B&B Short Recap Thursday, April 22, 2021

Daytime Soap Opera Short Recaps

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Recap written by Mark

Liam continues to break down. Thomas promises to make sure his friends killer is brought to justice.

Zoe tells Carter that she misses him. Eric turns Quinn down in the bedroom.

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GH Short Recap Friday, April 9, 2021

Daytime Soap Opera Short Recaps

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Recap written by Anthony

Anna welcomes Peter into her house. She explains to him that they have accepted his offer. Peter thinks that the offer is null and void. Valentin walks down the stairs and tazers him. The two of them explain to Peter that he is going to do what they want. Peter doesn’t want to listen and thinks that Maxie wants to be with him regardless of what anyone says. Finn shows up and Valentin takes him into the basement. Finn explains to Anna that he had a family dinner that went terribly wrong. They all argued amongst one another. Finn finds Valentins ID on the ground and decides it is time for him to leave. Peter threatens to hurt someone they love. Jordan and Curtis decide to end things at the club. They dance together one last time.

Portia checks up on Marcus at the hospital. They discuss how Marcus knows that Portia had cheated. He is not upset. He realizes that he was a lousy husband and wanted her to be happy. He knew it was Curtis as well. Portia and Marcus both agree they want Jordan and Curtis to be happy. Chase starts to feel sick. Michael and Willow talk. Michael admits that he has feelings for Willow too. Willow does as well. The two end up making love together./p>
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Interview with Andrew Leeds and Alice Lee

TV Interview!

Andrew Leeds and Alice Lee of "Zoey's Extraordinary Playlist" on NBC

Interview with Andrew Leeds and Alice Lee of “Zoey’s Extraordinary Playlist” on NBC by Suzanne 3/23/21

This was a day full of many NBC and Syfy interviews, but this was the most fun and relaxed of all of them. These two are great and funny. We had a good time. I hope you enjoy it! This is a fabulous show.  It’s so funny that Andrew used to be a computer programmer and engineer, when he’s one of the few characters on the show who’s NOT one of those! That’s hilarious.

Suzanne:   Do we get to see you singing and dancing a lot more in the rest of the season?

Andrew:   Yeah, we do. We get to see a little bit in seven. We get to see a little bit in episode eight. So, seven is coming up this weekend, then eight we have a little bit, and then in nine. This one (Alice)’s got some really sweet stuff, and in ten we both have some fun stuff.

Alice:   Yeah. We definitely sing and dance in more.

Suzanne:   Are you allowed to tell us any of the songs?

Andrew:   Well, I guess. I don’t know. I mean, I don’t think it really matters.

Alice:   Does it? I don’t know.

Andrew:   I don’t think it matters, actually – for the next episode, anyway.

Alice:   Yeah, yeah, do the next one.

Andrew:   I sing the song “Drift Away” in the next episode. Yeah, and then after that, I don’t think we can say.

Alice:   There’re some throwbacks in there.

Andrew:   Yeah. There’s some really good stuff.

Alice:   Yeah. Yeah.

Andrew:   We all get to sing some cool stuff for sure.

Suzanne:   Yeah, that’s what’s great about the show; you get all different kinds of songs, recent, old, and all of that.

Andrew:   How often – do you do you always recognize the songs, or are you like, “I don’t know that one.”

Suzanne:   I’m older than I look, so I don’t recognize all the new ones so much. I know all the old ones.

Question:   …[This] may be a hard question, but free to answer [how] you feel, but in the spirit of the events of this past week, the Asian American community, you’ve been active for a while and worked. What’s your thoughts on Asian American stories? You know, in terms of the prejudice that’s faced, because we don’t see that as much on screen I feel as much as we see…This is a reality in which eyes are opening now. So, any words on that, and how’s your experience been?

