AMC+).
The Umbrella Academy Season 3 premieres mid-season on Netflix.
Uncensored Season 4 premiered 8/29 on TV One.
Underground Marvels Season 2 premiered 8/5 on Science.
*Unfinished Business premieres 10/23 on HGTV.
*Unidentified With Demi Lovato premieres 9/30 on Peacock.
Undone Season 2 premieres mid-season on Amazon.
Upload Season 2 premieres mid-season on Amazon.
*Uprising premiered 9/17 on Netflix.
Vacation House Rules Season 2 premiered 6/5 on HGTV.
*Vendetta: Truth, Lies and the Mafia premieres 9/24 on Netflix.
*Vexed premieres 11/1 on Ovation.
Virgin River Season 3 premiered 7/9 on Netflix.
The Vow Season 2 returns in late 2021 on HBO.
Wahl Street Season 2 probably premieres in 2022 on HBO Max.
*Wakefield premieres 10/18 on Showtime.
The Walking Dead: World Beyond Season 2 premieres 10/3 on AMC.
The Walking Dead Season 11 premiered 8/22 on AMC.
The Wall Season 4 premiered 1/4 on NBC.
War of the Worlds Season 3 premieres in 2022 on EPIX.
Warrior Season 3 premieres in 2023 on HBO Max.
Warrior Nun Season 2 premieres in 2022 on Netflix.
Watch What Happens Live with Andy Cohen Season 18 airs Monday through Thursdays on Bravo.
*The Way Down premieres 9/30 on HBO Max.
*We Got Love Teyana & Iman premiered 8/18 on E!.
The Weakest Link Season 2 premieres mid-season on NBC.
We’re Here Season 2 premieres in October on HBO.
*Welcome to Earth premieres mid-season on Disney+.
*Welcome to Flatch premieres mid-season on FOX.
Welcome to Plathville Season 3 premiered 8/17 on TLC.
*Well Done with Sebastian Maniscalco premiered 8/12 on Discovery+.
Westworld Season 4 premieres mid-season on HBO.
WWE NXT Season 15 premiered 4/13 on USA Network.
WWE Raw Season 29 airs on USA Network.
What We Do in the Shadows Season 3 premiered 9/2 on FX.
*What If…? premiered 8/11 on Disney+
*When Big Things Go Wrong premieres 10/10 on History.
*The Wheel of Time premieres 11/18 on Amazon.
The White Lotus Season 2 probably premieres in 2022 on HBO.
Who Killed Sara? Season 3 premieres mid-season on Netflix.
Why Women Kill Season 2 premiered 6/2 on Paramount+.
Wicked Tuna: Outer Banks Season 8 premiered 7/18 on NatGeo.
The Wilds Season 2 premieres mid-season on Amazon.
*Winter House premieres 10/20 on Bravo.
The Witcher Season 2 premieres 12/17 on Netflix.
Woke Season 2 premieres mid-season on HULU.
*The Wolfboy and the Everything Factor premieres 9/24 Apple TV+.
*Women of the Movement premieres mid-season on ABC.
Work in Progress Season 2 premiered 8/22 on Discovery+.
The World According to Jeff Goldblum Season 2 premieres mid-season on Disney+.
Wu-Tang: An American Saga Season 2 premiered 9/8 on HULU.
*Y: The Last Man premiered 9/13 on HULU.
*Yabba-Dabba Dinosaurs premieres 9/30 on HBO Max.
*Yellowjackets premieres 11/14 on Showtime.
Yellowstone Season 4 premieres 11/7 on Paramount.
You Season 3 premieres 10/15 on Netflix.
Young Rock Season 2 premieres mid-season on NBC.
Your Honor Season 2 premieres in 2022 on Showtime.
Ziwe Season 2 premieres mid-season on Showtime.
Zoey’s Extraordinary Playlist may return for a holiday special and possibly Season 3 on The Roku Channel
*New Series
**mid-season usually means Winter or Spring, but it could be pushed back to Summer as well.
Shows in boldface are fiction
Click on the link of each show to double-check and see what dates the networks give.
Info gathered from The FutonCritic, Metacritic, TVGuide, Google, Wikipedia and the TV network sites.
NOTE: If there is no date, it hasn’t been announced yet.
Find new and upcoming TV series info at TheFutonCritic and Metacritic
Times and Dates are subject to change!
Shows we cover have next to the title – click on it to see our page for the show!
Due to Covid-19, premiere dates may change.
|
|
These listings and dates are subject to change! Click on the link of each show to double-check and see what dates the networks give.
Cable, streaming, and midseason shows list
Info from TVLINE, TVInsider and the TV network sites.
*sequel series to the original CSI.
Interview with FOX Entertainment Executives by Suzanne 5/17/21
This was FOX’s press conference/interview before their Upfronts announcement. I was happy to be there, but they only took a few questions.
FOX ENTERTAINMENT GROUP: FOX 2021 Executive Press Conference Call
May 17, 2021/1:30 p.m. CDT
SPEAKERS
Charlie Collier – CEO, FOX Entertainment
Marianne Gambelli – President, Advertising Sales, FOX
Michael Thorn – President, Entertainment, FOX Entertainment
Rob Wade – President, Alternative Entertainment & Specials, FOX Entertainment
Farhad Massoudi – CEO and Founder, Tubi
Dan Harrison – EVP, Program Planning and Content Strategy, FOX Entertainment
Jean Guerin – EVP, Corporate Communications & Publicity, FOX Entertainment
PRESENTATION
Moderator Welcome to the FOX 2021 Executive Press Conference Call. At this time, your telephone lines are on a listen-only mode. Later, there will be an opportunity for questions and answers, with instructions [background noise]. [Operator instructions].
I will now turn the conference call over to your host, Jean Guerin. Please go ahead.
Jean Thanks so much. And thank you, Alan. Good morning, and good afternoon for some of you. Thanks for joining us here today. You should have all received our press release this morning. There are a few photos attached to that. But before we get started, just a few reminders.
Today’s press release and all comments made during today’s call are under embargo until after FOX’s upfront, after the presentation at five p.m. Eastern today. So, please hold on all posts [background noise] until then, with the exception, of course, of live tweeting during the presentation.
Following the presentation, all program descriptions and photos will be available on our press site, which, as you know, is FOXflash.com. Available trailers from our new series were sent to each of you to post immediately following our presentation today.
Joining us today to talk about the 2021 and ’22 season are Charlie Collier, CEO, FOX Entertainment; Marianne Gambelli, President of Advertising Sales, FOX; Michael Thorn, President, FOX Entertainment; Rob Wade, President, Alternative and Specials, FOX Entertainment. We also have Farhad Massoudi, CEO and Founder of Tubi, and Dan Harrison, EVP of Program Planning and Content Strategy, FOX Entertainment.
With that, I’m going to hand it over to Charlie, who, prior to opening up to Q&A, he’ll walk through our FOX Entertainment strategy and fall schedule.
Charlie Thanks, Jean, and good morning, everyone. I’ll go off the record to start. I know you’re really busy, and we’re not going to just [indiscernible] up front with this, but off the record, we bought Discovery this morning, and we’re going to announce it after the upfront.
So, now back on the record, before I begin, I hope everyone’s doing really well. It’s been, not even trite to say, an unbelievable year, and I’m really happy to be speaking with all of you in person again. And I hope we’re in person sometime soon, in the truest sense of the word, back at the beacon. It’s hard to believe it was more than a year ago when the world was shut down back in March of 2020. FOX immediately went to work to produce TV’s first living room concert hosted by Sir Elton John. And if you remember, it was Sir Elton John from his kitchen. It featured Billy Eilish and Backstreet Boys, Demi Lovato and more. And for us, that was a truly moving and confidence-inspiring moment, at a time when I think a lot of people really needed it.
And then over the summer and under the strictest of protocols, Rob’s team really just dove in and they produced a new series, I CAN SEE YOUR VOICE, as well as a new season of THE MASKED SINGER. And all this is to say that when the pandemic hit last year, we pivoted quickly, and under extraordinary conditions we kept building. Our FOX structure, as a nimble and more agile entertainment company, really enabled us to adapt and innovate under the circumstances. The pandemic, in many ways, gave us the chance to build on our strategic strengths, fortifying our operations, and creating new business models.
