Interview with Hilda Martin, Lachlan Quarmby, and Rachel Boyd

TV Interview!

Hilda Martin and Lachlan Quarmby star in He's Not Worth Dying For premiering Saturday, June 25 at 8p/7cLachlan Quarmby and Rachel Boyd star in He's Not Worth Dying For premiering Saturday, June 25 at 8p/7c

Interview with Hilda Martin, Lachlan Quarmby, and Rachel Boyd of “He’s Not Worth Dying For” on Lifetime by Suzanne 6/1/22

This was from a press day featuring three “ripped from the headlines” movies airing this summer. It was great to speak with these young actors. I only wish star Robin Givens had been there.

MODERATOR: Hi, everybody. Our next panel for today is the talented cast of “He’s Not Worth Dying For.” Please welcome Hilda Martin, Lachlan Quarmby, and Rachel Boyd. Hi, you guys. Thank you so much for taking the time to be with us today.

LACHLAN QUARMBY: Thank you. Happy to be here.

RACHEL BOYD: Thank you.

MODERATOR: Our first question is from Jamie Ruby.

QUESTION: Hi, guys. Thanks for talking to us. So how familiar were you all with kind of this story and kind you talk a bit about sort of the research that you did into it for all of you?


RACHEL BOYD: Do you want to start?

LACHLAN QUARMBY: You go, you go.

HILDA MARTIN: Well, I didn’t know much but I do have a liking for crime documentaries, so as soon as I got that and was told it was based/inspired by true stories, as a true story, I Googled it right away, but before then I had no knowing of the story.

RACHEL BOYD: Yeah. I think that like for me when I first got the audition script I actually somehow missed the words “based on a true story” when I was reading the description of it, so I had no idea until the callback that I was auditioning for something that was based on a true story, but I think, for me, like, seeing the sides and the character, I really connected to it, because it’s such an experience that a lot of young people on social media, and especially young women can relate to in how we are taught to, like, compete for a man’s exclusive love, and then how that manifests in different ways in the age of social media, and how that has real effects on our self-wroth and the way that we behave as people and change our character.

LACHLAN QUARMBY: Yeah, I hadn’t heard of it at the time. In 2009, I was living in Canberra, Australia, which might as well have been about as far away as you can be. But, yeah, I was the same, as soon as I got the script and heard it was a real story I looked it up and had such like an emotional reaction to just how much of a tragic experience it was and, yeah, it was kind of exciting to get to audient to play something like that.

QUESTION: Great. Thank you so much.


RACHEL BOYD: thank you.

MODERATOR: Thank you. Our next question is from Tamara Rollins.

QUESTION: Hi, guys. Can you hear me?



QUESTION: Hi. So nowadays social media can be used as a tool to destroy lives. Some people tend to separate social media from our actual lives. They deem it as two separate entities. Do you guys feel that social media in our real day-to-day lives are one entity or two separate worlds?

RACHEL BOYD: I would say that I think that social media is real but also fake, because what it is is it’s taking a person and letting them choose what they want to highlight and choose how they want to be perceived in the world, and what you see on social media as much as we often treat it, like that is that person and that is the full representation of them, it’s not a real accurate representation of a person, of a real human being who is full and flawed. So I think that they’re different in that way, but the really unfortunate thing and kind of what we wanted to tackle in the movie is that people blur those lines together, and they treat people like they aren’t really human beings on social media when it really is really us. We’re just kind of creating a highlight reel.

QUESTION: Thank you.

LACHLAN QUARMBY: Yeah. I’ll add to that. I agree. I think that a lot of people out there are probably having this sort of duality in personality versus real life on social media, but it’s not for me to say as to how you should manage it. I personally think that it’s best to just do everything in moderation. You know, if you are going to put something up there that is a version of you that may not be the exact version of yourself then it can be the kind of thing that you’re aspiring to be, or the kind of person that you’re trying to be like, but it’s just managing which is which and just being like honest with yourself. As long as you know what you’re all about and stuff like that then I think it’s manageable.

QUESTION: Thank you.

HILDA MARTIN: I think the same thing. I specifically had a hard time with kind of splitting — with kind of being the same person and having like a reality, being real on social media for the longest, and I don’t see that be a possibility now because you’re still — Like in social media you’re not you. You’re never going to be. You’re going to be torn apart, if you want like an extensive amount of people kind of following you, unless you just want yourself and close friends, but other than that it’s like you have to be someone that society wants on social media. So that’s like totally different, and I could see the same for Isla, who is trying to kind of be this person and this colorful person, this bright person, but on the other side in her real life it’s the total opposite, so totally different.

QUESTION: Thank you.

Robin Givens stars in He's Not Worth Dying For premiering Saturday, June 25 at 8p/7cMODERATOR: Thank you. We also have some pre-submitted questions from journalists who could not be here today. This question is for Hilda. Hilda, you have some pretty intense scenes with Robin Givens who plays your mother in the movie. What was it like working with a veteran actress, and did she give you any advice or were there any fun times together on the set?

HILDA MARTIN: It was great working with Robin. I think like she kind of let me — She didn’t really — You know, working with a veteran and you’re not one yourself, you kind of feel like you’re not good enough, but there’s a lot of moments where she kind of like, A, gave me tips on certain scenes and, B, kind of like applauded me for certain scenes, and kind of like validation, which I like, but there’s quite a few moments that she kind of made me laugh, and one of them was Grace is being a bitch to, like harsh mood to her mom, and as soon as the scene got cut she was like I would have whooped you in real life. I would have whooped you hard. Never do that to me in real life. My kids would never. And another scene was with Jake, Lachlan, and it was a family dinner and like you just never know when stuff happens. She had like this, she had a green bean that she was chewing mid-scene, and it was her turn to talk, and like it wasn’t going down, so like that cut was like the funniest part, because we’re just watching her chew. She’s like (imitates chewing), mm um hm, um hm, one sec, um hm.


HILDA MARTIN: And she hadn’t thought of like — She is fun. She’s great to work with. She’s like a mom. She was actually like a mom and, yeah.

MODERATOR: That’s awesome. Thank you, Hilda. Our next question is from Suzanne at TVMEG.COM

QUESTION: Hi, I was wondering if any of you had done any Lifetime movies before and whether you could compare them to other work that you’ve done elsewhere — whether they were slower or faster or what other things you can think of that would be different?

LACHLAN QUARMBY: Yeah, I had a small role on like a Christmas one before. So it was kind of fun to play the differences in tone in terms of like the sort of lighter Christmas one and then the darker reality of like this one. I really enjoyed it, the mixing up, because it is a different way to come about it from an acting point of view in terms of like the tone, the network, and like the genre as well. You got to play with all of those elements, and I have no idea what I’m doing typically, because it’s so early on. So it’s really funny to have like a producer or a director just say, like, “Hey, like this is actually more the way that it is done for this type of film,” and I was always like, “Oh, cool. Great.” That’s awesome to learn and use going forward, yeah.

RACHEL BOYD: Yeah. I also think that, I mean, personally, I hadn’t done anything, any other work with Lifetime before, but I also think it’s so interesting to mention that this was mine, Hilda’s and Lachlan’s, all of our first lead roles in a feature-length film. So that was really, really fun, and it was really great to experience that with the three of us. I think that all of us ending up being our first time really brought a new energy to the set that we really liked where we were just very eager to work and play and have a lot of fun with each other. So I had to mention that.

QUESTION: Great. Hilda.

HILDA MARTIN: It was also my, yeah, my first time as well. What I would interesting, what I like to find out is like what does Lifetime like cast to wear, and like the other show that I’ve done was a different wardrobe and seeing like how characters are kind of like created, developed like look-wise on different platforms like Lifetime, for example. That was cool. But like also the first time in having like a great cast to work with.


HILDA MARTIN: It kind of made it exciting and easier, I think, something you (inaudible @ 00:34:14), so, yeah.

QUESTION: Well, thank you.



MODERATOR: Thank you. Our next question is from Mike Hughes.

QUESTION: Yeah. I wasn’t sure if my mute — can you hear me now?

GROUP: Yes. We can hear you.

QUESTION: Okay. Cool. Rachel, actors obviously have to be able to turn it on quickly when the camera is on, but it’s much more so what Isla had to do, because just you’re solo on a camera and (just be big @ 00:34:40) the moment she goes on. So what’s it like to do the scenes where Isla is really over the top and on her own before a camera?

RACHEL BOYD: Yeah. I think that’s something for me that I really did a lot in preparation for the role was learning exactly what that physicality was, because I knew that Isla’s character needed — She needed to be able to walk into a room and command it and hold the power in it just with her body and how she moved around, so that was kind of something I really wanted to focus on. And, yeah, that just came through I think sometimes if she was putting on the performance of like “Influence Isla” then it was a lot for me finding those places in my body where that energy was. Like I think there’s like a scene at the beginning. Hilda and I were talking about it the other day, but it’s like she’s walking into the store, and she’s kind of doing like this crazy like “Clueless” walk, and it’s just I think it gives me that energy from within me instead of me keeping the same body language the entire time. And then I also liked working with the physicality, because it gave me space to also be Isla when she’s not being big and over the top, and she’s just being, you know, a regular girl who’s just lonely and confused, and how does her body change. And then I think having that like drastic difference helps, too, when you saw her being bigger.

QUESTION: Cool. Thanks.

Rachel Boyd stars in He's Not Worth Dying For premiering Saturday, June 25 at 8p/7cRACHEL BOYD: Thank you.

MODERATOR: Our next question’s from Cynthia Horner.

QUESTION: Hello. My question is for all of you. I really enjoyed the film, and I’d like to know what advice would you give to young people that are watching — They’re going to be watching the film, and we all know people who’ve been in similar situations even though the ending may not be the same, but the fact that there are so many situations where people are being cheated on or whatever, so can you each talk about your character and the way those dynamics were so that other people that are watching the film may decide not to make some of those mistakes.

RACHEL BOYD: Yeah. I can start. Are you guys —

LACHLAN QUARMBY: Go for it, Rach.

RACHEL BOYD: Okay. I think, for me, I’ve always, always wanted this to be the message that people take away from the whole movie, and with Isla especially is that there’s no manifestation of love or validation, be it like a boy or followers and likes and comments on Instagram that is ever worth losing yourself for and affecting your own self-worth to please. I think I want people to know that they are one hundred percent significant and one hundred percent enough just in themselves, and that outward validation will always come and go, but that it really is that inner self-worth that you should focus so much of your energies on. Yeah.

QUESTION: Good answer.

HILDA MARTIN: Yeah, I’d go with the same. I think for me it was value. I think we all, like the whole cast, like all three of us wanted to feel valued from social media, from a boy, but relationship-wise, I think that like what I want people to know, because like, again, nearly all of us have gone through it, it’s like not forgetting our worth, not feeling that we need someone else, and that could be a male or a female in a relationship, remembering your worth, and if you’re not receiving that worth it’s, as hard as it is, it’s just like let go, and when they say love is blind they also mean love is also deaf, because a lot of times you’re also told and you can hear the words, and I just hope that they remember how like valuable and like worthy they are, yes.

QUESTION: Okay. Thank you.

LACHLAN QUARMBY: Yeah. I would also just add that I agree with everything the girls said there but, you know, I think it’s in the title, right? It is a cautionary tale. That’s what we’re hoping people will take away is that it’s — and most of it is just not worth it. Even a lot of the stuff that seems really important at the time and seem so like at the forefront of your life, because it’s at your fingertips on that device, on that social media platform, it just seems like it’s so much worth it, but if you just put it down, and you take a step back, then it’s probably not going to be worth all of this pain or bleeding into your real, you know, personal life and causing you anxiety or whatever. And, I mean, for Jake, it’s the whole thing is just he brings all these problems on himself and stuff like that, and he doesn’t really have a support network around him to tell him like, “Hey, like you’re basically you’re being an idiot.” Again, flipping through the script, the first time I read it being like, you know, you’re not supposed to judge a character but idiot, dumb ass, that’s stupid —

RACHEL BOYD: He makes it hard.

LACHLAN QUARMBY: What are you doing? What are you doing, man? Somebody just needs to tell this guy, please, stop, stop doing these things. So I hope that people take away from that, that you need to help yourself but may also people who are close to people witnessing them going through stuff like this that you can also step in and help them with that as well. Yeah.

QUESTION: Fantastic answers. Thank you so much.

RACHEL BOYD: Thanks, Cynthia.


MODERATOR: Our next question is from Steve Gidlow.

QUESTION: Hey, everyone. Just I’m assuming you’re all on social media. So I was just wondering if being so immersed in the darker side of it, did it change your perception of how you deal with your own social media now?

RACHEL BOYD: something that I really like about the movie is that we’ve all been living in the dark side of social media, all the time. What this movie does though is holds up a mirror to the reality that we’ve been living in and how we reduce people and their self-worth and value to their viral abilities and how we turn real human suffering into its own like entertainment genre on social media, and it’s really horrible, and it’s something that everybody who’s on social media is immersed in one way or another. But what the movie does is it holds up a mirror to the realities of that and how those facets of social media have real-world repercussions on people, and their lives and their feelings.

LACHLAN QUARMBY: I would say that, for me, personally, the changes that I’ve made it’s just made me more conscious and more aware of purpose and point behind posts. Like why am I actually posting this, and I’ve stopped myself a couple times being like is this for me? Is this something that I like? Or is this actually for other people? Is this to get a reaction out of other people? Is this to make people feel a certain way about me and, at those points, I stop. So I’m just trying to be posting more positive stuff. You know, sometimes it’s cheesy, sometimes it’s silly but I’d rather put —

RACHEL BOYD: Sometimes it’s a dance.

LACHLAN QUARMBY: These guys make fun of me all the time but that’s fine. I’d rather post something that’s a bit cheesy and a bit more positive than something that was coming from the wrong place in my heart, I guess. So, yeah, I’m more conscious of that.

QUESTION: Gotcha. And Hilda.

HILDA MARTIN: It just, for me, it validated the change that I made before the movie of like just not giving in to like being that person, like that perfect person on social media and kind of giving in to the dark social media side, but — Because, again, there are — After the movie, obviously, there’s people who are going to be look at our social media and like kind of giving that image of me being perfect is not going to be the message I was kind of like that people — wanted people to take away from the movie itself. So kind of just of I did make a change, and I was kind of proud of that, and just loving myself, posting whatever I love whether it’s like a picture of a flower or just me unedited, hopefully.

QUESTION: Thank so much.

HILDA MARTIN: (Inaudible @ 00:43:25).



MODERATOR: Thank you. Our next question is from Luaine Lee.

QUESTION: Yes. Part of the danger of social media is rejection by your peers, but acting is involved with total rejection all the time. So I’m wondering how do each of you cope with the rejection that happens to you when you’re trying out for roles?

RACHEL BOYD: That’s a great question. Hilda, do you want to start?

HILDA MARTIN: Sure. Well, I’m pretty new to the industry, so I was researching a lot of like veteran actors and their comments on the whole industry, and the one thing that they mentioned is never take it as — Like always take it with a grain of salt, and so whenever I do an audition I like — like with this one, I — because I did watch the documentary before like right when I was auditioning, so I did see that it was a girl of not my shade, like white, Caucasian, so I knew I wasn’t going to get it. So it’s — I go in just giving my agents what they want without knowing what I’m going to get back, so I think I already implemented that in my head and not getting it doesn’t sting as much as other people — as it would other people but, yeah, I kind of like already ingrained it, “I’m not getting it.” And when I do it’s like cherry on top.

QUESTION: Great. Rachel?

RACHEL BOYD: Yeah. I think, you know, this kind of takes me back because Lochlyn Munro is in the movie as well, and the day that he was on set he was giving all of us young eager actors with big ears like advice about the industry, and something that he said in relation to auditions specifically that really resonated with me was he goes in when he gets sides, and he says, “I want to land the character. I don’t want to land the role.” Like his first priority is land the character and, for me, that really made me feel better, because then it takes the pressure off of it, and it just becomes this thing that I do because I love it, and it’s my craft, and it makes me feel so happy, so getting sides now since speaking with Lochlyn Munro and just seeing it as how do I give this character all of the emotional empathy that I can to claim them and have that be as true and honest to me as possible, and then when I do that, and I can watch it back and feel proud of myself that it — I’m working on that being enough satisfaction for myself and not depending on all of my happiness on like what a third party will think of it, and just kind of focusing on like being proud and celebrating little wins even if they don’t result in a job.

QUESTION: Lachlan?

LACHLAN QUARMBY: Yeah, look, in high school I was rejected by a few women, so I think that actually was good practice to set me — I say a few. It was all of them in high school. So, you know, it’s just you take it, you learn from it. When I submit an audition I just forget about it straightaway. It’s just, it’s gone. You just go in, be yourself, do your best. I was quite similar to Hilda. You know, when I got this and looked up the real person I was like, “Yeah, that is not me at all, so I’m just going to do something and send it, and then just completely forget about it,” and that way you’re not waiting by the phone, you know, and because that’s really when you suffer twice when you wait and you worry and all of that sort of stuff. Sometimes it’s easier said than done. Like I’m not going to lie. Sometimes the rejection does affect you personally, and it can hurt. But it’s all about, I think surrounding yourself with the right people in your personal life, friends and family and stuff, keeping your head on your shoulders like nice and straight and everything, and you just keep going because eventually, you know, good things will happen. It’s meant to be.

RACHEL BOYD: Yeah. And, Lachlan, now look at you. You’re in a movie, you got two girlfriends, so. And they don’t want to reject you. So you’re doing —

LACHLAN QUARMBY: That was the whole —

RACHEL BOYD: It’s like quite full circle for you.

LACHLAN QUARMBY: It’s a perfect opportunity, yeah.

RACHEL BOYD: perfect. A big slap in the face to those girls. Look at him now, (laughs.)

LACHLAN QUARMBY: I’m going to link them. I’m going to send them a link to it, yeah.

QUESTION: Thank you.

MODERATOR: Thank you, everyone. That’s our time for today.

RACHEL BOYD: Thank you.

MODERATOR: Thank you to Hilda, Lachlan, and Rachel for being here today, and everyone please tune into “He’s Not Worth Dying For,” Saturday, June 25th at 8/7 Central.





Poster for "He's Not Worth Dying For" on Lifetime

Inspired by a true events, He’s Not Worth Dying For follows the intertwined real and social media lives of Isla (Rachel Boyd), a 19-year-old girl who has established herself as a beauty and fashion influencer and Grace (Hilda Martin) the expected valedictorian of her class with hopes of a veterinary career. Though both are very different, they unknowingly share one thing in common – Jake (Lachlan Quarmby) – who is dating them both without their knowledge. When Isla and Grace discover that Jake was cheating on them, the girls turn on each other in a jealous rivalry and use their arsenal of social media platforms to badmouth and attack one another. While their followers take sides and pit them against each other, their hatred for one another escalates into a real life fight that ultimately turns deadly. Robin Givens stars as Grace’s mother, Cher, while Lochlyn Munro stars as the District Attorney investigating the case.

He’s Not Worth Dying For is produced by Doomed Productions Inc for Lifetime with Tim Johnson, Orly Adelson, Stacy Mandelberg and Jon Eskenas serving as executive producers. Kevin Fair directs from a script written by Jacqueline Zambrano.

Proofread and Edited by Brenda

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Hilda Martin and Robin Givens stars in He's Not Worth Dying For premiering Saturday, June 25 at 8p/7c

Interview with cast of “Suitcase Killer: The Melanie McGuire Story”

TV Interview!



Lifetime press day panel for "Suitcase Killer: The Melanie McGuire Story"

Interview with actors Candice King, Michael Roark and Jackson Hurst; EP Kim Raver; and Director Nicole L. Thompson of “Suitcase Killer: The Melanie McGuire Story” on Lifetime by Suzanne 6/1/22

This is your typical LIfetime thriller, based on a true story.  Candice King does a great job as the title character. This was from a larger Lifetime press panel. I hope you enjoy it!


If you have trouble with the video, watch it here!

MODERATOR: Please join me in welcoming the cast and creatives from “Suitcase Killer: The Melanie McGuire Story.” We have with us today Executive Producer Kim Raver; Director Nicole L. Thompson who makes her directorial debut with this movie; Candice King who plays Melanie McGuire; Michael Roark who plays Melanie’s husband and victim; and, Jackson Hurst who plays the doctor with whom Melanie is having an affair. I’m going to now open the floor to questions. If you would like to ask a question, just a quick reminder at the bottom there’s a reactions button. You can raise your hand, and I will get to as many questions as possible, and we’re just going to get started right now.

QUESTION: Thank you very much. Hi, everyone. Kim, my question is for you. I know you’ve been producing for a while. When you get a project like this do you automatically look for a role for yourself in it, or do you not look for a role in it, or I’m not sure which way that question really cuts, but obviously we know your acting credentials, so it strikes me that perhaps you might have pursued the role of the prosecutor had you wanted it. Can you talk about that a little bit?

KIM RAVER: Sure. Hi, Jay. Thank you for your question. I actually don’t look for a role for myself. I, you know, I love the fact that I can kind of be a creative and my job is on “Grey’s” acting in it. So it’s, I think, you know, my partner, Manuel Boyer, who’s also executive producer on this, we look for things that are story driven and, for sure, I’m looking for really interesting characters. But the way that I can kind of produce is, in a way, if I’m not acting in it. But I still I think my acting drive helps me kind of search out for really interesting characters and really interesting female characters. So I think my first thing is, yes, I would imagine how an actor would want to play it or perceive it, because if it’s something that I find interesting I’m hoping that other actors as talented as this group, you know, is as interested. So I think for me it’s character driven, but it’s more about me not acting in it so that I can kind of do it simultaneously.

QUESTION: Thank you very much.

QUESTION: Thank you. Candice, I’m just curious. Your career has been filled with fantasy roles and that strangeness that comes in those kind of characters, but when you do a project like this do you sometimes think that life is stranger than fiction, than the fictional fantasy worlds?

CANDICE KING: Yes, absolutely. Even in some of the circumstances we found ourselves filming in. I mean, essentially, recreating what is, of course, in real life, a horrific scene of a body being cut up in a bathtub. I oddly felt right at home with a bunch of fake blood and, you know, being thrown at my face and, you know, fake saw sounds. It really brought me back to some “Vampire Diaries” days, so absolutely real life and fantasy can obvious — There’s a lot of parallels, shockingly.

QUESTION: To follow up, Candice, real quickly, what do you do as far as thinking their state-of-mind? Do you think this person I’m playing is a guilty person or somebody that doesn’t understand guilt? What kind of state-of-mind do you get yourself into?

CANDICE KING: Ooh, well, that’s a big question for anyone that was on set with me, because I get very into stories, and especially true life crime stories. So I talked everybody’s ear off about this case. For me, personally, I really just felt that it was my responsibility to tell Melanie’s story, as those were the shoes that I was filling, and this was someone who, by her own account, she is a mother who was scared and as in an abusive relationship, and who was also very dedicated to her job and who was not perfect. She had many, many faults, self-admittedly. So I really felt that kind — listening to her testimony and that she had given to her lawyers, and as well as there’s a great podcast called “Direct Appeal” in which she spoke for hours, there’s hours of recording of her sharing her story and her experiences that I listened to. So that’s more kind of the direction in which — or at least that’s what I was showing up to set with, you know, also while following the script that we have.

QUESTION: Thank you.

MODERATOR: Thank you, Rick. I have an email request that we received for Nicole. Nicole, you’re a first-time director. What was your experience like bringing this shocking story to television?

NICOLE THOMPSON: It was a great experience being able to work with this very talented cast and crew. As a first-time feature director, it was very important to me to make sure that I did the research to give the story justice and make sure that the facts shine through and showing the characters in fullness, right. Candice spoke to how being flawed, but also having a humanity side to it, so just wanting to make sure that the characters were portrayed properly, but also making sure that film had a full story arc all from beginning to end.

MODERATOR: Thank you, Nicole.

QUESTION: Yeah. This is also for Nicole. Interestingly enough, at the last session, we had a Black actress told a story about how she knew she wasn’t getting the role, because the real life person was Caucasian, and she got the role anyway, and so I was wondering, I wanted to ask you are we closer to having real colorblind casting now? Have you sensed any of that at all? And also are we closer to getting rid of that huge gap of there weren’t enough Black people behind the screen, scenes as directors and producers and so on?

NICOLE THOMPSON: Great question. I think Hollywood has definitely began progressing, but I think we still have more to go. I think in terms of your first question with colorblind casting, when I’m looking for cast I’m looking for the best person who can play the role, so I can’t speak for every director or every company, but — and that’s something that’s a priority for me. And I’m happy with the way things are progressing as well as, you know, seeing more people of color in leadership roles behind the camera, so but I would say, back to my first point, we definitely are taking steps further but there’s still more to go, and I’m very thankful to Lifetime who allowed this opportunity, the Broader Focus Initiative is to put more women in opportunities of leadership roles behind the camera, so that’s why I think because of leaders like Lifetime there is a change.

QUESTION: Okay. Cool, thanks.

KIM RAVER: Yeah, I’m going to add into that. I really do feel that Lifetime is like what Nicole was saying. They really are taking the steps to give opportunities to women and to women of color, and in order to make those changes we need to have those positions filled by women and Women of Color, and Lifetime is really doing that, and I think as producers, too, we’re really trying to support that, and we have Lifetime’s support, which is it’s really encouraging, and it’s just the steps and moving in the right direction of where we need to go and then, you know, we’re lucky to have the talent of Nicole to be able to direct a movie like this, and Lifetime giving those opportunities. So, yeah, it’s nice that that’s happening, and it’s happening at Lifetime.

QUESTION: Cool. Thanks.

MODERATOR: Thank you. The next question is an email question for Michael Roark. You play Melanie’s husband in the film, who she subsequently murders. What was the biggest challenge you faced in playing him?

MICHAEL ROARK: Well, initially, you know, obviously, whenever we’re doing a story that’s, you know, we’re doing a real-life story here we’re going where are the resources, what are the facts, and the biggest challenge I faced initially was two things. One was while there was a whole lot of information on Melanie there really wasn’t a whole lot on Bill. I was actually surprised how little could be found on Bill. So, you know, I had to do my work, kind of fill in a lot of those gaps and find my own interpretation. And the other is just the speed at which we move. You know, especially when we’re doing film you never know how much time you have to prepare something, so we moved very quickly on this, so that was a challenge but that’s not atypical for making films.

MODERATOR: Thank you, Michael.

QUESTION: Hi, for Candice, this is such a dark role. How long did you shake off a long day of embodying this character?

CANDICE KING: You know, I’d like to say that really going into — tequila. That’s the straight answer. No. I mean, the reality is that we, you know, as to what Michael was just saying, we shot so much in such a short amount of time, which I mean we were — we all were together for many, many hours within this three-week period, so there wasn’t a lot of time to really shake off the character, which I actually appreciated because, which sounds so silly, I usually don’t say things like that, but I really did get so deeply involved with reading as much as I could about this case and Melanie, because it is such a wild and tragic and fascinating story of so many flawed individuals, and even just the prosecution and the defense attorneys, that could be a whole other film in itself, just those two characters and real-life people. So there wasn’t a lot of shaking everything off, but I was totally happy with that, because I really could not get enough of the story and really convincing myself that I was going to solve it. I was just going to solve every, you know, unanswerable question to this case by obsessing over it for these few weeks.

MODERATOR: Thank you.

QUESTION: Hi, how are you guys?

GROUP: (Hellos.)

QUESTION: So Melanie did gruesome things in order to have the life she wanted. How do you guys feel about her maintaining her innocence even though the evidence proved otherwise? Do you think she was in denial or simply disassociated herself from the crime itself?

MICHAEL ROARK: Ooh, that’s juicy.

Candice King stars in"Suitcase Killer: The Melanie McGuire Story" on LifetimeCANDICE KING: Well, there’s a lot of circumstantial evidence against Melanie, but that’s what I think is so fascinating about this case is that the actual physical evidence specifically to the condo in which her and Bill lived in they couldn’t find anything within that condo, and that’s what I think — Regardless of what you believe on either side of the case, you have to take that into consideration is, you know, they went four or five times. They took piping from the sinks and to test it and found nothing. So regardless of which side you stand on just, you know, the evidence alone it’s just really interesting based off of what the prosecution came to the courts with.

MICHAEL ROARK: I’ll chime in here. This is something we talked about endlessly on set as well. I do agree. There is, you know, if you look at the facts of the case there’s so many other things other than just, you know, the facts that were presented that even the discovery in the trial seemed like it was a bit off, so we’re not even sure the facts that were presented, you know, are all the information that’s there. And now there’s no smoking gun evidence but, at the same time, Melanie had some really behavior that kind of looks like someone who would be guilty. So, I mean, and this is obviously very much just like the minimal amount that we can, you know, just say like, you know — The case goes on and on but, for me, like how did it affect me coming in, it didn’t. I mean, I played Bill the way I would play Bill, and do I think there’s more to it? Do I think she was guilty? I don’t know. I’ve got opinions on it, but I’d like to hear what everyone else has to say.

QUESTION: Thank you.

KIM RAVER: Yeah, I think — Go ahead —

JACKSON HURST: Yeah, I will take it just for (a hair @ 01:04:05), you know, I was kind of torn. I went in thinking she was guilty, guilty, guilty as charged, and then I started listening to the podcast, of course, and I started doing my own research, and then I realized through, yeah, the forensic evidence that was completely lacking. It was circumstantial evidence and it’s crazy. I mean, you could get into the specifics of a few things but I, to this day, am still pretty torn. But, I mean, that’s what makes it such a riveting story, and Lifetime did a good job, Nicole did a good job at not forcing you to choose sides within the movie but just telling the story and then from there the audience can pick a side however they see fit, and then somebody can break Melanie out of jail and everything — everybody would be happy, boom.

QUESTION: Thank you.

KIM RAVER: I think that’s what’s so great about this film. I mean, the talent in it that tells the story, and the directing of it, that it’s this incredible roller coaster of back and forth, and there’s just there’s moments where you’re like, “Oh, my God. She did it.” “Oh, my God. She didn’t do it.” You know, and I think that that — I mean, unfortunately, it’s a real story, but I think that’s what makes a true crime story to watch so appealing is that there is so much back and forth, and it is such a sort of a ride that you go from one side to the other and just makes it a really great true crime story.

NICOLE THOMPSON: Yes, and I would add, you know, throughout the entire time it was pretty hard not to be torn, because it’s seeing both accounts, but also our goal was to kind of keep it in a way that the audience can, in return, make their decision.

QUESTION: Thank you.

MODERATOR: Thank you.

QUESTION: Hey, my question’s actually for Candice. Did you have to put your mindset in the fact that she was innocent to get an accurate portrayal of her, because I would imagine if you thought she was guilty, I’m not going to ask you to pick sides here, but I’m just wondering did you go into this thinking, yeah, she has to be innocent for me to accurately portray her?

CANDICE KING: Yeah, I mean, I think what any actor usually says to a question like this is that you have to go in servicing the character. So, of course, even though the character is a real person, you know, I am going in telling her story. Now what everyone’s just also shared is there are two different narratives. You know, there’s her story and there is, you know, the reason why she’s in jail, the fact that others believed the prosecution’s story and what they said happened. So, of course, yes, I showed up playing Melanie McGuire as Melanie McGuire and what she shared was her, you know, she still to this day declares innocence, you know, and she passed a polygraph test. It’s not admissible in court, but it’s there. So that’s absolutely the role that I came to. That’s who I was, whose story I was there sharing also while acting out the script and the story that you guys will all see, because it is, of course, we are sharing an entertainment version of these events. So as everyone has said you’re going to have moments of like did she, did she not, and that’s why we’re all turning on the TV to watch something.

QUESTION: Great. Thanks so much.

KIM RAVER: And I think what Candice does so well in this movie, which is so difficult, is it’s not like a one-dimensional “is she guilty/is she not guilty.” She’s such a human being with so many different layers, and that’s really her specific performance in all of these incredible moments and multilayered moments that it just also makes it — It’s so appealing to watch, because you’re watching this real human being go through and navigate such kind of intricate details of her life, and I think that that’s also what’s so fascinating, and it’s performed so well by you, Candice, and really kind of brings us into her world of how someone gets there whether they’re guilty or not guilty, and so that’s also the beauty of the performance.

CANDICE KING: Thank you.

MODERATOR: And so the next question is for Jackson Hurst. What is tough about playing a bad guy of sorts as the doctor who’s having an affair with Melanie McGuire?


KIM RAVER: I was like bad, (laughs.)

JACKSON HURST: This is news to me. This is the first I’m hearing this.


JACKSON HURST: You know what, it’s you don’t look at yourself as a bad guy. In my case, I looked at myself as an endocrinologist who’s in love with a woman, and that’s essentially it, and everything revolves around love, you know, and then at the end of the day did she kill somebody and stuff him in a suitcase, maybe. Do I still love her? Yeah, you know, and at the end of the day, it’s we go to court. I’m sure you guys have all seen the story, but it’s tough to justify all of your actions, but in this case, I loved her, and that’s pretty much it.

MODERATOR: Thank you so much.

QUESTION: I’m here. Yes, I really enjoyed the film, and I’m looking forward to watching it again once it actually comes on TV on June 18th. Can you all talk about any behind-the-scenes moment that was interesting that we wouldn’t have known about since we were not there on set with you?

CANDICE KING: I mean, I think that what was really interesting was how many times we’d find ourselves filming a scene and, all of a sudden, everyone would just stop for a minute and ran — like different people in the crew would go, “I don’t know if she did it. I don’t know if she did — “ because we, and then we’d find ourselves in another scene where they’d go, “No, no, no, no, no, this seems like she did it,” and just it was interesting to be acting out these two different, very different accounts that were presented in court, and I think the two ones — which, Nicole, you can expand on — but the two ones that stick out to me were, one, how much fake blood was in that bathroom and even if you were to drain a body of blood there would still be — You know, if you’ve ever been in a surgical room, my dad’s a doctor, so I’ve been lucky enough to witness a surgery, and it’s messy. You know, it’s not — it’s clean but it’s still very hard to keep it perfectly clean, but they’re going to have blood on the walls, and then the second thing would be throwing suitcases over the bridge, because we actually did that, and they were very difficult, and less than what Melanie would have been pushing over the bridge.

NICOLE THOMPSON: Yes, I can’t chime in with that. Uh, Candice did an amazing job at just demonstrating lifting those suitcases and how much they would have actually weighed in real life, and like it’s like this is actually really difficult to do so just experiencing that, to have it come to life, it was definitely a testament to, you know, what some might say how could this happen or how could it not happen, but I would just say that whether you agree or disagree those moments were definitely some things that we can keep with us as we think about the journey of making this film.

MODERATOR: Thank you. I think we have time for one more question.

QUESTION: Yeah. I wanted to ask you, Candice, the year on “Vampire Diaries,” what do you think you learned from that experience that you could apply to this one?

CANDICE KING: Shaving cream gets out fake blood when it (stains to your skin @ 01:12:46).

KIM RAVER: And tequila at night. No, I’m just kidding.

CANDICE KING: And tequila at night, yes. Those are both two very important facts. I mean, I think what I would apply — We had very long hours. We had a lot of nights on that show. We were 22 to 24 episodes a season, so I think making a lot happen in a short amount of time but, obviously, my time on “Vampire” was very special. You know, it immediately kind of bonds you when you are working those kind of hours together. So I think that that’s also something that could be applied to this experience. We’re all coming in. We were all — You know, the story really did take a hold of all of us at different points throughout the experience. It’s impossible for it not to, and so just to immediately all be showing up to make the best story that we could together is something that I was delighted to be able to experience with a new group of individuals in such a short amount of time.

QUESTION: Thank you.