Alice:   Yeah, totally. I mean, I think it’s very complex, because, yeah, there’s obviously a lot more. I mean, obviously, Asian stories are important, that’s the bottom line. I feel like our stories need to be told, and it’s a lot better. I think things have gotten a lot better in Hollywood and stuff, but I do still feel like there’s a lot more room for growth and more room for other stories, but I think it’s important that we’re being seen, and we have visibility and the more we can, [the better]. I always think there’s room for more. So, yeah.

Question:   …[You] left computer engineering…Can you talk a little bit about that transition? I’m sure you’ve been asked a lot, but I’m always curious to hear that in person from a person like you. How is that transition and what does it mean for you to be on this show? This is a huge, huge thing for you.

Andrew:   Yeah, well, I started acting as a kid, and then, when I went to college, I don’t really know what I was thinking exactly, except that I was like, “Oh, I think programming is fun.” I think I was actually fairly good at that part of computer science; the rest of the parts were really difficult for me. I don’t think I had quite the quite the brain for it, but the programming I was good at, and I enjoyed that.

I did that, and then I actually got a job at Adobe. The guy hired me and told me that he was going to hire me, but he was certain that I would go to LA and pursue an acting career, because he could tell based on my resume from before that. He hired me, and I was like, “No, no, no, I’m gonna come work for Adobe.” Then, I did exactly what he thought I would do and did not take the job and went to LA to continue acting.

So, I don’t think it was ever really anything that I was really seriously going to pursue. I just really liked it. I still think it was a good thing in terms of training my brain to think in a certain way, or explore how to think in a certain way.

Then, doing the show has been, for me, just really wonderful and exciting, because it’s the combination of a lot of things that I’ve done that I love to do, which is, musicals and singing and dancing and acting, and getting to do that all together on camera is kind of an amazing thing, and getting to be around all these incredibly talented people in this way. It’s just been so, so fun and satisfying, and like getting to watch her do her numbers, it’s just awesome. It’s just awesome. I feel so appreciative for getting to do this.

Question:   This is such a unique genre for television. We haven’t seen this in a long time, a show that combines narrative and singing and dancing, and I’m just curious, as actors, do you find that you put more work into your character when they’re speaking or when they’re singing and dancing?

Alice:   Yeah, I feel like it’s probably different for everyone, because I –

Andrew:   She can roll out of bed and sound amazing. That’s true.

Alice:   No, that’s not true. Singing and dancing for me, yeah, that’s definitely my comfort [zone]. In those areas, I’m like, “Okay.” It’s more acting sometimes where I’m like, “What’s my character really doing and stuff?”

Andrew:   I probably should put more energy into the acting, [laughs] but I’d say I put more energy into the singing and dancing, just because it’s always a challenge. It’s always a song that’s harder for me than something that I’ve never done before, a style of music that I’ve never sung before. It’s always a style of dancing that I don’t know how to do, and it always just takes a lot more.

We get together sometimes on the weekends and rehearse if we’re doing it. Like, we’re working on a dance a dance right now. It’s like, we have to get together outside of work to figure out how to do it and help each other, basically.

So, I’d say, definitely – and also, when you’re doing the dance numbers, a lot of them are done in one take. So, if I mess up a scene, they can cut around it; we do another take. But with the dance numbers, if you don’t get it right the whole way through, you’re done. So, the pressure is a lot more, is a lot higher, I’d say, on the musical numbers.

Alice:   The dancing is like, for sure – like having Mandy Moore, it’s so cool.

Andrew:   Yeah.

Alice:   Those rehearsals are so fun, but they are challenging. We’re doing stuff that we normally wouldn’t, but it’s so fun.

Andrew:   It’s also just really fun, so maybe that’s why we all feel this way and spend a lot of time. It’s almost sad when you only get to do like three takes if it actually goes really well. They’re like, “Okay, we got it,” and you’re like, “But I just worked for weeks trying to get this great. I want to do more. I want to do more.”

Here’s the video!