So, for example, throughout our development process this season, we were able to pivot to work with creators in ways we hadn’t before, capitalizing on the extra time during the lockdown. We opened things like virtual writer’s rooms to refine, polish, and shape multiple scripted series in numerous ways across numerous projects, and we did so with care and attention, and some terrific rooms that probably wouldn’t have been the case, if not for the pandemic.
At the same time, we were broadening our broadcast model with the acquisition of our AVoD streaming service, Tubi. As you heard from Jean, Farhad’s on the call. That was back in April. And like FOX, we’re so pleased to say Tubi is free. There are no paywalls, no subscriptions, and it’s an example of our commitment to, especially in the upfront context, commitment to our advertising partners.
And so, as FOX focuses on going broad in its programming, Tubi goes deep, and we announced, I think you heard, 140-plus hours of original programming next season to speak to viewers’ passions. I’d be remiss if I didn’t also mention Bento Box, which is our animation company. They’ve also thrived growing our wholly-owned businesses for FOX, but also well beyond FOX, and they’re launching new businesses, like the NFT and Blockchain companies we’ll be announcing today.
In a much more traditional sense, FOX is on track to win the season again. We have the number one new entertainment series, the number one new comedy, the number one new unscripted show, actually the number one entertainment series overall in THE MASKED SINGER. We got there with a strategy that I really laid out two years ago at the Beacon Theatre, which was about putting the biggest night of American sports next to the best of entertainment night after night.
Another part of that strategy was taking our strongest shows and building new programming off the strength of those existing shows. And no surprise, we’re deploying that strategy once again using the 9-1-1 franchise, both 9-1-1 and 9-1-1 LONE STAR; but, of course, THE MASKED SINGER, THE RESIDENT, and some of our biggest sporting events to help launch new dramas. You’ve probably heard or read about most of them, but including THE BIG LEAP, OUR KIND OF PEOPLE, MONARCH, THE CLEANING LADY, and new comedies, PIVOTING, KRAPOPOLIS, and WELCOME TO FLATCH.
There’s also new unscripted series, ALTER EGO and NEXT LEVEL CHEF, among quite a few others.
So, look, we believe in entertainment that reflects the culture. For example, our new shows have themes that speak to hope and second chances and reinvention. We believe people want to watch shows that give voice and value to those who have often been left out or gone unheard. And FOX is known for putting shows on like that that you wouldn’t find anywhere else, and the lineup we’re announcing today continues to build upon that legacy.
At its best, broadcast can connect millions of people across the country doing the same thing at the same time, all tuned in to programming that pierces popular culture and brings us closer together.
Michael Thorn is to my right, FOX’s Head of Scripted Entertainment, and Rob Wade, fresh off his second vaccination shot, is FOX’s President of Alternative Programming. They’re both here with us, and they can certainly talk about those themes and expand upon them. I will take the opportunity to say they’ve done just an amazing job to take advantage of the unusual time that’s been presented to us, working largely virtually with our creators to refine and plan for the future of these shows, and so many more you’re about to hear about.
Jean mentioned that also with us is my partner in crime and FOX EVP of Program Planning and Content Strategy, Dan Harrison. So, if you have any schedule questions or other, please fire away. And Farhad Massoudi, as I said, our CEO and Founder, and just a great fast friend and partner from Tubi is here as well; as is the most important person in New York, Marianne Gambelli, who obviously runs all of our ad sales efforts.
So, look, we’re looking forward to great and continued success next season, as we build what we call the FOX Entertainment of the Future. We’re working with some of the industry’s top talent and creators. That’s what drives us. And we’re continuing to build the company on a platform, a content-focused, and an audience-first basis.
And with that, please, why don’t we open the call for questions.
Moderator [Operator instructions]. We’ll first go to the line of Rick Porter with The Hollywood Reporter. Go ahead, please.
Rick Good afternoon, everybody. You guys ordered a lot more new series than you did at this point last year, which I know, in part, was due to the pandemic and everything. I’m curious also, though, if you’re sort of building up the library in anticipation of not having football in a year’s time.
Charlie I’ll start, and then, Michael, I don’t know if you want to join. This is Charlie, Rick. Good to hear from you. Thanks for the question. We very much were focused on developing year-round, and doing some of the things I just mentioned in my opening remarks, which is really trying to build on the legacy of some of our stronger franchises, and then build complementary, both scripted and unscripted, on top of that.
But, no, of course we knew that Thursday Night Football would not be returning before we announced it, but we’ve been very much focused on this year, and then doing our traditional development for next year. And as we’ve been focused on that Thursday night specifically, which you asked about in the second part of your question, there’s nothing to announce today, but we’ve very much been working on trying to bring urgency and spectacle to a night like that, just knowing in advance that we have so much time to plan.
Michael Yes, and as part of all-year-round development strategy, I know you’ve heard us talk about this, but we don’t believe there’s a one-size-fits-all process for development. So, just to give a recent pickup example, our new series ACCUSED is for ’22-’23, and the best way we believe—when I say we, I mean FOX and Sony and Howard Gordon and Alex Gansa—believe to set that show up for success is to really get ahead of it in the scripts, and really take our time to kind of cast this unique crime anthology series.
And so, we’re getting ahead of it for the next season, and we believe this kind of all-year-round strategy allows us to continue to be in business with people like Howard and Alex, or Lee Daniels and some of the other people that we’ve just announced pickups with. It leads into our nimbleness, we believe.
[Technical difficulties caused a delay]
Moderator …and we’re going to go ahead and open the line of Brian Steinberg. Go ahead, please.
Mr. Steinberg, if you’re still connected, please press one then zero again at this time. One moment, please. Brian, your line is open. Go ahead, please.
Brian Can you hear me?
Charlie We got you.
Brian Wow. Hi, everyone. Thanks for taking my question. I appreciate it. I really just wanted to ask, given how the world’s changing, what percentage of your viewing do you think [indiscernible] Tubi of your new programming this year? And maybe even from Marianne, what percentage of ad sales will you be aiming at Tubi, do you expect to have from Tubi this year?
Charlie Thanks so much for the question. We are really focused on—and especially today with announcing the FOX schedule, and for anything that’s FOX owned, you will see it appear on Tubi the way you do THE MASKED SINGER and Gordon Ramsay shows, and that sort of stuff. On the other hand, the original programming for Tubi, the 140-plus hours we talked about, obviously, that is solely for Tubi and directly to Tubi, based on the data and audience information we have there.
Marianne, I don’t know if you want to jump in on the ad sales side—
Marianne Sure. I mean, we are looking at Tubi as the perfect broadcast extension to our FOX linear products. It extends audience to younger, more diverse audiences, obviously like TV viewers. So, while I don’t have exact percentages for you, Brian, it’s a big focus of ours to match the growth of the audience in this space, and I think the shift that we’re going to see of dollars to support AVoD, given the comfort [ph] that people have gotten and the great results they’re seeing on the platform.
We do expect it to be a big part of how we go to market. It’s a perfect extension for what we sell.
Charlie I’d say similar to that, we see, so often, where we’re promoting something on the network for its network premieres, the like-minded shows and the similar series back seasons start to perform even better on Tubi. So, it’s pretty remarkable how easily the viewers adapt to going broad with us, and then going deep with Tubi.
Moderator We will go next to the line of Tony Maglio from the TheWrap. Go ahead, please.
Tony I wanted to ask about THE MASKED DANCER. I didn’t see it anywhere. Normally I would expect to see will wait until midseason, so this makes me wonder what we’re doing with it. Is it summer? Is it something that you just want to plug in where you need it? What are your thoughts? I don’t want to get ahead of myself and assume that you have a spot for it.
Rob Yes. So, obviously, we’re really happy with THE MASKED DANCER. Thought it was a great show. Currently, we are just figuring out where it fits into our “Masked” strategy. As you saw, we’ve announced the singer for the fall, and really we’re just looking to see where and when that will play best at the moment. MASKED DANCER, as well, we filmed kind of right in the middle of the pandemic. It was in October time, and we took a lot of lessons from it.
We have some really nice ideas should there be a Season Two, and we’re figuring out when and where that might be.
Jean We’re ready for the next question. Alan, can you hear us?
Moderator My apologies. That’ll be from the line of Eric Deggans with National Public Radio. Go ahead.
Eric Thanks so much for doing this, even through all the technical difficulty. Even now, as upfront week is beginning, it’s being overshadowed a little bit by this news about the AT&T and Discovery deal that seems to be centered on streaming. And it just strikes me that you guys at FOX almost seem to be the antithesis of what the media industry is focused on, which is big streaming companies, like Netflix and Disney, and a turn away from broadcasting.