MODERATOR: Thank you. Well, that concludes today’s Virtual Press Day. Just a quick reminder that “Suitcase Killer: The Melanie McGuire Story” premieres on Saturday, June 18th at 8/7 Central. A special thank you to the cast and creatives from “Suitcase Killer” and all the panelists that joined us today. Thank you, everyone. As a quick reminder, transcripts and recordings will be available beginning tomorrow. If we didn’t get to your question please feel free to email us at, and please be sure to tune into all of our incredible movies all season long, and follow us on social at @LifetimeTV and @LifetimeTVPR. Have a great week and thank you so much.



poster for "Suitcase Killer: The Melanie McGuire Story"

Based on a shocking true story, Melanie McGuire (Candice King) was an exceptional fertility nurse, married to her ex-Navy husband Bill (Michael Roark) and doting mother of two boys. When she falls for Brad (Jackson Hurst), a doctor at her clinic, and gets entangled in a steamy love affair, Melanie does the unthinkable. After drugging and murdering Bill, she dismembers him and places the body parts into three suitcases, throwing them into Chesapeake Bay. But when the suitcases are found on the shores of Virginia Beach, an investigation is launched leading to Melanie as the prime suspect. Led by the efforts of assistant attorney general Patti Prezioso (Wendie Malick), authorities eventually bring Melanie to justice, who despite being convicted, continues to maintain her innocence.

Suitcase Killer: The Melanie McGuire Story is produced by Swirl Films and Big Dreams
Entertainment. Executive producers are Manu Boyer and Kim Raver. As part of the Broader Focus initiative, Nicole L.Thompson makes her directorial debut from a script by Peter O’Brien.

Candice King, star of "Suitcase Killer: The Melanie McGuire Story" on Lifetime.Candice René King is an American actress and singer. She is best known for her role as Caroline Forbes in The CW supernatural drama series The Vampire Diaries and her recurring role as the same character on the spin-off series The Originals and Legacies.



Michael RoarkMichael Roark was born in Schaumburg, Illinois, USA as Michael Sean Roark. He is an actor, producer and a licensed attorney, known for his roles as Marshall Bennett in Bennett’s War (2019), Kyle Johnson in Beauty and the Beast (2012), Travis Crawford in The Young and the Restless (1973) and Colton Donavan in Driven (2018). He has starred in several television series including Sleepy Hollow (2013), Finding Carter (2014), Banshee (2013) and Grey’s Anatomy (2005).


Jackson HurstJackson Ryan Hurst is an American actor. He is best known for portraying Grayson Kent on the Lifetime comedy series Drop Dead Diva.




Kim RaverKimberly Jayne Raver is an American actress and producer. She is best known for television roles as Dr. Teddy Altman on ABC’s medical drama Grey’s Anatomy, Kim Zambrano on Third Watch, and Audrey Raines on 24.



Nicole L. ThompsonNicole L. Thompson is a filmmaker born and raised in Newark, New Jersey. Nicole L. Thompson is the Director of Lifetime Network’s film Suitcase Killer: The Melanie McGuire Story. Nicole is also the Producer for Nickelodeon’s Noggin animated children’s show Rhymes Through Times featuring Nick Jr. characters. Nicole graduated from USC with a MFA in Film & TV Production. Recently, Nicole served as the 2nd Unit Director of Lifetime Television Network Original Film Envy.


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Candice King stars in"Suitcase Killer: The Melanie McGuire Story"

Interview with Shila Vosough Ommi

TV Interview!

Shila Ommi

Interview with Shila Vosough Ommi of “Tehran” on Apple TV+ by Thane 5/23/22

It was great to speak with this amazing actress!  Her role of Nahid Kamali expands in season 2 of the show.


Here are the questions I asked. We’ll try to get the answers transcribed soon!

1. What made you want to get into acting?

2. You play a sick woman in Tehran. Did you do any research for your role?

3. What do you think about the relationship between your character and her husband?

4. addition to acting, I see you have directed, produced, and performed stand up comedy, too. Which of these do you like doing the most?

5. Was doing stand up comedy a good experience for you?

6. Your IMdB profile says that you speak four or five languages. How did you learn so many?

7. I am interested in the music video that you were the executive producer for. How did that opportunity come about?

8. What do you think of the American media portrayal of Iran? Do you believe that it’s accurate and fair?

9. People say that Hollywood is more diverse, but what about behind the camera? Is it still an old boys club when it comes to traditional TV studios?

10. Has the rise of streaming services helped the diversity in front of the camera?

11. What has been your favorite production that you’ve acted in?



poster for "Tehran" on Apple TV+

Season 2 release date: May 6, 2022

“Tehran” season two follows Tamar (Niv Sultan), a Mossad hacker-agent who infiltrates Tehran under a false identity to help destroy Iran’s nuclear reactor. But when her mission fails, Tamar must plan an operation that will place everyone dear to her in jeopardy. Two-time Emmy Award winner and Academy Award nominee Glenn Close joins season two, with Shaun Toub, Shervin Alenabi, Arash Marandi and Shila Ommi also returning.

The series is created by Moshe Zonder, Dana Eden and Maor Kohn, and directed by Daniel Syrkin. Omri Shenhar serves as writer alongside Zonder. Syrkin and Shenhar are also co-creators. The executive producers are Eden and Shula Spiegel for Donna and Shula Productions, Alon Aranya for Paper Plane Productions, Julien Leroux for Paper Entertainment, Peter Emerson for Cineflix Studios, and Zonder, Shenhar, Syrkin and Eldad Koblenz for Kan 11. “Tehran” is distributed internationally by Cineflix Rights.

Shila OmmiShila Ommi is an American actress, director, writer and producer who was born in Tehran, Iran, and grew up in Los Angeles.

She has directed and produced award winning plays in Los Angeles, and for over a decade she toured internationally under the name Shila Vosough in an Iranian-American theater production company performing plays in Persian.

Shila directed the feature film, ‘Wake Up Sleeping Beauty’, a psychological dramatic film about a young Iranian-American woman waking up from cultural trappings and ‘curses,’ and coming into her own power. It was produced by the Los Angeles County Department of Mental Health.

A graduate of UCLA, Ommi received a Departmental Honors for a ‘Bachelor of Science in Biological Anthropology’ minoring in Biology, where she wrote a published thesis on ‘Parental Investment Among Vervet Monkeys.’ She later attended the Ruskin School of Acting where she studied under the tutelage of John Ruskin and Sir Anthony Hopkins.

In addition to emceeing charities, hosting award shows, moderating and occasionally performing stand-up comedy, Ommi is also a prolific voice-over artist narrating documentaries and voicing characters in animated TV and web series.

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Shaun Toub and Shila Ommi in “Tehran,” now streaming on Apple TV+.

Interview with “Dark Winds” cast

TV Interview!

Dark Winds poster

Interview with TCA panel Zahn McClarnon, Kiowa Gordon, Jessica Matten, Rainn Wilson, Noah Emmerich, Chris Eyre and Graham Roland of “Dark Winds” on AMC/+ by Suzanne 2/10/22

“Dark Winds” premieres today, June 12 on AMC and AMC+. I’m most interested in its star, Zahn McClarnon (who plays Joe Leaphorn), because he was so great on “Longmire,” a show I loved. Noah Emmerich is also great (you might know him from “The Americans” on FX); and, last, but certainly not least, the cast also has Rainn Wilson, who’s always wonderful. This was a fun virtual panel back in February for the TV Critics Association.

AMC+ and AMC
Dark Winds
Graham Roland, Creator, Writer, Executive Producer
Chris Eyre, Director, Executive Producer
Zahn McClarnon, Cast, Executive Producer, “Joe Leaphorn”
Kiowa Gordon, Cast, “Jim Chee”
Jessica Matten, Cast, “Bernadette Manuelito”
Rainn Wilson, Cast, “Devoted Dan”
Noah Emmerich, Cast, “Special Agent Whitover”
2022 Virtual Tour
Los Angeles, CA
February 10, 2022
© 2022 AMC Networks. All rights reserved.

Here is the introduction from the clip they showed us:

Our new series “Dark Winds” is 35 years in the making. It’s based on the popular Leaphorn & Chee Book Series by Tony Hillerman. Robert Redford optioned these books more than three decades ago and we’re honored that this remarkable series has found a home with us. Our dream team is comprised of Native American Director and Executive Producer Chris Eyre, Native American Actor and Executive Producer Zahn McClarnon, who also starred in AMC’s “The Son,” Native American Writer-Creator Graham Roland, and Redford as well as George R.R. Martin who also serve as Executive Producers. We’re proud of this show for so many reasons. For starters, Leaphorn & Chee are two iconic characters that will live right alongside Don Draper, Walter White, Rick Grimes, and others in the AMC Hall of Fame. It’s a thrilling murder mystery that takes place in and around the lands of the Navajo Nation in the Monument Valley, which hasn’t been accessed for filming since the days of John Ford. And also, the series features the rich and vibrant Navajo culture and community in ways it’s never been seen before. “Dark Winds” is set to premiere this summer on AMC+ and AMC.

Zahn McClarnonZahn told us that the cast and his experience on the show were “wonderful,” and he believes the series will be a hit because of George R.R. Martin and Robert Redford being Executive Producers. He’s excited to be working at this current time because not only are there more indigenous actors in TV shows that ever, but he hopes that this show opens doors for more indigenous talent behind the scenes of the shows. He’s glad to see it happening in our “unique time … with Native representation in media.”

Zahn was then asked a specific question about his role on the show as Joe: how torn is Joe as a “police officer trying to solve this crime” and as a member of his Native community? He was also asked if he had any trouble wearing two hats (that of actor and executive producer).

Zahn reminded us that Joe “is a Navajo tribal cop who is tasked to solve these double murders and also a bank robbery.” He pointed out that many tribal police members don’t get much cooperation from the people in “indigenous communities,” and they’re made to feel like they’re outsiders. Joe is also struggling with losing someone in his family and juggling all of these things at once. He has to make peace with both the people in his community as well as the FBI, and it’s very difficult for him. Zahn is new to being executive producer, but he admits that he was given a lot of support from his fellow cast. He learned quite a bit, which he found to be very positive. He hopes to be able to use his experiences next time, either in another season of this show, or in another show. He has his “fingers crossed” for all of that.

The other actors were asked about working with Zahn and how much they knew about him before filming the series.

Kiowa said that he met Zahn in 2013. “We were working on ‘The Red Road’ for Sundance TV and he immediately was just like the coolest guy ever. And I was taking a liking to him, and I followed his career throughout there. And he’s been a huge inspiration for me, so it’s great to be able to work with him in such a capacity.”

Jessica added that she met both Zahn and Kiowa on the set of the show “Frontier.” She commented that they’ve both been like family to her, so “it was a complete joy to hop on board this and do it with family. It’s been so collaborative.” She added about Zahn, “First and foremost, I knew him as a human being and a person, and he was wonderful. And then I was like, oh, he’s kind of a big deal.” There was a bit of joking around after that.

Jessica then continued seriously about how great it is to make these friendships and then to “uplift our community in the best way that we can.” She also admitted that she is a big fan of Rainn’s, so it was extraordinary to meet him. She also confided that she “drove almost two hours to set” to meet Rainn, even though she wasn’t shooting with him. She was very nervous, so she didn’t tell him that. She joked around a bit and then said that she called him “The Beyoncé of my life.” Rainn was amazed and flattered to hear this, and he made his own jokes.

Rainn thanked her and then went on to praise the show’s scripts, set design, costume design, etc. He especially loves the ’70s feel to it and said it’s “just such a pleasure to be a part of this show.” His part is a fun supporting role, which he describes as “the epitome of corruption, which was super fun.” He predicts that Zahn will win many acting awards because of his performance in this show.

Zahn thanked Rainn as well. He mentioned his age a few times during the panel but said that he feels like he must have worked with every single Native actor or actress in the TV and film community. He noted that the cast is “exciting,” and he can’t wait for us all to see the show.

Jessica Matten and Kiowa Gordon of "Dark Winds" on AMC and AMC+.Jessica went on to praise their director, Chris Eyre: “for us Native kids growing up, the film ‘Smoke Signals’ was a very big film.” She mentioned that it “really put Natives in a very contemporary setting, so it’s very full-circle for me to be able to work with Chris…because I grew up in awe of that movie and what he created. And to be able to work [in this], it’s just magical.” She gushed quite a bit, but it was very charming.

One journalist asked Rainn about his character, “Devoted Dan,” and how he compares to Rainn’s other characters from his past work. Rainn replied that he’s never played a character like this before. He joked a bit about showing some skin in the series. He also described him in this way: “he’s a car dealer, and a double dealer, and a born-again, and a preacher, and wherever there’s corruption happening around, you’ll find Devoted Dan right in the middle of it.” He also added, “I asked for the largest cowboy hat they could find and it dwarfed my already enormous head.” He said that he’s very happy to be part of the show.

The director agreed with Rainn and also pointed out how great Noah was in this show.

Noah also said that he was grateful to be part of it, “a project that is so fundamental in bringing unheard voices to light in our culture that have not been recognized, that have not been paid attention to, that Hollywood has sort of reduced and presented cliché. This is a full, three-dimensional examination of these characters and I just was grateful to be the outsider, to be the minority. It was a new experience.”

Zahn joked with Noah by saying that he was “around a long time, too” and also praised his long and impressive résumé. There was more joking around. Noah, too, loved Chris’ movie “Smoke Signals,” which he saw in the theater.

The moderator also asked everyone how they felt to be involved with the series, which took 35 years to get here. Of course, they’re all glad to be a part of it. Kiowa was somewhat philosophical about it, saying, “I’m just saying it’s a long time coming. Good things happen to those that wait and I think we’re all born to be here and making this right now, so here we are. So thank you all for coming together and making this awesome story.”

Jessica is Canadian. She said that up there, they’re called “First Nations” and have a small network called “the Aboriginal Peoples Television Network,” where they were able to tell many stories. However, getting past that into other networks has been difficult. She’s very grateful to AMC and the others to be their allies and to “continue to humanize the experience of being indigenous in this day and age or even in the 1970s where this show is taking place.”

Chris told us that the writers on the show were all “Native American writers,” including three that were of Navajo origin. They also had support from the president of the Navajo Nation as well as Navajo consultants. He also said, “It’s been 35 years in the making, but George and Bob were both fans of Hillerman, and all of us were as well. So, to bring that to the screen now is just a dream come true.”

Graham credited Chris for being on this project the longest, along with George R.R. Martin and Robert Redford. He added, “it shows the passion that Robert Redford had for this project and the importance he thought of getting a story like this put in front of a mainstream audience. So, a lot of credit goes to him for keeping up that fight for so long. ”

Another person from the press asked Chris a tough question. He thought that the show attacks the old western movie-making from the John Ford days and disparages the actors from them, and the hotel that had rooms named after the actors. He asked if there were some bad feelings about those days. He also asked about filming in the same areas where those old westerns were made. Chris took the second question, saying he loved those areas, such as Monument Valley, and the rest of the Southwest. He thinks of it all as part of the American story, and it’s all mashed together and seen through the eyes of their characters. He avoided the first question.

Graham answered the other question with great finesse. He pointed out that the hotel, which is based on a real one, had rooms with the names of the famous actors, but many of of them were white people playing the Natives. He was quick to point out that he loves those old westerns. They had to acknowledge in this series what it was in reality, and he doesn’t think that he went out of his way to intentionally put the westerns down. It was a great end to an amazing panel!


View Trailer 

Based on the iconic Leaphorn & Chee book series by Tony Hillerman, Dark Winds is a psychological thriller that follows two Navajo police officers in the 1970s Southwest, as their search for clues in a grisly double murder case forces them to challenge their own spiritual beliefs and come to terms with the trauma of their pasts. Created and executive produced by Graham Roland (Tom Clancy’s Jack Ryan, The Returned, Almost Human, Fringe), the series stars Zahn McClarnon (The Son, Westworld, Fargo), who is also an executive producer, Kiowa Gordon (The Red Road, Roswell, New Mexico), and Jessica Matten (Tribal, Burden of Truth). Vince Calandra (Castle Rock, Tom Clancy’s Jack Ryan, Sharp Objects) is showrunner and an executive producer. Chris Eyre is director and executive producer. Executive producers include George R.R. Martin, Robert Redford, Tina Elmo and Vince Gerardis.

AMC and AMC+ today released the trailer and key art of its upcoming original series, Dark Winds. The noir thriller, based on the iconic Leaphorn & Chee book series by Tony Hillerman, premieres Sunday, June 12 on AMC and AMC+, with the first two episodes available on AMC+. One new episode will debut every Sunday on AMC, and AMC+ subscribers will have advance access to an additional episode each week, beginning June 19.

Set in 1971 on a remote outpost of the Navajo Nation near Monument Valley, Dark Winds follows Lieutenant Joe Leaphorn (Zahn McClarnonThe Son, Westworld, Fargo) of the Tribal Police as he is besieged by a series of seemingly unrelated crimes. The closer he digs to the truth, the more he exposes the wounds of his past. He is joined on this journey by his new deputy, Jim Chee (Kiowa GordonThe Red Road, Roswell, New Mexico). Chee, too, has old scores to settle from his youth on the reservation. Together, the two men battle the forces of evil, each other and their own personal demons on the path to salvation.

Created and executive produced by Graham Roland (Tom Clancy’s Jack Ryan), the AMC original series stars award-winning film and television actor Zahn McClarnon, who also serves as an executive producer, Kiowa Gordon and Jessica Matten (Tribal, Burden of Truth) as Bernadette Manuelito. Dark Winds also stars Noah Emmerich (The Americans, Suspicion) as FBI Special Agent Whitover, Deanna Allison as Joe’s wife Emma Leaphorn, and features Rainn Wilson (The Office, Backstrom) as Devoted Dan, a full-of-faith car salesman.

Vince Calandra (Castle Rock, Sharp Objects) is showrunner and executiChris Eyreve producer.  is director and executive producer. Executive producers include George R.R. Martin, Robert Redford, Tina Elmo and Vince Gerardis.

About AMC

AMC is home to some of the most popular and acclaimed programs on television. AMC was the first basic cable network to ever win the Emmy® Award for Outstanding Drama Series with Mad Men in 2008, which then went on to win the coveted award four years in a row, before Breaking Bad won it in 2013 and 2014. The network’s series The Walking Dead is the highest-rated series in cable history. AMC’s current original drama series are Better Call SaulFear the Walking Dead, Kevin Can F*** Himself, The Walking Dead, The Walking Dead: World Beyond and the forthcoming series 61st Street, Anne Rice’s Interview with the Vampire, Anne Rice’s Mayfair Witches, Dark Winds, Moonhaven, Pantheon, Ragdoll and Tales of the Walking Dead, among others. AMC also explores authentic worlds and discussion with original shows like Talking DeadAMC Visionaries and Ride with Norman Reedus. AMC is owned and operated by AMC Networks Inc. and its sister networks include IFC, SundanceTV, BBC America and WE tv. AMC is available across all platforms, including on-air, online, on demand and mobile.

About AMC+

AMC+ is the company’s new premium streaming bundle featuring an extensive lineup of popular and critically acclaimed original programming from AMC, BBC America, IFC, and SundanceTV and full access to targeted streaming services Shudder, Sundance Now and IFC Films Unlimited, which feature content such as A Discovery of WitchesCreepshow, and Boyhood. The service features a continually refreshed library of commercial-free content, including fan favorites Mad Men, Halt & Catch Fire, Turn: Washington’s Spies, Hell on Wheels, NOS4A2Orphan Black, Rectify, Portlandia, and series from The Walking Dead Universe, among many others. The service also offers a growing slate of original and exclusive series including Gangs of London, Kin, The North Water, RagdollThe Beast Must Die, Too Close, The Salisbury Poisonings, Cold Courage, Spy CityUltra City Smiths, Anna, Anne Boleyn, Firebite, La Fortuna, That Dirty Black Bag and upcoming The Ipcress File. AMC+ recently launched in Canada, Australia, and India and is available in the U.S. through, the AMC+ app, and a number of digital and cable partners.

Zahn McClarnon

Zahn McClarnon is an award winning film and television actor who has appeared in over 80 film and television productions. He is most known for his role as “Hanzee Dent” in the second installment of the critically- acclaimed series Fargo, his recurring role of “Akecheta” on HBO’s award- winning series Westworld, and for his portrayal of “Officer Mathias” on the television series Longmire.

Zahn was also a series regular on National Geographic’s Barkskins, starring opposite Marcia Gay Harden and David Thewlis, and on the AMC show The Son. McClarnon has most recently co-starred in the crime-thriller The Silencing starring alongside Nikolaj Coster-Waldau, and in the Stephen King film, Doctor Sleep. Zahn is currently recurring on the upcoming FX series Reservation Dogs, the much anticipated Disney+ series Hawkeye, and stars in the upcoming film The Last Manhunt with Jason Momoa. McClarnon is currently starring in and an executive producer for the AMC series Dark Winds.

Kiowa Gordon

Kiowa is a prolific Native American actor with award winning film and television credits. Born in Berlin, Germany, he moved to the States shortly thereafter to live on the Hualapai Indian Reservation in Peach Springs, AZ and moved around quite a bit growing up until settling down in Phoenix, AZ where he landed the role of Embry Call in THE TWILIGHT SAGA. In 2013, Kiowa won Best Supporting Actor at the American Indian Film Festival in San Francisco for his role in the indie film, THE LESSER BLESSED. On the small screen, Kiowa had a Series Regular role in the Sundance original series, THE RED ROAD, starring Jason Momoa, Julianne Nicholson and Martin Henderson and Guest Starred on the Netflix series FRONTIER. In 2019, he had lead roles in 2 features which premiered at the Toronto International Film Festival – BLOOD QUANTUM (multiple festival nom and winner) from director Jeff Barnaby and CASTLE IN THE GROUND (TIFF nominated for best Canadian feature) from director Joey Klein. That year he also had roles in the Netflix comedy LADY DYNAMITE, a recurring in the technologically groundbreaking series THE LIBERATOR from A+E Studios for Netflix, and a recurring role on the CW series ROSWELL.

More recent work includes a lead in the feature TWO EYES, directed by award winning filmmaker Travis Fine which was the closing film at Outfest 2020, and a cameo in Taika Waititi’s RESERVATION DOGS (FX).

Up next, he just wrapped his Series Regular role as JIM CHEE on the forthcoming series DARK WINDS for AMC, based on the book series from Tom Hillerman, and produced by George R. R. Martin and Robert Redford.

Jessica Mattsen

Jessica Matten is of Red River Metis-Cree descent and is directly a descendant of Cuthbert Grant, the first rebel Metis leader famously known for the Battle of the Seven Oaks in Canada. Most recently, Jessica is set to star in Robert Redford, George R.R. Martin (Game of Thrones) and Graham Roland’s produced “Dark Winds” television series opposite Zahn McClarnon and Kiowa Gordon for the AMC Network this Fall 2021.

Jessica is the star and Associate Producer of the new critically acclaimed Crime Drama “Tribal” Season 2 the on APTN Network.

Jessica stars in Season 3 of Discovery Canada & Netflix’s TV show “Frontier” starring Jason Momoa. She also can be seen in the new CW Network and CBC drama alongside Kristin Kruek in “Burden of Truth”. Jessica also can be seen in the upcoming comic adaptation movie “The Empty Man” for Disney/20th Century Fox studios.

Jessica can be seen on 3 Canadian Screen Award nominated and winning shows: Frontier, Blackstone and Mohawk Girls.

Jessica has developed a small cult following in North America for her performance in the starring role of Elle-Maija Tailfeather’s short film, “A Red Girl’s Reasoning”. Other TV and films include the Gemini award winning show “Blackstone” and “Pilgrims” written and directed by Marie Clements that Jessica starred in, was an official selection for the Cannes Film Festival and the Toronto International Film Festival 2013.

Besides acting, Jessica runs an Indigenous wellness and fitness company with her family called Lemon Cree where they have helped thousands of Indigenous people achieve their fitness, wellness and health goals. She also runs the viral campaign #N8Vgirls to help spread awareness globally on the issue of murdered and missing Indigenous women in Canada.

She is currently in development with Herd of 1 Media with Julian Black Antelope creating an Indigenous Film Academy. The Counting Coup Indigenous Film Academy (“CCIFA”) is a progressive, state-of-the-art, holistic educational environment for intense creative work, where emerging and aspiring First Nations artists can effectively and successfully gain expertise and experience and establish the foundations of a professional film career.

Jessica ran multiple monthly articles and the magazine “Active Cree” distributed monthly to 60,000 people and 10 communities across the James Bay area throughout Northern Ontario. She is a guest speaker along with her mother across North America called: “Indigenous Women Breaking Barriers: A Mother and Daughter Story”. Jessica also instructs acting workshops, and has had many wonderful success stories with the youth over the years.

Rainn Wilson

Rainn Wilson is an American television and movie actor, director, writer, and producer. He became a household name in 2005 with his inimitable portrayal of ‘Dwight Schrute’ in the U.S. version of the popular British sitcom, The Office. His first breakthrough role came when he played assistant mortician ‘Arthur Martin’ in HBO’s Six Feet Under, winning him a Screen Actors Guild Award for “Outstanding Performance by an Ensemble in a Drama Series.” He then went on to appear in films like Almost Famous, House of 1000 Corpses, and America’s Sweethearts. Wilson catapulted to fame during his nine seasons on the Emmy-winning comedy, The Office, in which he also directed three episodes. He has starred in films like The Rocker, Monsters vs. Aliens, The Meg, and Don’t Tell A Soul. On the TV side, Wilson has also starred in the Fox crime drama Backstrom, where he played the lead role of ‘Everett Backstrom,’ and in Amazon Prime’s Utopia as ‘Michael Stearns.’

Wilson has an MFA from NYU’s Tisch School of the Arts and spent ten years doing theatre in New York before moving to Los Angeles. Wilson founded the YouTube channel Soul Pancake, which has over 3.5 million subscribers, and he published his memoir The Bassoon King: My Life in Art, Faith, and Idiocy in 2015. He is originally from Seattle, Washington.

Rainn Wilson will next be seen opposite Bryan Cranston and Annette Bening in the film Jerry and Marge Go Large for Paramount+ and as ‘Devoted Dan’ in AMC’s Dark Winds.

Noah Emmerich

Noah Emmerich recently completed the Netflix feature “The Good Nurse” opposite Jessica Chastain and Eddie Redmayne. He is currently shooting the AMC series “Dark Winds” and will next be seen starring in the Apple series “Suspicion” opposite Uma Thurman. On the comedic side, Emmerich continues his role of “General Kick Grabaston” opposite Steve Carrell in the Netflix series “Space Force.” He was last seen co-starring in the Netflix mini-series “The Spy” opposite Sacha Baron Cohen.

Emmerich’s breakout performance was in Ted Demme’s cult hit “Beautiful Girls” alongside Natalie Portman, Uma Thurman, and Matt Dillon. His next role, opposite Jim Carrey in Peter Weir’s Academy Award-nominated “The Truman Show,” firmly established his outstanding talent.

Emmerich’s film work includes Todd Field’s Academy Award nominated “Little Children” (Kate Winslet), J.J. Abrams’ “Super 8,” Gavin O’Connor’s “Pride & Glory” (Edward Norton, Colin Farrell), Doug Liman’s “Fair Game” (Naomi Watts, Sean Penn), “Sympathy for Delicious” (Mark Ruffalo), “Miracle” (Kurt Russell), “Frequency” (Dennis Quaid), “Beyond Borders” (Angelina Jolie, Clive Owen), “Windtalkers” (Nicolas Cage), “Life” (Eddie Murphy, Martin Lawrence), “Copland” (Sylvester Stallone, Robert DeNiro, Harvey Keitel), Guillaume Canet’s “Blood Ties” (Marion Cotillard, Clive Owen, and Zoe Saldana), “Warrior” (Tom Hardy, Joel Edgerton), and “Jane Got A Gun” (Natalie Portman, Ewan McGregor) and “The Wild Wedding” (Glenn Close, John Malkovich).

Emmerich played FBI Agent Stan Beeman opposite Keri Russell and Matthew Rhys on F/X’s critically acclaimed drama series “The Americans.” His performance was recognized with a Critic’s Choice Award and a SAG Award nomination. He also appeared to great acclaim as Dr. Edwin Jenner in Frank Darabont’s long running hit series “The Walking Dead.” He has guest starred on shows including “The West Wing,” “Monk,” and “Master of None.”

Emmerich’s stage work includes Stephen Belber’s “Fault Lines” at the Cherry Lane (dir. David Schwimmer) and the Kennedy Center’s production of “A Streetcar Named Desire” opposite Patricia Clarkson.

Emmerich received an honors degree in history from Yale University and studied filmmaking at New York University. He was born and raised in New York City, where he currently resides.

Chris Eyre

Chris Eyre (Cheyenne/Arapaho) is an internationally recognized film and television director and producer who has received many awards for his work including, a Peabody (1998, 2009), an Emmy (2005) and the Sundance Audience Award and Sundance Filmmaker’s Trophy (1998).

Eyre began his career by attended the graduate film program at New York University and went on to the Sundance Institute’s Directors’ Lab being mentored by Robert Redford in 1995.

Chris Eyre’s directorial debut was the Miramax Classic Film “SMOKE SIGNALS (1998),” which won Eyre the 1998 Sundance Filmmakers’ Trophy and the 1998 Sundance Audience Award. 20 years later, in 2018, “SMOKE SIGANALS (1998) was inducted by the U.S. Library of Congress to the National Film Registry for movies “of historic and cultural significance to be preserved for all time.”

Eyre’s television credits as a director include multiple episodes of “FRIDAY NIGHT LIGHTS” (NBC) and work on “LAW AND ORDER – SVU” (NBC), as well as directing the award-winning dramatic mini-series “WE SHALL REMAIN” (2009) for PBS.

Eyre’s film “EDGE OF AMERICA (2004)” was selected as the “Opening Night” film at the 2004 Sundance Film Festival, and garnered Eyre the highly prestigious, Outstanding Directorial Achievement from the Directors Guild of America (DGA) in 2005.

Eyre has directed and/or produced over fifteen-feature films. Including Eyre’s SXSW award winner for Best Cinematography “HIDE AWAY (2012)” starring Josh Lucas and James Cromwell released theatrically in May 2012.

In 2015, Eyre executive produced the documentary feature film “THE SEVENTH FIRE (2015),” with fellow producers Terrence Malick and Natalie Portman. In 2016, THE SEVENTH FIRE was invited to screen at The White House in Washington, D.C.

In 2017, Eyre was named annual-honorary Chair at the University of Hawaii in memory of the late Senator Daniel Inouye. Later 2017, Eyre’s company created and supervised the cultural team that advised language and Cheyenne Native American culture for the Christian Bale feature film “HOSTILES (2018)” directed by Scott Cooper.

Chris Eyre is currently directing a television series, DARK WINDS with fellow producers George RR Martin (Game of Thrones) and Robert Redford for AMC Networks.

Chris Eyre resides in Santa Fe, New Mexico. Chris Eyre is represented by Frank Wuliger at the Gersh Agency, manager Andrew Hersh at Thrive Entertainment and attorney Eric Feig in Los Angeles.

Graham Roland

Graham is a former US Marine and has written on PRISON BREAK, LOST, FRINGE, and THE RETURNEDGraham would later co-create JACK RYAN with Carlton Cuse, which has already been ordered for a fourth season. In addition to his work in television, Graham also wrote and executive produced MILE 22 for Peter Berg and Mark Wahlberg.

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The actors, director and creator of "Dark Winds" at the TCA panel in February.

Interview with Joel Kinnaman

TV Interview!

Joel Kinnaman, star of "For All Mankind" on Apple TV+

Interview with Joel Kinnaman of “For All Mankind” on Apple TV+ by Suzanne 6/2/22

It was great to speak with Joel. He’s one of my favorite actors, ever since “The Killing.” He’s wonderful in every show or movies he’s in. I only had 5 minutes to speak with him, but it was still great.  If you’re not watching this show, you should be…especially if you’re a fan of sci-fi or history. It’s a little slow at times but definitely worth the wait. Season 3 starts June 10! Keep reading below the interview for more information about Joel and the show.

Suzanne: So, can you tell us about your character this season?

Joel: Yeah, so,  we’re three decades into “For All Mankind,” and Ed Baldwin’s journey… You know, it’s fascinating to get to play someone over three decades. It’s a big chunk of a life. And, I think 10 years ago (something like that), I read a summary of this big study that three American universities (and I’m blanking on which ones they were), but they did this big study on personality where they studied personality over four decades. And what they realized was that every 10 years we’ve basically become a new person. That’s how much we change. So it was very fascinating to get to portray that. And, of course, we feel similar inside because we still carry the experiences, but we basically become new people. So that’s something that’s very present in my mind when I go into a new season here… you know, we change so much, but at the same time, we’re the same.

On our show, it’s been such a great journey on this because at the end of the first season, I think it was pretty hard for people to understand what the show really was, you know, because it doesn’t really reveal itself until the second and third season. I kept saying that on interviews after the first season: “Look, this is what it is now, but this is not the show.” It’s not like “Mad Men,” you know, in a NASA environment. This show is going to move really quickly in time. And every season is going to jump. It’s going to end up being the most grounded sci-fi show ever made. That’s where this is headed, and there’s going to be…there’s no official link, but at the end of this show, [it answers the question] how do you get from the space race of the late sixties to “Star Trek?” And “For All Mankind” might have something with that.

Suzanne: Hmm. That is interesting. Yeah. Thank you. I know you have to avoid spoilers, but is there anything in specific that you can tell us about what Ed goes through this season? I watched the first few episodes. I haven’t watched the rest yet, but…

Joel: Well, you know, Ed lost his son and, and then he lost his best friend. And his best friend’s son, Danny, was best friends with his son. So Danny should become his son [in Ed’s mind]. And that’s how Ed sees him, you know? Ed views him like, this is a chance for you to become my son. It has the potential to heal the wound and the void of Shane and also to give love and respect to his best friend, Gordo. But Danny’s just a different person and, and he doesn’t view Ed the same way that Ed views him. And I think the journey between Ed and Danny over the course of the third season is so fascinating. Also, because, you know, Danny’s very fascinated with Karen, Ed’s wife. Um, Fascinating. [In character] He’s fucked my wife! Ed doesn’t know about it, but…

Suzanne: Right. (Laughs)

Joel: (Laughs)

Suzanne: Well, thank you so much. I really appreciate you taking the time to talk with us today.

Joel: (Laughs) My pleasure.

Suzanne: All right. Talk to you later.


Poster for "For All Mankind" Season 3 on Apple TV+.

The race continues as Apple reveals trailer for adrenaline-fueled third season of space drama “For All Mankind” 

Critically acclaimed Apple Original from Ronald D. Moore, Matt Wolpert and Ben Nedivi returns Friday, June 10 on Apple TV+

Watch Trailer:

Apple TV+ today released the trailer for the highly anticipated third season of “For All Mankind.” The trailer sees the alternate-reality series jump ahead nearly ten years, moving into the early ‘90s with a high-octane race to a new planetary frontier: MARS. The critically-acclaimed series, from Emmy Award-winner Ronald D. Moore, Matt Wolpert and Ben Nedivi, will make its global debut on Friday, June 10, 2022 on Apple TV+. The ten-episode third season will premiere with the first episode, followed by one new episode weekly every Friday through August 12, 2022.

In season three, the Red Planet becomes the new frontier in the Space Race not only for the U.S. and the Soviet Union, but also an unexpected new entrant with a lot to prove and even more at stake. Our characters find themselves going head-to-head as their ambitions for Mars come into conflict and their loyalties are tested, creating a pressure cooker that builds to a climactic conclusion.

The ensemble cast returning for season three includes Joel Kinnaman, Shantel VanSanten, Jodi Balfour, Sonya Walger, Krys Marshall, Cynthy Wu, Casey Johnson, Coral Peña and Wrenn Schmidt, along with new series regular Edi Gathegi who will play ‘Dev Ayesa,’ a charismatic visionary with his sights set on the stars.