Interview Transcribed by Jamie of http://www.scifivision.com


In its second season, “Zoey’s Extraordinary Playlist” continues to explore the feelings we keep buried on the inside, the human impulse for connection and the undeniable healing power of music and dance. Following a tragedy, Zoey (Jane Levy) and the Clarke family begin to recalibrate and navigate their new normal. As she finds herself in a new dynamic at work and in her love life, Zoey’s musical powers will continue to both awkwardly complicate and inform her worldview as she attempts to rediscover joy and connect with those around her.

The series stars Jane Levy, Skylar Astin, Alex Newell, John Clarence Stewart, Andrew Leeds, Alice Lee, Michael Thomas Grant, Kapil Talwalkar and Mary Steenburgen.

Featuring inventive musical performances set to hit records from a variety of genres and time periods, “Zoey’s Extraordinary Playlist” won the Emmy Award for Outstanding Choreography for Scripted Programming in its freshman season.

Austin Winsberg writes and executive produces. Kim Tannenbaum and Eric Tannenbaum, Paul Feig, David Blackman, Daniel Inkeles and Sam Laybourne also serve as executive producers. Dan Magnante, Jason Wang, Samantha McIntyre, Emily Fox and Robert Sudduth serve as co-executive producers with Michele Greco and Mandy Moore serving as producers.

“Zoey’s Extraordinary Playlist” is produced by Lionsgate and Universal Television (a division of Universal Studio Group) in association with the Tannenbaum Company, Feigco Entertainment, Universal Music Group’s Polygram Entertainment and Zihuatenejo Productions.

Andrew Leeds

David, “Zoey’s Extraordinary Playlist”

Andrew Leeds stars as David on NBC’s “Zoey’s Extraordinary Playlist.”

Leeds can most recently be seen opposite Reese Witherspoon in Apple’s “The Morning Show” and opposite Bill Hader in HBO’s “Barry.” Prior to that, he recurred for two seasons on Epix’s “Get Shorty” and starred in the film “Office Christmas Party.”

Other television includes a series regular role on the ABC sitcom “Cristela,” a four-season arc on “Bones” and guest starring on “Veep,” “Silicon Valley,” “Modern Family,” “Shamless” and “It’s Always Sunny in Philadelphia.”

As a writer, he has written pilots for various networks, including ABC, CBS, NBC, FOX, USA and Showtime.

Leeds first appeared on Broadway in the musical “Teddy & Alice” and soon after appeared as Gavroche in “Les Miserables.” He next starred on Broadway in the musical “Falsettos.”

A member of the main company for the Groundlings, Leeds graduated from Stanford University with a degree in computer science. He splits his time between Los Angeles and New York.

Alice Lee

Emily, “Zoey’s Extraordinary Playlist”

Alice Lee stars as Emily on NBC’s “Zoey’s Extraordinary Playlist.”

In film, Lee was most recently seen sharing the screen with Jillian Bell in Amazon’s “Brittany Runs a Marathon,” which won the Audience Award at the Sundance Film Festival. Other films on her resume include Netflix’s “Sierra Burgess Is a Loser, “Wish Upon,” Jack, Jules, Esther & Me” and the upcoming “Dream Years.”

On the small screen, Lee had a season-long arc on Facebook’s “Real Bros. of Simi Valley,” “Take Two” and Hulu’s “Gap Year.” She recurred on the award-winning web series “Control Alt Delete,” the YouTube Red series “Sideswiped,” Freeform’s “Switched at Birth,” MTV’s “Faking It” and Disney Channel’s “K.C. Undercover.” Guest appearances include Amazon’s anthology series “Electric Dreams” “Splitting Up Together,” “Two Broke Girls,” “Grandfathered,” “Son of Zorn” and “The Mindy Project.”

Lee, a Chicago native, attended an open call while she was a student at NYU and was immediately cast in the Tony Award-winning Broadway production of “Spring Awakening.” She then went on to be in the original company of Julie Taymor’s “Spider-Man: Turn Off the Dark” and starred as Heather Duke in the cult-classic Off-Broadway musical “Heathers.”