So, how do you guys make the argument to the industry and to the public that a network like FOX is still relevant, and the smaller scale stuff that you’re doing since the sale of assets to Disney is the future of television, from your perspective? How do you make that case?
Charlie Well, first of all, thanks for the question. Good to hear from you. I should lead by saying we’re in this space deliberately, and it’s been a strategic choice, if you think about, you mentioned the big guys. It’s been well-documented. I think [indiscernible] said it recently on one of his conference calls, that it was seeing that Disney, the combination of the 20th assets with Disney would allow them to compete in this space, and would allow us to construct a more nimble and focused company. And the choice was to focus on free and ad-supported.
So far, I’ll say it in the context, because today’s upfront day, in the context of broadcasting, we’re going to be the number one network on the key demo for the second year in a row. It happened quickly, and I believe because we were focused on. And then, obviously, Tubi, as ad-supported, free streaming service, puts (audio dropped here) space, but again, focused on what makes us special, which is free and ad-supported.
And so, you look at what we do best, I talk about the strategy a lot, which is the best of live sports, next to the best of entertainment, and we think we can have both cultural [indiscernible] live events, and pierce popular culture with our original programming in meaningful ways.
I also will point out that a phrase we’re fond of is that you can’t corner the market on creativity. And if you look at the incredible creative minds that we’re working with on both sides of the camera, if you look at who’s attracted to our platforms as the place to bring their passion projects, obviously we’ve brought Lee Daniels back to the network. We have Dan Harmon joining with his next animated series. We feel like we are a place where everyone knows we’re focused on elevating their work, not in bulk, but doing fewer things better, and combining, is pretty great to have a startup mentality and the Super Bowl and World Series. That’s been our strength, and it’s going to continue to be.
And now with Tubi, I think we’re powered for both breadth and network leadership.
Moderator We’ll go next to Mike Hughes with TV America. Go ahead, please.
Mike Charlie, this is a much smaller scale question here. So far, you’ve been going with 9-1-1 and 9-1-1 LONE STAR together on Mondays. Now, you don’t say it specifically, but I’m kind of guessing that you’re going to have 9-1-1 on Mondays, and then after that you’re going to have 9-1-1 LONE STAR later on in the year in the same time slot, so you can springboard other shows after it.
But kind of talk a little bit about that. First of all, would you plan on running 9-1-1 all the way through, and then go to LONE STAR, or would you stop for a while and go? And second of all, why do you like this approach better, to make the 9:00 open for new shows?
Charlie Well, I’ll start, and then to my left on your radio dial is Dan Harrison, and he can add to it, because we obviously place a lot of emphasis on our schedule.
To start with, we think the Ryan Murphy, Tim Minear shows are two of the most exciting broadcast offerings out there, and they are powerful together and apart. This year’s schedule, we get the best of both of those. One of the things you mentioned, and it’s an insightful question, is that we are eliminating what we sometimes refer to as the bridge, but basically, you’re right. We’re going to run right from 9-1-1 into 9-1-1: LONE STAR, and we’ll take advantage of, obviously, in the fall, the World Series, and in the, as we get into the football season, the NFL and then the NFL playoffs.
So, there are just amazing opportunities to keep the 9-1-1 franchise vibrant throughout the year with far fewer weeks without originals in them.
Dan, you want to go from there?
Dan Yes. Thank you, Charlie. We build nights, and having a night where we can launch new drama assets that will be with us for hopefully seasons to come was an important priority when we constructed the fall schedule. Monday night is a night of drama; Tuesday, drama; Wednesday, reality. We have our Sunday animation franchise, but creating room to hopefully produce a long-running asset for the network with a BIG LEAP in the fall, meant that we needed to find a place for LONE STAR. And we only have 18 episodes of both series. So, we thought that we had constructed a clever way to both maximize the power of the 9-1-1 franchise, and create new assets that would be with us.
Moderator We’ll go next to the line of Adam Buckman with MediaPost. Go ahead, please.
Adam I appreciate this very much. I appreciate this very much, but my question was asked by a previous questioner, and it has been answered adequately. So, thank you.
Charlie Well then, let me ask you a question.
Adam [Overlapping voices] you want to know.
Moderator [Operator instructions]. We’ll go next to the line of Jennifer Mass with TheWrap. Go ahead, please.
Jennifer Actually, circle back to 9-1-1 and LONE STAR, I did want to ask if this will limit the potential to do another crossover episode, because having them back-to-back [indiscernible] this time around. Do you have any ideas on that and what you might give Tim the ability to do since they won’t be airing back-to-back?
Charlie It’s a great question. This is Charlie, and then I’ll turn it over to Michael. But like I said, in this schedule, which, obviously, we don’t just look at the fall, but we look all the way through the season, we, as Dan said, are taking advantage of using the 8:00 slot to really lead 9-1-1 into 9-1-1: LONE STAR, and then after football season, they’ll be back-to-back again from 8:00 to 10:00 on Mondays.
Michael, you want to add to the question?
Michael You know our bag of tricks. While we’re using those to launch new shows, as Charlie and Dan said, it will still be almost half of the schedule will be paired in a really powerful block in the second half, which, as Charlie said, it’s a win-win. But somewhere as we’re bringing the show back, keep an eye out for—spoiler alert, keep an eye out for a crossover in the back half of the season.
Charlie It’ll be about disaster of a phone call, where it drops off in the middle of an upfront phone call. You’ll love it.
Moderator We’ll go next to the line of Carissa Pavlica with TV Fanatic. Go ahead, please.
Carissa Thank you so much for taking my call. I really appreciate the renewals today. Along those 
lines, I’m wondering with Morris Chestnut on both THE RESIDENT and the new show, is that going to continue, and was that a recent, like a determining factor for why those two shows are paired together?
Michael [Audio muffled]. It’s certainly a nice benefit. We’re thrilled to have Morris on both shows. We’re really excited about OUR KIND OF PEOPLE, and just announcing Morris is one of the leads in that, along with Yaya DaCosta. We think it’s going to be an incredible cast from incredible creators with Karin [Gist] and Lee [Daniels].
And to your point about having Morris in both shows, schedules permitting, we do hope to keep Morris’ character in THE RESIDENT. His storyline is terrific. THE RESIDENT is a big broad show for us. We’re really proud of it, and we think it’s a great pairing with OUR KIND OF PEOPLE in the fall, and our country music drama MONARCH in spring.
Jean We have time for one more question. I know that we had that interruption, so we’re just going a little beyond the time right now just to make up for that.
One more question, Alan.
Charlie Alan, you still there?
Moderator Yes, my apologies. I had actually closed out the Q&A session. If you did want to take one more question, we can have participants press one then zero at this time.
Jean Well, if there are no more questions actually, then we can actually, this will be a good time for us to wrap our call. So, we thank everybody so much for joining us today. We really do appreciate everybody taking the time to join us today to talk about the 2021-2022 programming schedule and slate.
We look forward to having you guys enjoy our upfront presentation later this afternoon at one p.m. Pacific Time, four p.m. Eastern. That’s in 55 minutes, so please tune in. We’ll talk to you in a little while. Thank you.
Moderator Ladies and gentlemen, this conference will be made available for replay beginning at 10:30 p.m. tonight, May 17th, and running until May 20, 2021 at four p.m.
That will conclude our conference call for today.