“For All Mankind” is created by Emmy Award-winner Ronald D. Moore, and Emmy Award nominees Ben Nedivi & Matt Wolpert.  Nedivi & Wolpert serve as showrunners, and executive produce alongside Moore and Maril Davis of Tall Ship Productions, as well as David Weddle, Bradley Thompson and Nichole Beattie.“For All Mankind” is produced by Sony Pictures Television.

The first two seasons of “For All Mankind” are now available to stream on Apple TV+.

Apple TV+ offers premium, compelling drama and comedy series, feature films, groundbreaking documentaries, and kids and family entertainment, and is available to watch across all your favorite screens. After its launch on November 1, 2019, Apple TV+ became the first all-original streaming service to launch around the world and has premiered more original hits and received more award recognitions faster than any other streaming service in its debut. To date, Apple Original films, documentaries, and series have been honored with more than 200 wins and 900 award nominations and counting.

About Apple TV+

Apple TV+ is available on the Apple TV app in over 100 countries and regions, on over 1 billion screens, including iPhone, iPad, Apple TV, Mac, popular smart TVs from Samsung, LG, Sony, VIZIO, TCL and others, Roku and Amazon Fire TV devices, Chromecast with Google TV, PlayStation and Xbox gaming consoles, and at, for $4.99 per month with a seven-day free trial. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV, Mac or iPod touch can enjoy three months of Apple TV+ for free.*


“For All Mankind” on Apple TV+:–forallmankind




Hashtag: #ForAllMankind #AppleTV

Joel Kinnaman, star of "For All Mankind" on Apple TV+Joel Kinnaman Bio

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Wrenn Schmidt and Joel Kinnaman in "For All Mankind," premiering June 10, 2022 on Apple TV+.

Interview with Eric Kripke, Karl Urban, Chace Crawford, Claudia Doumit, Antony Starr and Erin Moriarty

TV Interview!

"The Boys" on Amazon Prime

Interview with Eric Kripke, Karl Urban, Chace Crawford, Claudia Doumit, Antony Starr and Erin Moriarty of “The Boys” on Prime Video by Suzanne 6/1/22

This is one of my favorite shows, even though it’s exceedingly violent and gory. I just love the characters, the story and the humor. I was very happy to be included in this year’s press day for the show. They didn’t allow us to record the video, unfortunately. Also, I was not able to ask Starr and Moriarity a question because the other journalists asked questions that were way too long. We were told to only ask one question, with no followup, but they didn’t follow the rules. We’re very limited in time. It’s such a shame, but I’ve included their questions here, at least. I heard that many journalists were asking some very bawdy questions about certain sex scenes in the show! It was pretty funny…You will understand more when you see the whole Season 3!

Showrunner Eric Kripke and star Karl Urban (Billy)

Suzanne: Oh, hi. Eric, one thing I’ve noticed with a lot of action shows is that it seems that they have to keep upping the ante every season on action and violence to keep the fans happy. Is this a pressure that you feel, or do you put pressure on yourself instead?

Eric: I actually don’t… we never tried to play the game of topping ourselves because I think it never leads to a really creatively, rich or fertile direction because you’re only thinking about steps and not about the characters. So what I always say in the [writers’] room is [that] the mandate is, “Don’t try to go bigger, try to go deeper.” And, “What’s a new aspect of all of these characters that we haven’t seen yet?” That every season has to get you even closer to the core of who they are. And that’s really challenging because you got to come up with new– you got to keep finding stuff that’s even deeper than the thing you did the season before. But if you… once you find that, then you say, okay, what’s the best way to dramatize that in this insane world that the show takes place in, and then that just kind of inevitably leads to these bananas moments. I really, swear to God, I don’t try to have it be bigger. I think the deeper you go into these characters and the more, you know, extreme their emotions are… just when you dramatize them, it just results in these, like, bat shit moments.

Suzanne: Like giving Karl’s character super powers?

Eric: Right. For example.

Karl: The explosive opening sequence was really born out of one of the worst allergy attacks, uh, you’ve ever had, right? [Laughs]

Eric: Right.

Suzanne: Well, thank you very much.

Karl: Thank you.

Henry: Thank you both for your time today. Amazing season. I love the show. I just want to start off by asking Eric, how long have you been waiting for Jensen Ackles to be available after you worked with him on “Supernatural?” It feels like this has been a placeholder character for him because of how you’ve worked with him in the past and how you know he’s going to do. And to Karl, we talked about going deeper and not bigger. What was it like to go find that the deeper you go into Billy Butcher, you sort of see a character that is getting… we started getting more comparisons to Homelander and how much of a threat and danger he is to those around him? And what have you felt about exposing that character in that way.

Karl: Okay. That was a great question. Um, yeah, I mean, in terms of elements about Homeland and Butcher, which have a similarity about them… in my opinion, the biggest similarity between them is the fact that they are both driven to destroy each other, and they are… neither of them are happy with the status quo. Uh, and on that issue alone, I think there is common ground, but fundamentally they’re quite different characters. And, uh, you know, think that, yes, Butcher has done some highly questionable things, and obviously Homelander has, too, but to my mind…I don’t even see that there are opposite sides of the same coin. I think they really both have so many different, wonderful shades with them, and then some of them overlap.

Eric: To answer your Jennson question. Uh, how long have I been waiting? About 15 years. Look, obviously, I love Jensen, and I’m not sure if you’ve heard or not, but I worked with him for a minute. So, when you do that many seasons of a TV show, you put them through every possible emotional permutation, you know, and one of the things I love about Jensen is how adept he is at every single thing you throw at him. He can be emotional, he can be scary, he can be funny, he can be charming, he can be sweet. Because of that, it allowed me to put all of those colors into Soldier Boy. Because [with] Soldier Boy, we needed him to be all of those things. And so it’s fun. It always takes you a minute as the writers and the actors are kind of feeling each other out to really start writing, like, “Oh, okay.” It starts to meld into one beautiful thing. I think that’s what we’re doing with all “The Boys” characters right now. So it was nice to have a new character show up, and for me to immediately be able to do that instead of having to go through that same process of discovery.

Monica: I’m going to just go right in. So, Karl, Butcher hates supes, obviously, but you’re slowly, you know, taking the temp V. So is he becoming something that he’s ultimately going to end up hating, or is he even aware of it as the season goes on? And then for Eric… music has been a huge part of the show. This will all come out later, but the musical episode was fantastic, so I wanted to ask about the constant use of Billy Joel. And if you have other musical things that you plan on doing, maybe a musical episode? And then, will Soldier Boy be back for next season?

Karl: Wow. A lot going on there.

Eric: Yeah.

Monica: I threw it all out! (Laughs)

Karl: Yeah, So, the moral dilemma for Butcher this season is, “Are you willing to turn yourself into the monster in order to defeat the monster?” And in Butcher’s case, the frustration that he feels has become so palpable, the danger that he senses in terms of Homelander getting closer to discovering the location of Ryan, and his general frustration with the lack of traction that he’s getting in taking down The Seven in conventional ways means that he decides to take that step and the wonderful thing about the way that it’s written is that Butcher is actually quite self-aware along the way. And he has, you know, a wonderful conversation with M.M., where he is, you know, pretty candid about that. He’s under no illusions as to exactly who he is. And then, he also has a great conversation with somebody else where he discusses the nature of power and what it does to people. So I think that it’s very cleverly written, and Butcher is a hundred percent aware that he’s making a very morally bankrupt choice. But he decides to do it anyway. And in true, “Boys” fashion, when you make the right choice, you get rewarded. And when you make the wrong choice, you get punished. And you know, every character in the show this season is really kind of faced with a precipice, and they have to decide whether they’re going to leap or not.

Eric: Yeah, just to.. (and then I’ll talk about the music thing) One thing that’s interesting that Karl touched on that we all talk about is: for as crazy and cynical as “The Boys” is, we take a lot of care to make sure it takes place in a moral universe. And you can tell who will win or lose this season based on the decisions they’re making. And is it a morally solid decision, or is it a morally bankrupt decision? And you can go through almost every season, for sure, and when they make the wrong choice, they tend to lose the season. And when they make the right choice, they tend to win it.

Eric: Um, in terms of the music…

Karl: And we’ll say, that is why Butcher has never won a season

(Both laugh)

Eric: It’s hard for Butcher to win a season.

Karl: Yeah, yeah. In terms of the music…

Eric: He’ll win at the end. Um, you know, in terms of like where the Billy Joel came from… where it really came from was [this: in] season one, we really scored all the needle drops from Butcher’s point of view. So it was all, like, a lot of punk rock. And then [in] season two, we thought, just to mix it up, we would score all the needle drops from Huey’s point of view…and Huey really loves yacht rock; that’s his thing. So Billy Joel was kind of a perfect, uh, indicator. And then each Billy Joel song really represents the emotions that he was going through that season. So it became this bizarre rock opera of Huey steps that we really loved. And in terms of the musical number this season… I’m just a huge fan of Hollywood musicals. Like, I love them, like, they’re so brilliantly done, and I’ve just been hungry to get a number in. I don’t think we’ll be able to do a whole musical episode because “The Boys” is just not that stylized of a show. It takes pains to take place in our version of reality; but to be able to like, just have a completely candy-colored, innocent sweetness in the middle of our, you know, bloody little milkshake was just a treat. And you can’t watch that sequence without a big smile on your face.

Karl: Entire musical episodes usually happen in season eight or nine when the writers are completely dried up of ideas.

Eric: We hope to be long gone [by then]. That’s a wrap around when Butcher moves to Hawaii and adopts a precocious child, and we’re going to get out before that.

Sophia: Karl, Eric, it’s such a pleasure to speak with both of you. Thank you for taking the time. So I just want to ask both of you the same question, just phrased differently. Eric, obviously we have a season four, which I’m so excited for, but do you have any sort of end in mind? Not that I want it to end any time soon, but do you have anything for it? And then Carl, is there anything you’d like to do with your character before the show comes to an end?

Eric: Yes. We’re thinking about it all building towards a thing, but also, I was in many interviews saying that “Supernatural” wraps out in five years. Um, So, there’s literally no other person in television history, more wrong about the length of their show…

Karl: (Laughs)

Eric: Literally, like this isn’t even hyperbole, like… I’m the most wrong that anyone’s ever been about how long a show goes. So I have learned my lesson and I do not publicly say how long I think the show should go. We’ll see how it.

Karl: I, too, have learned my lesson never to articulate any desires about what my character should or shouldn’t do in a show.

Eric: (Laughs)

Karl: Because as soon as an actor articulates it, it will never happen.

Eric: Or it’ll happen in such a horrible way…

Karl: Exactly.

Eric: He’ll regret having ever brought up.

Karl: Even furthermore, ma’am, I will not tell Krip what I do not want to do because that is a hundred percent guaranteed to make it into the show.

Eric: Can I tell you something? Someone said to me, during one of these interviews today, “You know, I was just interviewing Erin, and she really pointed out she hasn’t been covered in blood yet.”

Karl: (Laughs)

Eric: And I was like, that was a mistake. Yeah.

(Both laugh)

Karl: Laz* made the same mistake.

Eric: Yeah, he really did.

[*Laz Alonso, who plays M.M.]

As we said our goodbyes, I not only thanked them for the interview but for including one of my favorite actors because he has a great small part this season. I can’t say who that is, sorry!

Chace Crawford (Kevin AKA The Deep) and Claudia Doumit (Victoria Neuman)

Moderator: Hello, everyone. Just a friendly reminder to keep your mics muted, unless you’re asking a question. And Suzanne, you can take the next one.

Suzanne: Hi! You both… your characters are not what we would really call “good people,” but you also, well… Chase, you have a lot of– you’re, sort of the comic relief a lot of times, but, um, you both make us feel sympathy for your character at times. And how do you go about that, and is it difficult?

Claudia: I mean, I think it’s really easy to say the word “villains” in places like, bad or good. And I think these characters… I’m just always wary of saying that because–

Chase: Right. Life isn’t like that. The world’s not like that.

Claudia: No, and these are people and they’re going through many different things. Um, what a vague answer, Claudia that you’re giving right now…

Suzanne: [Laughs]

Chace: [Laughs]

Claudia: I’m going to possibly, uh…

Chace: I’ll say it like it is, I mean, the characters don’t judge themselves. Right? So you have to see it from their point of view. But for the show in the writing, I feel like it’s in there. Like they allow us to do these really, uh, interesting, weird things… To me, for me it would be like… one of the things that season one, at the end, we sort of– Eric calls it the Britney moment where he like is drunk and breaks down and shaves his head. It is such a weird thing, but you see, and as an audience– he’s by himself, you see this like kind of breakdown moments…just really interesting ’cause that’s kind of how he really, really is. And he’s sort of sheds that veneer, but he’s also, you know, just very deeply, it’s.. (I keep doing it) DEEPly insecure–

Claudia: DEEPly!

Chace: And he needs to be validated. So, yeah. So, can you be both of those things? Can you be an asshole and assault someone like he did in one episode and also try to save a dolphin, and have, like, a weird romantic relationship. It’s like so bizarre. And like, they deal with the tonal shifts so well, but I don’t really think, you know, it’s all gray. It’s not really…

Claudia: And they really dive into the gray on this show, and I think that’s important because human beings. Aren’t just like that… they’re three dimensional characters, and it’s a character-driven show. Like, sure, there’s explosions, and giant dicks, Herogasm and everything. But, it’s also, these characters are so rich…the writer’s room are fantastic at really making sure that that is the case. And I think that’s what makes it so entertaining to watch, too.

Chace: Right.

Claudia: Yeah.

Chace: And people can, yeah. They sort of… I want to say they can relate to that. No, I mean, but like it does give it a more well-rounded human dynamic of just, like the normal superhero arc of like, do this. And they’re only showing one side, but, uh, it’s fun to play.

Claudia: Because that’s what people, also, human beings are like. They are just intricately rich. And I think we as humans live in that gray area, more so than just, like, black and white.

Chace: Right.

Claudia: Yeah.

Suzanne: Thank you!

I’ve deleted the rest of this and left out the audio due to spoilers. It will be put up later.

Antony Starr (Homelander) and Erin Moriarty (Annie AKA Starlight)

Here’s the transcript; I’m still editing it

Hi, welcome everyone. Thanks for Jane. Um, just reminders. You please keep yourself muted when it’s not your turn to ask a question, I’m going to quickly slate that this is for round table number four and Sophia, you can go ahead and start us off. Thanks. Hi Anthony. Aaron. Thank you so much for taking the time to speak with me today.

Uh, so you have soda with the nerds of color. Huge congrats on the new season. Thank you course. So first off I wanted to ask, you know, Homeland are definitely focuses on the far, right? And Starlight is more of the liberal front that they’re supposed to show this United front together. What can you tell me about the narrative that this story is trying to tell and basically make a parody over?

I mean, mine’s not difficult to figure out as Caroline, you know, isn’t, there’s always been an element. Uh, that guy in Homeland and Nevermore. So, I mean, never more so than a season three. I mean, we, we literally, we’re literally taking things that he’s said and, and seeing, you know, what would happen if I killed someone, you know, what would happen?

And, uh, it’s a. It’s a lot of fun and there’s a boardroom scene as well, like directly relates to a sick circle that we saw on the telly and that.

Oh, the one hand, I think it’s, I think it’s great that we can sort of parody it and, uh, lovingly poke fun at it. Uh, on the other hand, I think it’s tragic that. There’s so much material available at the moment to satirize and, um, and choose for, you know, we’re spoiled for choice, uh, at the moment. So as far as, especially as far as my side is concerned.

Yeah, yeah, no, I agree. And I think Starlight comes in and tries to shake things up because things are so corrupt in so many of the aspects of thought are so antiquated and. Sexist. And even the feminist press junket they had in the last season was so exhibitive and obligatory. So I think she tries to shake things up.

And I think the issue is, you know, again, another parallel which, um, draws from the real world is an antiquated system. How much can you change? Things get really locked into place and it’s so difficult and she tries her best, but. I, I think it reflects a lot of antiquated policies and things going on that we stopped that happened today and that we’ve not evolved.

Um, according to the times, so

Monica. Hi guys, how are you at my entertainment? And sounds onset podcasts check with you guys. Um, so you guys did a fantastic job this season. I’m going to ask them for the questions, but we’ll put it out later. Okay. So I want to ask for both of you the arcs. Yes. You guys are kind of on the opposite sides, but I don’t know if it was related and I’ll talk to Eric about it to the world in terms of.

Okay. I didn’t think that the boys could get any crazier and this is like next level crazy. So I wanted to know one, if. That that was influenced by like the world’s events to kind of heighten your characters up. And then second for, um, you know, Anthony for you. Um, a lot of your reassurance comes from yourself, like you’re your own character from Outlander.

So I wanted to know how you play off of that. And then Erin, you get a lot from your support team. So how you play off of that to get your strengths for each other. When you, sorry, go ahead. Well, I think I actually think in this season, I, I agree with you. I think this is, but this is something of an emancipation for Homeland or of like, you know, similarly the characters both find their voice in this season and realize that them speaking their truth will, will get them what they want in terms of fan base, uh, and the recognition and the attention that they want.

But homie’s always been basically a marketing. Packaged product. Uh, that’s always. Help sometimes literally by a mommy figure or someone supporting him or, you know, and he’s finally broken free of that. And it gets fed up and actually decides to take things on, on his own. And, um, you know, with that comes a lot more exposure.

So there’s no in cleaning up after or in front of him. And he makes a lot more mess for himself and he has to clean it up. He has to deal with it. So, uh, as to, as to. The show getting bigger and more expensive. I mean, you, I think it’s about on par, uh, I think right off the bat seeing, uh, Huey’s girlfriend explode in slow motion as a speeding bullet, man went through her.

Um, You know, I think that was a sign of things to come and I don’t think we’ve really done that much. I don’t think we deviated from that. Cause I just think it’s more of the same to me. Yeah. Yeah. And then, and then in terms of Starlights support team, sorry, will you ask that question again? Will you. Sure.

So like where does she, I would say where she gets her strength from and she has a support the report team. And are you talking about the Starlight kind of the Alliance that is building like, almost like a political team behind her, is that, and that’s where she seems to find her strength and where she, I mean, I think, I think.

I think she’s, she’s found her. I think the strength that she’s found has kind of been an intrinsic thing. I think it’s been intrinsically motivated through, um, what she’s been through and what she’s learned from, and the grit she’s developed. I think this support team, I think we might see more of, and I think it might be a source of.

Support and validation for her and help her in her effort to expose that. But I do think that that her, her growing strength, this season confidence, et cetera, her voice, um, and her ultimate decision to be honest is, is an intrinsically motivated evolution. That’s just been. Developed over the past couple of seasons and as a result of integrated lessons.

Thank you guys so much. Thank you.

Um, did you say my name? I, I almost heard it. I didn’t. Yes, Henry. Okay. Thank you. Sorry. Um, and to me, or lovely to chat with you today. Thank you for your time. Love the new season. Um, so my first question, uh, we’ll break it out like this. Um, so to Aaron, what was it? And to both of you, what was it like to be in the, the filming of the hero chasm episode, which was the most different?

It felt like out of any episode of the series, but also to Anthony. Um, it felt like home ender when he was shouting about how it’s safe to go outside and safe to go to the rallies. It almost like a surrogate for going outside, living your life during COVID. I was wondering when you’re filming a show, On set and it felt like the boy was one of the shows that was returning to the set.

What was it like for you both to have the sort of. Knowledge that you’re doing the safest things you possibly can. We, we, we assume and believe while you’re also having this character. Who’s like projecting like, oh, it’s safe outside. Don’t worry about, yeah. I mean, the irony wasn’t lost. Uh, we were in the longest lockdown in human history up in Toronto.

So, so it didn’t, it didn’t go unnoticed saying one thing, doing another in real life. But like, I mean, what if my guy is a. He’s never really doing the right thing is he he’s always doing the wrong thing. I never, I mean, according to himself, it’s always the right thing. There’s very few people or characters actually that do anything.

Um, because I think it’s the wrong thing is, you know, they, they they’re doing what they believe is the right thing. So it’s always fun to, to say. Do the stupid things that he says and does, um, as far as here, orgasm, I’m going to cough it over to my friend here because I didn’t have a lot to do with it.

And I can only say I’m very grateful not to have been there. Yeah. It was a lot of time spent in a space, in a house full of naked people, simulating various types of sex. Um, And in a house filled with sex toys and sex swings. And I learned a lot about different things and I saw a lot of things I can’t un-see, but I actually, I knew it was going to be insane.

So I just embraced it and laughed a lot and just kind of had a fun time. But on the fifth day I had filled my quota of naked bodies for the week. Um, and, um, I will not be joining nudist colonies, a nudist colony anytime soon, because that’s just, you know, it’s, it’s, it’s a little, it’s a lot of genitalia in five days.

It’s a lot of, you know, even there was even a butthole shot. So it just was all a lot. I saw a lot, I saw a lot, um, and it was hilarious, fun, excessive, uh, but it’s going to be a great idea.

Great. Thank you all so much for joining us. That’s all the time we have for this round table. Thank you. Thank you. That was biblical. On the fifth day, I reached my quota of naked a lie.


poster for "The Boys" season 3


It’s been a year of calm. Homelander’s subdued. Butcher works for the government, supervised by Hughie of all people. But both men itch to turn this peace and quiet into blood and bone. So when The Boys learn of a mysterious Anti-Supe weapon, it sends them crashing into the Seven, starting a war, and chasing the legend of the first Superhero: Soldier Boy.

The Boys is a fun and irreverent take on what happens when superheroes—who are as popular as celebrities, as influential as politicians, and as revered as gods—abuse their superpowers rather than use them for good. Intent on stopping the corrupt superheroes, The Boys, a group of vigilantes, continue their heroic quest to expose the truth about The Seven and Vought—the multibillion-dollar conglomerate that manages the superheroes and covers up their dirty secrets. It’s the seemingly powerless against the super powerful.

Season Three of The Boys stars Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty, Dominique McElligott, Jessie T. Usher, Laz Alonso, Chace Crawford, Tomer Capone, Karen Fukuhara, Nathan Mitchell, Colby Minifie, Claudia Doumit, and Jensen Ackles.

The Boys is based on The New York Times best-selling comic by Garth Ennis and Darick Robertson, who also serve as executive producers, and developed by executive producer and showrunner Eric Kripke. Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Phil Sgriccia, Craig Rosenberg, Ken F. Levin, Jason Netter, Paul Grellong, David Reed, Meredith Glynn, and Michaela Starr also serve as executive producers. The Boys is produced by Amazon Studios and Sony Pictures Television Studios, with Kripke Enterprises, Original Film, and Point Grey Pictures.

Executive Produced By

Eric Kripke, Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Craig Rosenberg, Phil Sgriccia, Paul Grellong, David Reed, Meredith Glynn, Ken F. Levin, Jason Netter, Ori Marmur, Garth Ennis, Darick Robertson, Michaela Starr

Developed By

Eric Kripke

Directed By

Phil Sgriccia, Julian Holmes, Nelson Cragg, Sarah Boyd

Produced By

Amazon Studios and Sony Pictures Television Studios, with Kripke Enterprises, Original Film, and Point Grey Pictures


Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty, Dominique McElligott, Jessie T. Usher, Laz Alonso, Chace Crawford, Tomer Capone, Karen Fukuhara, Nathan Mitchell, Colby Minifie, Claudia Doumit, and Jensen Ackles

The Boys Are Back! Take a First Look at Season Three With a Mind-Blowing Teaser

Mar 12, 2022

The Emmy-nominated global hit drama series from Amazon Studios and Sony Pictures Television returns to Prime Video June 3


AUSTIN, Texas—March 12, 2022—Today, Prime Video revealed the first teaser from the highly anticipated third season of the Emmy-nominated drama The Boys during their panel at South by Southwest (SXSW). During the panel—moderated by Christian Slater, who voices a character in the animated anthology series The Boys Presents: Diabolical—cast members and showrunner Eric Kripke revealed details about the next installment of the fan-favorite superhero series.

The teaser showcases just some of the truly diabolical moments ahead, and offers a glimpse at all of the fan-favorite characters and fresh faces from the upcoming season of The Boys. It is also set to the song “Bones,” the first new music from Grammy-winning band Imagine Dragons’ forthcoming releaseMercury – Act 2 (KIDinaKORNER/Interscope Records).

The series will debut on Prime Video with three episodes on Friday, June 3. New episodes will be available each Friday following, leading up to the epic season finale on July 8. The eight-episode season will stream exclusively on Prime Video in more than 240 countries and territories worldwide.

The Boys is a fun and irreverent take on what happens when superheroes—who are as popular as celebrities, as influential as politicians, and as revered as gods—abuse their superpowers rather than use them for good. Intent on stopping the corrupt superheroes, The Boys, a group of vigilantes, continue their heroic quest to expose the truth about The Seven and Vought—the multibillion-dollar conglomerate that manages the superheroes and covers up their dirty secrets. It’s the seemingly powerless against the super powerful.

Season Three of The Boys stars Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty, Dominique McElligott, Jessie T. Usher, Laz Alonso, Chace Crawford, Tomer Capone, Karen Fukuhara, Nathan Mitchell, Colby Minifie, Claudia Doumit, and Jensen Ackles.

The Boys is based on The New York Times best-selling comic by Garth Ennis and Darick Robertson, who also serve as executive producers, and developed by executive producer and showrunner Eric Kripke. Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Phil Sgriccia, Craig Rosenberg, Ken F. Levin, Jason Netter, Paul Grellong, David Reed, Meredith Glynn, and Michaela Starr also serve as executive producers. The Boys is produced by Amazon Studios and Sony Pictures Television Studios, with Kripke Enterprises, Original Film, and Point Grey Pictures.

It’s Time to Level the F***ing Playing Field: The Boys Unleashes the Official Season Three Trailer and Key Art

May 16, 2022

The Emmy-nominated global hit drama series from Amazon Studios and Sony Pictures Television
returns to Prime Video June 3

CULVER CITY, California—May 16, 2022—Today, Prime Video gave fans a look at the highly anticipated third season of The Boys, with the release of the head-poppingly diabolical official trailer and key art. The Emmy-nominated drama will return with three gripping new episodes on June 3, followed by one additional episode each subsequent Friday, and ending with a wicked season finale on Friday, July 8 . The eight-episode season will stream exclusively on Prime Video in more than 240 countries and territories worldwide.

About The Boys
The Boys is a fun and irreverent take on what happens when superheroes—who are as popular as celebrities, as influential as politicians, and as revered as gods—abuse their superpowers rather than use them for good. Intent on stopping the corrupt superheroes, The Boys, a group of vigilantes, continue their heroic quest to expose the truth about The Seven and Vought—the multibillion-dollar conglomerate that manages the superheroes and covers up their dirty secrets. It’s the seemingly powerless against the super-powerful.

Season Three of The Boys stars Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty, Dominique McElligott, Jessie T. Usher, Laz Alonso, Chace Crawford, Tomer Capone, Karen Fukuhara, Nathan Mitchell, Colby Minifie, Claudia Doumit, and Jensen Ackles.

The Boys is based on The New York Times best-selling comic by Garth Ennis and Darick Robertson, who also serve as executive producers, and developed by executive producer and showrunner Eric Kripke. Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Phil Sgriccia, Craig Rosenberg, Ken F. Levin, Jason Netter, Paul Grellong, David Reed, Meredith Glynn, and Michaela Starr also serve as executive producers. The Boys is produced by Amazon Studios and Sony Pictures Television Studios, with Kripke Enterprises, Original Film, and Point Grey Pictures.

Follow THE BOYS:
Facebook, Twitter, Instagram: @TheBoysTV
YouTube: Prime Video

Proofread and Edited by Brenda

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The Boys Season 3 Credit: Courtesy of Prime Video Copyright: Amazon Studios Description: Karen Fukuhara (Kimiko), Karl Urban (Billy Butcher), Tomer Capone (Frenchie), Laz Alonso (Mother's Milk)

Interview with the cast of “The Orville”

TV Interview!

"The Orville: New Horizons" poster

Interview with actors and producers from “The Orville” on HULU by Suzanne 5/16/22

“The Orville” returns for season 3 on June 2 on HULU. I can’t wait for you to see it. The first episode is fantastic. Truly! I was very happy to chat with some of the actors and writer/executive producers. I wish I had more than 10 minutes with each!

Here are the videos, we hope to have the transcripts up very soon!

Interview with executive producers Brannon Braga, Jon Cassar and David Goodman

I love talking with writers and producers because they can really tell you what’s going on with the show.

I hadn’t yet finished watching season 2 when I did these interviews. I sent a follow-up question to Brannon Braga: The Kaylon war happened and then there were 5 more episodes. Why did you wait for season 3 to address the crew’s feelings about Isaac? What was the thinking or reasoning behind that?

Answer: At the end of “Identity, Part Two”, there are three scenes where we deal with the Isaac issue. Ed and Kelly debate what to do about Isaac; Admiral Halsey informs them about the Union Council’s proposal that Isaac stay on board the Orville; and the final scene with Claire, where Isaac states he has no home, and Claire assures him that given enough time, forgiveness might one day be possible. Our thinking was that when the Captain gives an order with the Union Council’s, the Orville crew would follow that order, no matter what their personal feelings. It’s not until Ensign Charly Burke joins the crew that things get shaken up. It’s one of the reasons Seth created the character: to be a voice for the people who do not trust Isaac and want to hold him accountable for the deadly attack on Earth. That was by design. But some ideas emerge later, such as young Marcus’ trauma over the attack. We had that idea when we started work on Season Three. We had 5 cool episodes already planned to round out Season Two, and we stuck to that plan. The fallout from Isaac would happen in Season 3.

NOTE: The producers got one point wrong in that it was Ed and Kelly who asked for Isaac to remain on board; the Union wanted him to be taken apart. The main point is still correct, though.

Interview with Adrianne Palicki and Penny Johnson Jerald

I enjoyed talking with the women, especially Penny, who I’ve been a fan of since she was in “The Larry Sanders Show” years ago. Scifi fans no doubt remember her as Sisko’s girlfriend on “Star Trek: Deep Space Nine,” too.

Interview with Scott Grimes and J. Lee

They two guys were very nice. I loved Scott so much on “ER!”


The Orville: New Horizons -- Season 3 - Seth MacFarlane’s epic space adventure series “The Orville” returns exclusively as a Hulu original series. Set 400 years in the future, “The Orville: New Horizons” finds the crew of the U.S.S. Orville continuing their mission of exploration, as they navigate both the mysteries of the universe and the complexities of their own interpersonal relationships. The ensemble cast includes MacFarlane, Adrianne Palicki, Penny Johnson Jerald, Scott Grimes, Peter Macon, J. Lee, Mark Jackson, Chad
The Orville: New Horizons — Season 3 – Seth MacFarlane’s epic space adventure series “The Orville” returns exclusively as a Hulu original series. Set 400 years in the future, “The Orville: New Horizons” finds the crew of the U.S.S. Orville continuing their mission of exploration, as they navigate both the mysteries of the universe and the complexities of their own interpersonal relationships.
The ensemble cast includes MacFarlane, Adrianne Palicki, Penny Johnson Jerald, Scott Grimes, Peter Macon, J. Lee, Mark Jackson, Chad L. Coleman, Jessica Szohr and Anne Winters.
“The Orville: New Horizons” is produced by 20th Television and Fuzzy Door. The series was created and written by Seth MacFarlane. MacFarlane, Brannon Braga, David A. Goodman, Jon Cassar, Jason Clark and Howard Griffith serve as executive producers.
President Alcuzan (Bruce Boxleitner), Lt. Gordon Malloy (Scott Grimes), Speria Balask (Lisa Banes), Admiral Halsey (Victor Garber), Charly Burke (Anne Winters), Capt. Ed Mercer (Seth MacFarlane), Cmdr. Kelly Grayson (Adrianne Palicki) and Isaac (Mark Jackson), shown. (Photo by: Michael Desmondl/Hulu)

Proofread and Edited by Brenda

Back to the Primetime Articles and Interviews Page

The Orville: New Horizons -- Seth MacFarlane’s epic space adventure series “The Orville” returns exclusively as a Hulu original series. Set 400 years in the future, “The Orville: New Horizons” finds the crew of the U.S.S. Orville continuing their mission of exploration, as they navigate both the mysteries of the universe and the complexities of their own interpersonal relationships. Capt. Ed Mercer (Seth MacFarlane), Lt. Gordon Malloy (Scott Grimes), Lt. Cmdr. Bortys (Peter Macon), and Cmdr. Kelly Grayson (Adrianne Palicki), shown. (Photo by: Michael Desmond/Hulu)

Interview with actors from “Tom Swift”

TV Interview!

Poster for "Tom Swift" on The CW

Interview with actors of “Tom Swift” on The CW by Suzanne 5/6/22

This was a fun press day for the new show on The CW. The character of Tom Swift was previously seen on their show “Nancy Drew,” so this is a spinoff. It was a very fun panel. I wish I could have asked more questions. They didn’t tell us ahead of time who would be there, and I would liked to have asked April Parker Jones a question because she’s been on many great shows that I watch. She plays Tom Swift’s mother.

Tom Swift
Noga Landau, Melinda Hsu Taylor, Cameron Johnson (Exec. Producers)
Albert Mwangi “Rowan,” Ashleigh Murray “Zenzi Fullington,” Tian Richards “Tom Swift,” Marquise Vilson “Isaac Vega,” April Parker Jones “Lorraine Swift”

MODERATOR: Hello, and welcome to the virtual press panel for The CW’s devilishly-charming new series, TOM SWIFT. We are so proud of this project and look forward to sharing it with you. As an exceptionally-brilliant inventor with unlimited resources and unimaginable wealth. Tom Swift is a man who many men would kill to be, or be with it, a man with the world in the palm of his hand. If that world gets shaken to its core after the shocking disappearance of his father, thrusting Tom into a breathtaking adventure, full of mysterious conspiracies and unexplained phenomena. Premiering Tuesday, May 31st at 9:00 PM this is TOM SWIFT.

(CLIP shown)

TOM SWIFT: Honored guests. A core value at Swift Enterprises is that if you can dream it, we can make it happen.

What does a genius inventor do when he’s not inventing?

TOM SWIFT: I multitask.

ROWAN: While I’m gone, you need to grow up. Be a man.

ROWAN: You will have more responsibility heaped upon you than you even know.

ROWAN: Everyone you love will end up dead.

TOM SWIFT: My name is Tom Swift. I’ve got this.


MODERATOR: Please welcome the cast and executive producers of TOM SWIFT. We are so excited to have you here with us. And as a quick reminder to press, if you’d like to ask a question, please click the “raise your hand button” and we’ll put you in the queue and call on you when it’s your turn. If you have a two-part question or follow-up, please let us know at the top of the question. Thank you for joining us today. Thank you to everyone for your participation. Now let’s get started. First up is Suzanne Lanoue followed by Fred Topel.

SUZANNE: Hey, good afternoon, everyone.

ALL: Hey, Noga!

TIAN RICHARDS: Noga, you look good.

NOGA LANDAU: You all look so good. I feel like (You too!) [UNINTELLIGIBLE] explode from all the gorgeousness.

CAMERON JOHNSON: Well, beauty combusts.

NOGA LANDAU: It’s a scientific fact.

SUZANNE: Hi, this is Suzanne from TVMEG.COM. And my question is for Tian.  I read that there are some supernatural elements in this show as well, but I didn’t see any in the pilot. So can you tell us about any of them?

TIAN RICHARDS: Ooh, well, our show takes place in a beautiful tech world. So tech is the leading, the leading factor in our show. Though in NANCY DREW, Tom did get his first experience with the supernatural, that’s not really a big theme of Tom Swift. But who knows? I mean, but right now we’re just, we’re just, we’re tech-heavy over here. [LAUGHS]

CAMERON JOHNSON: As long as there’s no [INAUDIBLE] here, there may be ghosts. But yes.

TIAN RICHARDS: Yeah. Again, who knows?

CAMERON JOHNSON: Anything is possible, but yes.

MELINDA HSU TAYLOR: Cosmic wonder, I would say.