Proofread and Edited by Brenda

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Andrew Leeds and Alice Lee of "Zoey's Extraordinary Playlist" on NBC

B&B Short Recap Wednesday, April 21, 2021

Daytime Soap Opera Short Recaps

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Recap written by Mark

Hope pleas with Liam to talk to her. Bill steps in before Liam tells her about Vinny. Hope tells Thomas that she is worried about Liam.

Eric admits to Ridge that him and Quinn are having issues. Quinn tells Eric she wants to make love to him.

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Interview with Olli Haaskivi

TV Interview!

Olli Haaskivi

Interview with Olli Haaskivi of “Marvel’s The Falcon and the Winter Soldier” on Disney+ by Suzanne 4/14/21

This was a very fun Zoom interview! Olli is very personable and easy-going. He’s done a lot of different shows, so we had much to talk about.

Suzanne:   So, tell us about your audition process for The Falcon and the Winter Soldier.

Olli:   Yeah, it was, it was pretty straightforward. I made an audition tape in my apartment in New York City, right where I’m sitting right now, with a sort of fake audition scene that had no identifying details; there were no specifics to it. It was a version of what you ended up seeing in the series, but very generalized.

So, I made the tape, and I, for some reason, was in a bit of a time crunch making the tape. I don’t know if it was due immediately or what. Maybe I had something else going on, but I sent it off pretty quickly and really didn’t feel great about it. I sort of felt like – I remember waking up the next morning thinking, “You know, that was a really good opportunity, and I don’t know that what you said was good enough.”

I didn’t hear anything for about a month or so; it took a little while, which is kind of uncommon. Usually you hear within a couple of days that there’s maybe some interest, or maybe you’re in the last two people they’re considering or something like that. There’s usually some sort of medium step between auditioning and getting the job, and this was just radio silence for about a month.

Then, out of the blue, I got an email saying that I got the job and that I was going to have to go shoot pretty quickly after that.

Also, I didn’t know what the job was when the audition came in. It just said it was for Untitled Marvel Project Number Five or something like that. So, when I got the offer, it wasn’t an offer for the Falcon and the Winter Soldier; it was an offer for Untitled Marvel Project Number Five, and it took a little while before anyone told me what I had gotten myself into.

Suzanne:   Well, I assume you knew by the time that you shot it.

Olli:   I didn’t. The person who sent me the script pages, the official script pages, I emailed them back and said, “Is there anything you can tell me about?” I didn’t know if it was a film; I didn’t know if it was a TV project, and they very graciously filled it a little bit.

Suzanne:   Oh, that’s good. Do they say, “Don’t tell anyone or we’ll send someone to kill you?”

Olli:   Yeah, truly, they’re not. I’m used to that with some projects that I’ve been a part of, but Marvel is obviously a whole other level of security.

Suzanne:   So, when you generally audition, do you usually feel like you did a good job, and then you get the part? Or how is it usually?

Olli:   I mean, there’s no one formula, which is freeing in a lot of ways, but it’s also can be maddening. I’ve auditioned for things and felt like I really nailed it, and sometimes people clap and cheer in the audition room, and that doesn’t mean you’re going to get the job. Then, this Marvel job also feels like an example that you can feel terrible about what you did and still end up with a job. I think that it’s so easy for actors to want to micromanage every second of their audition and get very sort of detail obsessed, and I certainly am guilty of that often. But, usually, the thing that gets you a job is something totally out of your control. It’s just some sort of intrinsic part of your essence, or just your face is the kind of face that the writer had in mind while they were writing that part or something. I think, usually, the thing that seals the deal is not in your control, as much as you might want to think it is.

Suzanne:   Yeah, I guess you would have to just after a while just start to say, “Oh, well, next project; let it go. Don’t worry about it.

Olli:   You’re always doing your best, and you don’t always have a lot of time sometimes. It can be 6pm and you get eleven pages that need to be taped by noon the next day. So, I’m always doing the best that I can in the time that I have, but sometimes it’s frustrating to feel like, “If I only had one or two more days, that really could have settled into something.” But hopefully there’s another audition a couple days later. Then, you dust yourself off and continue hoping for the best.