MORE INFO:
FOX ANNOUNCES NEW PRIMETIME SCHEDULE FOR 2021-2022 SEASON
FOUR NEW DRAMAS, TWO NEW COMEDIES, FOUR NEW UNSCRIPTED SERIES AND ONE NEW ANIMATED COMEDY JOIN LINEUP, TAPPING INTO THEMES OF HOPE, SECOND CHANCES AND REINVENTION
UPLIFTING DRAMEDY “THE BIG LEAP,” STARRING SCOTT FOLEY, TO PREMIERE THIS FALL
FAMILY DRAMA “OUR KIND OF PEOPLE,” FROM EXECUTIVE PRODUCERS LEE DANIELS AND KARIN GIST, AND STARRING YAYA DaCOSTA AND MORRIS CHESTNUT, ALSO TO DEBUT THIS FALL
ALL-NEW SINGING COMPETITION SERIES “ALTER EGO” LAUNCHES THIS FALL,
FOLLOWING THE #1 SHOW ON TELEVISION, “THE MASKED SINGER”
GORDON RAMSAY’S NEW COOKING COMPETITION SERIES, “NEXT LEVEL CHEF,” PREMIERES MIDSEASON
COUNTRY MUSIC FAMILY DRAMA “MONARCH” BEGINS ITS TWO-NIGHT PREMIERE EVENT, FOLLOWING THE NFC CHAMPIONSHIP ON SUNDAY, JANUARY 30, AND CONTINUES TUESDAY, FEBRUARY 1
THRILLING DRAMA “THE CLEANING LADY,” STARRING ELODIE YUNG, TO PREMIERE MIDSEASON
SMALL-TOWN DOCU-COM “WELCOME TO FLATCH,” FROM DIRECTOR AND EXECUTIVE PRODUCER
PAUL FEIG AND WRITER AND EXECUTIVE PRODUCER JENNY BICKS, TO LAUNCH MIDSEASON
ELIZA COUPE, GINNIFER GOODWIN AND MAGGIE Q TO STAR IN
NEW COMEDY “PIVOTING,” PREMIERING MIDSEASON
Contemporary Version of Iconic Drama FANTASY ISLAND to Launch In August
THE GREAT NORTH Renewed for Third Season;
All-New ANIMATION DOMINATION Returns in Fall for Night of Great Comedy
Season Five of Top Drama 9-1-1 Anchors Monday Nights in the Fall;
Season Five of THE RESIDENT Returns to Tuesdays this Fall; 9-1-1: LONE STAR Renewed for Season Three, Premieres Midseason; Season Two of CALL ME KAT Set for Midseason
Additional All-New Unscripted Series Premiering Midseason Include DOMINO MASTERS,
hosted by Eric Stonestreet, and DON’T FORGET THE LYRICS!, hosted by Niecy Nash;
Hit Unscripted Series I CAN SEE YOUR VOICE, hosted by Ken Jeong, Also Returns at Midseason
Additional New Programming Includes Crime Anthology Series ACCUSED, from “Homeland” and “24” Executive Producers Howard Gordon and Alex Gansa and “House” Creator David Shore;
and All-New Animated Series KRAPOPOLIS, from “Rick and Morty” Creator Dan Harmon
KRAPOPOLIS to Serve as First-Ever Animated Series Curated Entirely on the Blockchain,
as FOX Enters NFT Business to Create, Sell and Manage NFTs, Tokens and Digital Goods
Los Angeles, CA – Charlie Collier, CEO, FOX Entertainment, today will unveil the FOX primetime slate for the 2021-2022 television season to the national advertising community during its virtual Upfront Presentation. FOX, television’s #1 network for the second year in a row, is adding four new dramas, two new comedies, four new unscripted series and one new animated comedy to its lineup, tapping into themes such as renewal, second chances and reinvention. As FOX goes broad, its free, AVOD streaming service, Tubi, is going deep with 140+ hours of original programming next season that speaks to viewers’ passions. Tubi’s original programming will include original documentaries from FOX Alternative Entertainment; animated titles from Bento Box Entertainment; and premium independent-minded titles across Black Cinema, thriller, horror, sci-fi, romance and western genres.
“We are presenting a fall lineup that builds upon FOX’s legacy of bold stories and truth-telling-characters; stories that meet and reflect the cultural moment. FOX believes it’s a time for series that offer hope and to speak to American audiences with themes of reinvention and second chances,” Collier said. “Alongside our programming focus, we are forging ahead with a clear, 100% ad-supported vision. FOX’s acquisition of free-ad-focused Tubi has allowed us to expand our broadcast offering, bringing scale across both linear and streaming, all without any paywalls or subscriptions. This is a strategy that deepens FOX’s relationship with our audience and advertising partners, and it will continue to set FOX apart.”
The all-new dramas joining the already strong lineup of dramas, animated comedies and unscripted on FOX are THE BIG LEAP and OUR KIND OF PEOPLE.
THE BIG LEAP is a modern tale about second chances, chasing your dreams and taking back what’s yours. From creator/executive producer Liz Heldens (“The Passage,” “Friday Night Lights”), director/executive producer Jason Winer (“Modern Family”) and executive producer Sue Naegle (“The Plot Against America”), the show revolves around a group of diverse, down-on-their-luck characters attempting to change their lives by participating in a potentially life-ruining reality dance show that builds to a live production of “Swan Lake.” Inspired by a U.K. reality format, THE BIG LEAP is an innovative show-within-a-show that takes viewers on a journey of self-acceptance and empowerment at any age. The series stars Scott Foley (“Scandal”), Teri Polo (“Meet the Parents” franchise), Piper Perabo (“Covert Affairs,” “Coyote Ugly”), newcomer Simone Recasner, Ser’Darius Blain (“Jumanji: Welcome to the Jungle”), Jon Rudnitsky (“Catch-22”), Raymond Cham Jr. (“Five Points”), Mallory Jansen (“Galavant”), Kevin Daniels (“Modern Family”) and Anna Grace Barlow (“The Goldbergs”).
Inspired by Lawrence Otis Graham’s provocative, critically acclaimed book, “Our Kind of People: Inside America’s Black Upper Class,” the series takes place in the aspirational world of Oak Bluffs on Martha’s Vineyard, a historical stronghold where the rich and powerful black elite have come to play for over 50 years. From executive producer Lee Daniels (“Empire,” “The United States Vs. Billie Holiday”) and writer and executive producer Karin Gist (“Star,” “Grey’s Anatomy”), OUR KIND OF PEOPLE follows a strong-willed, single mom as she sets out to reclaim her family’s name and make an impact with her revolutionary haircare line that highlights the innate, natural beauty of black women. But she soon discovers a dark secret about her own mother’s past that will turn her world upside-down and shake up this community forever. The show is a soapy, thrilling exploration of race and class in America and an unapologetic celebration of black resilience and achievement. The series stars Yaya DaCosta (“Chicago Med,” “Whitney”) as Angela Vaughn and Morris Chestnut (THE RESIDENT) as Raymond DuPont.
The new unscripted series premiering this fall is ALTER EGO.
From FOX Alternative Entertainment and executive-produced by Matilda Zoltowski (“Dancing with the Stars,” “World of Dance”), ALTER EGO is an all-new original singing competition where lost dreams and second chances are reignited when singers from all walks of life become the stars they’ve always wanted to be. However, these contestants won’t perform as themselves. Rather, they’ll be given the chance to show how they’ve always wanted to be seen, creating their dream avatar ALTER EGO to reinvent themselves and perform like never before.
The new midseason dramas are THE CLEANING LADY and MONARCH.
From executive producer/writer Miranda Kwok (“The 100”), executive producer/showrunner Melissa Carter (“Queen Sugar”), executive producer/director Michael Offer (“Homeland,” “How to Get Away with Murder”) and executive producers Shay Mitchell (“You,” “Pretty Little Liars”), Rose Marie Vega and Paola Suarez, THE CLEANING LADY is a thrilling and emotionally driven character drama about a whip-smart Cambodian doctor who comes to the U.S. for a medical treatment to save her ailing son. However, when the system fails and pushes her into hiding, she refuses to be beaten down and marginalized. Instead, she becomes a cleaning lady for organized crime, using her cunning and intelligence to forge her own path in the criminal underworld. The series stars Elodie Yung (“The Hitman’s Bodyguard”), Adan Canto (“Designated Survivor,”), Martha Millan (“The OA”) and newcomers Valentino and Sebastien LaSalle.
TRAILER FOR “THE CLEANING LADY”
MONARCH is an epic, multi-generational musical drama about America’s first family of country music. The series debuts with a special two-night event beginning Sunday, Jan. 30, immediately following the NFC CHAMPIONSHIP, and continuing on Tuesday, Feb. 1. In MONARCH, from FOX Entertainment, the Romans are passionate and fiercely talented, but while their name is synonymous with honesty, the very foundation of this family’s success is a lie. When dangerous truths bubble to the surface, the Romans’ reign as country royalty is put in jeopardy. Nicky Roman, the brilliant and fierce heir to the crown, already battling an industry and world stacked against her, will stop at nothing to protect her family’s legacy. It’s finally her turn. But is it too late? MONARCH is produced by FOX Entertainment. Melissa London Hilfers (“Instinct”) serves as creator, writer and executive producer. Michael Rauch (“Royal Pains”) is an executive producer and showrunner. Gail Berman and Hend Baghdady (The Jackal Group) and Jason Owen (Sandbox Entertainment) also serve as executive producers.