CAMERON JOHNSON: Mm, cosmic wonder.

SUZANNE: Thank you.

MODERATOR: Next step is Fred Topel.

FRED: Uh, also for Tian, this obviously isn’t your first time playing Tom Swift, but how is it different having a show centered around Tom, and how is he different in this show?

Tian Richards (Tom Swift) guest-starring on "Nancy Drew" on The CWTIAN RICHARDS: OK, a question I love. First of all, yo, it’s been three years since Tom Swift was in Horseshoe Bay. So that takes place in 2019, we take place in current day. So, Tom has definitely grown up a little more. When we first meet him, he’s still trying to get the, the meteorite to, to build the, you know, spaceship for his father. At the top of our series, we meet him when he has just completed that spaceship. So again, definitely further along his journey.

TIAN RICHARDS: We look a little different, I like to say. I mean, a, a little bit, a little bit, we’re giving a little more, you know, grown-man energy, definitely this time around. And it was so beautiful this time, you get to see Tom in his element. You get to see him with his family, with his friends, you get to see him in his hometown. So, you really do open up the fullness of who this man was. We got like a prequel, like an appetizer of Tom and, and NANCY DREW. But now you get, you get a full course. So come on, baby. We not snacks, we meals.

ASHLEIGH MURRAY: Right, are you hungry?

CAMERON JOHNSON: We got like the edemame of Tom. Now we have the sushi.

TIAN RICHARDS: Come on! I love that. I love that.

FRED: You feel different being the center of the show?

TIAN RICHARDS: Yes, yes! Before, I got to come in and be cute and be in Horseshoe Bay and like just follow Nancy’s lead and really watch Kennedy lead. But I needed that because that was the most I’d ever done in an episode of television. I’d never been [in] a series. Yeah, I’d never been a series regular before. So just to watch Kennedy take control of the set as a leader and be so beautiful and fearless, it really gave me insight on what was to come or, or what I hoped to come at the time.

TIAN RICHARDS: So I just sat back and watched how open and given, giving she was, and hope to do the same. But yes, it feels totally different. I, I say this all the time and I love my cast for just, and, and, and, and my creators for just really huddling around me and, and allowing me to find my voice in this space and really come into my own as an artist, as a man, you know, I definitely feel a lot more grown [LAUGHS] this time around. Cause I came in with a bit of imposter syndrome, and I, I’ve been definitely finding myself in this space, so, so seamlessly. And that’s a life experience that I’ll, I’ll take with me. So yeah.
Yeah, growth. I think growth is the main thing that I’m, I’m having in this journey.

CAMERON JOHNSON: Truly it’s been so wonderful and heartwarming to watch Tian realize and understand inside of himself that he is incredible, and that like, he is just as good as all of them really that, that, that, that we all knew that he would be. And it’s, it’s been really beautiful to watch, and it’s made my, my, my, my little heart smile.

APRIL PARKER JONES: Yeah. I, I have to piggyback on that. I think I, I tell you all the time, I do. And I, I, I’m learning so much from you the way that you are taking leader, this role as a leader. And it’s so beautiful. And, although I’m probably the oldest one here on set, I’ve learned so much from your example, and I’m so proud of you for stepping into this with such confidence and such compassion for all of us. So, thank you, I see you.

TIAN RICHARDS: Thank you. Thank you, April. Can we, can we tell ’em really quickly, tell them a story?

TIAN RICHARDS: Let’s talk about it. So I met the beautiful, wonderful Miss April Parker Jones, I’m not gonna tell ’em how long ago, but we were a lot younger. I was 18 and I used to be a personal assistant. And the guy I worked for used to put actors on tape. So, so many people would come through and I was fresh out of high school. I think I had just turned 18. And then in walks this beautiful woman, honey tone, nice commanding voice and presence. And she gets on tape and does it in one take. And I say, who is that? And it was April Parker Jones, ladies and gentlemen. And all these years later, we’re now doing a series together in the same city that we met.

APRIL PARKER JONES: Absolutely full circle, full circle. Yes, my friend. I love you.

TIAN RICHARDS: I love you.

MELINDA HSU TAYLOR: Yeah. I will say actually, when we were doing the casting, the chemistry read, April was one of three final contenders. And she came on the screen and said to Tian, just forgetting about the audition entirely, “I am so proud of you.” That’s real, feel that hug. (Oh yes) And right away we like, oh, this is [OVERLAPPING]

APRIL PARKER JONES: Oh yes, Mama Swift.

MELINDA HSU TAYLOR: Also, your performance is right.

CAMERON JOHNSON: It’s hard to hug via zoom. So we’re, that was, that’s true talent.

TIAN RICHARDS: Thank you, Cameron.

MODERATOR: Next up is Yana Grebenyuk, followed by Jay Bobbin.

YANA: So, speaking about Nancy Drew, I know that they’re in different timelines right now, but we don’t know where Season 4 is headed with the show. So, I was wondering, is there a possibility that there could be a crossover in the future? And if so, what would you like to explore between the two shows?

NOGA LANDAU: First of all, hi Yana, I love all of your coverage of the Drew. I really appreciate you. So right now they are in two completely different years. NANCY DREW, it’s still kind of 2019 and TOM SWIFT is, has jumped forward to the present date in the future, or the “present.” So as far as the two shows speaking to each other, if they do, it’s gonna happen eventually, and it’s gonna happen in a really interesting way. But, you know, what’s important to us is that these two shows really stand on their own. Like they’re in the same universe, the characters know each other, we’ve put a lot of really fun, little Easter eggs if you’re paying attention between Tom and Nancy.

NOGA LANDAU: But, you know, they’re such different shows. NANCY DREW is about a bunch of kids in a small town in Maine, you know, solving ghost stories in a crab shack. And this show is about billionaires and… [LAUGHTER] and people who build rocket ships and go to space. So they’re so different and they’re so, but they’re both so, like I think what links them together is how earnest they are and funny. And at their core, they’re kind of about similar issues of claiming your own identity and growing up and figuring out who you are in relation to your family and your parents and the secrets you carry with you. Um, so yeah, it’s, there, there’s the similarities for sure. But they’re, they’re definitely their own things at this point.

CAMERON JOHNSON: I just want to see Nancy in our clothes. Like I just wanna see Nancy, Gucci to the floor. Like that’s, that’s important for me. I wanna see that.

YANA: Yeah. I want, I want Zenzi to like, to talk to Nancy one day. Like I think a Zenzi [OVERLAPPING] right, Ashleigh?

ASHLEIGH MURRAY: Yes, yes, yes. I love her. Let’s go shopping. Yes. Yes.

MELINDA HSU TAYLOR: That actually sort of gave me an idea, but I can’t talk about it.

MODERATOR: Next up is Jay Bobbin followed by Karen Moul.

JAY: Hello. Thank you. Hi everyone, thanks for doing this. Tian, this is for you, too. There was a period of several months after the put pilot for this aired on NANCY DREW before the official series pickup came. Were you able to keep the faith during that, that this would go?

TIAN RICHARDS: Ooh. Yeah. I mean, it, that was, that was a period. But, again, just throwing it back to divine connections. I met Cameron Johnson, Noga Landau, and the beautiful Melinda Hsu Taylor on zoom and they became a true family for me, like during that time. I went to their homes. I visited, you know, and at, with different parties we would go to, and met their children. And they, you know, because I’m in LA by myself, like, you know, figuring out life. And they really just, they poured into me and they became a, a, a family for me within this experience. And I got to meet LeVar Burton and it was like, it was a great experience.

TIAN RICHARDS: So to have them during that time and they, it wasn’t like a thing of, you know, oh, we’re only about business, and once, you know, the show is kind of, you know, waiting to get the green light, we’re not dealing with, you know, they check in and just see how it was doing or just, you know, send nice, beautiful words of inspiration. And Cameron’s like, you know, “what clothes are you buying?” Like… I have stepped my fashion game up tremendously because the people know I only wear gym clothes, 24/7. (Adidas)

CAMERON JOHNSON: That’s cause you stay in the gym 24/7.

TIAN RICHARDS: Oh, yes, yes. But no, during that time, something just always told me, like, I didn’t get to this point by accident. It’s been a long journey to get here. Again, since I graduated high school, the year I met April, like, and just going forward. Um, but in that time, like I kept my faith. I researched, I did things like, I just didn’t sit at home being idle. Like, I went to visit MIT. I went to space museums. I researched, I read books. So, I was really able to keep myself immersed in the world of TOM SWIFT and be adjacent without racking my brain.

TIAN RICHARDS: So, you know, at times, yeah, it’s like, what’s happening, what’s happening, what’s happening? But I would hear little updates say, “Hey, we’re not, you know, it’s not gone yet. It’s still happening. It could happen.” So yeah, I kept the faith and… look at us, who woulda thought?

MODERATOR: And next up is Karen Moul, followed by Bruce Miller.

KAREN: Hi, this is Karen from (Hello) Um, like NANCY DREW, TOM SWIFT is a pretty old piece of intellectual property from like the book series from the thirties. But as I watched this episode, I saw shades of Tony Stark, Bruce Wayne, definitely the Lions family is in there, I think. And I’d love it if the executive producers could tell us a bit about the great stories and characters that have inspired you as you created the show.

MELINDA HSU TAYLOR: Well, you know, we definitely wanted to make a show that was way more inclusive than the original IP. The books from back in the day are from a different era. They don’t hold up, really. However, what we loved about the core concept of optimism and friendship and kind of relentless positivity, that we brought into the show. And then we populated with a black, gay billionaire and, you know, all his found family and friends. And, at the time also, I had just done a thing where my son, who’s trans, had, you know, had to answer this question, like what TV shows are out there that you’re like, “Oh, that’s me, that’s my story.” And he was like, “Well, there aren’t any.” And I said, “I’m gonna change that for you, honey, if I can.”
MELINDA HSU TAYLOR: And that’s part of what we put into this show. So, we really wanted to make it a show where, no matter what kind of intersectional identity you have, you have somebody to relate to, somebody to cheer for, somebody to hope for and, and feel like, “That’s me. I’m, I’m the one who’s in love. I’m the one who’s being desired and pursued. And I’m the one who has friends, and I can change the world. It doesn’t matter where I came from, what I look like, you know, who I love or how I feel on the inside. I’m being celebrated here and now for who I already am.”


CAMERON JOHNSON: I think for me, I mean, it’s funny that she said the, the, the Lion family, spoiler alert, I used to write for Empire. And I was, it was a wonderful time. I had the great, good, the good fortune of working for Brett Mahoney and Lee Daniels. And I think what was interesting about working, especially working on those shows is that I’ve always worked on shows that prime, that had primarily black casts. And so as a consequence, I’ve never thought about too much about like, okay, so, but like, what do we, how do we tell this story in a way that like, is, you know, gonna be that other people, that is going to be understood by people who aren’t necessarily black?

CAMERON JOHNSON: Because it’s like, okay, well, who’s the audience? But the beautiful thing about this particular show and what we were able to do, and what was always so important to me is, how do we tell a show that is, tell a story about a group of people that is authentically black, that is steeped in black culture, that gets to that, but that tells universal stories that anyone can tap into? One of my favorite movies is Clueless. I am not blonde, I do look great in plaid though. (Yes) And I’m not above having a white Jeep.

CAMERON JOHNSON: But my point is to say that like, that’s what we were able to do here, is gather a group of people together and tell a story about a person who has lost something and who is trying to reclaim that, and also figure out what do I take from my parents? What do I leave behind? And what is the life that I can build for myself when surrounded by the people that I love. And I have been feeling incredibly fortunate to, to do that.

TIAN RICHARDS: Oh, you forgot one thing.

CAMERON JOHNSON: Oh, what’s that?

TIAN RICHARDS: And you’re not a virgin who can’t drive.

CAMERON JOHNSON: That’s true, I drive beautifully. There’s a stick shift joke in there, but I’m gonna leave it.

MODERATOR: Okay, next up is Bruce Miller, followed by Damian Holbrook.

BRUCE: Sorry, about the sense of style of this show. Everybody is like, wow. But how do you decide that. And do the actors get a chance to like say, no, I wouldn’t wear that or that’s not me?


CAMERON JOHNSON: Yes, they do.

MELINDA HSU TAYLOR: Ashleigh, I want you to talk about the things that, just this morning, you’re saying, this doesn’t fit me right. There’s a designer I know.

ASHLEIGH MURRAY: Oh yeah. Okay. So, you know, there, there’s an outfit that I’m wearing in this episode that we’re shooting currently, and it was made from scratch. Our seamstress made the, the pattern herself. And we’re still trying to get the pattern measurements right, and it wasn’t quite, you know, hitting where we need it to, it’s gonna take a little bit more work. And I brought up the fact that I know this really wonderful designer, Cynthia Rowley, who makes beautiful clothing, very, very feminine, very statement pieces. And she also makes like SCUBA attire as well. And I thought…


ASHLEIGH MURRAY: There happens to be a similarity to the outfit in which I’m wearing today. Well, not this one. But the one in the episode that we could, you know, see if maybe she would be willing to, you know, create one for us, and then we can put the logos and things and such to match the show. And so that collaborative effort on top of having such a wonderful, smart in-touch costume designer, like spiritually rooted in each and every one of these characters. It’s hard to say no to outfits. There’s only been like two or three times where I’ve said, hm, I don’t wanna wear that. But honestly, I’ll go in there and I’ll be like, “Yes, yes, yes, that’s mine. Um, yes!”

CAMERON JOHNSON: Our costume designer is Ayana Kimani James. She did the first several seasons of Insecure. She works on the new ALL AMERICAN spinoff as well as a bunch of other things. And you know, when we were interviewing custom designers, we interviewed a lot of people who, like some people who like, just didn’t quite get it. Who were like, there’s the, they had good ideas and they were well intentioned. And then we met Ayana, and Ayana sat down and she had a vision for what Tom was gonna look like. She had a vision for what Zenzi was gonna look like. She understood the luxury and she understood all of the random black fashion references like Charles Harbison or Pierre Moss, or, you know, all of those or curb or every, what else is there? There’s so many.

CAMERON JOHNSON: But my point is just to say that, like, she understood all of those things. She said, I can take that and I can get you a sweatshirt with a [UNINTELLIGIBLE] Wiley on it, and I can make it work on this show, and I can do it for your budget. And I was like, yes, yes, of course. And we hired her, we hired her on the spot. And what I love about the collaboration I feel like we’ve been able to have with the clothing is that, I feel like all of you and you can, if I’m lying, don’t tell me.

CAMERON JOHNSON: But I, I feel like all of us have been able to be like, Hey, I like, I like the way that looks on me. Can we do more of that? Or I hate the way that this looks on me. Can we do less of that? Or can we find something that’s gonna be, you know, keep up with the fashion of it all. But also, I just want to make it really difficult for people to Cosplay Tom. Like I want them to be like, okay, that first look, the one from the trailer, okay, wait. So that’s a black Telfar jacket, Gucci pants, Gucci boots, and a Gucci shirt. Ah, I’m gonna have to knock that off. It’s gonna be tough. Look out Comic Con.

NOGA LANDAU: And yet, and yet possible! And yet very possible.

CAMERON JOHNSON: And yet totally possible, and yet totally possible.

MELINDA HSU TAYLOR: You know, in the small details, like Albert wears earrings just in his real life. (Love, love) And he’s wearing them his first audition for us. And we’re like, who’s that guy with the earrings, you know, and the cool accent. And we just, you know, we used his, we said other things, your performance is great. And then, you know, his earrings are part of the character now. Like, how do you pick your earrings? You know, we talked about this, like…

ALBERT MWANGI: Yeah. I, I, I think I’ve always used my earrings as a form of expression. Um, so they clocked that and loved it. And it’s, it’s, it’s rare to, to have that, you know. So, to have producers be like, we love your package as it is. So, and whatever you’ve added to the acting for the character, then go, go. I was like, yes. Why not? Any chance to wear earrings, I’m down. [OVERLAPPING]

CAMERON JOHNSON: We do have Marquise in some better fashion in the future though. He’s in a lot of black military looks. What do you wanna see yourself in, Marquise? What do you wanna see you in? What do you wanna see Isaac in?

MARQUISE VILSON: I’m fine the, the, the way that Isaac is, right, like his intention is to often be present. He’s the eyes, he’s the ears, he doesn’t necessarily need to be seen. So that’s okay. I have, I have a life outside of [OVERLAPPING] I get to wear what I wanna wear. And also I happen to be wearing black today anyway [OVERLAPPING].

CAMERON JOHNSON: We will do Isaac. We will be the eyes and ears in Gucci. That’s fine. A nice print.

APRIL PARKER JONES: Lorraine doesn’t wear any black, you know, April wears black all the time. You notice that Lorraine’s not worn any…well, I take that back… (the funeral) Besides that though in her casual every day, like know, like, and so, so maybe we’ll introduce a little bit more the darker side of Lorraine.

TIAN RICHARDS: For the record, Isaac’s fashion and attire is my favorite on the show, is how I would dress in my actual life.

MARQUISE VILSON: It’s, it is exactly how he dresses.

CAMERON JOHNSON: And I hope to someday be able to afford Tom’s clothes. Like that’s my, that’s my goal.

MODERATOR: Next up is Damian Holbrook, followed by Porsche Monique.

DAMIAN: Hey, hey everybody, how are you?

TIAN RICHARDS: We love Damian.

DAMIAN: I, I have two questions. First, for Ms. Ashleigh. Um, having gotten to see the, the pilot, I was so excited that this, this really feels like your first grownup role. You know, like, like we met her as a teen, and even when she was living in New York in Katy Keene, she was still struggling, but this is a fully realized woman who is not to be messed with. How fun is that to have that role?

ASHLEIGH MURRAY: Honestly, it’s so wonderful because, you know, I, I’ve always been a very mature person, even in my youth. And it’s nice to be able to finally step and walk in that same maturity. You know, it, it feels good to, to feel like a woman and to be received as a woman, and to be respected as a woman, that I can show up and I can command a space and I can command attention and I will be listened to, I will be understood, and I will be enmeshed and welcomed and received. That’s, that’s, it’s, it’s wonderful. It’s also wonderful to be able to… do I curse? I be cursing. I get to curse. I get to be funny.

CAMERON JOHNSON: Network TV, on network TV.

ASHLEIGH MURRAY: Well, you know, network cursing. So it’s, it’s dainty, but it’s there.

DAMIAN: Nice. And for Cameron and the showrunners or the, the executive producers, is the, is the brewing love triangle between a trans ex-military man, a Kenyan government official or, or related government person and a black gay billionaire, is this a historic moment? Like this has gotta be the first time we’ve seen it, right?

CAMERON JOHNSON: Well, I mean, we’re making a couple different types of history here on TOM SWIFT. I think that love, we like to do love squares on TOM SWIFT. There are other love interests involved. They are all overlapping. It is just a series of Venn diagrams of mess in the best way possible. Nothing like a geometry joke. But in terms of, but in terms of like the first things we’ve seen on TV, there has, as far as I know, never been a network TV show where it’s lead, where they title, where the titular character, the #1 on the call sheet is a black gay man.

CAMERON JOHNSON: And we’ve never, I’ve never seen a show where those sorts of stories are explored with, like us, I am a gay black man, duh. And like our, are the center of the story and didn’t get to be able to explore love and romance and fun and et cetera, without being somebody’s like, you know, just additional character. And so, I think it is historic. I think it is messy and I think it is really fun. And I think you’re gonna love it. I don’t know. I, I, I just, I suspect.

ASHLEIGH MURRAY: May I say one more thing? The thing that I’m most excited about being able to play this role is… I want to be a part of myself that I feel like I haven’t been able to be for a long time. There, there is… there’s an essence of Ashleigh in, in her womanhood and in her blackness that I, I just get to, I just get to flourish. It’s, I’m, I’m so thankful for this. I really am.

CAMERON JOHNSON: Wonderful for you. I mean, it’s, well, one, I mean, just Ashleigh, come on…that’s, I can’t cry, I have on makeup. Oh my God. (Sorry) But I mean, the, the character of Zenzi is, is something that we came up with, but the name is after Zenzelay is the full name, is named for one of my best friends who has been, I don’t know one of my, just my backbone since I was about 12. And it was such an honor to like, see you bring her to life. She has the personality of my godsister, Danielle. We have blended them together. And Danielle is my, if Zenzi’s my backbone, then Danny’s my rib cage, maybe my legs.

But they are, you, you bring these women to life in such a beautiful, honest, vulnerable, true, incredible, hilarious, sassy, bad bitch kind of way. There was literally a moment, there’s a moment in the episode where I was literally throwing stuff at the screen when I was watching. So, thank you. Glad we can do it.

Next up is Porsha Monique followed by Rick Bentley.

PORSHA: I wanted to circle back to the earlier conversation when you guys were hitting a little bit on just some of the redefining the blackness and giving a different portrayal of, of blackness to the, to the general audience. So, I wanted to go ahead and ask, what do you think is the importance of showing black faces and people of color onscreen in a story that is geared towards, you know, something that’s more positive, it’s more fun, it’s more aspirational as opposed to playing into like black trauma and those types of themes?

CAMERON JOHNSON: Well, here’s the thing for me, I, I guess I, I guess I’ll, I’ll be black and answer. But, I mean [OVERLAPPING] There’s a couple of things that are at play here. So one, we had six black people sitting on this stage and we all come from different places, have different points of view, have different backgrounds and that we can all bring to life. I don’t really have any interest as a writer or as an artist, if I can be so pretentious, in exploring like stories of trauma for the sake of trauma. Like that’s just not something I’m really interested in doing.

CAMERON JOHNSON: What I would, when we were working on this, I was in what I like to call, like my, my, my black joy phase, where I was trying to create TV shows that were about black people being happy, looking fabulous, having fun, falling in love, you know, having deep, emotional connections being resonant, but doing so with joy. And so, is there crazy traumatic shit that happens on this show? Maybe. But I, but I think we’re trying to do it in a way that sort of opens the door to… content that is about black people existing in their own lives and making choices, but without it being about, you know, pain or, you know, some horrible thing that happened, or even racism even, or… it’s a show about black people being black in the same way that, you know, Step by Step is a show about white people being white, it’s a show about a family. It’s a show about people existing that anyone can watch and identify with, even if they’re not the same color as the people on the screen. It’s just that we do it with some swag and, you know, some good shoes.

TIAN RICHARDS: Yeah, come on. If I could just piggyback, it’s also just a, a, a beautiful thing to see black people exist that we haven’t seen before, particularly. We are of like the black elite, the 1%, but not by way of, you know, music or basketball, which are great professions. But, you know, it’s the idea of legacy and heritage and, and we, and our heritage and legacy is tech, which is another thing in and of itself. But, for that to be the basis, we get to bring forth so many more conversations. Like, with my research, I got to, you know, go into the arsenal of black inventors and creators. We got to talk about Benjamin Banneker and, you know, George Washington Carver, and Lonnie, Lonnie Johnson.

TIAN RICHARDS: There’s so many people who, whose names that haven’t been spoken in history, but now, through this current modern vessel, we can like look into that. And, you know, and also get the young kids interested in STEM and tech, because that’s never looked cool before like this, you know? It’s so many intersections that this show gets to take part in that, it’s, I’ve never witnessed anything like this. And to be a part of it is, I still like can’t believe it.

ASHLEIGH MURRAY: You know, one, one of my favorite things about this show is that, if you haven’t noticed, we are of a very rich complexion. And I can speak from my experience. I have, I have been… muted in my expression of emotion, because I may emote a very human reaction in a situation that anyone else would have that same reaction. But when I have it, it’s often received as too much. It’s too angry. You’re too sad, you’re, it’s, it’s never received as understood. It’s just too much. And it’s wonderful that we have this show where people are just living in their human experience, and you get to see that spectrum and recognize it and relate to it without being felt like you’re feeling too much.

APRIL PARKER JONES: I think another wonderful thing about this show that I love so much is that that Tom’s superpower is his brain. You know, we were celebrating his genius, you know? And, and I, I hope that that when young people or, or anyone who watches this show, they’re able to, to tap into the reality that we all have within us that genius. (That genius, yeah) You know, so I, I think that that superpower is, is, is one that’s, that, that’s awesome and relatable, and, and, and hasn’t really been seen a lot, you know, that, that, that’s your superpower, your intelligence. Yeah.

MELINDA HSU TAYLOR: One other aspect that I’ll speak about as somebody who’s outside of this experience, but I’m so excited that the audience also is gonna get invited into this world. We have a lot of very specific moments and situations in the show. There’s a black cowboy rodeo that we visit. There’s a black cotillion that we go to. There’s a lot of stuff that is kind of subtly talking about big themes and currents in the world, in the country, but in a way that becomes so personal and so relatable that, it’s a show that invites everybody in and embraces whatever you’re coming from. And just kind of like, let’s all be together. I think it’s really exciting to watch as somebody who’s not black, frankly.

CAMERON JOHNSON: And I, for the, if you get me drunk enough, I will show you pictures from my cotillion.

TIAN RICHARDS: They’re great.

ASHLEIGH MURRAY: They’re so great. They’re great!

CAMERON JOHNSON: You know, Tian spoke about legacy, and I think the other important thing to remember is that as we look at this show is that black people like this have always existed. (Right) Madame CJ Walker, first black, one of the first millionaires, black female millionaires in this country. She lived in, in, in a villa, in a, in an estate, not unlike Swift manor. Jack and Jill, which is an organization for the children of, of professional black people is, it’s like about a hundred years old. There’s always been Boule, there’s always been The Links. Those things have always been existed, but they’ve always been kind of secret.

CAMERON JOHNSON: And so our goal is not necessarily to like, make them not secret or do some sort of like black excellence porn. Our goal, that’s not it, that’s not it, that’s not the goal. Our goal is to talk about people who you haven’t seen before living lives that you may be familiar with. And that, as Melinda said, you know, you can excitedly become a part of.

ALBERT MWANGI: Could I, could I add something as well? You know, coming from Kenya, having born, being born and raised from Kenya, being on a show like this is, it’s, it’s awesome because I feel like all of us as characters get to dare to be ourselves. And, and, and just adding to that aspect of, this show just shows just any other human condition, the same as all stories that are well told, do. And so it’s, I think it’s brilliant for audiences to come out of this thinking and knowing that they can dare to be, to, to be themselves, whether they have a different racial background, different sexual background or gender, or country. It doesn’t matter, just dare to be yourself and do it unapologetically.


CAMERON JOHNSON: And get into that accent on Albert? (OVERLAPPING) We heard that on the zoom, we were like, wait, what? Yes, keep talking.

ASHLEIGH MURRAY: I’m sorry, your mic isn’t working. Can you [INAUDIBLE]

NOGA LANDAU: How was the thing is at, as, at first Rowan, the character, was not supposed to have this beautiful, majestic accent that he now has. And then, and then we heard how Albert actually speaks, and we were like earrings and his real accent, and that’s who he is. We’re gonna go with it.

ALBERT MWANGI: Yes. And I’m so glad you guys gave me that opportunity to do it. I think it’s, it’s, it’s, it’s amazing. And, and yeah, it’s, it’s a privilege and, and fun, I think. I love it. To do it with all of you guys.

PORSHA: Can you guys speak to the, having LeVar Burton, LeVar Burton’s role and just having that combination, having the, yeah, the creative team and the producers, having that strong mentor figure, but having it be distilled in AI. That’s such an interesting combination to me. So if you can speak on how that came to life and how it enabled you to be a little bit more creative with that type of role.

MELINDA HSU TAYLOR: We wanted somebody who was a best friend to a lonely kid, whose parents were off and out of the house, who didn’t have folks he could relate to, you know, at his level, but also of his age. So, he created this robot essentially, who would be kind of his Obi-Wan. And be encouraging and smart and protective and loving, and, you know, secretly in the ways he wished his dad were. But at the same time, you know, the shape of the drone, the flying Barton Barclay, I’m sorry, drone is a little bit like the Starship Enterprise. And you know, my first piece of fiction when I was eight, was writing little stories about, it was fan fiction for Star Trek.

MELINDA HSU TAYLOR: Cause I grew up in this little town in Bangor, Maine. And so everybody else was white, and they were nice, but I was terribly self-conscious and timid because I didn’t look like anybody else. And so I spent my whole childhood hiding in my bedroom reading like the Lord of the Rings over and over again. Cause in those books, if you were different, it was cool. And you brought something to the party, and it gave me hope. And having LeVar Burton voice this character is such a crazy full-circle thing for me. I wanna like get in a time machine and tell my younger self, “Just keep writing in your bedroom and reading these books and writing fan fiction for Star Trek.”

MELINDA HSU TAYLOR: But it’s also a thrill as like a grownup to meet LeVar Burton, who is a lovely person and so talented and so cool and just like mentoring Tian in the most beautiful way. And it was kind of like, we couldn’t have asked for a better Barclay. It’s a thrill.

TIAN RICHARDS: Can I add to that? (Go ahead) Okay. Cause I have to, I have to say this. To meet LeVar Burton, and they were here to witness this.

CAMERON JOHNSON: They all burst into tears. I was the only one who kept it together.

TIAN RICHARDS: And I experienced that with, with Melinda, Noga and Cameron on both zoom and in person. But it’s otherworldly because you really sit down and you think about it, he encapsulates the entire experience. Like you think about “Roots” and history and the voice to America. You think about Star Trek in the future. You think about just, you know, present day and shaping young minds that are going to become. And come on rainbows, he’s an ally.


CAMERON JOHNSON: Butterfly in the sky.

TIAN RICHARDS: Yes! But, his, his spirit is, is so, so beautiful and so open. Cause, you know, I didn’t know what to expect. You know, he’s a, he’s a legend. So when I, when I met him, it’s like, he just saw me. I, I just felt like he saw me. And um, we just sat and talked about life. And he, he poured into me and, and told me, you know, stuff that Cecily Tyson and Maya Angelou had told him, like what a flex by the way. (Right) Just to pull that outta your pocket. But um, but no, he’s, he’s an amazing, you know, person. And I just wanna shout out and give him his flowers cause he doesn’t get them enough. We love you, LeVar Burton, we love you, man.

PORSHA: Thank you all so much.

MODERATOR: Next up is Rick Bentley, followed by Karama Horne.

RICK: Thank you very much. I have two quick questions regarding the books. Tian, for you first, your Tom Swift is certainly not the same as the Tom Swift that was introduced over a hundred years ago. But did you feel compelled at all [INAUDIBLE] those books. And for the executive producers, the Tom Swift books were really driven by the technology, because at that time, what we considered everyday was really phenomenal back then. But in this case, did you have, is it, do you feel like this show is more driven by the personal stories with the technology as a support?

CAMERON JOHNSON: Why don’t you go first.

TIAN RICHARDS: So to answer your first question, I did read one of the books. And again, it is very outdated material, but I just wanted to read it just to experience what it was like growing up. I did read Nancy Drew and Hardy Boys, but had never really come across Tom Swift. And what I can say a, a, a cool aspect about the books is how much tech came from it. Like if you think about the taser, is the Thomas A Swift electric rifle. And you know, that’s a piece of tech today. Um, so yeah, we are, we are very different though. Our show is definitely driven by the personal stories of today and of the modern world. But you will see so many references and new iterations of stuff that was in the book, little Easter eggs that we’ve had since NANCY DREW to now that, that tie it back to the universe. But yeah, I, I, I read one.

CAMERON JOHNSON: I, too read one. We are absolutely still driven by the tech though. Um, just to be clear. I mean our rule with the tech on the show though, is that, you know, there’s a, do I tell them of the Tomtage? (Sure) We should speak of the Tomtage. Okay, so we were working on the pilot and Melinda was like, Cameron, you know what? We just need, we need something that looks like, she said, like, just like, it’s like when you turn the A Team and you know you’re watching the A team, it’s like, what can we do that’s gonna make people know that you’re like, you’re watching TOM SWIFT?

CAMERON JOHNSON: So after I Googled the A Team, I then thought to myself, OK, cool. I then was like, okay, let’s do this, let’s do this. And so the thing that we came, that the three of us came up with is something called a Tomtage, which is a montage in which Tom does a thing that he finds, figures out what he is gonna need to go on the mission of the day. The first thing is the car. Uh, we have a lot of cars on this show. I’m definitely at car gay… unapologetically. Thanks, dad. And then there is the shoe, which is of course the most important thing I think in it, what, what are we wearing to go do some (In the car) And then finally, today it’s an Air Force One. It’s just something simple, I didn’t wanna do anything too crazy. But it also is monochrome with the outfit. That’s what matters.

CAMERON JOHNSON: And then, finally there is the invention. And so the, our rule for the inventions is that the inventions all have to be, at least come from, in some way, something kind of dumb. So, and what we mean by that is like, is what was the frivolous reason that this genius decided to invent, I don’t know, a camera made of steam or something like that? Could it be for taking better nudes? Something along those lines? And so, it’s things like that, that I think, but that are part of it. But the spirit of invention and the spirit of technology and the spirit of possibility is kind, are sort of the defining characteristics of our show.

CAMERON JOHNSON: Yeah, it is a, it’s a show about people and family relationships and those sorts of dramas. But it’s, what can we invent and how can we invent it and what can, how can we do that in a way that feels like cool and approachable and accept and accessible, so that maybe someday someone will read, watch our show and be like, I can make that thing real in the same way someone did with Tom Swift and his electric rifle, AKA, the taser.

MELINDA HSU TAYLOR: Absolutely. We definitely base it in science. And we do a lot of research. We’ve got a very busy writer’s room of wonderful minds, and they’re constantly coming to us, like this thing really happened. This guy really invented an invisibility cloak. Who knew? And we’re incorporating those things in the show. And we also want to reach out to the audience. As we get into the season, you will see a social media account for an incubator run by Zenzi called Swift Horizons. And we wanna ask people to actually send in their STEM ideas and, you know, we’ll try to promote it on social media, or at least have a, a forum for people to talk to each other and share ideas about tech and innovation.

MODERATOR: Next up is Karama Horne, followed by Ronda Penrice.

KARAMA: Hi there, it’s Karama, aka the blurred girl. What’s up? How y’all doing? Cameron, Cameron, love the nail polish. I have a question for Cameron, Tian and Ashleigh, but quickly, separate. Cameron. This is higher… there you go. Which one’s higher, the car budget or the fashion budget?

CAMERON JOHNSON: Car budget or shoe budget? Okay. Um, let me think about this. So in 101, we have a G63, we’ve got a Jaguar XKE we’ve got, this is a deep cup on 1988 Buick Grand National GNX. A Land Rover Defender 110, and Isaac, Albert, of course has a Toyota Camry. Of course, as one does. Oh, and then wait, Zenzi also has a drop-top Benz. So I think, oh wait, and then Lorraine’s got a series of Maybachs. I forgot about that. She’s got a fleet. I forgot about the Maybach fleet. So, I would, I think that it would be, I just listed about $2 million worth of cars…

MELINDA HSU TAYLOR: But they were mostly rentals.

CAMERON JOHNSON: But they were mostly rentals. So I think, I think we may have outdone it with clothes. I think we may have outdone it with clothes.

MELINDA HSU TAYLOR: I think, for sure, the clothes were more money.

CAMERON JOHNSON: Absolutely spent more money on clothes. But I mean, who doesn’t wanna live that way? I don’t know, that’s fun.

KARAMA: No, I do. So, Tian, which character do you feel Tom Swift is more aligned with, Batman or Tony Stark in your, in your mind?

TIAN RICHARDS: I would definitely say Tony Stark. (Tony Stark) Yeah. Yeah, Tony stark. And you know what’s crazy? I just saw “Ironman” for the first time like last…

CAMERON JOHNSON: You shouldn’t say that out loud. You shouldn’t say that to people.

KARAMA: Unfortunately, now I can’t, now I can’t write about you. Sorry.

CAMERON JOHNSON: Wow! How was it for the 15th time?