Suzanne:   Yeah, I don’t know how you guys do this. I mean, the closest thing a non-actor can relate to is a job interview, and you’re just constantly interviewing for jobs over and over. I understand. So, what was the actual shooting like? Tell us about that.

Olli:   It was such a blast, especially, because it was my last big job before the pandemic shutdown, and I’m so thankful that my last job before that was such a phenomenal experience. It’s such a warm and wonderful experience and also a gigantic experience. I think it might be a little while before we have massive sets like that with everyone able to co-mingle and not have to stay far apart wearing face shields. It was really wonderful.

You never totally know what you’re getting yourself into when you show up for a couple days of shooting something, because you really can feel like a guest in the house. I’ve said this analogy before, but it always sort of feels to me like you’re trying to jump on board a moving train but not attract attention and not stick out for not knowing where you are or what you’re doing. I’ve mostly had really great experiences guest starring on a lot of shows and recurring on a lot of shows, but you still never know. You can show up on a day where everyone is tense for some reason, and you still have to figure out how to perform your best, even though you don’t know anybody, and you’ve never been there before.

So, I definitely always show up wondering what the mood will be, what the style will be, and this at every single turn was so welcoming and so inclusive. I think everybody on the set was so excited about the show they were making. And what’s even more remarkable than that is that they were excited to include a new person in that excitement. Because if you think about it too, my sequence is me and the stars of the show. It’s me and Anthony (Mackie) and Sebastian (Stan) and Daniel (Brühl) and Emily (VanCamp). They could have very easily sort of been in their little group over there and then [been] sort of like, “It’s cute that you’re here, but this is sort of our thing,” which happens sometimes, and that’s fine, but they really brought me into their circle. These are people that have been working together for a decade now in a lot of cases, and they made me feel like I had been there with them the whole time. I can’t say enough about how much I love those guys.

Suzanne:   Yeah, nice. Anything you can tell us in particular about shooting your your part? I mean, fun things or interesting things.

Olli:   Yeah, I mean, it links back to the previous question, but the thing I think about a lot is that right before we started shooting, we’d had a rehearsal day, which is almost completely unheard of. So, we had time, a full day, before we started shooting. We had time to sort of talk it out and walk through some blocking ideas and really sort of calmly and methodically talk through it, which is unbelievably rare. Usually, you’re trying to rehearse something as fast as you can; shoot it as fast as you can.

Then, I showed up to shoot the next morning, and before we started shooting, Anthony and Sebastian came over to me. They said, “You have the harder job in this sequence Do you want your close ups to be first or last?” which was mind blowing to me, because that recognition, first of all, that you have the heavy lifting here, “How can we help you?” is gigantic. It also means they had a conversation prior where they coordinated with one another, that they were going to do that. They probably ran it by Kari (Skogland), the director. It was just a level of kindness and a level of them sort of being good hosts. That was really phenomenal, and I don’t think I’ve ever – I’ve worked with a lot of great directors; I’ve worked with a lot of amazing actors, and I’m 99% sure that’s the first time anyone has extended that kind of generosity. I think that’s really, really special.

Suzanne:   How long did it take to shoot your scenes?

Olli:   I don’t fully remember. I think we shot for three days, but the final day was basically just devoted to the gunshot and the explosion. So, we had a day or a day and a half where we shot the bulk of it and then came back the next day for the special effects stuff.

Suzanne:   And you said it was right before the pandemic, or was it in 2019?

Olli:   It was… it was right before Christmas. 2019. I mean, it was really only almost a year and a half ago now, but it also feels like, you know, four decades ago at this point.

Suzanne:   Yeah. I imagine all the special effects and all the stuff they have to do afterwards takes a long time.

Olli:   Yeah, I mean, that show looks stunning. It’s so beautiful. I’m really in awe of those editors and those special effects people. What they do is extraordinary.