The new midseason comedies are WELCOME TO FLATCH and PIVOTING.
Inspired by BBC Studios’ BAFTA-winning BBC format, “This Country,” WELCOME TO FLATCH (fka “This Country”) is a half-hour comedy written and executive-produced by Emmy Award winner Jenny Bicks (“Sex and the City,” “The Greatest Showman”) and directed and executive-produced by Emmy Award nominee Paul Feig (“The Office,” “Bridesmaids”). When a documentary crew sets out to explore the lives of residents in a small American town – their dreams, their concerns – they stumble upon the midwestern town of Flatch, which is made up of many eccentric personalities. It’s a place you want to visit and maybe even stay. If there was a decent motel. Which there is not. The series stars newcomers Chelsea Holmes and Sam Straley, Seann William Scott (“Lethal Weapon,” “American Pie” franchise), Aya Cash (“The Boys,” “You’re The Worst”), Taylor Ortega (“Succession”) and newcomers Krystal Smith and Justin Linville.
TRAILER FOR “WELCOME TO FLATCH”
PIVOTING is a single-camera comedy about how we deal with life, death and all the crazy things that happen in between. Set in a small, middle-class town in Long Island, NY, the series follows three women – and close-knit childhood friends – as they cope with the death of the fourth member of their group. When faced with the reality that life is short, these women pivot, and alter their current paths, by way of a series of impulsive, ill-advised and self-indulgent decisions. These pivots will strengthen their bond and prove it’s never too late to screw up your life in the pursuit of happiness. Written and executive-produced by Liz Astrof (“The Conners,” “2 Broke Girls”), the series stars Eliza Coupe (“Happy Endings”), Ginnifer Goodwin (“Once Upon a Time”), Maggie Q (“Designated Survivor”), Tommy Dewey (“Casual”), JT Neal (“Bless This Mess”) and Marcello Reyes (“Modern Family”).
The new midseason unscripted series are NEXT LEVEL CHEF, DON’T FORGET THE LYRICS! and DOMINO MASTERS.
Gordon Ramsay is back with NEXT LEVEL CHEF, the next evolution in cooking competitions. Produced by FOX Alternative Entertainment and Studio Ramsay, the series features a one-of-a-kind culinary gauntlet – which Chef Ramsay designed — set on an iconic stage like you’ve never seen. Over three stories high, each floor contains a stunningly different kitchen. From the glistening top floor to the challenging bottom of the basement, the ingredients will match the environment, because Ramsay believes the true test of a great chef is not only what they can do in the best of circumstances, but what kind of magic they can create in the worst! With a level playing field, Chef Ramsay has opened up the competition and scoured the country for the very best line cooks, home chefs, social media stars, food truck owners and everything in between, all competing against one and other with the goal of finding the food world’s newest superstar. Joined by two elite names in the food world, chefs Nyesha Arrington and Gino D’Acampo, Ramsay and his co-mentors will leave no stone unturned, as they each recruit a group of the talented young chefs and take them under their wings. Ramsay and his friends will attempt to bring out the very best in their cooks, as they all try to find “the one.”
Emmy Award nominee Niecy Nash hosts the all-new version of the popular game show DON’T FORGET THE LYRICS!, challenging contestants’ musical memory, as they get one song closer to winning $1 million if they DON’T FORGET THE LYRICS! Contestants will choose songs from different genres, decades and musical artists, then they’ll take center stage to sing alongside the studio band as the lyrics are projected on screen – but suddenly the music will stop, and the words will disappear. Will the contestants belt out the correct missing lyrics, or freeze under pressure? If they sing nine songs correctly, they are presented with a No. 1 hit and sing the final missing lyrics for the top prize of $1 million. It’s that simple: 10 songs, some missing lyrics, $1 million.
Hosted by multi-Emmy-Award-winning actor and comedian Eric Stonestreet (“Modern Family”), DOMINO MASTERS brings imagination and creative ingenuity to life when teams of domino enthusiasts go head-to-head in a toppling tournament to create mind-blowing masterpieces, with infinite possibilities and thousands of tiles and unique kinetic devices. Stonestreet is joined by a panel of judges, including best-selling author and actress Danica McKellar (“Matchmaker Mysteries”), NFL Pro-Bowler and Super Bowl Champion Vernon Davis (“The Challenge”) and professional domino artist Steve Price, as 16 skilled teams compete against each other in ambitious building challenges to be crowned the country’s most talented amateur domino topplers. In each episode, the teams will be given a bold theme and exciting custom.
elements to incorporate into their topple. The competing pairs who most impress the judges will progress to the next round, until the finale, during which the top teams will face off for a cash prize, the ultimate trophy and the grand title of DOMINO MASTERS.
Additional recently announced series include:
From executive producers Howard Gordon (“24,” “Homeland”), Alex Gansa (“24,” “Homeland”) and David Shore (“The Good Doctor,” “House”), ACCUSED is based on the BBC’s BAFTA-winning crime anthology, in which each episode opens in a courtroom on the accused without knowing their crime or how they ended up on trial, the drama is told from the defendant’s point of view. In ACCUSED, viewers discover how an ordinary person got caught up in an extraordinary situation, ultimately revealing how one wrong turn leads to another, until it’s too late to turn back.
KRAPOPOLIS is an animated comedy set in mythical ancient Greece from Emmy Award-winning creator Dan Harmon (“Rick and Morty,” “Community”). Centered on a flawed family of humans, gods and monsters that tries to run one of the world’s first cities without killing each other. Fully owned and financed by FOX Entertainment, the comedy will be produced by its Emmy Award-winning animation studio, Bento Box Entertainment. Additionally, KRAPOPOLIS will serve as the first-ever animated series curated entirely on the Blockchain, as FOX and Bento Box enter the NFT business. The company will launch a dedicated marketplace for KRAPOPOLIS that will curate and sell digital goods, ranging from NFTs of one-of-a-kind character and background art and GIFs, as well as tokens that provide exclusive social experiences to engage and reward super fans.
This August, FOX travels to FANTASY ISLAND, with an all-new version of the classic show. A modern drama series, FANTASY ISLAND takes place at a luxury resort, where literally any fantasy requested by guests is fulfilled, although they rarely turn out as expected. Delving into the “what if” questions — both big and small — that keep us awake at night, each episode will tell emotional, provocative stories about people who arrive with dreams and desires, and depart enlightened and transformed through the magical realism of Fantasy Island. Serving as steward of this mysterious island is ELENA ROARKE (Roselyn Sanchez, “Devious Maids,” “Grand Hotel”), a descendant of the iconic Mr. Roarke. Elena set aside her own ambitions, and even the love of her life, to uphold her family’s legacy. Sophisticated, insightful and always charming, her calm exterior masks the challenges of the responsibilities she has assumed. Assisting Elena is RUBY OKORO (Kiara Barnes, “The Bold and the Beautiful”), a young woman with an old soul who arrives on Fantasy Island with a terminal illness, and is given a new lease on life there; and pilot JAVIER (John Gabriel Rodriquez, “Miranda’s Rights,” “Rosewood”), who also is the head of island transportation and a jack of all trades.
FOX’s full 2021-2022 programming slate is – Dramas: 9-1-1, 9-1-1: LONE STAR, THE BIG LEAP, THE CLEANING LADY, FANTASY ISLAND, MONARCH, OUR KIND OF PEOPLE, THE RESIDENT; Comedies: BOB’S BURGERS, CALL ME KAT, DUNCANVILLE, FAMILY GUY, THE GREAT NORTH, HOUSEBROKEN, PIVOTING, THE SIMPSONS, WELCOME TO FLATCH; Unscripted: ALTER EGO, BEAT SHAZAM, CRIME SCENE KITCHEN, DOMINO MASTERS, DON’T FORGET THE LYRICS!, HELL’S KITCHEN, I CAN SEE YOUR VOICE, LEGO MASTERS, THE MASKED SINGER, MASTERCHEF, MENTAL SAMURAI, NEXT LEVEL CHEF.
Additional schedule information and specials to be announced.