TIAN RICHARDS: No, like I was aware, like I sit down and like, watch it in its entirety. Like I seen clips and stuff over a friend’s house, but, you know, after seeing it for the story, I had seen him in the Avengers film. Like I knew who he was, but just the original Ironman film, like I wanted to, you know, sit down and experience it. But yes, I will say Tony Stark.

KARAMA: Awesome. And final question is for Ashleigh, about, well, first of all, Cynthia Rowley is the truth. So thank you for getting her on the show. (Yes. Yes, she is) Uh, what does Zenzi want? Does she really want to, does she want to really stay running his company? And will she stay Tom’s friend, or are we gonna see a little bit of competition there? Because she really is the brains of the operation.

ASHLEIGH MURRAY: Well, let’s, let’s just set this clear. [LAUGHTER] Zenzi and Tom will always be friends. (Aww) This, it’s like, it’s, I just love you. It’s, it’s like that, it’s like chosen family. You know, they are, they are longtime family friends, but they’re like cousins. They’re like, they’re like siblings, you know, they can finish each other’s sentences or know what the other person needs and what they don’t need. You know, that’s, that’s a bond that is really, really hard to break.

ASHLEIGH MURRAY: And there’s nothing about the two of them that wants to lose that. You know, there’s, there’s definitely friction as they both grow. But the goal is not to grow apart, but together. You know, that we could both rise up together and support each other in our journeys. So I, I, I know that, at least we better always be. [LOOKS AT CJ]

CAMERON JOHNSON: Will do as we’re told. Thank you.

ASHLEIGH MURRAY: No Zenzi, my Zenzi, you know, it, it is, I mean, it was a chemistry that, you know, I immediately felt when we did our, when we did our chem read. (Yes) I was, it was like, I was talking to my brother, my best friend. Like he really felt like a confidant right away. And we bring so much of that to the show naturally. And for Zenzi, if she’s gonna stay within the company within the Swift, you know, world and orbit, I think it’s really, time will only tell. It’s, it’s a hard, it’s a hard choice because they are family, you know? And, and it’s not, walking away from family is not an easy decision for anyone. You know, it’s, it’s do you choose the people that love you, or do you choose yourself, or is there a way that you can choose both?


MODERATOR: Next up is Ronda Penrice followed by Rhayne Coleman.

RONDA: Hey, well, speaking of family, I’m actually your cousin, but… Darryl is my own father. Yes.

ASHLEIGH MURRAY: Oh my God! Did you see my face when they were like, “And then next up Ronda Penrice.” I was like [GASPS]

RONDA: I’m so proud of you, so proud of you. (Yes!)

NOGA LANDAU: Oh my gosh.

ASHLEIGH MURRAY: I’m gonna cry. [OVERLAPPING] Real family. Hi!

RONDA: You kinda alluded to it, but I wanted to ask directly, why is this the right time for TOM SWIFT? And why is The CW the right place?

ASHLEIGH MURRAY: Is that for me? Not for me. [OVERLAPPING]

RONDA: It’s for whoever [OVERLAPPING]

MELINDA HSU TAYLOR: I feel like… Noga, if you wanna speak to this [OVERLAPPING]. I will tell you folks that Noga was the first person who said, this should be a black gay billionaire story. Ooh, let’s give some credit to Noga Landau. [APPLAUSE]

NOGA LANDAU: Yay. Well, I’m, I’m not a black gay billionaire, believe it or not. I wanna come out and be clear about that… But…

CAMERON JOHNSON: I had a whole plan to date her, here we are.

NOGA LANDAU: I know, I know, we were so close. You know, as we said before, this show is, is making history in many ways. It is the first, you know, network broadcast show where you have the titular character as a black gay man. Marquis is also making history. I don’t want to like put you on the spot, but I would love to just call out, you know, your contribution to this and how, how so many [OVERLAPPING] Yeah, I mean, so many, so many kids are gonna grow up seeing you on their TV screen and it’s going to, it’s gonna show them who they can be. And it’s so powerful.

NOGA LANDAU: And you know, regardless of what your politics are, regardless of, of who you are and where you think the country is going, I think the fact that… I think the fact that we’re seeing people be able to live more and more authentically, and yet the, the struggle is not over, and the fight is not over, I couldn’t think of a better time to have a show like this come out. And honestly, it would’ve been great if a show like this came out 50 years ago. But now is our opportunity. And now we finally have allies in, you know, our studio CBS, and in our network CW who are gonna let us tell this story.

MELINDA HSU TAYLOR: Yeah, they have been incredibly supportive (Truly) We’ve come to them with some fairly out-there ideas and they’ve been like, “Great, can you do more?” You know, like seriously, they’re so encouraging and embracing of our creative ideas. And they’re great collaborators, great partners in this. They’ve been really, really, really supportive. We love the trailer, thank you. And you know, also I feel like The CW is sort of the network that could. And it’s doesn’t have the same sorts of pressures in some ways that some of the, I don’t know… Say you’re a giant streamer like Netflix, you have a different kind of target you’re trying to hit. Say you’re a giant you know, corporation like ABC has a certain thing that it’s trying to do.

MELINDA HSU TAYLOR: The CW has been able to do these very kind of, this is just for you, and yet everybody feels like, oh, I could tune into that too. And they have a really good blend of very targeted and yet very accessible programming. So I think it’s a great home for us.

CAMERON JOHNSON: The CW is the right place for us, because The CW is the place that said go further, do more, make it gayer, make it queerer, make it blacker. I’m literally not joking. Like we’ll be on notes calls and I’m like, oh God, there’s no way they’re gonna let me get away with this. And then they’re like, there’s absolutely no way. And then like, and then, you know, the execs are like, yes, absolutely. We are not only gonna let you get away with this, we’d like you to do more.

CAMERON JOHNSON: And I think the real, the other reason why The CW is the right place for this is that this is where youth go to see universal stories. I watched every single episode of “Gossip Girl” three times. Like, I have, there’s a, an ongoing joke, what is it? “Party of Five” is the show that I’m supposed to watch. Anyway, that I, that I, I…

NOGA LANDAU: Dawson’s River, you’re supposed to watch Dawson’s River.

CAMERON JOHNSON: Dawson’s River apparently was a show on the, on our network at some point. But this is a place where stories about young people learning about themselves, learning about their lives, starting off in existence can be broadcast on a large scale. And the fact that they’re willing to take this sort, to be like risky enough to be like, yeah, yeah, yeah, let’s make it about a black gay guy. Let’s do that. And he’s gonna be actually black and gay. He’s gonna kiss boys and he’s gonna, you know, do more than that. And we’re gonna, and you can populate the world with other people who are like him is why they’re the place for this. And I think they’ve been such a wonderful creative partner, and I’m obsessed with them. Thank you.

TIAN RICHARDS: Dare to defy.

RONDA: Well, thank you guys. Great job so far, but of course I’m biased.


CAMERON JOHNSON: Mess up your question, question wasn’t for Ashleigh though. I’m just gonna point that out at the family reunion, like they’ve got…

MODERATOR: We’re approaching our final two questions. Next up is Rhayne Coleman and followed by Walker Ragsdale.

ASHLEIGH MURRAY: Well, come on back, Ronda!

RHAYNE: Can you guys hear me? (Yes) Okay. My apologies. Okay. Thank you all for having me, glad, glad to be here. Um, I have two questions. So one dealing with the identity, there are some very tough conversations being had by Tom and his father. The word sensitive being thrown around. I loved, loved, loved that. But this is the story that a lot of queer people have these very same experiences. And this is really for, I guess, anyone, how important was it to capture that? Cause you did mention, you know, not wanting to kind of rehash black trauma. But this very specific thing is happening a lot. And I wanted to get into the fight with Tom and with Tom and Zenzi, if you could speak to that as well.

TIAN RICHARDS: Okay. I’ll take that one. What I will say, I definitely have my own set of daddy issues, though the, the problems are a little different with, with my own. But, what I hope to have happen, or what I hope to see is a world where we see less and less of that resistance from our, our parents. Thankfully I have a mother and father who, we don’t have that issue. Where they did fully accept me and my journey and everything in-between. We have other issues, but not that one.

TIAN RICHARDS: But it is great to grow up in a household where you can be fully realized and fully self-actualized. And since I am the product of that I, I hope that everybody gets a chance to experience that. But that’s, you know, not, that’s not the reality. So, there are many people who deal with parents who, you know, it’s, it’s, it’s, sometimes it’s a little more micro-aggression in-between. It’s not, we always kick you out of the house or disown you, but it’s like little micro-aggression, little comments that they make, little, you know, side jabs that you, you feel it. And come on, I’m black in a, in a, in a black family. Like people say stuff, you know? People say little things they think are, are, are (Funny) Yeah, funny or passable, like yeah, yeah.

CAMERON JOHNSON: Sweet, sugar in the tank. (Yes) Like the lovebirds.

TIAN RICHARDS: Yes. All of that, all of that. So it’s, it’s circulating the conversation to where we see people that look like us go through these things as well, and, and, and in the world scope. So yeah. Yeah. That’s, that’s, that’s always a hard issue and I’m, I’m just struggling a little bit, because I know friends that have definitely experienced the, the brute of their parents not understanding who they are and, you know, things being pushed upon them. And I even think about my own journey just a little bit, where, though I get got to actualize, you know. At a time, like I was really on some heavy, like I gotta be masculine out here in the world to survive, you know? And not letting other parts of my femininity and, and, and the full breadth of my humanity show.

TIAN RICHARDS: So, you know, I, of course you got uncles and cousins and grandfathers that, you know, you have to assimilate with, as well as in the world, because you’ll be seen a certain way. And yeah, so it shows that somebody who, on paper has everything, still has human issues. Because, though we have money and access and status, we are not void of human issues within the human experience.

MELINDA HSU TAYLOR: Yeah. And I think for folks who might be watching it from the other side of the Barton argument, not saying that our viewers are necessarily like this, but everybody knows somebody who struggled with their kids’ identity. And to have hope for those folks that maybe they could come around or maybe they could evolve Barton, you know, spoiler, he won’t always be that angry. I’ll leave it at that. But, you know, you gotta start someplace to get someplace.

MELINDA HSU TAYLOR: And then, you know, one of the things that I’m really proud of also, you know, we’ll, we’ll get to this in series, but Lorraine being a church-goer and actually being incredibly accepting. And that those two things can be completely feeding off of each other, that you have a religious faith and that you also embrace somebody’s identity. Those two things can exist right at the same time, they could actually make each other stronger.

CAMERON JOHNSON: That’s true. Amen. You know, it’s, it’s interesting in thinking about that scene in particular and the relationship between Barton and Tom, I think it was, look, my dad would really appreciate it if I said that all of this is fiction, wink-wink, nudge-nudge. Um, but with that said, you know, I, I do have to give my parents credit because they were never, you know… I, I’ve been very obviously gay first ever since I bought my first Spice Girls album. And it is, it was great. It was a vibe, I loved it. My friends did not. They had notes, but it was great. But with that said, it wasn’t a P-flag, rainbow-sticker-on-the-car type of acceptance. It was an acceptance that came with, you, there are still standards that you, as a black man from this type of particular type of respectable family, need to live up to. And if you don’t live up to those things, if you don’t meet those standards, there’s gonna be problems.

CAMERON JOHNSON: And underneath that, there was always, and there still can always be, a little bit of like a soupçon of homophobia that comes out. And I think for Barton, that’s what he’s working through. But at its core, I mean, I’ll tell a small little personal story, I don’t think I’ve ever told before. But basically, so the day that I came out to my dad, I had had a dream, I was home for spring break in college. I woke up and I was like, I must tell my father that I am gay, and I had a full panic attack. And I got on the phone to call like this, a mentor of mine who was Dr. Jones. And I said, if I, and she said, well, what’s the problem.
And I was like, well, if I tell my dad I’m gay, is he going to still love me?

CAMERON JOHNSON: And she paused as if I had said something insane. And she said, of course. Barton and Tom love each other dearly. The problem is that their vision for what being a man is, is so different that it’s a big bridge to cross. And so, for Barton that’s, well, I mean, you’re gay and your life’s gonna be harder and you’re not like the type of person I wanted you to be. And Tom is like, I can do so many things, I just do it differently. I just am doing it gay. I’m doing it fabulously, as one must. And it’s that collision that drives so much of the story. And that is sort of, is the thing that one can recover from.

CAMERON JOHNSON: It’s less about like becoming less homophobic, which is important. Yes, we should all do that and transphobic and all of the other, all the sorts of phobias that, and racist and all the things that we all have internally. But what it’s really about is accepting that your child’s vision, the person you love’s vision of what their life should be, can be different. And your job is not to like, try to beat them into submission and doing like what your dream of, of them was. It’s to help them be the best possible version of that, of themselves.


ASHLEIGH MURRAY: There was a sec-, what was the other question?

RHAYNE: Yes, I’m sorry. It was about the, can you hear me? OK. It was about the argument between Tom right after the, the big criminal event. That was so intense. Like I was on pins and needles. Like that back and forth. So you spoke to your chemistry, like, how was it filming that scene?

ASHLEIGH MURRAY: Okay, you know what? So when we shot that scene, that was actually a scene that I had auditioned with. And I, I, like, I know that fight. I have siblings, you know, I have cousins, I have friends. You know, people that you really, that you guys are on the same wavelength, and if somebody’s given you a little energy, you’re like, “Yeah, I know, I heard that, but I’m still gonna talk to you.” And it was, it was that moment where Tom can reach a frequency that Zenzi is really trying to get him to come down from. And he keeps going and keeps going, and now she has to meet him there. And we are, you wanna have a conversation? Well, we can have a conversation?

TIAN RICHARDS: Who was having that?!

ASHLEIGH MURRAY: Exactly. And what’s so funny is, that when we did that, we, we shot it, you know, several times. And we definitely both had, I feel like we both had an idea of what it was supposed to feel like, what it was supposed to look like. And our director, Anton was like (Shout-out to Anton Cropper) He was like, okay, listen, I need, y’all like, you got it, but I just need you to stop. I need you to talk to him like you talking. And it’s funny because I thought I was talking to him, like I was talking to, he was like, talk to him like you talking to your cousin.

TIAN RICHARDS: No, no, no. Tell him though. Cause Miss Mama was pacing back and forth. And I was, oh, oh, okay. I was waiting.

ASHLEIGH MURRAY: I started pacing.

TIAN RICHARDS: Oh okay. I was waiting for my cue. And she was…

ASHLEIGH MURRAY: Because I had been waiting for you all night!

TIAN RICHARDS: Oh, I’m trying to get to the observatory. And, and then “action!” Whoa!

ASHLEIGH MURRAY: It was, it was so intense and it was so wonderful. And that’s one of my favorite, favorite things about working with Tian, is that he commits, (Yes) he commits. He does his homework and he’s there with you, and he listens and it comes from here and he gives it, and you take it and you throw it right back. It’s like, it’s like tennis, the whole time. And it’s such a wonderful, thrilling, fulfilling workout. And the fact that you had that reaction, that’s what we were having.

TIAN RICHARDS: Zenzi, my Zenzi!

MODERATOR: Okay. We’ve gone over, so we need to wrap things up. I just wanted to thank everyone again for participating. This has been amazing. I hope everyone has a great weekend. And just a reminder, TOM SWIFT premieres Tuesday, May 31st at 9:00 PM on The CW. Thank you guys so much. Thank you everyone.


Tian Richards as Tom Swit and Ashleigh Murray as Zenzi on "Tom Swift" on The CWTOM SWIFT”

Tuesday (9:00 – 10:00 p.m. ET) on The CW

As an exceptionally brilliant inventor with unlimited resources and unimaginable wealth, the devilishly charming Tom Swift (Tian Richards) is a man who many men would kill to be, or be with – a man with the world in the palm of his hand. But that world gets shaken to its core after the shocking disappearance of his father, thrusting Tom into a breathtaking adventure full of mysterious conspiracies and unexplained phenomena. On his whirlwind quest to unravel the truth, Tom finds himself fighting to stay one step ahead of an Illuminati-scale cabal hellbent on stopping him. Tackling this treacherous pursuit armed with his vast intellect, his roguish wit, and an endless supply of designer sneakers, he will also rely on his closest companions: his best friend Zenzi (Ashleigh Murray), whose unabashed and unvarnished candor keeps Tom grounded while she forges a path for herself as a business visionary; his bodyguard Isaac (Marquise Vilsón), whose fierce commitment to his chosen family is complicated by his own simmering feelings for Tom; and his AI, Barclay (voiced by LeVar Burton), whose insights and tough love have been a constant throughout Tom’s life.

At home, Tom’s relationship with his mother Lorraine (April Parker Jones) becomes conflicted as she urges him to take his father’s place in elite Black society. But unbeknownst to Tom, his mother’s request is driven by deep secrets of her own. What’s more, the mysterious and dangerous Rowan (Albert Mwangi) intersects Tom’s path with hidden motivations and undeniable mutual chemistry. While Tom navigates these emotionally charged dynamics, his missions will require his genius and his flair for innovation guided by romance, friendship and the mysteries of the universe yet unsolved.

The character of Tom Swift was originally introduced to audiences in season two of NANCY DREW. The series is inspired by the Tom Swift book series that hails from Stratemeyer Syndicate, which also publishes the Nancy Drew, Hardy Boys and Bobbsey Twins books.

TOM SWIFT stars Tian Richards, Ashleigh Murray, Marquise Vilsón, April Parker Jones and Albert Mwangi, with LeVar Burton as the voice of Barclay, Tom’s AI.

TOM SWIFT is a production of CBS Studios in association with Fake Empire. TOM SWIFT was co-created by Melinda Hsu Taylor (“Nancy Drew,” “The Gifted”), Noga Landau (“Nancy Drew,” “The Magicians”) and Cameron Johnson (“Empire”). Taylor, Landau and Johnson also serve as executive producers along with Josh Schwartz (“Nancy Drew,” “Gossip Girl,” “Dynasty”), Stephanie Savage (“Nancy Drew,” “Gossip Girl,” “Dynasty”), and Lis Rowinski (“Nancy Drew,” “Gossip Girl,” “Dynasty”)

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Panel for "Tom Swift" on The CW

Interview with AleXa

TV Interview!

"American Song Contest" winner AleXa on finals night 5/9/22

Interview with AleXa of “American Song Contest” on NBC by Suzanne 5/9/22

After a few months of this music competition show, a winner was finally chosen! K-Pop singer AleXa of Oklahoma took the award for best American Song.  We interviewed her after the show. She was very happy… as you will see in the video. I’ll admit she wasn’t my top favorite, but I’m glad she won because she has a lot of talent and a good song.


AleXa with Snoop Dogg and Kelly Clarkson on "American Song Contest" on NBCAmerica’s biggest live entertainment event has arrived! Based on the worldwide phenomenon “Eurovision Song Contest,” organized for 65 years by the European Broadcasting Union and watched by 200 million viewers annually, this amazing musical spectacular combines the competitive spirit of rooting for your favorite sports team with the joy of watching a beloved singing performance.

In the U.S. version of the international megahit, “American Song Contest” will feature live original musical performances, representing all 50 states, five U.S. territories and our nation’s capital, competing to win the country’s vote for the best hit song. The 56 artists span a wide range of performers – from undiscovered talent, up-and-coming new artists, and rising stars to established and legendary icons. An incredible solo artist, duo, group or band will represent each location and perform a new original song, celebrating the depth and variety of different styles and genres across America.

Hosted by Snoop Dogg and Kelly Clarkson, the eight-week live competition consists of three rounds as the artists compete in a series of Qualifying Rounds, followed by the Semi-Finals and the ultimate Grand Final where one state or territory will emerge victorious.

“American Song Contest” is executive produced by Propagate’s Ben Silverman and Howard T. Owens, alongside Audrey Morrissey, Amanda Zucker, Kyra Thompson and Gregory Lipstone as well as American Song Contest, Inc.’s Anders Lenhoff, Christer Björkman, Peter Settman and Ola Melzig. Snoop Dogg and Kelly Clarkson also serve as executive producers.

The series is produced by Propagate in association with Universal Television Alternative Studio, a division of Universal Studio Group, and American Song Contest, Inc.

Hashtag: #AmericanSongContest

AMERICAN SONG CONTEST -- “The Live Grand Final” Episode 108 -- Pictured: AleXa (OK) -- (Photo by: Trae Patton/NBC)Oklahoma: AleXa

State: Oklahoma
Singer’s name: AleXa
Hometown: Tulsa, Oklahoma
Resident: Seoul, South Korea

Proud to represent the state where she was born and raised until the age of 21, Alex Christine, known professionally as AleXa (알렉사), is a K-pop singer, dancer and songwriter who grew up in Tulsa. A lifelong dancer, AleXa was first drawn to K-pop because of its strong performance identity. After nearly a million fan votes determined her the winner of online talent competition Rising Legends, she was one of the 96 chosen to participate in “Produce 48,” the most competitive audition show in Korea. In 2019, AleXa made her multilingual K-pop debut with “Bomb,” which has received nearly 22 million views to date and hit #7 on Billboard’s World Digital Song Sales chart. A year later AleXa released extended plays “Do Or Die” and “Decoherence,” garnering wins for two of Korea’s most prestigious awards. In 2021, AleXa released Y2K-inspired “ReviveR” with dance track “Xtra,” performed the national anthem for the Los Angeles Dodgers and became the first K-pop artist to host a fan meeting in the metaverse within the action shooter game Scavengers.

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AMERICAN SONG CONTEST -- “The Live Grand Final” Episode 108 -- Pictured: AleXa (OK) -- (Photo by: Trae Patton/NBC)

Interview with Tonya Pinkins

TV Interview!

Actress, writer, director Tonya Pinkins

Interview with Tonya Pinkins of “All My Children” and many other shows by Suzanne 5/5/22

I’m very honored to have interviewed Tonya because she is an amazing actress who started out on soaps many years ago and was also a Broadway star (and Tony winner!) as well as becoming a great actress on many TV series such as “Fear the Walking Dead,” “Madam Secretary,” “Women of the Movement,” and my personal favorite, “Gotham,” where she played the creepy Mrs. Peabody.  Now she’s also become a film creator with her new movie “Red Pill.” You can rent it on Amazon!

Tonya’s first soap job was playing Heather on “As the World Turns,” and then she went on to “All My Children” for the epic role of Livia Frye Cudahy, off and on from 1991-2009. That’s the main reason I wanted to speak with her because I used to watch her on that, and we have a great All My Children page.  She is also an amazing singer who’s been acting and singing on Broadway since 1981, and she won a Tony for her role in “Jelly’s Last Jam” (as well as having been nominated 2 other times). She also does concerts, and she really is a very soulful singer. Oh, and she’s been my Facebook friend for many years because she’s the type of person that interacts with her fans.

She decided to finance, write and direct her own horror movie, “Red Pill” during the pandemic. I really don’t think there’s anything she can’t do. I could easily have chatted with her for hours about other aspects of her career, but we mostly talked about the soaps, singing and “Red Pill.”

I hope you enjoy our Zoom interview! We will be putting up a transcript at some point.


From IMDB: Tonya Pinkins has won or been nominated for nearly every award there is in the American theater. She is a Fulbright Specialist. As a producer, writer and director she conceived “Truth and Reconciliation of Womyn; Narrative Stories and Songs for the Soul in ten minutes or less.” The women involved in this project span the globe in age, culture and ethnicity.

From Wikipedia:

Tonya Pinkins (born May 30, 1962) is an American actress and filmmaker. Her award-winning debut feature film RED PILL was an official selection at the 2021 Pan African Film Festival, won the Best Black Lives Matter Feature and Best First Feature at The Mykonos International Film Festival, Best First Feature at the Luléa Film Festival, and is nominated for awards in numerous festivals around the globe. Her web-series The RED PILLING of AMERICA can be heard on her podcast “You Can’t Say That!” at

She is known for her portrayal of Livia Frye on the soap opera All My Children and for her roles on Broadway. She has been nominated for three Tony Awards (winning one), and has won Obie, Lortel, Drama Desk, Outer Critics Circle, AUDLECO, Garland, L.A. Drama Critics Circle, Clarence Derwent, and NAACP Theater Awards. She has been nominated for the Olivier, Helen Hayes, Noel, Joseph Jefferson, NAACP Image, Soap Opera Digest, and Ovation Awards. She won the Tony Award for Best Featured Actress in a Musical for Jelly’s Last Jam.

Visit her official website, Facebook, Twitter and Instagram!

Tony Pinkins as Cassadra in "Red Pill"Red Pill Official Site Red Pill Official Trailer


The eve of the 2020 election, a posse of progressives ride into red country armed with heart humor and naiveté.

From the mind of Tony award-winning actress, Tonya Pinkins comes a progressive dystopia nightmare. Shot by cinematographer John Hudak Jr., Red Pill is a visually stunning metaphor for all our fears and a reminder that there are worse things than death.

Cassandra (Tonya Pinkins) is a black American woman fearful for the fate of her country in the next election. Election weekend 2020, she reluctantly accompanies her best friend Rocky, land preserver activist (Ruben Blades) and his wife Emelia (Luba Mason), her roommate Lily (Kathyrn Erbe), friend Nick (Jake O’Flaherty) and partner Bobby (Adesola Osakalumi) to canvas in newly blue Virginia.

As the friends arrive at their “Super-Host” housing, they encounter signs that point to possible trouble and before the weekend is over their fight for the country becomes a fight for their lives.

After you watch the movie, listen to her Audible Book, “Red Pill Unmasked!”

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Actress, writer, director Tonya Pinkins

Interview with Brian Norris

TV Interview!

Actor Brian Norris of "General Hospital"

Interview with Brian Norris of “General Hospital” on ABC by Suzanne 5/11/22

This was a very fun interview! Brian is great to chat with. He plays a very slick, slimy character on GH. He’s played a very wide variety of roles (as most actors do, of course). He’s a really laid-back guy in real life.


Actor BRIAN NORRIS Snaps Recurring Role on ABC Daytime TV Drama ‘GENERAL HOSPITAL’

Also Heads to Tribeca Film Festival and Celebrated HBO Series

LOS ANGELES – Actor Brian Norris comes into focus as ‘Paparazzo Felty’ on the long-running fan favorite ABC daytime television drama series, GENERAL HOSPITAL.

Introduced on April 27th, Paparazzo Felty has embarked on Port Charles looking to snap some candid pictures of Sasha Gilmore (Sofia Mattsson), the successful new face of “Deception”. Always aggressive on the job, Felty might just uncover some new sordid secrets as he shoots a few juicy pics.

Norris was excited to join GH, adding “It’s such a family on that show, they really made me feel welcome from my first day. Also, there was a real sense of play throughout and I love the fast-paced nature. It feels like going back to theatre which I missed very much.”

Coming in June, Norris heads to the Tribeca Film Festival with a key supporting role in the premiere of the political thriller feature film, 88. Then later this year, Norris Guest Stars on an award-winning HBO drama series in a recurring role he has been secretly shooting. In addition, he stars in the upcoming black-and-white Hitchcock-style indie thriller feature film Much Goes Up in Flames; and makes a supporting appearance in the musical mockumentary web series Pretty On Pitch.

Most recently, Norris emerged in the newest top selling PlayStation5 game Horizon Forbidden West, and worked with award winning director Sam Barlow on his latest video game Minsky.

Audiences will recognize Norris from his recurring role as the tech visionary ‘Elliot’ in the final season of AMC’s acclaimed Halt and Catch Fire. Prior to this, he served up attitude to A-listers as ‘Hunter’ in DirecTV’s, Full Circle, from playwright/filmmaker Neil LaBute. His notable film and TV credits also include roles on Masters of Sex, Longmire, iZombie, Castle, Mad Men, Awake, Community, Lie to Me, A Thousand Words with Eddie Murphy and many more.

Behind the camera, Norris has taken the reins directing the black comedy short film Square, about two hitmen who reach a moral quandary while disposing of a body; as well as directing and producing the dramatic short Nothing Personal.

In addition, Norris has become an established Acting & Career Coach in Los Angeles with over 10 years’ experience teaching acting classes, audition coaching, and the business of acting.

This Northern California native made his way south to study Theater, Film and Television at the University of California Los Angeles. In 2012, Norris earned an LA Weekly Award nomination for ‘Best Actor’ for his starring role as Jimmy Swan in the world premiere of Samuel Brett Williams’ “The Woodpecker” at Studio/Stage Theater in Hollywood.

For more about BRIAN NORRIS visit:

Follow on Twitter: @TheGingerMr / Instagram: @BrianRNorris / Facebook: BRNorris

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Actor Brian Norris of "General Hospital"

Y&R Article: Should Characters Be Brought Back From the Dead?

Young and the Restless Opinion Article

Susan Walters plays Diane on "Young and The Restless" on CBS

Article by Suzanne 5/10/22

The biggest news lately on the show is the return of Diane Jenkins, Jack’s ex-wife and father of Kyle, who was thought to be dead.  At first, the story seemed to be about Jack finding his long-lost son, Keemo, and then Keemo’s daughter, Allie.  They sure surprised us by having that springboard into the DIANE’S ALIVE! story. (See what they did there?)

Of course, on soaps (as the saying goes) no one is really dead. It’s a cliché, really, so it’s hardly a big surprise when anyone comes back. However, having Diane return fixes one of the mistakes they made back in 2012 when Nikki and Deacon both confessed to murdering Diane.They bashed her head in many times, and her body was found. The writers seemed to be saying, “Yes, she’s really dead! Dead, dead, dead!”

Deacon went to jail for awhile for that. He’s over on B&B now, so maybe someone will mention to him that she’s alive, and they can stop calling him an ex-con!  At any rate, it’s usually a bad idea to kill off a major character, even one like Diane who seems to have few redeeming qualities. She was a trouble-maker, but not evil, like, for instance, David Kimble. He deserved to die, and no one was unhappy to see him go.

Diane spent most of her time on Y&R sleeping around, stealing husbands and trying to get money and fame from Jack and Victor, among others. Susan Walters is an amazing actress who managed to play Diane well, to make her seem more human than the writing reflected. It’s great to have her back.  When her character was “murdered,” she was played by Maura West, who had previously played Carly on “As The World Turns” and now plays Ava on “General Hospital“.  She’s another fabulous actress.

Now we’re supposed to believe that Diane faked her death and has been alive all this time. Also, she has supposedly changed and gotten therapy. If they’re going to make her into a better person now, that would be boring, so I hope it’s not true.

Of course, like a lot of stories in Soapland, it makes little sense. She not only died, but there was a body.  Whose body was that if not Diane’s? Y&R is not like GH or “Days of Our Lives“. There’s no Helena Cassadine or Dr. Rolf there to give people magical drugs to make them seem dead, so it strains credulity. I wonder if they will even address this point?  This is why it’s a bad idea to kill off major characters because later on you have to really jump through illogical hoops to bring them back. Leaving town or going to jail is a much better way to get rid of them, IMHO. I’m sure the writers would argue that killing off a character makes for great drama and gives them more story to work with. However, it’s happened so often now that it’s no longer such great story. It’s not even very surprising.  Kill off someone who’s been there for 30 or 40 years (Nikki, Victor, Jack, Lauren et al.) and maybe then it would be surprising. Diane died after pissing everyone off, and everyone threatened her, so it was pretty obvious that she would die.

I was not very happy when they killed off Cassie on Y&R because it was just too sad (and had already been done with better effect on GH).  Although I love the actress who played her, bringing her back as Cassie’s twin sister Mariah later on was pretty ridiculous. This is why soaps get such a bad rap. Stories like this would rarely fly on primetime or in movies, unless it happened in a comedy or scifi. I hate when people say, “It’s just a soap.” Stories like this are why they say that.  Then people wonder why the poor soaps actors are unable to further their careers (or have to start all over again) when they’re trying to get roles elsewhere. It’s really unfair because the acting is usually really good on soaps (aside from a few newbies).   It’s really the writers and producers who should have trouble getting more work outside soaps if you ask me. They just keep throwing up the same crap on our screens over and over. I’m sure the Y&R writers thought that bringing Diane back was a brilliant idea.

I hope that they turn Diane’s return into more than just the usual story about how she’s just coming back to cause more trouble. It would be nice to see something unusual and interesting happen for her, Jack and Kyle (and Summer, who’s returning). As I said, nobody wants to see her be a goody-two-shoes, either.

How about some original and unusual ideas? The idea to have lesbians on Y&R was a great one. The writing of the two characters has been hit-and-miss, but the idea was great.  I hope the writers do drag more of the show into the 21st century.  I’m not really in favor of having Kevin suddenly becoming gay because I hate when they change history, but if it will keep the actor happy, maybe they should. Then he won’t keep running over to Days.  Or if you must use a soap trope, how about having Kevin learn that he has a twin gay brother? Maybe this Diane is not the real Diane, but the mother of the twins.  Now that would be exciting!

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of The TV MegaSite or its other volunteers.

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Jack and Diane on Y&R

Interview with “American Song Contest” performers

TV Interview!

AMERICAN SONG CONTEST -- “The Live Semi Finals Part 2” Episode 107— Pictured: (l-r) Snoop Dogg, Kelly Clarkson -- (Photo by: Trae Patton/NBC)

Interview with performers of “American Song Contest” on NBC by Suzanne 5/2/22

This was the virtual red carpet interview for this show’s second semi-finals night. Those of us in the press watch the live show, and then they bring out each of the performers for us to chat with. We typically get one question per performer, although sometimes we can slip in a second one if we’re quick. Sadly, Michael Bolton was not available tonight. We did get everyone else, though. Anyway, while I watch the shows, I always write down their name, where they’re from, and then any possible questions to ask. If I can’t think of any, then I go online and do research. It can be tough sometimes to come up with a question on the spot, even though I’ve been doing this for 14 years. I prefer to think of an unusual or specific question rather than just a generic one. I hope you enjoy these videos! I had a blast. Don’t forget to vote for your favorites Sunday night!

Broderick Jones

He’s definitely one of my favorites because of his great voice. He seemed really nice here, too. To be honest, they all do! They all are so excited and have great energy.


Grant Knoche

He’s a great performer and has been performing for a very long time, even at his young age. I think he will go far, regardless of what happens here.


Tenelle of American Samoa

She is very enthusiastic and proud of her heritage. I loved hearing her talk about what she was wearing and what it means to her family.


John Morgan of North Carolina

This guy is a good singer and songwriter, and he’s already working with big name stars. I don’t think he quite has the star power or song to win this competition, though.


Chloe Fredericks of North Dakota

She is very likable, and she seems to have a great life where she balances out work and home life. She’s a good rocker chick!


Christian Pagán of Puerto Rico

He is my favorite, and I hope he wins! I really love his song, his energy, his performing, and his story.


ENISA of New York

She has a ton of energy and obviously loves what she does, even down to picking out the right costume. She has a great New York attitude, too.


Stela Cole of Georgia

This girl is beautiful, but she has a goofiness that makes her more approachable than most beautiful women.  Perhaps that’s because she has a sports background. I’m surprised she isn’t a model, too.


Tyler Braden of Tennessee

This guy is a very down-to-earth kind of cowboy dude. I hope he didn’t mind my asking him about wearing his baseball caps.


Sweet Taboo of California

It’s funny that these girls are from California because it seems like many of the performers are from more than one state. For instance, Tenelle is really from California, not American Samoa. Tyler Braden is really from Alabama, not Tennesee. I guess they fit the people in where they need them. It was fun to chat with these women and get to know them a little bit. I’m not really into rap music, but they seem like solid performers.



American Song Contest

Mondays on NBC (8-10 p.m. ET)

America’s biggest live entertainment event has arrived! Based on the worldwide phenomenon “Eurovision Song Contest,” organized for 65 years by the European Broadcasting Union and watched by 200 million viewers annually, this amazing musical spectacular combines the competitive spirit of rooting for your favorite sports team with the joy of watching a beloved singing performance.In the U.S. version of the international megahit, “American Song Contest” will feature live original musical performances, representing all 50 states, five U.S. territories and our nation’s capital, competing to win the country’s vote for the best hit song. The 56 artists span a wide range of performers – from undiscovered talent, up-and-coming new artists, and rising stars to established and legendary icons. An incredible solo artist, duo, group or band will represent each location and perform a new original song, celebrating the depth and variety of different styles and genres across America.Hosted by Snoop Dogg and Kelly Clarkson, the eight-week live competition consists of three rounds as the artists compete in a series of Qualifying Rounds, followed by the Semi-Finals and the ultimate Grand Final where one state or territory will emerge victorious.

“American Song Contest” is executive produced by Propagate’s Ben Silverman and Howard T. Owens, alongside Audrey Morrissey, Amanda Zucker, Kyra Thompson and Gregory Lipstone as well as American Song Contest, Inc.’s Anders Lenhoff, Christer Björkman, Peter Settman and Ola Melzig. Snoop Dogg and Kelly Clarkson also serve as executive producers.

The series is produced by Propagate in association with Universal Television Alternative Studio, a division of Universal Studio Group, and American Song Contest, Inc.

Hashtag: #AmericanSongContest

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AMERICAN SONG CONTEST -- “Semi-finals” Episode 107 -- Pictured: (l-r) Snoop Dogg, Kelly Clarkson -- (Photo by: Trae Patton/NBC)

Interview with Galen Gering and Lamon Archey

TV Interview!

Lamon Archey (Eli) on Days of Our Lives on NBC; photo from NBC Galen Gering DAYS OF OUR LIVES -- Season: 55 -- Fifty Fifth Anniversary Portrait -- Pictured: Galen Gering as Rafe Hernandez -- (Photo by: Chris Haston/NBC)

 Interview with Lamon Archey and Galen Gering of “Days of Our Lives” by Suzanne 2/20/22

This was an online fan event called, “Days Of Our Lives Q&A Zoom Salem’s Hottest Cops Lamon Archey & Galen Gering.” Although I’m a journalist, I’m also a fan of “Days of Our Lives” and other soaps, so I was happy to pay a small fee (which goes to charity, anyway) to see these two and ask them a question. It was a lot of fun. I wish I had the chance to ask more questions. Maybe someday I will!

Here is the video of my question. You can’t hear me because of the way it was recorded (you can see me at the top, in the little box, asking it). I asked them what they would like to see their character do that they haven’t done before. They gave great answers! Then, below is the transcript of the entire chat. Thane is also another contributor to our site there, and he asks a question as well.  It was very funny to listen to the actors joke around with each other and the fans, and about their characters.

Moderator:   Okay women, behave.

Woman:   Never.

Woman:   It’s funny the majority of the people that I’m doing the other thing with is mostly female, one guy who’s the lawyer

Woman:   Galen. Hello.

Galen:   Hey, everybody.


Woman:   I think he’s driving.

Galen:   He is driving. Is this legal? I don’t know.

Moderator:   Okay, good. We’re just waiting for Lamon.

Galen:   Oh, we could be waiting a long time

Woman:   The last time I saw you on Instagram with Tamara, you were in a car.

Galen:   Oh, my god. That’s so true. By the way, those are the only two times I’ve ever been in a car… on one of these, that is.

Woman:   Are you gonna drink while you’re in your car?

Galen:   I think it’s tequila from yesterday.

Woman:   You’ve been playing golf?

Galen:   Yeah, I went out and played nine holes. I have this big tournament this weekend. So, I had to practice a little bit.

Woman:   You throw any shoes at anybody while they’re trying to make a buck?

Galen:   Oh, you saw that video. You know what’s funny is that was on my birthday last year. Yeah, it was right around my birthday last year. So, not far from that, a year ago today.

Women:   Happy belated birthday.

Galen:   Thank you. Yeah, that’s my buddy [unintelligible] he’s a super funny writer. He’s a stand up comedian, too. But man, he’s the slowest golfer on the planet. And we’re like, “Dude, come on!” He said something like, “You guys. You’ve got to be quiet so I can golf straight.” And then I was like, “Oh, do we?”

Woman:   Congratulations on your Rams winning the Super Bowl.

Galen:   Oh, my god. Thanks. I know. You know, what’s funny is –

Woman:   I wasn’t rooting for them.

Woman:   I was; I rooted for them.

Galen:   I know you were. My 49er girl.

Woman:   Yeah, because they knocked them out of the Super Bowl.

Galen:   I know, what a crazy game. Right?

Woman:   Right. Right. Yeah.

Galen:   Honestly, you know I’ve got love for the 49ers. I lived in Northern California. So, if the Rams weren’t in it, I would totally have been rooting for them. In fact, I was rooting for them when they lost in the Super Bowl a couple years ago. Remember that?

Woman:   Right. Right.

Galen:   That’s two heartbreaks.

Woman:   Yeah, I know. Right? Now, we’re gonna lose Jimmy Garoppolo.

Galen:   Yeah. I mean –

Woman:   He’s gonna go follow Brady.

Woman:   Well, the Niners… they want him to come out of retirement.

Galen:   Oh.

Woman:   Because he’s from here. So, you know, he’s from San Mateo. So, he wouldn’t do that.

Galen:   What do you think the chances of that are?

Woman:   I mean, the sky’s the limit for the guy. I mean, he can do whatever he wants. He can go play with the Niners for a year. Well, I’m sure Giselle wants him home.

Galen:   Oh, yeah. How old are his kids?

Woman:   They’re like 12 and 10, or something like that. They’re young.

Galen:   How many years in the league? 22 is it?

Woman:   Yeah, he’s 22 years. Yeah.

Galen:   I mean, that guy.

Woman:   He’s like a machine. He’s like a machine. He’s amazing.

Galen:   He is a machine.

Woman:   He’s a machine. He’s probably not human. We’re gonna find out he’s a Terminator.

Galen:   I don’t know. I don’t think he’s gonna come back.

Woman:   Well, you never know… you might get bored after you know, a year.

Galen:   Yeah, that’s true. Sorry, I’m just looking for headphones. Ill-prepared. Oh, well.

Woman:   I’d like to talk to and see what Lamon’s thoughts are on it, too, because he’s from San Mateo.

Galen:   He’s from where? San Mateo?

Woman:   He’s from San Mateo.

Galen:   Where is that?

Woman:   It’s It’s near San Francisco. We’re 30 minutes South.

Galen:   No, I mean, where’s Lamon?


Woman:   Yeah, I messaged him and haven’t heard anything back yet. Do you want to get started?

Moderator:   Yeah. So we’ll get started and see what happens when Lamon comes on. So, on behalf of Penny and Star Image Entertainment, we would like to thank Galen for taking the time to do this today, especially fresh off the golf course. We really appreciate it. So, first, we’re going to bring up Francis. Francis, tell us where you’re from and ask your question.

Woman:   Hey, Galen, it’s nice to see you again. I was here the last time you were here.

Galen:   Thank you so much.

Woman:   I actually don’t have a question. I just wanted to say I’m enjoying the storyline. They’re giving you a little bit more storyline lately. So, I’m enjoying it. I’m enjoying it. But yeah, I just wanted to say hi and say thank you for doing this. I remember way back when in your Passions days, that wasn’t yesterday. So, I just want to wish you all the best and just say hi, just basically all I wanted to do was to say hi to you, and thank you for taking the time to do this.


Galen:   I know you have a question for me.

Woman:   No, I don’t. You can ask me if you want. You can ask me if you want. I got nothing, honestly, I don’t.

Galen:   Where are you?

Woman:   I’m in Montreal.

Galen:   Okay. Wow. Is it freezing there right now?

Woman:   Oh, yeah. It’s starting to go down, isn’t it, Penny, starting to go down again? It’s starting to go down again. It’s gotten cold. It was like a cold weekend or cold a few days ago. Then it got warm again. Now it’s cold again. So it’s up and down like a yo-yo.

Galen:   Well, thank you for for being here today. It’s so great. I love to see all familiar faces out there. Truly.

Woman:   Yeah. Well, thank you for taking the time to do this. It’s nice that you guys actually take the time to do this.

Galen:   My pleasure.

Woman:   So, you have a good week.

Galen:   Okay.

Moderator:   Thanks, Francis. Next, we’re going to bring up Michelle Liebowitz. Michelle, tell us where you’re from and ask your question.

Woman:   Hey, Galen, I’m Michelle, I live in Florida. I know you are a big blooper person. What is your most memorable blooper that you could tell us about?

Galen:   That I could tell you about? Well, I’ll tell you guys anything. I feel like the one that’s my favorite one – I’ve told the story of… but I’ll tell you again. And if you’ve heard it, I’ll think of another one. And to be honest with you, the kind of sad part about the whole thing is, I mean, now on Days, so the best bloopers were on Passions. On Passions, we were just out of control. Like, we even have, like, a full-on vendetta against one another as cast mates all the time and against the crew. So, it was crazy.  Like, there was a time I came into my dressing room in the mornings, like seven in the morning. No furniture, nothing. nada, nothing. It was just gone. Didn’t even know where it was. And it was really funny at first… until I was, like, sitting there for, like, two hours on the floor, like, “This is not cool.” But I will say one of my favorite pranks that I pulled was on Chris Douglas. This was on Passions, and he played my brother, Antonio, and he was in a coma for a long time. So, like they always put us in comas on that show, especially if you’ve done something wrong, which we were kind of doing all the time. So, then they would write you in a coma. So, he’s in a coma, and I….. just saw my bike here. – By the way, I have to pick up my bike; remind me when we get off, if anyone has a good memory, to get my bike. – So, at lunchtime, I snuck into the studio, and I put in this thing , it’s called a scat mat, which is designed to keep pets off furniture. So, what happens is the pet would jump up on the furniture, and then it would sense it, and then it would ramp up, and then, I mean, it’s a pretty good shock, like it’s pretty good. So, I put that in his coma bed, and then he got into the bed and was lying there, and all of a sudden he’s like, “Ahhh! You son of a bitch!” I was in the studio laughing, and they had to put these EKG things [on him], you know what I mean? He ripped them off and started chasing me around the studio. That was one of my favorites, just because it was pretty unique. We see all kinds of crazy stuff. We would steal the producer’s car, executive producer Carly’s, and we’d move her car, but somewhere we would fill people’s cars full of fake snow. [It was] just insane. We’re kind of out of control, but it was a lot of fun.

Woman:   That’s awesome.

Galen:   Now we can barely even make a joke. There’s just not time, you know?

Moderator:   Great question, Michelle. Thank you. Next we’re going to bring up Ina. Ina, tell us where you’re from and ask your question.

Woman:   Hey, Galen.

Galen:   Hey, how are you?

Woman:   Good to see you too. I’m from Staten Island, New York. I guess my question is, I just thought of it, actually, since you’re in the car. What is your favorite car?

Galen:   Ooh, that’s a good question. I don’t have one favorite car per se, but like my son, one of my older sons, he’s super into cars. He’s like, “Dad, why don’t you just have this truck?”…Like he’s really into cars, and so he asked me the same question. He’s like, “Well, what if you could get [your] own sports car or something like that?” For me, I would think something like a really cool vintage – I actually was just looking at this old Ferrari you know, kind of like the Magnum PI, a little different, but just a little kind of like 80s funky style, or even a much older one. Or an all Porsche something like kind of classic like that. My friend was going to borrow my car the other day to go to Mammoth, and he has a McLaren. You guys know what that is? Crazy sports car. The doors opening up on the side. Like they go vertically. It’s like a little rocket ship. And I was like, “Oh, this is pretty cool,” but then I ended up going up there and meeting them and taking my car. So, I didn’t have a car for the weekend, but that would have been fun. But I don’t know. Maybe. Maybe we’ll get something soon.

Woman:   I actually like SUVs. I like trucks.

Galen:   Yeah, me too. I have two boys. And we’re just always throwing bikes, and I’m like, I have to get my bike and throw it in right now.

Moderator:   Thank you. Next we’re gonna bring up Sue [unintelligible]. So, tell us where you’re from and ask your question.

Woman:   Hi, Galen. What’s up? I’m from Mineola Island New York. [unintelligible] you can’t really see, because I have my picture in the background. That’s my leg by the way, Galen. You can’t really see it, but i have a Days tattoo.

Galen:   Where’s your leg? Oh.

Woman:   So yeah, I’ve been watching the show since I was like seven, eight years old, and I’m going to be 42 on Mother’s Day. So, you know, I can’t help it. I’ve loved the show all my life. I had a question that just left my brain. Okay, I remember now. What’s it been like working like working off between Tamara and Ari, because, I mean, I the storyline’s been, like, killer, between Ava and Nicole and Rafe and stuff? And I really love how you guys are doing it. I know that Soap Opera Digest says that next week or something in the next like week or so they actually come clean to Ava, so I’m wondering, what’s it been like between the two of them and stuff? How’s it been like working with the two of them and everything?

Galen:   Sure. Good question. Honestly, they’re amazing. Like, they’re both very different as people, but great and obviously very talented. I really liked working with Tamara, and, like the Rafe/Ava story. I don’t think that they thought that the couple or sort of like pseudo-couple, for those two was going to work as well as it did. Then, I felt like they thought they were like, “Oh, let’s keep this going for a while and see how it goes,” because it seemed like it was just going to be this like quick thing that was gonna explode, and then ended up staying together for quite a while. So, it was great. And she’s so volatile and she kind of scares the crap out of me. Honestly. I told her she just has this look. She’s like, “[unintelligible].” I’m like, “Yeah, you’re freaking scary. I feel like you would totally stab me in the neck with a pencil or something.” Hilarious. And then Ari, you know, she’s just kind of wild and funny, and Tamara is a little bit more sort of reserved, whatever, but both really fun and talented, and I love when the three of us actually also have scenes together and –

Woman:   It’s a lot of fun watching you guys work off each other it really is.

Galen:   Thanks. Thanks. Yeah.

Woman:   And you do have some time for for bloopers, because [unintelligible] posted a blooper while back of you fucking with Brock Kelly like the whole like David thing. “Where’s David?” You’re like, “It’s the popo!” You guys mess with Brock so bad.

Galen:   That’s right; I do remember that.

Woman:   You kept laughing. But you have some time for jokes. I like when [unintelligible] posts a little bloopers sometimes between all of you. Like, it makes it real for us. Like, you do like mess around; you do have fun. You do mess up every now and again. But it’s cool.

Galen:   Boy, you know, it’s easy. Actually, there are times when I’m not even meaning to do it. I saw some the other day that haven’t aired yet, with Billy Flynn. He and I are just like, it’s like our work. We always just connect with one another on the sort of like, where’s the honesty level, and I was just thinking something. I wasn’t even thinking something funny. So, he has this really intense scene, and he’s coming in to me, to the police station, and then I’m just looking at him, and I’m just checking, and he’s like, “Bro, don’t do that.” And then I’m like, “I’m not even doing anything.” I’m like, “Don’t you do that.” You know? So, then, now he’s got me thinking that I’m doing something to him and accusing me of it now on camera. So, I’m like, maybe I should do something. I don’t really do much of anything. But then he started laughing, and he’s freaking out on set, and then I started laughing. So, I guess we still do have fun, and we just don’t really set up like elaborate pranks, you know what I mean? Before it was like crazy.

Woman:   Yeah Eric Martsolf had mentioned that to me. He’s like, “On Passions, we could just do whatever the hell we wanted to. We’d screw with each other all the time.”

Galen:   Oh, yeah. We would be 5, 6, 7, 8 takes in, and then the producers would get on the microphone, and they’re like yelling at us. “Come on. We’re gonna move your scenes to another day.” And we’d be like, “Okay.” Now it’s like, “Oh, sorry, sorry.” You like mess up once or twice and you feel like you’re holding up the whole day. It’s just different. Well, we still have fun. It’s just different.

Woman:   I really been enjoying your scenes lately. And I can’t thank you enough. I’m sure Rafe gets off from the trumped charges that Ava was set up on him. I know you can’t say anything, but yeah, I’m really enjoying this. I mean, I know I can’t wait for it to come back tomorrow. It’s like, oh, thank God.

Galen:   Oh, yeah. The Olympics are over.

Woman:   Tomorrow. Finally. Thank God. I’m excited. Yay. All right, cool.

Galen:   It’s the closing ceremony tonight.

Woman:   Yeah, it’s it’s great. I’m waiting, and I’m excited to see what you guys have in store for us the next.

Moderator:   Thank you, Susie.

Woman:   Thank you.

Galen:   Thank you.

Moderator:   Next we’re going to bring up Betty Jean. Betty Jean, tell us where you’re from and ask your question.

Woman:   Hey, Galen. I’m from New Jersey, but I live up here in Nevada City.

Galen:   Yeah, you do.

Woman:   You remember?

Galen:   I do. You’re in your back yard right now?

Woman:   That’s actually my front yard. That’s the water feature in our front yard.

Woman:   Okay. Hold one second Betty Jean, Lamon is here.

Woman:   About time.

Woman:   There he is.

Lamon:   Hello, hello. My apologies for being late. Hi. Hello. I turned off my –

Galen:   Brain?

Lamon:   The whole Wi-Fi, I had turned it off, because it was going so slow. Then, I couldn’t get it back on, but now I’m here.

Woman:   Welcome, Lamon.

Galen:   You must have been panicking.

Lamon:   I was. I was, I was calling Spectrum and everything.

Moderator:   Go ahead, Betty Jean.

Woman:   Galen knows that I live up here in Nevada City. Have you been up in this area at all since you’ve moved away?

Galen:   Oh, yeah, I’ve been there. Man. It’s been a minute though. I’d say probably like, well, you know, time flies. I’d say like, 10 years, but it’s probably more like 15. I’ve been close to there are a lot, but no. I love to see it, though. I bet it’s so quaint and charming as ever, right?

Woman:   Yeah, yeah. Christmas card. Yeah.

Galen:   Yeah. So, for those of you guys who don’t know, it’s just like a cool old gold mining town in northern California and just like one really picturesque Main Street and little offshoots. I mean, you could probably speak to it better since you actually live there, but that was my memory.

Woman:   Yes, it’s still pretty much the same. It’s going through its ebbs and flows of economic revitalization. Like they just redid the National Hotel. They redid the restaurant in there, and they named it the Lola after Lola Montez. So, they’re sticking with the history. So, it’s nice.

Galen:   it’s a beautiful hotel.

Woman:   We’re hoping to get some snow this weekend. We really need the precipitation. We had some storms back in December, but we really haven’t had any.

Galen:   Did you guys get a ton of snow when it snowed like that big, like 10 days?

Woman:   We did. We had two feet when we were out. We had power out. A lot of trees came down this this year and a lot of damage done, and they’re still cleaning up from that. So, it melts off, and then that’s it. So, we’re hoping that Wednesday we get some more.

Galen:   Yeah, fingers crossed. Same here.

Moderator:   Thanks, Betty Jane.

Woman:   You’re welcome. Nice seeing you, Lamon. Sorry you were late.

Moderator:   Next, we’re going to bring up Draya. Draya, tell us where you’re from and ask your question.

Woman:   Hi, Lamon. Hi, Galen. I’m from Florida. My question is actually for both of you. What’s your most embarrassing moment on set? Either on Days or Passions, Galen?

Galen:   Oh, man, it looks like Lamon already thought of one.

Lamon:   Yeah. I actually posted mine. My most embarrassing moment was when I was in the middle of shooting a scene with Sal. It was on our wedding, and she looks, and she points she at my nose, and she goes, “Can we get a tissue for Lamon? You have like a little booger right there, and I don’t want to kiss on your booger.”

Woman:   Oh, no!

Lamon:   Oh, my god, I was so embarrassed. We had a cast on set. It was probably like maybe 10 or 12 of us and everybody was sitting there watching, and then everybody looks at me, and I’m like, “What is it?” because I can’t see myself. I was super embarrassed. I was really embarrassed.

Galen:   Was that like the wedding or something?

Lamon:   Yeah.

Galen:   I think I was there that day. I remember that. I saw it on the feed or something. I was like, “Oh, that’s embarrassing.”

Lamon:   Yeah, that was really embarrassing. I’ll never forget that. But I have the video to remember it.

Galen:   I mean, she could have like pulled you aside a little bit, but she kind of [unintelligible]

Lamon:   That’s what I’m saying! She could have pulled me to the side and said, “Lamon, go get a tissue, because you have like a little boogie right there.” And I was like, “Oh [intelligible],” but no, she let everyone know. “Can we get a tissue for Lamon?” Yeah, so good times. Go ahead, Galen. What’s yours?

Galen:   I mean, honestly, I don’t think I’ve ever been that embarrassed on set

Lamon:   You weren’t embarrassed you had to speak to a teddy bear?

Galen:   That’s messed up, bro. [unintelligible], I think, for me, and you know, what’s funny is like, something happened. And I think I like just blacked it out of my memory, because I remember saying, “Oh, next time I get asked what my most embarrassing moment is, I have this,” and I cannot even remember for the life of me. But I will say like, maybe a little different than embarrassing, but it’s like, awful, because like sometimes embarrassing [unintelligible] if it’s not awful, you’re like, “Oh my god, I can’t -” But the awful one is when you’ve got a scene or a bunch of scenes, and in one scene, you just keep going up. Like you can’t get the words right, or the phraseology, or whatever it is. Then, you start to get a little sweat going, and you get a little hot, and you’re thinking it, and then the makeup [unintelligible] starts tapping on you and only makes you sweat more. And then everyone’s looking at you. And I mean, it’s happened a couple times. That’s the worst.

Woman:   Not the orangutan from Passions, Galen?

Galen:   I mean, that was awful, mostly. Most people liked it, but he used to regurgitate in my face… it would hit the back of my arm so hard. Thing was shedding dandruff on you constantly, it was so gross. It smelled like a rotten, I don’t know what. You know what I’m saying?

Moderator:   Thank you, Draya.

Woman:   [unintelligible] sanctuary now.

Galen:   Yeah, that’s where they belong, in the jungle.

Woman:   Thanks, Draya.

Lamon:   I’m sure we’ll have plenty more embarrassing moments to talk about as the days go on.

Moderator:   Next, we’re gonna bring up Linda Williamson. Linda, tell us where you’re from and ask your question.

Woman:   I’m from Western Washington State. My question is, what is the most physically adventurous thing you’ve ever done?

Galen:   Is that for Lamon or for me?

Woman:   Both.

Galen:   Okay. You got anything for that, Lamon? I know you don’t do much.

Lamon:   I stay in the house most of the time. But you know what? Skydiving. Skydiving was definitely the most adventurous thing that I’ve ever done. I’m 40 now, and for 39 years, I had said – not 39 years, but for practically my whole life. I was like, “Oh, I would never go skydiving. That’s something I would -” Am I muted?

Women:   No.

Lamon:   Yeah, I would never ever go skydiving, but I did it. And it was out of this world. I wouldn’t do it again, because I got a lot of seasickness from actually coming down, and the guy who was in charge skydiving, he would actually turn the parachute so we’re on some trail to get back to wherever we needed to go, but that really messed with my stomach. But it was very, very on the edge worthy.

Galen:   The guy’s like trying to make it fun for you, and you’re like, “Hey, please stop with the like back and forth.”

Lamon:   Yeah. Yeah, right before he started doing it he had he asked me he was like, “Do you like roller coasters?” And I was like, “Yeah.” He’s like, “All right,“ and next thing I know [unintelligible] to the side. I won’t do it again, but it was good one time.

Galen:   You know, Lamon, I’ve never actually done that.

Lamon:   Take Dramamine before, if you do.

Galen:   Okay. Oh, Linda, first of all, I want to thank you so much for the picture the other day. Linda printed this cool frame and sent me a framed picture at the top of Mammoth of the sign. It’s awesome. I love it. So, you rock. You always send in the most thoughtful things and the most ridiculous and hilarious letters, which I love. So, I’ll say, you know, I did this crazy kayak, like a 20-mile kayak in Hawaii, through like a private, like, waterfall. So, it was a kayak along the coast, and the current was crazy, so strenuous. It was like a full day; it was like a nine-hour kayak, and as I was living in Miami Beach at the time. One of my best friend’s was a member of a kayak club, so we did a bunch of kayaking. So, I was actually really good at it, but it was insanely hard, but so cool. Like part of it [was], the current would take you into this cove that would open up like the waterfalls coming down on your head, birds are swooping in, and you would go into this glowing giant like volcanic room, and suddenly you [would] be inside this mountain. It was the craziest thing I’ve ever seen. And you are kayaking with turtles and sharks and dolphins, and it was insane. Like National Geographic rated it as one of their top 100 adventures. And that was just so special. You’re going along and waterfalls are coming down. It was just like thousands of waterfalls everywhere on the Nepali coast where it at. It’s just I would highly recommend it, like in a boat, whatever. But if you are susceptible to seasickness, you can get seasick doing that for sure. I remember when we stopped for lunch, and I slept for an hour on a picnic table on a remote little island. It was brutal. So, that was pretty good. There’re so many.

Moderator:   Thank you, Linda. Great question. Next, we’re going to bring up Joanie Vaughn. Joanie, tell us where you’re from and ask your question.

Woman:   Hi, Lamon. Hi, Galen. I’m over in New Bedford, Massachusetts, a big little fishing town here. Biggest capital in the world for fishing, just in case –

Galen:   One of my best friends is from New Bedford.

Woman:   No way! Oh, my God.

Galen:   Yeah.

Woman:   It’s a quaint little town. This question is for both of you. It’s kind of a stupid question, but one I actually had helping in getting, because I had a hard time. Oh, my God, I want to ask you guys a million questions. But the one question is, well, in honor of Kurt Cobain’s birthday, so he’s a favorite of mine. Who’s your favorite band singer? One that you– if you just had nobody else to listen to, that you would want to listen to for the rest of your life.

Galen:   Oh, wow. Well, first of all, I got great taste. I love Kurt Cobain and Nirvana. And actually, just, I went to – Dave Grohl had this really cool thing. He’s the drummer for Nirvana and a bunch of other bands, but he had this really neat – he wrote a book about his journey as a musician and growing up, and I was –

Moderator:   Galen, we lost your sound.

Lamon:   I think, for me, it would be, and I thought a lot about this, and it’s hard to nail down one.

Galen:   It might be for me the Rolling Stones, just because they’re so iconic. They have so many great songs that I love.

Lamon:   Galen’s all over the place right now. I think he was getting the booger out of his nose. That was great!

Galen:   It looks clean to me.

Lamon:   We can’t see to make sure anyway, Galen.

Galen:   Am I back? What happened? Am I back?

Woman:   You are.

Galen:   Shut up, Lamon. [unintelligible] did that to you. Anyway, I’m gonna go Rolling Stones.

Woman:   Love it.

Lamon:   I don’t really know too many bands, but I would say Daughtry. That’s probably one of the few bands that I do listen to. Actually, I’ve seen him live, once. I became a fan years ago from American Idol. That’s when I used to watch American Idol all the time. It’s funny, because American Idol was like one of the few reality TV shows I would sit there and actually cry. So, American Idol. Chris Daughtry. I’m a big fan of them.

Lamon:   I love that. Both you guys, great answers. Thank you so much, and thanks –

Galen:   What about Hip Hop, Lamon?

Lamon:   One rapper, well, he’s passed. If I had no one else to listen to, Tupac. That’s number one.

Galen:   I knew you were going to say that.

Lamon:   Big Tupac fan, yeah.

Galen:   Yeah, he was great.

Moderator:   Thanks Joanie. Great question. Next we’re going to bring up Suzanne. Suzanne, tell us where you’re from and ask your question

Galen:   Hello, Suzanne.

(This is where I asked my question)

Woman:   That’s a good question.

Galen:   What do you think, Lamon?

Lamon:   That’s probably a tougher question for for you, I think, because you know, you’ve been there longer. You’ve been through more things than I have as portraying Eli, but something that –

Galen:   I would say, solve a case.


Lamon:   That’s wishful thinking. It’s not gonna ever happen.

Galen:   I know, but like, Lamon and I always had fun working together. We use to be like, “Man, can we just solve a damn case, though?”

Lamon:   Yeah, that’s a tough question. It’s a tough question. I feel like we do everything we – often we do stuff that we don’t want to do. Like, what was it? Zombies. And I’ll never forget the stuff that we did on the island with Christopher and Sal, where Chris had caught that Jungle Fever. Who asked for that? But to answer your question, I mean, something that I haven’t done, I don’t know. I would just say something that would bring in a family member from Eli’s past, just diving into, you know, more of his history. And as far as like pinpointing something in particular, I don’t know, hell, everyone comes back from the dead. So, maybe his dad can come back from the dead. I think that would be beneficial.

Moderator:   Thank you so much, Suzanne. So glad to have you here with us tonight. Next, we’re going to bring up Amber Savage. Amber, tell us where you’re from and ask your question.

Woman:   Hey, guys, I’m from Louisiana. So, unfortunately, I was pulling for Joe Barrow. I’m sorry, Joe. Anyway, I’m from Louisiana, and my question is for both of y’all. Okay, TV show or movie, either one, which is your guilty pleasure, the one that you don’t want anybody to know that you really like?

Galen:   I’m sorry, I lost audio.

Woman:   I said, which one, TV show or movie, is your guilty pleasure? The one you don’t want anyone to know that you really like. This is for both of y’all.

Lamon:   I would say, for me – I mean, if I didn’t want anybody to know you’re about to know now, but I really love the first season of Love is Blind.

Woman:   Oh, my God.

Lamon:   It’s a reality [show]. Somebody else must know about that. I heard, “Oh, my god.”

Woman:   I’m just watching the second season.

Woman:   Oh, my god, love it.

Lamon:   Yeah. I’ve got to watch the second season, but I really love the first season. I actually have searched up some of the people on Instagram to see if they’re still together from the first season. So, Love is Blind. It’s a really good reality show. And for years, I’ve kind of ventured off from reality TV, but that would definitely suck me back in.

Galen:   Oh, you’re doing deep dives on [unintelligible]. Oh my god, I love it.

Lamon:   And I think this was during the time where COVID just hit, so it was like one of those things where, you know, you’ve watched all the Netflix, so I think that was one of the things I got hooked on during that time.

Galen:   That’s amazing. Is it good?

Lamon:   It is really good. It’s really good. Dude, don’t– don’t start it though. Don’t start it.

Galen:   Okay.

Lamon:   You’re gonna get hooked.

Galen:   Now I have to answer the question. I honestly– I don’t really like – I don’t think I have, like, that show. I did watch this show last night though that’s crazy, so I’ll sort of reframe the question, because I don’t really know that I have anything, but Tinder Swindler?

Lamon:   Oh, I saw that.

Galen:   Dude, how crazy is that guy? What was he doing? What’s the point?

Lamon:   Yeah, for you guys. For any of you that don’t know what that show’s about, it’s about this guy who, on Tinder and dating sites, would swindle people, would swindle women, out of their money. He presents himself as like this, not a celebrity, but somebody who has lots and lots and lots of money. And then he gets women to actually give him money when he gets in trouble and [unintelligible].

Galen:   Yeah, don’t give it away. There’s some like crazy plot. I mean, it’s insane, the levels with which the guy is going and he’s spending money to get them to think that he has money. He’s [got] like private jets, all this nonsense, but he’s spending like the last girl’s money. It’s crazy, like, wow. Yeah, seems like a lot of work.

Moderator:   Thanks, Amber. Great question. Next, we’re going to bring up Nadia Potenza. Nadia, tell us where you’re from and ask your question.

Woman:   Hi, Galen Hi, Lamon. I’m from Boston, Massachusetts, and tonight, I’m drinking coffee. So, my question for both of you is, what is your greatest strengths as an actor?

Galen:   That’s a good question. Really good question.

Lamon:   I would say just the – You know what? I actually, like bringing in a level of comedy to, uh, to my scenes whenever possible. So, I would say –

Galen:   You do that on purpose?


Lamon:   Sometimes. So, yeah, I would say just the ability to be able to bring light and humor into my scenes.

Galen:   I would agree with that. We always have fun working together, dude. Oh, man. [unintelligible] I think too, your work’s really honest. You know what I mean? Like, you never seem like you’re pushing, you know what I’m saying? I don’t know. You just always find a moment. It seems very genuine, I would say for you, but that’s pretty good. I think, for me, like, I haven’t had any really of these emotional scenes, but one that’s like really – There’s like hard emotional scenes, I feel like, because we’re lucky enough to work with this character for a long time and other characters. I feel like I can believe in the circumstances pretty easily, as absurd as sometimes they might be, and not judge it too much, if that makes sense. Sometimes you’re like, “Oh my god, this is so ridiculous.” You’re like, “All right, whatever. Here we go.”

Moderator:   Thank you, Nadia.

Galen:   I have an ability to make my co stars laugh.

Lamon:   Oh my gosh, that’s true. That is the truth.

Moderator:   Thanks, Nadia.

Woman:   Thank you. Nice to meet you.

Moderator:   Next, we’re gonna bring up Raylene. Raylene, tell us where you’re from and ask your question.

Woman:   Hi, Galen. Hi, Lamon. Just look for the staircase.

Galen:   Yep.

Lamon:   Can’t miss it.

Galen:   There it is.

Woman:   Nice to spend Sunday with you both So, first of all, Lamon, I wanted to compliment you on your excellent Wi Fi connectivity.

Lamon:   Thank you. I’m in the house now.

Woman:   It’s very good. You’re very sharp and clear picture. So, it’s nice to see.

Lamon:   Thank you.

Woman:   And I’m sorry, Galen. I can’t say the same about you tonight.

Galen:   Is it not clear? But at least [I] was on time.


Woman:   So, there are so many things I wanted to ask both of you, but since Lamon brought up American Idol, and back in the early days, I used to love American Idol too. So, Daughtry didn’t win. Daughtry did not win, so who was your favorite winner of all the seasons that you watched? Who’s your favorite?

Lamon:   Most of the time my favorite got second, like Jennifer Hudson. I think she got second.

Woman:   No, she got six.

Lamon:   Oh, she got six. Oh, God. I think that was the season where the heavy set black guy had one, and I didn’t really like him too much.

Woman:   No, no, that wasn’t the right season.

Lamon:   Wait, Kelly Clarkson. I think Kelly Clarkson. I really liked her. I think she was a winner, if I’m not– if I’m not mistaken.


Woman:   First winner. Yeah.

Lamon:   Oh, she was the first… okay. Yeah, yeah, yes. So Kelly Clarkson for sure. And she doesn’t really do so much singing, to my knowledge. Now she’s into talk shows and things like that. Funny how life is gonna turn out.

Woman:   [unintelligible] early on.

Lamon:   Oh, yeah, The Voice is really good too. Yeah, definitely. But yeah, Kelly Clarkson.

Woman:   Do you have an answer there for that, Galen? And did you watch it all?

Galen:   All right, I was having a car situation. This is like my most embarrassing moment.

Lamon:   He’s breaking down right now.

Galen:   I tell you guys this because I have my car on. Not on. I had like the speaker going, and my battery died, and now I’m like blocking the guy who can’t even get out with this truck. So, anyway, good times. What was the question?


Woman:   American Idol singer.

Woman:   Yeah, do you watch American Idol at all?

Galen:   Yeah, you know. Oh, so my favorite singer?

Woman:   Yeah, or winner. I asked him on who his favorite winner was, because Chris Daughtry did not win.

Galen:   Oh, yeah. I like that guy. Who was second last year?

Woman:   I have no clue.

Lamon:   He’s winging this right now, guys.

Galen:   My son was like, super into it, so I would like watch it with them, and I just remember that guy that he thought was gonna win didn’t win, but I can’t remember his name. And I want to say–

Woman:   He was like alternative. He was an alternative artist.

Galen:   Yeah. Thank you.

Woman:   I can’t think of his name.

Galen:   Yeah, but, um, man, those people can sing, I’ll tell you. It’s incredible to be able to do that under that pressure. I don’t know. It’s crazy.

Moderator:   Thanks, Raylene.

Woman:   Thanks, guys.

Lamon:   Thank you, Raylene.

Galen:   Thanks.