FOX FALL 2021 SCHEDULE
(All Times ET/PT)
MONDAY
8:00-9:00 PM 9-1-1
9:00-10:00 PM THE BIG LEAP (new series)
TUESDAY
8:00-9:00 PM THE RESIDENT
9:00-10:00 PM OUR KIND OF PEOPLE (new series)
WEDNESDAY
8:00-9:00 PM THE MASKED SINGER
9:00-10:00 PM ALTER EGO (new series)
THURSDAY, Beginning Oct. 7
8:00 PM-CC ET/ THURSDAY NIGHT FOOTBALL ON FOX
5:00 PM-CC PT
FRIDAY
8:00-10:00 PM WWE’S FRIDAY NIGHT SMACKDOWN
SATURDAY
7:00-10:30 PM FOX SPORTS SATURDAY
SUNDAY
7:00-7:30 PM NFL ON FOX
7:30-8:00 PM THE OT / FOX ENCORES
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM THE GREAT NORTH
9:00-9:30 PM BOB’S BURGERS
9:30-10:00 PM FAMILY GUY
FOX 2021-2022 PRIMETIME SCHEDULE
SOCIAL MEDIA INFORMATION
| ALTER EGO | @AlterEgoFOX | @AlterEgoonFOX | @AlteregoonFox |
| THE BIG LEAP | @TheBigLeapFOX | @BigLeapFOX | @bigleapfox |
| THE CLEANING LADY | @TheCleaningLadyFOX | @CleaningLadyFOX | @cleaningladyfox |
| DON’T FORGET THE LYRICS! | @LyricsonFOX | @LyricsonFOX | @lyricsonfox |
| DOMINO MASTERS | @DominoMastersFOX | @DominoMastersFOX | @dominomastersfox |
| MONARCH | @MonarchonFOX | @MonarchonFOX | @monarchonfox |
| NEXT LEVEL CHEF | @NextLevelChefFOX | @NextLevelFOX | @nextlevelcheffox |
| OUR KIND OF PEOPLE | @OurKindofPeopleFOX | @OurKindFOX | @ourkindofpeoplefox |
| PIVOTING | @PivotingFOX | @PivotingFOX | @pivotingfox |
| WELCOME TO FLATCH | @WelcomeToFlatch | @WelcomeToFlatch | @kellyandshrub |
FOX 2021-2022 PRIMETIME SCHEDULE
NEW SERIES SYNOPSES
The following dramas will debut this fall on FOX:
THE BIG LEAP
THE BIG LEAP is a modern tale about second chances, chasing your dreams and taking back what’s yours. From creator/executive producer Liz Heldens (“The Passage,” “Friday Night Lights”), director/executive producer Jason Winer (“Modern Family”) and executive producer Sue Naegle (“The Plot Against America”), the show revolves around a group of diverse, down-on-their-luck characters attempting to change their lives by participating in a potentially life-ruining reality dance show that builds to a live production of “Swan Lake.” On the heels of his latest show failure and a stressful divorce, producer NICK BLACKBURN (Scott Foley, “Scandal”) reluctantly signs on to produce “The Big Leap,” a brand-new contest series filming in Motor City. The show, which brings together dancers from every age, background and body type, is the brainchild of aging dancer WAYNE FONTAINE (Kevin Daniels, “Modern Family”). With choreographer MONICA SULLIVAN (Mallory Jansen, “Galavant”) on board to help Nick mount the production, he begins his search for not only the best dancers, but also the ones that could stir up the most drama. GABBY LEWIS (newcomer Simone Recasner), once dreamt of becoming a professional dancer, but her dreams were sidelined when she got pregnant right out of high school. In the midst of the monotony that is her 9-to-5 office job, she stumbles upon “The Big Leap,” reigniting her passion for dance. Auditioning alongside Gabby is JUSTIN REYES (Raymond Cham Jr., “Five Points”), Gabby’s former dance partner and high school boyfriend…that is, until he came out of the closet (to the surprise of no one, except Gabby). Their fellow contestants include REGGIE SADLER (Ser’Darius Blain, “Jumanji: Welcome to the Jungle”), a famous pro football champ whom Nick believes could give the show the star power and controversy it needs to break through; BRITTNEY LOVEWELL (Anna Grace Barlow, “The Goldbergs”), a born-and-bred hyper-competitive ballroom dancer paired with her twin brother; unemployed autoworker MIKE DEVRIES (Jon Rudnitsky, “Catch-22”), whose gradual unraveling recently led his wife, to leave him; PAULA CLARK (Piper Perabo, “Covert Affairs,” “Coyote Ugly”), a high-powered corporate executive; and former ballerina JULIA PERKINS (Teri Polo, “Meet the Parents” franchise), now a social-media-obsessed mom who focuses more on her Instagram than on her teenage girls or husband; Inspired by a U.K. reality format, THE BIG LEAP is an innovative show-within-a-show that takes viewers on a journey of self-acceptance, body-positivity and empowerment at any age.
PRODUCTION COMPANIES: 20th Television, FOX Entertainment
EXECUTIVE PRODUCER/WRITER: Liz Heldens
EXECUTIVE PRODUCER/DIRECTOR: Jason Winer
EXECUTIVE PRODUCER: Sue Naegle
CAST: Scott Foley as Nick Blackburn, Simone Recasner as Gabby Lewis, Ser’Darius Blain as Reggie Sadler, Jon Rudnitsky as Mike Devries, Raymond Cham Jr. as Justin Reyes, Mallory Jansen as Monica Sullivan, Kevin Daniels as Wayne Fontaine, Anna Grace Barlow as Brittney Lovewell, with Piper Perabo as Paula Clark, and Teri Polo as Julia Perkins
OUR KIND OF PEOPLE
Inspired by Lawrence Otis Graham’s provocative, critically acclaimed book, “Our Kind of People: Inside America’s Black Upper Class,” the series takes place in the aspirational world of Oak Bluffs on Martha’s Vineyard, a historical stronghold where the rich and powerful black elite have come to play for over 50 years. OUR KIND OF PEOPLE follows strong-willed, single mom ANGELA VAUGHN (Yaya DaCosta, “Chicago Med,” “Whitney”) as she sets out to reclaim her family’s name and make an impact with her revolutionary haircare line that highlights the innate, natural beauty of black women. But she soon discovers a dark secret about her own mother’s past that will turn her world upside-down and shake up this community forever. The show is a soapy, thrilling exploration of race and class in America and an unapologetic celebration of black resilience and achievement. OUR KIND OF PEOPLE is produced by 20th Television and FOX Entertainment. The project is written and executive-produced by Karin Gist. Lee Daniels and Marc Velez (Lee Daniels Entertainment); Pam Williams and Claire Brown (The Gist Of It Productions); Ben Silverman and Drew Buckley (Propagate); and Montrel McKay also serve as executive producers.
PRODUCTION COMPANIES: 20th Television, FOX Entertainment
EXECUTIVE PRODUCER/WRITER: Karin Gist
EXECUTIVE PRODUCERS: Lee Daniels, Marc Velez, Pam Williams, Claire Brown, Ben Silverman, Howard Owens, Drew Buckley, Montrel McKay
CAST: Yaya DaCosta as Angela Vaughn, Morris Chestnut as Raymond DuPont
The following unscripted series will debut this fall on FOX:
ALTER EGO
In this all-new original singing competition, lost dreams and second chances are reignited when singers from all walks of life become the stars they’ve always wanted to be. However, these contestants won’t perform as themselves. Rather, they’ll be given the chance to show how they’ve always wanted to be seen, creating their dream avatar ALTER EGO to reinvent themselves and perform like never before.
PRODUCTION COMPANY: FOX Alternative Entertainment
EXECUTIVE PRODUCER: Matilda Zoltowski
The following dramas will debut in midseason on FOX:
THE CLEANING LADY
From executive producer/writer Miranda Kwok (“The 100”), executive producer/showrunner Melissa Carter (“Queen Sugar”), executive producer/director Michael Offer (“Homeland,” “How To Get Away With Murder”) and executive producers Shay Mitchell (“You,” “Pretty Little Liars”), Rose Marie Vega and Paola Suarez, THE CLEANING LADY is a thrilling and emotionally driven character drama about a whip-smart Cambodian doctor who comes to the U.S. for a medical treatment to save her ailing son. However, when the system fails and pushes her into hiding, she refuses to be beaten down and marginalized. Instead, she becomes a cleaning lady for the organized crime, using her cunning and intelligence to forge her own path in the criminal underworld. THONY (Elodie Yung, “The Hitman’s Bodyguard”) had it all – a successful career, a handsome husband and a child on the way. But when their son, LUCA (newcomers Valentino and Sebastien LaSalle), was diagnosed with a rare, life-threatening immunodeficiency disorder, her husband’s own secrets begin to emerge, leaving Thony to save the boy on her own. Now in Las Vegas with her sister-in-law, FIONA (Martha Millan “The OA”), Thony waits for a matching bone marrow donor for Luca, while struggling to make ends meet as an undocumented worker. Then, through an unexpected connection with the mobster ARMAN MORALES (Adan Canto, “Designated Survivor”), Thony learns she can now save Luca – even if it means sacrificing her own soul in the process. Crossing into a world of moral greys, Thony begins to live a double life, keeping secrets from her family, while cleaning crime scenes for Arman and dodging the law. Based on the original Argentine series, THE CLEANING LADY is a story of empowerment, resilience and the human spirit that asks us all if the ends justify the means.