Moderator:   Next we’re gonna bring up Thane. Thane is joining joining us from New Zealand and Thane uses text to voice to ask his question. Go ahead. Welcome, Thane.

Thane:   Well, someone I do work for is on the call. I probably shouldn’t do my crazy questions. I am just joking. She already knows I am a complete lunatic. So, guys, soap male characters are usually very stupid. So, I was wondering how you reconcile playing a detective while your character occasionally acts really dumb, for example, in relationships, etc.

Lamon:   That’s definitely a question for Galen.

Galen:   You know, the thing is, Thane, I think you said sometimes dumb; it’s really pretty much all the time. So, yeah, I mean, I think, actually, storyline-wise, like [we’re] moving through a storyline like that right now. I’m not sure exactly how far how much has transpired but I do just remember in this story being like, “Wow, I think I would have figured it out,” or had a greater Inkling. But I don’t know. I think there’s something in the water. We serve it at the at the cop shop there. They put in the coffee, I guess, because, you know, we’re idiots, for lack of a better word. You know, like Peter Sellers, like Pink Panther? Like he wasn’t always the most astute, but he found his way, and I feel like sometimes we do that.

Woman:   Lamon?

Lamon:   Yeah, you know what? It’s, uh, gosh, you know, oftentimes, you fans figure out whatever the crime is two weeks before our characters do, but yeah. I mean, it’s something that the writers have given us, and even though we’re like, “Oh, my god, this is so dumb; like the murderer is walking right next to us with a knife hanging out of their back pocket with blood dripping.” Stuff is right in our face, but we just have to, play as dumb as possible. I mean, there’ve been many times where I’ll go to producers and be like, “This doesn’t make sense. I mean, any idiot would know that, what [it is]; this plays out like this.” And they’re like, ‘Oh, this is the story.” We’ve got to make the best of it. So, our job is to be an idiot, not see it. We just do that.

Woman:   Thank you, Thane. Next, we’re going to bring up Amy Pfeffer. Amy, tell us where you’re from and ask your question.

Woman:   Hi, guys. Hi, Galen. We talked earlier.

Galen:   Hey, Amy.

Woman:   Hi. Lamon. You know, I’m from the San Mateo area, and I wanted to ask you, did you ever hang out at Tanforan Mall, back in the day?

Lamon:   I used to go to Tanforan Mall. Yes, for sure.

Woman:   They’re tearing it down.

Lamon:   Oh, really?

Woman:   Yeah. They’re tearing it down. We think Jeff Bezos bought it.

Lamon:   What?

Woman:   Yeah, they’re tearing it down. I wanted to tell you.

Lamon:   My cousin – Wait, have they already shut it down, right now?

Woman:   No, they’re shutting it down. They’re shutting it down probably in the next couple months.

Lamon:   Oh, my cousin, she works at the Foot Action over there. Wow. I didn’t know that. Okay.

Woman:   A big tech giant bought it, and we think it’s Jeff Bezos.

Lamon:   I wonder what they’re planning to do with that?

Woman:   I don’t know. I don’t know.

Galen:   Like, your cousin’s gonna be working at the Amazon distribution center, Lamon.

Lamon:   She’s pretty smart. She might be able to take your job on the force.

Galen:   Really, being smart is not a prerequisite for my job.

Woman:   I thought it was useless tidbit of information that I thought you might like to know.

Lamon:   Oh, yeah. Thank you for that. Appreciate it.

Moderator:   Thanks, Amy. Next, we are going to bring up Tina Moore. Tina, tell us where you’re from and ask your question.

Woman:   Hi, guys. My name is Tina. And I’m from Asheville, North Carolina.

Galen:   Hey, yo, what’s going on?

Woman:   Oh, not much. How are you?

Galen:   Tina the Terror.

Woman:   Well, first of all, Lamon, I want to say I absolutely love your dog.

Lamon:   Oh, thank you.

Woman:   The cutest thing. She’s adorable. I’m serious. If you ever rent her out for play dates, let me know. So, cute.

Lamon:   Thank you.

Woman:   I love your guys’ relationship.

Lamon:   Me and my dog?

Woman:   No. Well, that, too, but you and Galen, because you just bust each other, and it’s so fun.

Lamon:   Yeah, Galen’s my dog, too.

Woman:   Catch and sit and roll over and all that. So, my question is what do you think is the quirkiest part about your characters? Do you kind of build them, too? Like with Galen, I feel like Rafe has this thing for stuffed animals, like you’ve always had; like with Johnny it was penguins. Do you remember his stuffed penguins?

Galen:   Oh, yeah.

Woman:   And then you’ve never had any scenes with him on those. That’s kind of funny.

Galen:   What?

Woman:   Have you ever, I mean, have you ever had scenes with him, since he’s been back?

Galen:   Who, Lamon?

Woman:   No, Johnny.

Galen:   Oh. No, I have. A couple, not many.

Woman:   Okay, because I don’t think we’ve seen him any of them.

Galen:   Oh right. Well, then, you’ll see them coming up, I guess.

Woman:   Okay. So, I guess my question is –

Galen:   Is he possessed by the devil right now?

Woman:   Yes. So, I guess my question is, do you try to bring out the funny in your character, like the quirky stuff?

Galen:   Do I?

Woman:   Yes. Because I think you’re both funny.

Galen:   Thanks. I mean, I will say like a lot of my scenes involve like very high stakes things, murders and you know, pursuits, so you kind of have to temper it sometimes. Like, as much as I would like to play more times, sometimes, but yeah, I love to do that. I mean, I think we do that often in real life as well, and then people sort of lose sight of it in the acting world at times. And it gives like, fun color. So, it’s definitely a – what’s the word I’m looking for? Like, I think about it, when I can mix it in, and I think that the writers actually do a good job of finding moments for me, knowing sort of like my voice and what I want to do, the character’s voice, and they are actually writing stuff in for me, which is great.

Woman:   Yeah, I think they do, too, and I love the sense of humor that Days has. It’s different than any other show right now.

Galen:   That’s great.

Woman:   Yeah. It’s not like Passions. It’s strange, but it’s funny, and it is a lot of fun to watch. It’s not so serious.

Galen:   Yeah, it can be tongue-in-cheek a little bit and make fun of itself. Yeah, I love that, actually. It’s nice color, I think. Thank you for appreciating that.

Woman:   That’s great, thank you.

Galen:   Look how handsome Lamon is, look at that dude.

Lamon:   But yeah, just tagging on what Galen said. Yeah, I mean, being with a soap, everything is a lot of times drama, drama, drama, like you said, high stakes. And often, the plots or whatever it may be, there isn’t– really isn’t laughing – there’s no laughing matters about it. So, I think whenever we can we try to add some humor in, and even if that’s just having reactions to some of the outlandish things that that are going on.

Woman:   Yes. Looks Yeah.

Lamon:   Yeah, and oftentimes, you may not get to see those, because we’re not the ones speaking. So, it really is a gem when they do actually get a look from someone who’s actually a bystander in the whole scene kind of taking the [unintelligible], like, “What the hell is going on?” But yeah, whenever we can we try to implement that stuff, but it’s not always the easiest thing to do, because what’s going on in the story is such high stakes.

Woman:   Okay, thank you.

Galen:   You’re welcome, Tina.

Moderator:   Next we’re going to bring up Vito, tell us where you’re from and ask your question.

Man:  Hello, Lamon. Hi, Galen. I’m Vito. I do have a question for Galen. I saw on your IMdB page that your parents were hippies.

Galen:   Uh-huh.

Man:  [Unintelligible] lifestyle

Galen:   Say again?

Man:  According to this, they interviewed you, and you said, living the hippie lifestyle was art. You lived on macaroni and cheese and Top Ramen.

Galen:   Yeah, that’s pretty accurate. I would say if there’s one thing that as a parent I love to have for my kids is consistency, and my parents did not offer that in terms of the lifestyle, especially when my parents split up. So, I was just with my mom, who was this crazy artist. There was just a lot going on. She was a wild woman. Then when the rent check would come first of the month, he’d cook for like a week and then who knew? It was just a little sketchy. So, that was the the hard part about being a kid and trying to have also a sense of normalcy, when your mom’s this wild artists and the kids are like – I mean, my car was completely painted. You don’t want to ride in that when you’re a kid. It was called the Duck Mobile, and our joke was my sister and I, because we would duck down, so no one would see us. And that lasted for like a year. I was like, “Nobody knows I’m in the Duck Mobile.” And then one kid found out, and that was it. Yeah. So, that was challenging, but looking back on it, it was I think it was pretty fun. I mean, there weren’t a lot of rules. We could kind of do whatever we wanted, and I think it helped obviously shape me into the person I am today. You know, I’m pretty thick-skinned and don’t take things too seriously most of the time. So, yeah.

Man:  Cool. Thank you.

Lamon:   Apparently I drive a duck mobile myself, and I thought I have a pretty nice car. Whenever I pick up my kids they hop in fast, and they duck, because I play my music loud. They don’t want their friends to see them.

Moderator:   Thanks, Vito.

Galen:   You’re blaring that Daughtry.

Moderator:   Okay, I’m going to bring three people back up who asked their questions before Lamon came on. Galen, you’re more than welcome to stay with us if you want to. Okay, I’m going to bring Betty Jean back up. She has a question for Lamon.

Woman:   Hi, Lamon. Now that you guys are aging the babies, how’s it working with real babies on the set, instead of the dolls?

Lamon:   It’s actually– it’s fun. It helps us as actors to actually have a living breathing baby, but there are times where you’ll have one of the twins – you are dealing with now two babies on set – oftentimes one of them won’t be in the mood. So, we have to deal with that, but overall, it’s a blessing that we don’t have to hold dolls and sit there and pass these crazy, scary-looking dolls. [unintelligible] things like that.

Woman:   But are you working with just two babies? Or is it two sets of twins?

Lamon:   It’s two sets of twins, four for each. And it’s funny, because the Carver babies.. Carver is the boy, but they’re played by girls. Jules, of course, is the girl, but the girls are actually boys.

Galen:   Oh, my god. That’s so weird.

Lamon:   So, it’s crazy, but yeah, to answer your question, it’s more fun to do.

Galen:   I just want to interject, because those babies they have, not the real ones, those babies are crazy-looking.

Lamon:   The dolls?

Galen:   Yeah, with those like popping out of your cupboard or something.

Moderator:   Thanks, Betty Jane. Next, we’re going to bring back up Ina. Ina has a question for Lamon.

Woman:   Hi, Lamon, nice to meet you.

Lamon:   Nice to meet you.

Woman:   My question is, what’s your favorite car?

Lamon:   My favorite car, well it’s definitely gonna be a car I don’t have. Let’s see. Okay, right now, my favorite car, it’s not even out yet. It’s a new Hummer that I have my eye on. It won’t be out until 2024, but it’s an– it’s a– an electric Hummer. If you ever want to sit there and Google– but all-electric Hummer 2024, And you can actually take the top off of that. So yeah, 2024 Hummer.

Galen:   Those things look sweet.

Lamon:   Yeah.

Woman:   Thank you, Ina. And we’re going to bring back up Michelle Leibowitz. Michelle has a question for Lamon.

Woman:   Hi, Lamon. Very nice to meet you.

Lamon:   Nice to meet you, Michelle.

Woman:   I was asking, I know you and Galen are both blooper kings. What’s your most memorable blooper that you’ve had on set?

Lamon:   Well, I’ll say this. The one that I’ve watched the most is probably the blooper with myself, Thou, Galen and – his name is – help me out Galen. I think his dad stole stole a baby. Remember, Galen, we were in a hotel room and he was on the other side of the bed?

Moderator:   Brock Kelly?

Lamon:   Yeah, Brock Kelly. That one, oh my god, we were dying. I actually have it on my Instagram page that blooper where you came into the door, and you said something like “Po po” or something like that. And then it just started, everybody was giggling, and we did not stop laughing. I remember Lucy. She was like, “All right guys, you guys have to settle down,” or something like that. You were like, “No, we need to fire up,” and they actually didn’t even let us finish rehearsing, because we were horsing around too much, or she was like, “We’re gonna go straight to tape. You guys got to settle down.” We could not stop laughing. That one I probably watched the most. That was hilarious.

Galen:   I remember that. They were talking about it earlier, actually, because they were asking about exactly that. And I was like, “We don’t have time for practical jokes,” but I remember that, because I had to bang on it like, “Police!” And I was like, “It’s the po po.” Then you guys just lost it. I don’t know, [there were] some other whole crazy absurdities going on. That was funny.

Lamon:   Often times we’re working with stuff that’s so crazy that any little thing that happens, sometimes it doesn’t even have to be funny, but just anything that happens is just out of the ordinary. One person starts laughing, and next thing you know, everybody has the giggles, and it’s over. It’s over after that.

Galen:   It’s a wrap.

Lamon:   Yeah.

Galen:   Why is that? It’s like, these things become so funny that otherwise wouldn’t really seemingly be funny at all. But I think, because you’re under the pressure of like, “Oh, we got to get this out.” And you’re like, it’s so ridiculous that you’re just, I don’t know, it just becomes hilarious. I don’t know what it is, but then you get the giggles, and you just can’t stop.

Lamon:   There’s something about laughing when you’re not supposed to laugh that just takes it to a whole new height, for sure.

Galen:   The other day, I was telling them like, we have the scenes, Billy’s coming in, I’ll fire it up, and and then he’s like, “Dude, don’t do that to me.” I’m like, “Don’t do what? I didn’t do anything.” He like, “You got that twinkle in your eye.” And I was like, “I’m not doing anything.” Then of course I started doing something, and then I couldn’t stop. And then I’d slap myself, but then it really hurt, and I had a hand mark on my face. I hit myself so hard, I was like, “Oh, my god, it’s not going well.”

Woman:   Well, this brings our time to a close. So, on behalf I know on behalf of Penny and Star Image Entertainment, we want to thank all of you for coming tonight. We want to especially thank Lamon and Galen for taking time out of their busy schedules to be here. Clearly it was no small effort tonight for both of them. I hope you can get home and you don’t have to call [unintelligible] to come rescue you.

Galen:   I have to get a jump. My favorite car right now? The one that starts.

Woman:   Oh, and and Galen don’t forget your bike.

Woman:   So, we always do a toast before we end the night and take some group shots. So, if everybody wants to raise their glass, we want to we want to toast Galen and Lamon, the Salem PD force. Thank you for for joining us, for all you do. Thank you Penny. And thank you to all the fans. It’s all of you that make all of this special. So cheers.


Lamon:   Yeah, thank you.


Galen:   Thanks everyone for coming. Thank you Lamon. Happy Sunday.

Lamon:   Happy Sunday.

Woman:   Go Rams, Galen.

Interview Transcribed by Jamie of


Lamon Archey

Eli Grant, “Days of our Lives”

Lamon Archey plays Eli Grant on NBC’s iconic daytime drama “Days of our Lives.”

Born in Northern California, Archey was raised by his grandparents and after graduating high school worked as a carpenter for three years. He soon moved to Los Angeles where, in less than a year, was working as a print, catalog and runway model for some of the world’s top fashion brands and designers, including Macys, the Gap, Kohl’s, Giorgio Armani and Dolce & Gabbana.

Archey sharpened his acting chops and soon began booking commercials for major companies, including McDonald’s, Chase and Old Navy. Beyoncé handpicked Archey as her love interest for Destiny’s Child 2004 music video “Cater 2 U.”

He landed his first acting role on “The Young and the Restless” in 2012 and would go on to appear in various sitcoms, including CBS’ “2 Broke Girls” and Showtime’s “Roadies,” before returning to daytime on “Days of Our Lives.” Originating the role of Eli Grant, the first Black member of the Horton family, Archey garnered critical acclaim for his portrayal of the likeable headstrong character.

A father of three children – two sons, Machiah, 17, and Caden, 11; and daughter, Gaia, 8 –Lamon resides in Los Angeles.

Galen Laius Gering (born February 13, 1971) is an American actor most known for his portrayal of characters on daytime soap operas. He currently plays the role of Rafe Hernandez on the long-running NBC soap opera Days of Our Lives. He also appeared on the NBC daytime soap opera Passions as Luis Lopez-Fitzgerald.

Days of our Lives

Mondays-Fridays on NBC (daytime; check local station for time)

For almost half a century, those words have introduced and underscored NBC’s longest-running drama series. “Days of our Lives,” which turns 55 on Nov. 8, 2020, first premiered as a half-hour drama in 1965 and expanded to an hour 10 years later.

The show is currently in its 55th season and remains a consistent favorite among critics and fans alike. “Days of our Lives” is produced by Corday Productions, Inc. in association with Sony Pictures Television. Ken Corday is the executive producer with co-executive producer Albert Alarr. Ron Carlivati is the head writer. “Days of our Lives” airs nationally on NBC in the United States and in over 15 countries internationally.

The show has garnered 58 Emmy Awards, including most recently 2018’s Outstanding Daytime Drama, and 372 nominations, as well as multiple People’s Choice Awards, GLAAD Media Awards, and Prism Awards. The show’s success stems from its consistent commitment to excellence in writing and storytelling – supported by a diverse ensemble of performers – and an uncanny knack for anticipating viewer interests. With its mix of classic genre traditions and groundbreaking narratives reflecting modern life, “Days of our Lives” remains a perennial favorite among viewers of all ages.

“Days of our Lives” is set in the fictitious Midwestern town of Salem. The core families are Bradys, Hortons and DiMeras, and the multi-layered storylines involve elements of romance, adventure, mystery, comedy and drama.

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Eli and Rafe on "Days of Our Lives" on NBC

Interview with Grant Knoche of Texas

TV Interview!

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Grant Knoche (TX) -- (Photo by: Trae Patton/NBC)

Interview with Grant Knoche of “American Song Contest” on NBC by Thane 5/5/22

I was very happy to get this interview with Grant. He does such a great job on ASC and is very popular with fans (and with Kelly Clarkson, with whom he shares the home state of Texas!).  Please vote for him if you like his music.


Here are the questions I asked:

How does it feel representing Texas in a live TV show?

What does “Mr. Independent” mean to you?

What are the challenges of being a young solo singer?

Why did you join Kidz Bop and what was that like?

As a solo artist, what inspires your music?

These days collaborations are popular. With whom would you want to collaborate?

Is there anything in particular that gets you in the mood to write songs?

What’s your view of modern pop music?

Do you feel that streaming services fairly compensate musicians?

I have watched your latest music videos. How do you come up with ideas for them?

Where can people follow you?


AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Grant Knoche (TX) -- (Photo by: Trae Patton/NBC)Texas: Grant Knoche

State: Texas
Singer’s name: Grant Knoche
Hometown: Frisco, TX
Resident: Los Angeles, CA

Grant Knoche, 19, taught himself to write and produce in his childhood bedroom and he hasn’t looked back since. Grant’s synth-driven, deep bass and intimate pop songs have all been written and produced by him. On his way to gathering over 900,000 followers, Grant has spent most of his life on the road performing more than 160 shows across America, including on “Today,” at Radio City Music Hall, Woodstock and many other locales. Grant’s debut EP, “Color Me Blue,” has been featured on multiple top playlists and he was recently called out by Ones to Watch as “One of today’s finest rising pop stars.” Grant’s excited to represent his home state of Texas.

American Song Contest

Mondays on NBC (8-10 p.m. ET)


America’s biggest live entertainment event has arrived! Based on the worldwide phenomenon “Eurovision Song Contest,” organized for 65 years by the European Broadcasting Union and watched by 200 million viewers annually, this amazing musical spectacular combines the competitive spirit of rooting for your favorite sports team with the joy of watching a beloved singing performance.

In the U.S. version of the international megahit, “American Song Contest” will feature live original musical performances, representing all 50 states, five U.S. territories and our nation’s capital, competing to win the country’s vote for the best hit song. The 56 artists span a wide range of performers – from undiscovered talent, up-and-coming new artists, and rising stars to established and legendary icons. An incredible solo artist, duo, group or band will represent each location and perform a new original song, celebrating the depth and variety of different styles and genres across America.

Hosted by Snoop Dogg and Kelly Clarkson, the eight-week live competition consists of three rounds as the artists compete in a series of Qualifying Rounds, followed by the Semi-Finals and the ultimate Grand Final where one state or territory will emerge victorious.

“American Song Contest” is executive produced by Propagate’s Ben Silverman and Howard T. Owens, alongside Audrey Morrissey, Amanda Zucker, Kyra Thompson and Gregory Lipstone as well as American Song Contest, Inc.’s Anders Lenhoff, Christer Björkman, Peter Settman and Ola Melzig. Snoop Dogg and Kelly Clarkson also serve as executive producers.

The series is produced by Propagate in association with Universal Television Alternative Studio, a division of Universal Studio Group, and American Song Contest, Inc.

Hashtag: #AmericanSongContest

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AMERICAN SONG CONTEST -- Episode 103 Contestant Gallery -- Pictured: Grant Knoche (TX) -- (Photo by: Chris Haston/NBC)

Interviews with “American Song Contest” performers

TV Interview!

"American Song Contest" April 25 on NBC

Interview with performers of “American Song Contest” on NBC by Thane 4/25/22

I was at this virtual press event with some of the semi-finalists for this show. I watched the first semi-final episode. My favorites were Riker and Jonah, but all the contestants shone this night.

Riker Lynch of Colorado

Sadly, the jury didn’t like him. He’s very upbeat, so I asked him what his motivation is for wanting to spread joy.

Jonah Prill of Montana

His style is more country, so I asked him what he liked about country music.

Ada Leann of Michigan

Ada is the youngest performer; I asked her what the challenges are of being a young singer.

AleXa of Oklahoma

I asked her if she’s inspired by any K pop artists. I liked her tune. I really should listen to more K Pop.

MARi of New Hampshire

I loved her song and asked her what got her in the mood to write such an inspirational song.

Hueston of Rhode Island

I assumed that Hueston likes to reach people through his music, so I asked how it feels to know that he’s reaching people.

Ni/Co of Alabama

I asked whether both of them always writes songs for their duo or whether just one of them writes the songs.

Jared Lee of Massaghusetts

Since his song was called “Shameless,” I asked him whatever the most shameless thing he’s done (that’s he’s comfortable sharing).

Allen Stone of Washington

He wrote his song after becoming a father, so I asked him what his family thinks of his song.

Ryan Charles of Wyoming

His style was influenced by hip hop, so I wanted to know what his favorite hip hop jams were.

Jordan Smith of Kentucky

I felt that “Sparrow” was a powerful song and wanted to know what it meant to him.


AMERICAN SONG CONTEST — “Semi-finals” Episode 106

America’s biggest live entertainment event has arrived! Based on the worldwide phenomenon “Eurovision Song Contest,” organized for 65 years by the European Broadcasting Union and watched by 200 million viewers annually, this amazing musical spectacular combines the competitive spirit of rooting for your favorite sports team with the joy of watching a beloved singing performance.

In the U.S. version of the international megahit, “American Song Contest” will feature live original musical performances, representing all 50 states, five U.S. territories and our nation’s capital, competing to win the country’s vote for the best hit song. The 56 artists span a wide range of performers – from undiscovered talent, up-and-coming new artists, and rising stars to established and legendary icons. An incredible solo artist, duo, group or band will represent each location and perform a new original song, celebrating the depth and variety of different styles and genres across America.

Hosted by Snoop Dogg and Kelly Clarkson, the eight-week live competition consists of three rounds as the artists compete in a series of Qualifying Rounds, followed by the Semi-Finals and the ultimate Grand Final where one state or territory will emerge victorious.

“American Song Contest” is executive produced by Propagate’s Ben Silverman and Howard T. Owens, alongside Audrey Morrissey, Amanda Zucker, Kyra Thompson and Gregory Lipstone as well as American Song Contest, Inc.’s Anders Lenhoff, Christer Björkman, Peter Settman and Ola Melzig. Snoop Dogg and Kelly Clarkson also serve as executive producers.

The series is produced by Propagate in association with Universal Television Alternative Studio, a division of Universal Studio Group, and American Song Contest, Inc.

Hashtag: #AmericanSongContest

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AMERICAN SONG CONTEST -- “Semi-finals” Episode 106 -- Pictured: (l-r) Snoop Dogg, Kelly Clarkson -- (Photo by: Trae Patton/NBC)

Interview with William B. Davis

TV Interview!

William B. Davis, author, actor, director and more!

Interview with William B. Davis of “Upload” on Amazon by Suzanne 4/13/22

It was great to speak with Bill again, this time about a new book. I interviewed him 12 years ago about his first book. Most of us know him well as the Cigarette Smoking Man (CSM) on “The X-Files,” but he’s been in many scifi and other shows, including the current series “Upload” on Amazon where he plays the villainous David Choak. I love this show and can’t wait to see more.

He is very candid. Watch the video – he tells whether he thinks there will be more “X-FIles” or not, and why, whom he keeps in contact with from X-Files, why there are fewer episodes of “Upload” in season 2, and about the future of that show.



On Acting... and Life by William B. DavisOn Acting …and life, the new book by Acclaimed Actor/Director/Author William B. Davis will be released on May 3, 2022

Best known as the Cigarette Smoking Man on TV’s The X-Files William’s book is part memoir and part master class

For immediate release: Acclaimed award-winning actor William B. Davis, best known as the Cigarette Smoking Man on TV’s The X-Files, is pleased to announce that his second book ‘On Acting …and life will be released on Tuesday, May 3, 2022.  With over 135 IMDb credits and not one to slow down, William’s current roles include the villain David Choak in Uploadnow airing on Amazon. He can also be seen in the upcoming Netflix TV series from Mike Flanagan entitled The Midnight Club. This fall Davis will play a major role in Harold Pinter’s No Man’s Land on stage in Vancouver, BC.

About the Book: 

Dozens of books on acting exist, but none of them are quite like this. Part memoir and part master class, modeled after Stephen King’s bestseller, On Writing, the book is divided into two parts. 

Part one takes readers on a seventy-year journey that begins with William B. Davis, at age twelve, riding his bicycle through the streets of Toronto to his first acting classes, and eventually leads to him starring in the long-running television series, The X-Files, starring David Duchovny and Gillian Anderson. From a summer theatre in Ontario to the National Theatre of Great Britain to the National Theatre School of Canada to the William Davis Centre for Actors’ Study in Vancouver, few have traveled such a colorful journey. Along the way, Davis met all sorts of familiar faces, including Donald Sutherland, Brian Cox, Albert Finney, Laurence Olivier, Maggie Smith, David Duchovny, and Gillian Anderson, among others. 

Although there is a lot about acting in part one, the heart of the book for an aspiring or working actor is in part two. What has Davis learned in seventy years of working both in the theatre and in film and television? A lot, as you will see. Davis’s grasp of the art of acting is vast and practical. And in some ways, original.

In his final chapter, Davis explores the underlying philosophy of acting and actor training and argues for bringing the work into the twenty-first century.

Praise for On Acting …and life.

“This book celebrates a lifetime’s passion and commitment to the mysterious realm of acting. It’s not a tale of fame, fortune, and gossip, but instead, it documents the twists and turns of an artist’s determined engagement with making and sustaining a career in Canada for over sixty years. It’s a history lesson and an inspiration, reminding the discouraged actor that you never know what’s coming round the corner so be prepared and keep the faith. The discussion of what makes for good acting is a wealth of practical, clear advice, mined and honed in decades of devoted exploration as an actor, director, and teacher. Gold!”  Rosemary Dunsmore (Award-winning Actor, Director, and Acting teacher)

“Before he was my cigarette smoking nemesis for over 25 years before he incarnated one of TV’s great villains, William Davis was an acting teacher. It’s not true that those who can’t do, teach because Bill can do both. And he can write. Like all good teachers, the wisdom and stories that Bill elaborates upon in his book are really lessons about life. It’s possible you will become a better actor after reading Bill; it’s also possible you will become a better person. For fans of The X-Files or just people who enjoy listening to a no-nonsense craftsman and lifer talk about his craft with none of the usual humble-brag or sensational Hollywood bullshit.”  David Duchovny (Novelist and Star of The X-Files)

“Bill Davis’s ‘On Acting’ is a fascinating tapestry of a life dedicated not only to the Art, but also to a deeper philosophical grasp of our work. Bill chronicles a highly personal journey that is founded in the search for a truth that truly illuminates the mystery of our craft!”  Brian Cox (Bafta Award Winner and Star of Succession)

“Bill’s vast experience, on stage, screen and as a teacher is more than impressive, it’s a rarity in our culture of instant fame. I cast him as a villain 30 years ago, but little did I know he’d always played to win.”  Chris Carter (Creator of The X-Files)

About the Author:

After decades of working as a theatre director and actor in Canada, the UK, and the US, William B. Davis rose to prominence as the Cigarette Smoking Man on TV’s The X-Files. Besides appearing in numerous other TV shows and movies, most recently, Upload and Midnight Club, Davis also founded his own acting school, the William Davis Centre for Actors’ Study. 

Davis has written one other book, a memoir entitled Where There’s Smoke . . . The Musings of a Cigarette Smoking Man. He lives in Vancouver, B.C., with his wife, Emmanuelle Davis. 

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William B. Davis, author, actor, director and more!

Interview with Nathan Witte

TV Interview!

Nathan Witte of "Greed" on Lifetime

Interview with Nathan Witte of “Greed” on Lifetime by Suzanne 3/23/22

This press day with Lifetime stars was great fun. The actors chatted a lot with us about this season’s Seven Deadly Sins movie series. Since these movies are about the seven deadly sins, there is a religious element in each of them. In this one, Zuri (Monique Coleman) is a preacher’s daughter, and we see a bit of that influence from her parents, and there are some scenes with preaching.

With these press calls, we basically get one question. I had interviewed Monique before, so I chose to speak with Nathan Witte because he’s been on several shows I like, such as “Arrow” and “Superman and Lois.” I put my questions first, but you can see the others below that.















Los Angeles, CA – February 17, 2022 – On the heels of last year’s popular Lust and Envy movies seen by over 9.4 million viewers in their airings, Lifetime announces the next two Seven Deadly Sins Anthology movie installments, Wrath and Greed, from executive producers T.D. Jakes, Derrick Williams and Shaun Robinson. Based on the series of books by Victoria Christopher Murray, Wrath: A Seven Deadly Sins Story stars Michelle Williams (Destiny’s Child), Tina Knowles-Lawson (Profiled: The Black Man), Romeo Miller (Tyler Perry’s Madea’s Witness Protection) and Antonio Cupo (Blood & Treasure) while Greed: A Seven Deadly Sins Story is headlined by Monique Coleman (A Christmas Dance Reunion), LisaRaye McCoy (A House Divided), Eric Benét (Real Husbands of Hollywood) and Nathan Witte (Merry Liddle Christmas Baby).
Below are the movie descriptions and premiere dates.
Saturday, April 23 at 8/7c
Interior decorator Zuri Maxwell (Monique Coleman) had it all – a career she adored, loving family and friends,
and a good man in her life, artist Stephon Gardner (Nathan Witte). But greed threatens to destroy everything,
when Zuri meets handsome benefactor and entrepreneur Godfrey Anderson (Eric Benét) and his fabulously
wealthy aunt Miss Viv (LisaRaye McCoy). They have everything Zuri thinks she wants. As Godfrey
romances her, she compromises the values and morals that should guide her in an effort to be part of the
moneyed world she so desperately wants to be part of.
Wrath: A Seven Deadly Sins Story and Greed: A Seven Deadly Sins Story are produced by Wrath
Productions Inc and Greed Productions Inc respectively in association with T.D. Jakes Enterprises and
RobinHood Productions. T.D. Jakes, Derrick Williams, and Shaun Robinson serve as executive
producers. Wrath and Greed are directed by Troy Scott from scripts written by Richard Blaney and Gregory
Small (Wrath) and Wuese Houston-Jibo (Greed).


Celebrating 35 years of entertaining audiences, Lifetime is a premier entertainment destination for women dedicated to offering the highest quality original programming spanning award-winning movies and breakout non-fiction series and documentaries. Lifetime has an impressive legacy in public affairs, bringing attention to social issues that women care about with initiatives such as the long-running Stop Breast Cancer for Life, Stop Violence Against Women, and Broader Focus, a major global initiative dedicated to supporting and hiring female directors, writers and producers, including women of color, to make its content. Lifetime Television®, LMN®, Lifetime Real Women® and Lifetime Digital™ are part of Lifetime Entertainment Services, LLC, a subsidiary of A+E Networks. A+E Networks is a joint venture of the Disney-ABC Television Group and Hearst Corporation.

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"Greed" poster

Interview with Tosin Cole

TV Interview!

Tosin Cole of "61st Street" on AMC

Interview with Tosin Cole of “61st Street” on AMC by Suzanne 4/12/22

It was great to speak with Tosin because he’s an amazing actor. I really loved him on “Doctor Who” and was so sorry that he left there. He’s gone on to bigger and better roles, though, such as his outstanding work in this series. You should really make sure to watch it!

We’ll have the transcript up here at some point!

MORE INFO: Official Trailer

61st Street posterAMC Networks announced today the premiere date for its highly anticipated new drama 61st Street, starring Emmy®-winner Courtney B. Vance,  ahead of the series’ world premiere at SXSW.  From BAFTA-winner Peter Moffat, J. David Shanks and Michael B. Jordan’s Outlier Society, the series debuts Sunday, April 10 at 10pm ET/PT on AMC, with the first two episodes streaming on AMC+ and ALLBLK. New episodes will rollout  weekly, on Sundays, and be available one week early on AMC+ and ALLBLK.

From AMC Studios, 61st Street is a propulsive thriller which courses through the dark heart of the infamous Chicago criminal justice system as police and prosecutors investigate a deadly drug bust that threatens to unravel the police department’s code of silence. Vance (The People v. O. J. Simpson: American Crime Story, Lovecraft Country), leads an ensemble cast that includes Emmy®-nominee Aunjanue Ellis (When They See Us, King Richard), Mark O’Brien (City on a Hill, Blue Bayou), Holt McCallany (Mindhunter, Lights Out), Tosin Cole (Doctor Who, Hollyoaks), Andrene Ward-Hammond (Your Honor, Manifest) and Bentley Green (Snowfall, Sweet Magnolias).

The series is executive produced by Moffat (The Night Of, Your Honor), Shanks  (The Chi, Seven Seconds, Shots Fired), Outlier Society’s Jordan and Elizabeth Raposo (Just Mercy, David Makes Man), Alana Mayo (Tom Clancy’s Without Remorse, Just Mercy), Jeff Freilich (Lodge 49, Dispatches from Elsewhere) and Hilary Salmon (MotherFatherSon, The Night Of, London Spy).

About AMC Networks Inc.

Tosin Cole in "61st Street" on AMCAMC Networks is a global entertainment company known for its popular and critically acclaimed content. Its portfolio of brands includes AMC, BBC AMERICA (operated through a joint venture with BBC Studios), IFC, SundanceTV, WE tv, IFC Films, and a number of fast-growing streaming services, including the AMC+ premium streaming bundle, Acorn TV, Shudder, Sundance Now and ALLBLK. AMC Studios, the Company’s in-house studio, production and distribution operation, is behind award-winning owned series and franchises, including The Walking Dead, the highest-rated series in cable history. The Company also operates AMC Networks International, its international programming business, and 25/7 Media, its production services business.

About AMC+

AMC+ is the company’s new premium streaming bundle featuring an extensive lineup of popular and critically acclaimed original programming from AMC, BBC America, IFC, and SundanceTV and full access to targeted streaming services Shudder, Sundance Now and IFC Films Unlimited, which feature content such as A Discovery of Witches, Creepshow, and Boyhood. The service features a continually refreshed library of commercial-free content, including fan favorites Mad Men, Halt & Catch Fire, Turn: Washington’s Spies, Hell on Wheels, NOS4A2, Rectify, Orphan Black, Portlandia, and series from The Walking Dead Universe, among many others. The service also offers a growing slate of original and exclusive series including Gangs of London, Kin, The North Water, Ragdoll, The Beast Must Die, Too Close, The Salisbury Poisonings, Cold Courage, Spy City, Ultra City Smiths, Anna, Anne Boleyn, Firebite, and La Fortuna. AMC+ recently launched in Canada and Australia, and is available in the U.S. through, the AMC+ app, and a number of digital and cable partners.

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Courtney B. Vance and Tosin Cole of "61st Street" on AMC

Interview with Michelle Williams, Romeo Miller and Anthony Cupo

TV Interview!

poster for "Wrath" on Lifetime 4/16

Interview with Michelle Williams, Romeo Miller and Anthony Cupo of “Wrath” on Lifetime by Suzanne 3/23/22

This was a fun press conference that Lifetime held for this season’s Seven Deadly Sins movie series. The first one is “Wrath,” airing tonight, and then next week is “Greed” on April 23. The plot for this one is mostly like a standard Lifetime movie where the main character, Chastity (played by singer/actress Michelle Williams) meets a new handsome guy, Xavier (Anthony Cupo), and he turns out to be someone that you don’t want to date (no spoilers here!).  There is an added religious element that you may or may not like. It’s not as religious as “Greed,” though. You might recall that Williams was one third of the hit R&B group Destiny’s Child, along with Beyoncé and Kelly Rowland.  Beyoncé’s mom, Tina Knowles-Lawson, plays Sarah, Chastity’s mom, so that’s pretty cool.  Rap star Romeo Miller plays Roger, Chastity’s former high school boyfriend. You may recognize Cupo from his acting career as he’s been in many things. He’s really the best actor in the group. It was great to speak with all of the main stars of the movie! Here is the video of my question, and we hope to have a transcript soon of the entire press chat. Don’t miss the movie tonight!
















Los Angeles, CA – February 17, 2022 – On the heels of last year’s popular Lust and Envy movies seen by over 9.4 million viewers in their airings, Lifetime announces the next two Seven Deadly Sins Anthology movie installments, Wrath and Greed, from executive producers T.D. Jakes, Derrick Williams and Shaun Robinson. Based on the series of books by Victoria Christopher Murray, Wrath: A Seven Deadly Sins Story stars Michelle Williams (Destiny’s Child), Tina Knowles-Lawson (Profiled: The Black Man), Romeo Miller (Tyler Perry’s Madea’s Witness Protection) and Antonio Cupo (Blood & Treasure) while Greed: A Seven Deadly Sins Story is headlined by Monique Coleman (A Christmas Dance Reunion), LisaRaye McCoy (A House Divided), Eric Benét (Real Husbands of Hollywood) and Nathan Witte (Merry Liddle Christmas Baby).
Below are the movie descriptions and premiere dates.
(L to R): Wrath stars Romeo Miller, Michelle Williams, Peter Bryant and Tina Knowles-Lawson.


Saturday, April 16 at 8/7c

After single lawyer Chastity Jeffries (Michelle Williams) meets Xavier Collins (Antonio Cupo), he seems to be everything she is looking for in a partner—handsome, smart and a lawyer as well.  As his affection turns to obsession, Chastity realizes that she has been swept up by Xavier’s passion and abandoned her principles. When Xavier’s jealousy and wrath lead to suspicious actions and dangerous threats, Chastity confides in her mother Sarah (Tina Knowles-Lawson) and turns to her former childhood boyfriend Roger Thompkins (Romeo Miller). But in the end, it is Chastity that will have to fight to save herself.


Celebrating 35 years of entertaining audiences, Lifetime is a premier entertainment destination for women dedicated to offering the highest quality original programming spanning award-winning movies and breakout non-fiction series and documentaries. Lifetime has an impressive legacy in public affairs, bringing attention to social issues that women care about with initiatives such as the long-running Stop Breast Cancer for Life, Stop Violence Against Women, and Broader Focus, a major global initiative dedicated to supporting and hiring female directors, writers and producers, including women of color, to make its content. Lifetime Television®, LMN®, Lifetime Real Women® and Lifetime Digital™ are part of Lifetime Entertainment Services, LLC, a subsidiary of A+E Networks. A+E Networks is a joint venture of the Disney-ABC Television Group and Hearst Corporation.

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Michelle Williams and Romeo Miller in "Wrath" on Lifetime

Interviews with “American Song Contest” contestants 4/4/22

TV Interview!

Snoop Dogg and Kelly Clarkson on "American Song Contest" on NBC

Interview with contestants from “American Song Contest” on NBC by Thane 4/4/22

I haven’t been press for a live event before. I also enjoy music, so I decided to cover this event. I knew of the hosts, so I was hoping to speak to at least one of them.

Watch the episode here if you missed it!



I have previously seen him at a festival in New Zealand, so I was excited to speak to him. This is probably one of the main highlights of the year for me. I asked him if he enjoyed seeing a live audience now that the pandemic is over. I regret this phrasing as the pandemic isn’t really over. There was a period when live events didn’t happen, and I was trying to reference this time. It was great to speak to him!



I could tell he values his home culture, so I wanted to incorporate the people back home in my question. I asked him what they think of his success.



On reflection, I really should have been asking more music oriented questions as I enjoy learning about music. This was the only time I really took the opportunity to do this. I asked them how do two people write a song.



I instantly noticed that her performance was very pink themed. (the color, not the singer! LOL!) So I asked her how she decided on that color.



I just thought he had so much raw emotion in his voice. I really enjoyed his singing.



I really enjoyed the rhythm of her song, so I asked how she chose it.



I really enjoyed the special effects of her song, so I asked how the special effects were chosen.



He was definitely my favorite of the night. I noticed he was a really good dancer, so I asked him how long it took to learn the dance moves.



I really liked her song, “I Don’t Take Pictures Anymore”. I asked her what her song meant to her.



Since Jesse’s song was inspired by his mom, I was really curious to know what he told her about the song before his performance.



I was curious to know if their song “Bad Girl” was about anyone specific. Watch the video to find the answer!

We didn’t get to interview Jewel (representing Alaska) or Riker Lynch from Colorado.

Jewel did a country song. It was great hearing her on stage. I love her song, “I Love You Always Forever.”

Riker seems to be an upbeat person, and his song “Feel the Love” reflected this..I liked what he was wearing, too!


American Song Contest

Mondays on NBC (8-10 p.m. ET); Series Premiere: March 21

America’s biggest live entertainment event has arrived! Based on the worldwide phenomenon “Eurovision Song Contest,” organized for 65 years by the European Broadcasting Union and watched by 200 million viewers annually, this amazing musical spectacular combines the competitive spirit of rooting for your favorite sports team with the joy of watching a beloved singing performance.

In the U.S. version of the international megahit, “American Song Contest” will feature live original musical performances, representing all 50 states, five U.S. territories and our nation’s capital, competing to win the country’s vote for the best hit song. The 56 artists span a wide range of performers – from undiscovered talent, up-and-coming new artists, and rising stars to established and legendary icons. An incredible solo artist, duo, group or band will represent each location and perform a new original song, celebrating the depth and variety of different styles and genres across America.

Hosted by Snoop Dogg and Kelly Clarkson, the eight-week live competition consists of three rounds as the artists compete in a series of Qualifying Rounds, followed by the Semi-Finals and the ultimate Grand Final where one state or territory will emerge victorious.

“American Song Contest” is executive produced by Propagate’s Ben Silverman and Howard T. Owens, alongside Audrey Morrissey, Amanda Zucker, Kyra Thompson and Gregory Lipstone as well as American Song Contest, Inc.’s Anders Lenhoff, Christer Björkman, Peter Settman and Ola Melzig. Snoop Dogg and Kelly Clarkson also serve as executive producers.

The series is produced by Propagate in association with Universal Television Alternative Studio, a division of Universal Studio Group, and American Song Contest, Inc.

Hashtag: #AmericanSongContest

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Snoop Dogg -- (Photo by: Trae Patton/NBC)

Snoop Dogg

Executive Producer/Host, “American Song Contest”

A multi-platinum artist, actor, philanthropist and entertainment icon, Snoop Dogg has reigned for nearly three decades as an unparalleled force, raising the bar as an award-winning entertainer and globally recognized entrepreneur. Snoop defines entertainment history. He has released 21 studio albums, sold over 40 million albums worldwide, reached No. 1 countless times on Billboard charts internationally and received 20 Grammy nominations.

A California native, Snoop has also appeared in numerous films, such as “Dolemite Is My Name,” “The SpongeBob Movie: Sponge on the Run,” “The Addams Family,” “Beach Bum,” “Starsky & Hutch,” “Soul Plane” and the Oscar-winning drama “Training Day,” among others. He has also produced several TV shows and films, including Vice’s “Reincarnated,” “Mac & Dean Go to High School” and “Hood of Horror” through his production company, Snoopadelic Films. He made his mark in television when he garnered an Emmy Award nomination as executive producer for the hit VH1 show “Martha & Snoop’s Potluck Dinner.” Snoop was also the executive producer of the Netflix show “Coach Snoop,” “GGN: Double G News,” MTV’s “Mary + Jane” and the TNT game show “Joker’s Wild,” which he also hosted.

Most recently, Snoop has hosted and produced several projects through his Snoopadelic films, including two Peacock originals – “2021 and Done” alongside Kevin Hart, a hilarious retrospective on the year that began with so much promise; and “Olympic Highlights with Kevin Hart and Snoop Dogg,” recapping the Olympics’ most impressive displays of athleticism and the moments that didn’t go as planned.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Sabyu (CNMI) -- (Photo by: Trae Patton/NBC)

Northern Mariana Islands: Sabyu

State: Northern Mariana Islands
Singer’s name: Sabyu
Hometown: Saipan, Northern Mariana Islands
Resident: Olympia, WA

Matthew Sablan, known musically as Sabyu, is a Pacific Islander singer, songwriter, producer, engineer, artist mentor and multi-instrumentalist. He is known for his eclectic music style combining island roots and Stateside influences alike, blending reggae, rock, soul, hip-hop, funk, jazz and world music. Sabyu mentors young artists with a Seattle-based non-profit, Totem Star, guiding aspiring youth along their own music journeys. He makes music to bring all walks of life together in the name of love, spirit and humanity, and wants to let everyone know that even if you come from a small island, you can make big waves around the world.


AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Ni/Co (AL) -- (Photo by: Trae Patton/NBC)

Alabama: Ni/Co

State: Alabama
Group name: Ni/Co
Hometown: Montgomery, AL
Resident: Los Angeles, CA

Ni/Co is a duo made up of Dani Brillhart and Colton Jones. They began gaining popularity in 2019 from their YouTube videos, which have accumulated more than 40 million views. The pop duo has had their music featured on various networks, including the CW, VH1, NBC, BET, TNT, Starz and Freeform. Their growing audience has granted them attention and opportunities to work with brands such as Google, Adobe, Volkswagen, Reese’s, Dell, Chips Ahoy, Fender and more. They have an insatiable passion to perform and pull inspiration from wanting to touch the lives of everyone who hears their music. Ni/Co is so excited to represent Alabama as that is where Colton discovered his love for music and where they played events together which helped them realize their love for performing together, thus creating Ni/Co.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Ale Zabala (FL) -- (Photo by: Trae Patton/NBC)Florida: Ale Zabala

State: Florida
Singer’s name: Ale Zabala
Hometown: Miami, FL
Resident: Parkland, FL

Alexa Zabala, known professionally as Ale Zabala, is an American singer, songwriter, musician and dancer. She’s a Latin pop artist as well as a writer for other singers and started writing when she was 13. Ale went to college for music business and met her first producer with whom she began writing all of her songs. She released her first single in 2019 and is constantly in music sessions writing for other artists and working on new musical projects. Ale is ready to represent Florida, where she went to her first concert and to school to study music.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Tyler Braden (TN) -- (Photo by: Trae Patton/NBC)Tennessee: Tyler Braden

State: Tennessee
Singer’s Name: Tyler Braden
Hometown: Montgomery, AL
Resident: Nashville, TN

Tyler Braden was inspired to pursue a musical career from a young age by legend Hank Williams. He moved from his small town in Alabama to Nashville to pursue a career in music, teaching himself guitar and working as a firefighter in the meantime. He’s now a budding star with more than 70 million streams to his name and a growing list of major tour credits. In January, Braden made his Grand Ole Opry debut setting the tone for big things to come this year, including representing Tennessee on “American Song Contest.” Tennessee is where his music career really found its footing and he says he owes it all to the state. Tyler is prepared and excited to represent it in the best way he knows how.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Nitro Nitra (DE) -- (Photo by: Trae Patton/NBC)Delaware: Nitro Nitra

State: Delaware
Singer’s name: Nitro Nitra
Hometown: Wilmington, DE
Resident: Middletown, DE

Nitro Nitra is a soul-rock singer and has been singing since before she could walk. After moving away, Nitra experienced a spiritual awakening in 2018 that led her to come back to her roots in Delaware. She first performed as Nitro Nitra in 2021 and since then has released an EP, visual album and two singles. Nitra’s goal as a musician is to create a shared experience with her fans where they can open their minds to new levels of existence and awakenings of their own. Nitro Nitra is excited to represent Delaware, where she began her musical journey.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Brittany Pfantz (LA) -- (Photo by: Trae Patton/NBC)Louisiana: Brittany Pfantz

State: Louisiana
Singer’s name: Brittany Pfantz
Hometown: DeRidder, LA
Resident: Nashville, TN

Brittany Pfantz’s music is perfumed with the sounds she was raised on: Louisiana swamp, rock, gospel, and down-in-your-gut soul. She parades her roots honestly, like the street bands of New Orleans, where she learned how to stay true to the music and to herself. Brittany just finished recording her debut EP with Grammy Award-winning producer Jacquire King and is currently shopping the project and playing shows around Nashville. She is representing Louisiana because even though she lives in Nashville, it will always be in her roots.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Grant Knoche (TX) -- (Photo by: Trae Patton/NBC)Texas: Grant Knoche

State: Texas
Singer’s name: Grant Knoche
Hometown: Frisco, TX
Resident: Los Angeles, CA

Grant Knoche, 19, taught himself to write and produce in his childhood bedroom and he hasn’t looked back since. Grant’s synth-driven, deep bass and intimate pop songs have all been written and produced by him. On his way to gathering over 900,000 followers, Grant has spent most of his life on the road performing more than 160 shows across America, including on “Today,” at Radio City Music Hall, Woodstock and many other locales. Grant’s debut EP, “Color Me Blue,” has been featured on multiple top playlists and he was recently called out by Ones to Watch as “One of today’s finest rising pop stars.” Grant’s excited to represent his home state of Texas.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Brooke Alexx (NJ) -- (Photo by: Trae Patton/NBC)New Jersey: Brooke Alexx

State: New Jersey
Singer’s name: Brooke Alexx
Hometown: Old Tappan, NJ
Resident: Nashville, TN

Pop starlet meets girl next door in Brooke Alexx – an Asian-American New Jerseyan songwriter, singer, performer, director and editor. Brooke wields her creative powers to inspire young women just as Taylor Swift inspired her to start writing songs of vulnerability and empowerment at age 13. Her magnetic melodies, paired with her ever-relatable coming-of-age lyrics, have resonated more in 2021 than any other year through a familial-focused EP. Brooke’s confidence and contagious personality oozed into 2022 on the back of her first festival performance at Lollapalooza, a brand collaboration with IKEA and a sync license in Netflix’s film “Resort to Love.”

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Jesse LeProtti (SC) -- (Photo by: Trae Patton/NBC)South Carolina: Jesse LeProtti

State: South Carolina
Singer’s name: Jesse LeProtti
Hometown: Irmo, SC
Resident: Los Angeles, CA

Jesse Christopher Blocker III, known professionally as Jesse LeProtti, is known for his wide vocal range, crisp live performances and diverse music catalog that includes pop, R&B, soul, electronic and many more styles. Jesse strives to bring back “real music,” making listeners feel a sense of deja vu while keeping it 100% authentic to himself. Being from South Carolina has played a huge role in who he is today – musically and mentally. Two of his biggest musical influences, James Brown and Darius Rucker, are from South Carolina. He is proud to represent his home state as the people of South Carolina have the “go getter” and “never give up” mentality which has led him to where he is today.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Judd Hoos (SD) -- (Photo by: Trae Patton/NBC)South Dakota: Judd Hoos

State: South Dakota
Singer’s name: Judd Hoos
Hometown: Spearfish, SD
Resident: Rapid City, SD

Judd Hoos is a rock band from the Black Hills of South Dakota. The band’s line up consists of  Andy Young, Shane Funk, Keithan Funk, Tyler Bills, and Chase Huseby. In the past 12 months, Judd Hoos has released a new EP, “Not Alone,” organized the Nashville Comes to the Black Hills songwriting camp and hosted the first-ever Judd Hoos Charity Jam. They appeared on multiple tour stops with Nashville rockers the Wild Feathers, played close to 100 Midwest clubs, theaters, festivals and fairs and even shared the stage with rock icon Billy Idol. In addition to recording new music, they have renewed a tour sponsorship deal with Remedy Brewing Company for the second straight year and collaborated on their own IPA, Hoos Joos.

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Thane Pullan and Snoop Dogg

Primetime TV Review: Fallen Angels Murder Club: Friends to Die For

TV Review!

“Fallen Angels Murder Club: Friends to Die For” Review on 4/6/2022 

by Eva 

I enjoy watching mystery movies so when I saw the commercial for Lifetime’s movie Fallen Angels Murder Club Friends to Die For, I wanted to watch it. Friends to Die For is the first of two Lifetime movies based on the Fallen Angels Murder Club book series written by R. Franklin James.

I saw the first movie Friends to Die For starring Toni Braxton as Hollis Morgan an ex-convict trying to start a new life after serving time in jail for a crime she didn’t commit. Hollis joins a book club which is made up of other ex-convicts trying to restart their lives. This part of the movie was the most interesting to me… the close friendships that the book club forms with each other based on their shared experience of having spent time in jail and their love of reading murder mysteries. I won’t ruin the mystery for you it was a pretty good one. As always, the book club solves the mystery while the police can’t figure it out.

I liked this movie a lot, although with most mystery movies, I wish that the police were smarter but I am looking forward to watching the second movie Heroes and Felons airing on Lifetime on Saturday April 9, 2022.

I give the first movie Friends to Die For 4 out of 5 stars because it had some parts of it that were silly to me, but again this is my opinion and as I said I will be watching the second movie.


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Interview with Chicago Med Actors

TV Interview!

Interview with actors Oliver Platt and Marlyne Barrett, and executive producers Diane Frolov and Andrew Schneider of "Chicago Med" on NBC

Interview with actors Oliver Platt and Marlyne Barrett, and executive producers Diane Frolov and Andrew Schneider of “Chicago Med” on NBC Suzanne 3/30

This was a really enjoyable part of an NBC virtual press day panel. I love Oliver Platt. I remember first seeing him in “The Three Musketeers,” (1993), where he played Porthos. He was in many great movies and TV series. This show has an amazing cast.


Interview with Chicago Fire   Interview with Chicago PD

Interview with actors Oliver Platt and Marlyne Barrett, and executive producers Diane Frolov and Andrew Schneider of "Chicago Med" on NBC

From Emmy Award-winning executive producer Dick Wolf (the “Law & Order,” “Chicago” and “FBI” brands), “Chicago Med” is an emotional thrill ride through the day-to-day chaos of the city’s newest state-of-the-art trauma center and into the lives of the courageous doctors, nurses and staff who hold it all together.

Dr. Will Halstead (Nick Gehlfuss) finds his career as an emergency medicine physician in jeopardy, following his cover-up involving a serious ethics violation. Dr. Daniel Charles (Oliver Platt) remains the Sherlock Holmes of psychiatry. Sharon Goodwin (S. Epatha Merkerson), the venerable head of the city’s largest hospital, is under intense fiscal scrutiny to preserve the bottom line while continuing to ensure that all patients receive nothing short of quality care and compassion. Dr. Ethan Choi (Brian Tee), a former Navy flight surgeon and chief of the E.D., begins the season in recovery mode after being shot by a former patient. Now it’s up to the blunt but talented Dr. Dean Archer (Steven Weber) to show what he’s made of as interim chief  at the helm of Chicago’s trusted and busiest ER. Maggie Lockwood (Marlyne Barrett), the charge nurse and eyes, ears and brain of the ER, is skilled and confident but finds herself dealing with profound family issues of her own. Ace surgeon Dr. Crockett Marcel (Dominic Rains), the New Orleans-raised surgeon with a breezy manner, has finally started to let his guard down, earning the respect of his colleagues. And now two new doctors have joined the E.D. family. Dr. Stevie Hammer (Kristen Hager) is a brilliant, scrappy emergency medicine doctor with a surprising past and Dr. Dylan Scott (Guy Lockard) is an ex-cop who’s doing a dual residency in emergency medicine and pediatrics.

Together they will confront Chicago’s most critical medical cases and challenging ethical dilemmas with courage, compassion and state-of-the-art treatment. Inspired by ripped-from-the-headlines cases, “Chicago Med” will weave cutting-edge medicine with the personal drama that comes with working in such a high-intensity environment. Through it all, familiar faces from “Chicago Fire” and “Chicago P.D” will intertwine with Chicago’s finest medical heroes.

Dick Wolf, Diane Frolov, Andrew Schneider, Stephen Hootstein, Derek Haas, Arthur Forney, Matt Olmstead, Michael Brandt and Peter Jankowski are executive producers.

“Chicago Med” is produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.

Oliver Platt

Dr. Daniel Charles, “Chicago Med”

CHICAGO MED -- Season: 7 -- Pictured: Oliver Platt as Dr. Daniel Charles -- (Photo by: Art Streiber/NBC)
Oliver Platt plays Dr. Daniel Charles on the NBC drama “Chicago Med.”

A multiple Emmy, SAG and Golden Globe Award-nominated actor, Platt’s resume includes recent roles in “Professor Marston and the Wonder Women,” which was nominated for a Saturn Award; “The Ticket,” with Malin Akerman and Dan Stevens; Warren Beatty’s “Rules Don’t Apply,” starring Alden Ehrenreich; “Shut In,” opposite Naomi Watts; “Chef,” opposite Jon Favreau and Dustin Hoffman; “Kill the Messenger,” opposite Jeremy Renner; and Noah Hawley’s Golden Globe-winning television adaptation of “Fargo” for FX.

Platt was featured in the HBO documentary “Love, Marilyn” and the telepic “Bessie,” where he plays writer and artistic photographer Carl Van Vechten. He also co-starred in Showtime’s “The Big C,” starring Laura Linney. Previously, he played George Steinbrenner on the ESPN miniseries “The Bronx is Burning,” opposite John Turturro.

Platt made his producing debut on the indie film “Big Night,” which was co-directed by Stanley Tucci and Campbell Scott. He would later reteam with Tucci in “The Impostors,” which was nominated for the Un Certain Regard Award at the 1998 Cannes Film Festival.


Marlyne Barrett

Maggie Lockwood, “Chicago Med”

CHICAGO MED -- Season: 7 -- Pictured: Marlyne Barrett as Maggie Lockwood -- (Photo by: Art Streiber/NBC)
Marlyne Barrett stars as Maggie Lockwood, the beloved charge nurse who is the hospital emergency department’s eyes, ears and heart, in NBC’s medical drama “Chicago Med.”

Recently, Barrett earned her a NAMIC Vision Award nomination for Best Performance-Drama.

Before starring in “Chicago Med,” Barrett was known to audiences for her dynamic portrayal of Council President Nerese Campbell on the critically acclaimed HBO series “The Wire.” She was also Ian McShane’s trustworthy attaché, Tomasina, on NBC’s “Kings” as well as played Felicia Marquand on the popular F/X series “Damages,” opposite Glenn Close and Rose Byrne. In addition, she appeared on John Ridley’s ABC series “American Crime.”

Barrett’s feature credits include “Hitch,” the 2005 Will Smith comedy, and the indie “Quest,” for director Santiago Rizzo. Barrett also executive produced and starred in the Oscar-nominated short film “Night Call.” A film festival favorite, the acclaimed film went on to earn more than 40 awards, including eight best short film awards (including the Short Film Palme d’Or at the Cannes Film Festival), four best of best/audience awards, and three best lead actress awards. Barrett also appeared opposite Marisa Tomei in the independent feature “After Everything,” which was in competition at SXSW and later released in theaters.

After directing more than 20 regional theater productions in New York, Barrett will make her directorial film debut with “Haimerican,” a short film she also wrote and produced. The film will have its premiere at the Cannes International Pan African Film Festival in October 2020.

Barrett, who is Haitian-American, was born in Brooklyn and grew up in Montreal. She currently divides her time between Chicago and Los Angeles and is happily married to Gavin W. Barrett. Coming from a family of doctors, Barrett promised her parents she would get a nursing degree before pursuing an acting career. A registered nurse, Barrett now has the honor and pleasure of playing one on television.

Please visit the official show site at:

For the latest “Chicago Med” news, videos, and photos, please like on Facebook and follow on Twitter and Instagram:

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Interview with actors Oliver Platt and Marlyne Barrett, and executive producers Diane Frolov and Andrew Schneider of "Chicago Med" on NBC

Interview with Laurence Leboeuf

TV Interview!

Laurence Leboeuf of "Transplant" on NBC

Interview with Laurence Leboeuf of “Transplant” on NBC by Suzanne 3/29/22

This was a very fun interview! We did it on Zoom. Unfortunately, the video recording didn’t come out. I hope you can enjoy it, anyway. She’s a wonderful actress, and I really love the show.

1. Mags struggles a bit for a while, with her mentor in the coma. Was that a challenge to play, or fun?

All of the above. It’s always a challenge to bring this character to life because she’s so complicated. Having to deal with not having her mentor around is very difficult for her, and she has to learn how to cope. It’s like her lighthouse has drowned.

2. Then everyone has to contend with the obnoxious new doctor who takes Bishop’s place for awhile, Mark. How was it, welcoming a new actor into the dynamic of the show?

Oh, well, Gord (the actor who plays Mark) is amazing. We had a lot of fun and he fit right in with the rest of us. We were surprised at how well. Even though we hate the character, we liked him as a person. He puts Mags through a lot and makes her doubt herself.

3. Then Mags and Bashir almost kiss and have some awkward moments. When did you know that Mags and Bashir might become a “thing?”

From the beginning, Mags has found him attractive because he’s so smart and has his own unique way of doing things.

4. Without giving us any spoilers, what other challenges does Mags have this season?

Mags has some major changes. She gets interested in cardiology because of what happens with a patient, and it’s really a big deal for her.

5. Now that you’ve been playing her for two seasons, is there anything you’ve learned from her?

I really admire her. She’s very smart and caring. I always want her to be like the Hermione Grainger of the show – the smartest person in the room who comes in and gets the job done.

6. Any fun behind-the-scenes stories you can share?

Oh, there are so many. It’s hard to think of one on the spot. We just have a lot of fun. The only thing I can think of right now is that when we have a lot of medical dialogue to memorize, we joke around a lot about it. We get to know it so well that we know each other’s dialogue, and we rap it or do fun things with it.

7. Do you have any other projects you’re working on besides Transplant?

Not right now because it’s a 10 month shoot, so it takes up all of my time.

8. What has the fan response been like for you so far?

It’s been wonderful. Fans have been really nice and it’s great that we have so many fans and viewers. Now it’s crossed over the border, so that’s nice.

9. Anything else you’d like to say to the fans?

Just thank you for watching and I hope you enjoy this season.

Check out our previous interview with her!


Laurence Leboeuf

Dr. Magalie “Mags” Leblanc

TRANSPLANT -- Season 2 -- Pictured: Laurence Leboeuf as Magalie Leblanc -- (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)
Laurence Leboeuf is an award-winning actress from Montreal who stars as Dr. Magalie “Mags” Leblanc in NBC’s “Transplant.” Mags is a ferociously analytical resident who pushes herself relentlessly.

The bilingual actress (French and English) has been acting professionally since 10 years old and rose to stardom with multiple award nominations and wins. She has continuously booked leading roles in both television and film of French Canadian and English-Canadian productions.

Award wins for Leboeuf include the Gemeaux Awards (French Canadian Emmys) for Best Actress in the series “Les Lavigueur,” Best Supporting Actress for her role in the series “Musee Eden” and Best Actress for her role in the series “Marche A. L’ombre,” which also won her the Best Leading Actress award at the French Festival Séries Mania. She also won Best Actress for “Human Trafficking” (featuring Mira Sorvino and Donald Sutherland) at the ACTRA Awards (English Canadian SAG Awards). For her film work, Leboeuf won at the Prix Iris Awards (previously Jutra Awards) for Best Supporting Actress in “My Daughter, My Angel.” Her indie action-comedy film “Turbo Kid” was widely received at the Sundance Film Festival.

Leboeuf was born to actor-parents and grew up surrounded by creative arts. Her dad owned a stage theater for 18 years, which allowed Leboeuf to explore the behind-the-scenes of the craft. She is driven by the passion of acting and the need to be creative with plans to produce and write. Leboeuf enjoys reading and staying active with running, snowboarding and loves to travel.


Sundays on NBC (10-11 p.m. ET); Season Premiere: March 6

“Transplant” follows the story of Dr. Bashir “Bash” Hamed (Hamza Haq), a talented doctor and Syrian refugee, who fled his war-torn country with his younger sister, Amira (Sirena Gulamgaus), for a fresh start in Canada. After a truck crashes into the restaurant where he’s been working, Bash earns the chance to practice medicine again by using his field-honed skills to save multiple lives in brilliant fashion, including that of Dr. Jed Bishop (John Hannah), the Chief of Emergency Medicine at York Memorial Hospital in Toronto.

But Bash is told he’ll need to redo his residency in Emergency Medicine from the bottom and despite his obvious talents intuition, and training, starting over is not an easy road and his life experience is not a perfect match for the strict protocols at York Memorial. Through perseverance he makes inroads, developing camaraderie with his new colleagues, including the driven Dr. Magalie “Mags” LeBlanc (Laurence Leboeuf), the reserved and ambitious surgical resident Dr. June Curtis (Ayisha Issa), easy-going pediatric ER physician Dr. Theo Hunter (Jim Watson), head nurse Claire Malone (Torri Higginson) and even earning the respect of Dr. Wendy Atwater (Linda E. Smith), the department’s second-in-command who runs a very tight ship.

Jed Bishop (John Hannah), the team’s demanding, inscrutable boss, looms large and keeps everyone on their toes with a unique compassion and commitment to his staff that also connects them.

Season two picks up with Bash and his fellow residents reeling after Dr. Bishop suffers a stroke. With everything at the hospital destabilized, the place that Bash had started to consider home suddenly feels precarious. As the team adjusts to new colleagues while dealing with the challenges of life, unexpected faces from the past leave Bash seriously doubting whether his transplant into this new world was successful.

Bash’s hard work, compassion and hopefulness tell a universal story about the human ability to not only survive, but ultimately thrive when our lives suddenly change course.

Creator Joseph Kay returns as showrunner and executive producer. Director Stefan Pleszczynski joins as executive producer and will direct six episodes. Additional executive producers include Bruno Dubé, Jocelyn Deschênes, Virginia Rankin, Tara Woodbury, Josée Vallée and Adam Barken.

“Transplant” is produced by Sphere Media in association with CTV and Universal International Studios, a division of Universal Studio Group.

Please visit the official show site at:

For the latest “Transplant” news, videos, and photos, please like us on Facebook and follow us on Twitter and Instagram: #Transplant

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Laurence Leboeuf of "Transplant" on NBC

Interview with “Chicago PD” Actors

TV Interview!

Jason Beghe and Marina Squerciati of "Chicago PD" on NBC

Interview with actors Jason Beghe and Marina Squerciati, and executive producer Gwen Sigan of “Chicago P.D.” on NBC by Suzanne 3/30/22

This was from a fun virtual press day with the “Chicago One” actors. They were great at answering our questions!


Chicago Fire interview Chicago Med Interview

Jason Beghe and Marina Squerciati of "Chicago PD" on NBCFrom multiple Emmy Award-winning executive producer Dick Wolf and the team behind the hit series “Chicago Fire” and “Chicago Med,” “Chicago P.D.” is a riveting police drama about the men and women of the Chicago Police Department’s elite Intelligence Unit, combatting the city’s most heinous offenses – organized crime, drug trafficking, high-profile murders and beyond.

At the center of “Chicago P.D.” is Sgt. Hank Voight (Jason Beghe), who is at ground zero against the war on crime in Chicago. He will do almost anything to bring criminals to justice. In the past year, Voight has fought to turn over a new leaf, carefully navigating the situation at the P.D. with a new boss who has helped him and the unit adapt to a new reality.

His close-knit team of detectives share his passion for keeping the city safe, including Det. Jay Halstead (Jesse Lee Soffer), a committed and ethical detective who previously served in Afghanistan; Officer Adam Ruzek (Patrick John Flueger), a quick-thinker who often leads with his heart; Officer Kim Burgess (Marina Squerciati), a fearless former patrol officer whose research and astute observations often lead the team in the right direction; Officer Kevin Atwater (LaRoyce Hawkins), a bright and quietly charismatic member of the team; and Det. Hailey Upton (Tracy Spiridakos), a seasoned detective whose tough demeanor belies her complicated emotions.

Desk Sgt. Trudy Platt (Amy Morton) runs a tight precinct with a firm hand, although she lets her humor shine through from time to time.

In addition to Wolf, executive producers include Rick Eid, Derek Haas, Arthur W. Forney, Peter Jankowski and Michael Brandt. “Chicago P.D.” is produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.

Please visit the official show site at:

For the latest “Chicago P.D.” news, videos, and photos, please like on Facebook, follow on Twitter and Instagram

Jason Beghe

Sgt. Hank Voight, “Chicago P.D.”

CHICAGO P.D. -- Season: 9 -- Pictured: Jason Beghe as Hank Voight -- (Photo by: Art Streiber/NBC)

Jason Beghe stars as Sgt. Hank Voight, leader of the Chicago P.D. Intelligence Unit in the NBC drama “Chicago P.D.”

Beghe was born and raised in New York City, where he attended the prestigious Collegiate School.

Beghe portrayed a quadriplegic in the George A. Romero film “Monkey Shines: An Experiment in Fear.” He later appeared as a police officer in the film “Thelma & Louise” and played Demi Moore’s love interest in “G.I. Jane.” Other feature-film credits include “X-Men: First Class,” “The Next Three Days,” “One Missed Call” and “Atlas Shrugged: Part II.”

On television, Beghe’s recurring roles include “Chicago Fire,” “Law & Order: SVU” and “Californication.” He has guest-starred on countless series, including “Last Resort,” “Castle,” “NCIS,” “CSI: New York,” “Criminal Minds,” “The Finder,” “Prime Suspect,” “Law & Order: Los Angeles,” “Picket Fences,” “Chicago Hope,” “American Dreams” and “Cane.”

Beghe lives in Los Angeles.

Marina Squerciati

Officer Kim Burgess, “Chicago P.D.”

CHICAGO P.D. -- Season: 9 -- Pictured: Marina Squerciati as Kim Burgess -- (Photo by: Art Streiber/NBC)
Marina Squerciati stars as Officer Kim Burgess in NBC’s hit drama “Chicago P.D.”

Squerciati was last seen in the Reginald Hudlin-directed film “Marshall.” Additional film credits include “It’s Complicated,” along with indies “Alter Egos,” “Central Park” and “Sparks.”

Squerciati earned acclaim portraying Russian spy Irina in the popular FX drama “The Americans.” Additional television credits include “Gossip Girl.” “The Good Wife,” “Blue Bloods,” “Damages” and “Law and Order: SVU.”

In theater, she made her Broadway debut in an adaptation of Ernst Lubitsch’s “To Be or Not to Be.” On Off Broadway, she starred in “Manipulation” and “Beauty of the Father,” and also performed in several regional theater productions, including “The 39 Steps” and “The Underpants.”

Squerciati graduated from Northwestern University with a B.A. in theater.

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Jason Beghe and Marina Squerciati of "Chicago PD" on NBC