PRODUCTION COMPANIES: Warner Bros. Television, FOX Entertainment
EXECUTIVE PRODUCER/WRITER: Miranda Kwok
EXECUTIVE PRODUCER/SHOWRUNNER: Melissa Carter
EXECUTIVE PRODUCER/DIRECTOR: Michael Offer
EXECUTIVE PRODUCERS: Shay Mitchell, Rose Marie Vega, Paola Suarez
CAST: Elodie Yung as Thony, Adan Canto as Arman Morales, Martha Millan as Fiona, Sebastien and Valentino LaSalle as Luca
MONARCH
MONARCH is an epic, multi-generational musical drama about America’s first family of country music. The Romans are passionate and fiercely talented, but while their name is synonymous with honesty, the very foundation of this family’s success is a lie. When dangerous truths bubble to the surface, the Romans’ reign as country royalty is put in jeopardy. Nicky Roman, the brilliant and fierce heir to the crown, already battling an industry and world stacked against her, will stop at nothing to protect her family’s legacy. It’s finally her turn. But is it too late? MONARCH is produced by FOX Entertainment. Melissa London Hilfers (“Instinct”) serves as creator, writer and executive producer. Michael Rauch (“Royal Pains”) is an executive producer and showrunner. Gail Berman and Hend Baghdady (The Jackal Group) and Jason Owen (Sandbox Entertainment) also serve as executive producers.
PRODUCTION COMPANIES: FOX Entertainment
CREATOR/EXECUTIVE PRODUCER/WRITER: Melissa London Hilfers
EXECUTIVE PRODUCER/SHOWRUNNER: Michael Rauch
EXECUTIVE PRODUCERS: Gail Berman, Hend Baghdady, Jason Owen
The following comedies will debut in midseason on FOX:
WELCOME TO FLATCH
Inspired by BBC Studios’ BAFTA-winning format “This Country,” WELCOME TO FLATCH is a half-hour comedy written and executive-produced by Emmy Award winner Jenny Bicks (“Sex and the City,” “The Greatest Showman”) and directed and executive-produced by Emmy Award nominee Paul Feig (“The Office,” “Bridesmaids”). When a documentary crew sets out to explore the lives of residents in a small American town – their concerns, their dreams, their lives – they stumble upon the midwestern town of Flatch, a place you want to visit and maybe even stay. If there was a decent motel. Which there is not. Flatch is made up of many eccentric personalities, including two cousins who don’t have much, but they do have each other. Twenty-year-old KELLY MALLET (newcomer Chelsea Holmes) has never left her hometown and doesn’t want to. Outwardly tough, she’s really a softie with dreams of being an entrepreneur, and the wardrobe of an aging male sports fan. SHRUB MALLET (newcomer Sam Straley) is Kelly’s 21-year-old cousin and best friend. He has the soul of an artist and the body of an artist with a mineral deficiency. Hoping to guide Kelly and Shrub is FATHER JOE (Seann William Scott, “Lethal Weapon,” “American Pie” franchise), the town’s new pastor and a recent transplant from Minneapolis. He loves his adopted town and its odd inhabitants and always believes things can be made better with a good chat and a hug, even though he’s not sure it’s okay to hug anymore. Actually, Joe arrived in Flatch with his girlfriend, CHERYL (Aya Cash, “The Boys,” “You’re The Worst”), but they broke up soon after they moved. A reporter back in Minneapolis, Cheryl is surprised to find that she is blossoming here as editor of the town’s newspaper (circulation 751). Other residents of the town are NADINE PETERSON (Taylor Ortega, “Succession”), who went to high school with Shrub and Kelly and is everything they are not – beautiful, married, successful; BIG MANDY (newcomer Krystal Smith), Kelly’s neighbor and a magnetic force of nature; and MICKEY (newcomer Justin Linville), an old classmate of Shrub and Kelly’s who works at the fireworks store.
PRODUCTION COMPANIES: Lionsgate, BBC Studio’s Los Angeles production arm, FOX Entertainment
EXECUTIVE PRODUCER/WRITER: Jenny Bicks
EXECUTIVE PRODUCER/DIRECTOR: Paul Feig
EXECUTIVE PRODUCERS: Angie Stephenson (BBC Studios), Charlie Cooper (creator of the original BBC series “This Country”), Daisy May Cooper (creator of the original BBC series “This Country”),
CAST: Chelsea Holmes as Kelly Mallet, Sam Straley as Shrub Mallet, Seann William Scott as Father Joe, Aya Cash as Cheryl, Taylor Ortega as Nadine Peterson, Krystal Smith as Big Mandy, Justin Linville as Mickey
PIVOTING
PIVOTING is a single-camera comedy about how we deal with life, death and all the crazy things that happen in between. Set in a small, middle-class town in Long Island, NY, the series follows three women – and close-knit childhood friends – as they cope with the death of the fourth member of their group. When faced with the reality that life is short, these women pivot, and alter their current paths, by way of a series of impulsive, ill-advised and self-indulgent decisions. These pivots will strengthen their bond and prove it’s never too late to screw up your life in the pursuit of happiness. For AMY (Eliza Coupe, “Happy Endings”), the fearless producer of a local cooking show, managing a hundred employees comes easily. Yet, when it comes to caring for her own children – seven-year-old LUKE (Marcello Reyes, “Modern Family”) and 18-month-old JULIA – she’s absolutely terrified. Despite her lack of maternal instincts, her husband, HENRY (Tommy Dewey, “Casual”), a contractor who never loses his cool, perfectly counter-balances Amy in all of her flaws. Her pivot is to be a more active, present mother. JODIE (Ginnifer Goodwin, “Once Upon a Time”) is a stay-at-home mom of three in a loveless marriage. Her husband is a controlling, finance-obsessed jerk, but Jodie has never even considered that the grass might be greener anywhere else. When she does, her pivot means getting in shape…and maybe more with her hot 25-year-old trainer, MATT (JT Neal, “Bless This Mess”), who gives her the attention, affection and excitement she didn’t realize she had been craving for years. SARAH (Maggie Q, “Designated Survivor”) is a successful doctor — an MD and PhD, as she will readily let anyone know. For Sarah, the loss of their friend is compounded by the recent divorce from her wife. After a life filled with stress, Sarah is sent into a tailspin, that launches her pivot to a simpler, and thus happier life — working as a grocery store employee. Written by Liz Astrof (“The Conners,” “2 Broke Girls”), PIVOTING takes a real look at three intelligent, empowered and seemingly enlightened women who decide to stop and hit the reset button. For all three of these women, the untimely and heartbreaking death of their friend was the wake-up call they didn’t know they needed, but might be just the thing that helps them live their best lives.
PRODUCTION COMPANIES: Warner Bros. Television, FOX Entertainment
EXECUTIVE PRODUCER/WRITER: Liz Astrof
EXECUTIVE PRODUCER/DIRECTOR: Tristram Shapeero
EXECUTIVE PRODUCERS: Aaron Kaplan, Dana Honor
CAST: Eliza Coupe as Amy, Ginnifer Goodwin as Jodie, Maggie Q as Sarah, Tommy Dewey as Henry, JT Neal as Matt, Marcello Reyes as Luke
The following unscripted series will premiere midseason:
NEXT LEVEL CHEF
Gordon Ramsay is back with NEXT LEVEL CHEF, the next evolution in cooking competitions. The series features a one-of-a-kind culinary gauntlet – which Ramsay designed — set on an iconic stage like you’ve never seen. Over three stories high, each floor contains a stunningly different kitchen. From the glistening top floor to the challenging bottom of the basement, the ingredients will match the environment, because Ramsay believes the true test of a great chef is not only what they can do in the best of circumstances, but what kind of magic they can create in the worst! With a level playing field, Ramsay has opened up the competition and scoured the country for the very best line cooks, home chefs, social media stars, food truck owners and everything in between, all competing against one another with the goal of finding the food world’s newest superstar. Joined by two elite names in the food world, chefs Nyesha Arrington and Gino D’Acampo, Ramsay and his co-mentors will leave no stone unturned, as they each recruit a group of the talented young chefs, and take them under their wings. Ramsay and his friends will attempt to bring out the very best in their cooks, as they all try to find “the one.”
PRODUCTION COMPANIES: Studio Ramsay, FOX Alternative Entertainment
EXECUTIVE PRODUCERS: Gordon Ramsay, Lisa Edwards, Matt Cahoon
MENTORS: Gordon Ramsay, Nyesha Arrington, Gino D’Acampo
DON’T FORGET THE LYRICS!
Emmy Award nominee Niecy Nash hosts the all-new version of the popular game show DON’T FORGET THE LYRICS!, challenging contestants’ musical memory, as they get one song closer to winning $1 million if they DON’T FORGET THE LYRICS! Contestants will choose songs from different genres, decades and musical artists, then they’ll take center stage to sing alongside the studio band as the lyrics are projected on screen – but suddenly the music will stop, and the words will disappear. Will the contestants belt out the correct missing lyrics, or freeze under pressure? If they sing nine songs correctly, they are presented with a No. 1 hit and sing the final missing lyrics for the top prize of $1 million. It’s that simple: 10 songs, some missing lyrics, $1 million.
PRODUCTION COMPANY: Apploff Entertainment, Bunim/Murray Productions
EXECUTIVE PRODUCERS: Jeff Apploff, Rupert Dobson, Niecy Nash
HOST: Niecy Nash
DOMINO MASTERS
Emmy Award-winning actor and comedian Eric Stonestreet (“Modern Family”) hosts new unscripted competition series DOMINO MASTERS, featuring teams of domino enthusiasts facing off in an unbelievable domino toppling and chain reaction tournament. Throughout the competition, Stonestreet, alongside the judges, will encourage the domino aficionados, introduce incredible challenges and put the creations to the test until one team is crowned the DOMINO MASTERS. DOMINO MASTERS brings imagination and creative ingenuity to life when teams of domino enthusiasts go head-to-head in a toppling tournament to create mind-blowing masterpieces, with infinite possibilities and thousands of tiles and unique kinetic devices. Sixteen skilled teams will compete against each other in ambitious dominoes building challenges to be crowned the country’s most talented amateur domino topplers. In each episode, the teams will be given a bold theme and exciting custom elements to incorporate into their topple. The competing pairs who most impress the judges will progress to the next round, until the finale, during which the top teams will face off for a cash prize, the ultimate trophy and the grand title of DOMINO MASTERS.
PRODUCTION COMPANY: FOX Alternative Entertainment
EXECUTIVE PRODUCERS: Gail Berman, Danny Schrader, Hend Baghdady
HOST: Eric Stonestreet
Proofread and Edited by Brenda
Back to the Primetime Articles and Interviews Page
Times and Dates are subject to change!
Shows we cover have next to the title – click on it to see our page for the show!
Due to Covid-19, premiere dates are up in the air and may change.
|
|
These listings and dates are subject to change! Click on the link of each show to double-check and see what dates the networks give.
Info from TV Series Finale, The Wrap, Metacritic and the TV network sites.
*new to this network; previously aired elsewhere
Times and Dates are subject to change!
Shows we cover have next to the title – click on it to see our page for the show!
|
Monday |
8:00pm |
8:30pm |
9:00pm |
9:30pm |
10:00pm |
10:30pm |
|---|---|---|---|---|---|---|
|
|
The Good Doctor 9/24 |
|||||
|
|
The Neighborhood 10/1 |
Happy Together 10/1 |
Magnum, P.I. 9/24 |
Bull 9/24 |
||
|
|
Arrow |
DC’s Legends of |
Local |
|||
|
|
The Resident 9/24 |
9-1-1 9/23 |
Local |
|||
|
|
The Voice 9/24 |
Manifest 9/24 |
||||
|
Tuesday |
8:00pm |
8:30pm |
9:00pm |
9:30pm |
10:00pm |
10:30pm |
|---|---|---|---|---|---|---|
|
|
The Connors 10/16 |
The Kids Are All Right 10/16 |
Black-ish 10/16 |
Splitting Up Together 10/16 |
The Rookie 10/16 |
|
|
|
NCIS |
FBI 9/25 |
NCIS: New Orleans |
|||
|
|
The Flash |
Black Lightning 10/9 |
Local |
|||
|
|
The Gifted 9/25 |
Lethal Weapon 9/25 |
Local |
|||
|
|
The Voice (results) 9/25 |
This Is Us 9/25 |
New Amsterdam 9/25 |
|||
|
|
||||||
|
Wednesday |
8:00pm |
8:30pm |
9:00pm |
9:30pm |
10:00pm |
10:30pm |
|---|---|---|---|---|---|---|
 |
The Goldbergs 9/26 |
American Housewife 9/26 |
Modern Family 9/26 |
Single Parents 9/26 |
||
|
Survivor 9/26 |
SEAL Team 10/3 |
Criminal Minds 10/3 |
|||
 |
Riverdale 10/10 |
All American 10/10 |
Local |
|||
 |
Empire 9/26 |
Star 9/26 |
Local |
|||
 |
Chicago Fire 9/26 |
Chicago Med 9/26 |
Chicago P.D. 9/26 |
|||
|
Thursday |
8:00pm |
8:30pm |
9:00pm |
9:30pm |
10:00pm |
10:30pm |
|---|---|---|---|---|---|---|
|
|
Grey’s Anatomy |
Station 19 10/4 |
||||
|
|
Big Bang Theory |
Young Sheldon 9/24 |
Mom 9/27 |
Murphy Brown 9/27 |
S.W.A.T. 9/27 |
|
|
|
Supernatural |
Legacies |
Local |
|||
|
|
Local |
|||||
|
|
Superstore 10/4 |
The Good Place 9/27 |
Will & Grace 10/4 |
I Feel Bad 10/4 |
Law & Order: SVU |
|
|
Friday |
8:00pm |
8:30pm |
9:00pm |
9:30pm |
10:00pm |
10:30pm |
|---|---|---|---|---|---|---|
|
|
Fresh Off the Boat 10/5 |
Speechless 10/5 | Child Support 10/5 | |||
|
|
MacGyver 9/28 |
Hawaii Five-0 9/28 |
Blue Bloods 9/28 |
|||
|
|
Dynasty 10/12 |
Crazy Ex-Girlfriend 10/12 |
Local |
|||
|
|
Last Man Standing 9/28 |
The Cool Kids 9/28 |
Hell’s Kitchen 9/28 |
Local |
||
|
|
Blindspot 10/12 |
Midnight, Texas 10/26 |
||||
|
Saturday |
8:00pm |
8:30pm |
9:00pm |
9:30pm |
10:00pm |
10:30pm |
|---|---|---|---|---|---|---|
|
||||||
|
|
Crimetime Saturday |
|
||||
|
|
FOX Sports Saturday |
Local |
||||
|
|
Dateline Mysteries |
Saturday Night Live Encore |
||||
| Sunday | 7:00pm | 7:30pm | 8:00pm | 8:30pm | 9:00pm | 9:30pm | 10:00pm | 10:30pm |
|---|---|---|---|---|---|---|---|---|
|
America’s Funniest Home Videos 9/30 | Dancing with the Stars: Juniors 10/7 | Shark Tank 10/7 | Sundays with Alec Baldwin 10/14 | ||||
 |
60 Minutes 9/30 | God Friended Me 9/30 | NCIS: Los Angeles 9/30 |
Madam Secretary 10/7 | ||||
|
Local | Supergirl 10/14 |
Charmed 10/14 |
Local | ||||
|
NFL on FOX | The O.T. | The Simpsons 9/30 | Bob’s Burgers 9/30 | Family Guy 9/30 |
REL 9/9 | Local | |
|
Football Night in America | Sunday Night Football 9/6 | ||||||
|
These listings and dates are subject to change! Click on the link of each show to double-check and see what dates the networks give. Info from TVGuide, Epguides, Wikipedia and the TV network sites. |