Suzanne:   Oh, it’s amazing. I’m sure by now that they must have it down to a fine science they’ve done so many of these things. Were you a fan of Marvel movies, comics, or TV shows before this?

Olli:   I was a fan from afar. I had so much respect for what they’re able to accomplish, like we’re saying, especially in the effects department. I had seen a couple of the films, but I was not a person that like ran out to see the new one every single time, but the ones I did see – you know…your hair is blown back just sitting there just going, “How in the world did they do that?” But I saw Black Panther, and I believe I saw the last Avengers film, but I’m not completely sure, to be honest.

Suzanne:   You must have been confused if you only saw the last one.

Olli:   Yeah, and I think that’s kind of why I hadn’t seen that many of them, because I was sort of intimidated by how much history there is and how much to keep straight. So, when I would see something and kind of jumping in the middle, I would go, “This is so amazing. I have almost no idea who these people are or what’s happening.” So, I also really had felt intimidated showing up to shoot, because I did as much research as I could, and there’s a lot in that scene that, you know, the scene told me almost everything I needed to know, but I didn’t want to reveal the depth of my complete lack of knowledge.

Suzanne:   Now did you go back and watch the movies after this?

Olli:   I haven’t. No. I know that so many people during their sort of lockdown quarantine watched all of them in order, but I think I was busy watching things that I’ve already seen and loved that I knew would just be comforting.

Suzanne:   Yeah.

Olli:   Yeah, not require too much thought.

Suzanne:   Well, you definitely saw the best one when you watched Black Panther. That’s probably the best superhero movie ever. I mean, they did such a fantastic job with that one, and it’s closer to the comics. I mean, just everything.

Olli:   Oh, interesting.

Suzanne:   It’s just fantastic, but also, actually, the ones that relate to your show, the Captain America movies, are really good. Then later they sort of segue into the Avengers movie. So, if you just watched the Captain America and Avengers movies, you probably do have all of the background that you would have needed for this show.

Olli:   Now, I mean, having first hand experience with how amazing those people are and how hard they work, I just want to go watch my friends now.

Suzanne:   Yeah, I can understand that, but I don’t think there’s really a bad Marvel movie, at least in the in the recent ones, the ones from the last decade, but they vary, but it depends on who you ask. I kind of like these things, but I grew up reading comics.

Olli:   Oh, cool.

Suzanne:   I have three older brothers, so that’s why.

Olli:   Amazing. You didn’t have much of a choice.

Suzanne:   They’re all total geeks, and I’m not saying anything that they wouldn’t say themselves. And you were on Manifest for a while too, right?

Olli:   I was, yeah.

Suzanne:   Do you still watch that or keep in touch with those people?

Olli:   I do keep in touch with some of those people. Melissa (Roxburgh), who’s the lead of that show, left in New York City the same day that I arrived back, and so we were sort of hoping that we’d be able to see each other, but we literally just missed each other, but I talk to Melissa pretty regularly.

Jared Grimes, who I did a lot of things on that show with, who plays Adrian, he and I are in touch.

I’m in touch with some of those writers. Some of the writers reached out watching The Falcon in the Winter Soldier, which was really sweet.

Suzanne:   Oh, that’s nice.

Olli:   Yeah, it was so nice to hear from them. There are so many great people that work on that show, and that in particular is a great crew. So, I’m excited. I haven’t watched anything from their new season yet, but I am excited to.

Suzanne:   Yeah, I think they’ve only had a couple episodes so far.

Olli:   I think so. Yeah, I think they’ve only had two.

Suzanne:   Yeah, I interviewed some of them a few weeks ago, so, yeah, they seem very nice.

Olli:   Oh, nice. Who did you talk to you?

Suzanne:   Well, we had two separate ones. One was Melissa, and Matt.

Olli:   Yeah, Matt’s so great.

Suzanne:   …So, you have a certain amount of loyalty to the shows that you’re on. even though you’ve left them? And, you know, the people on them, would you say?

Olli:   Yeah, and I think it’s the knowing the people that creates the loyalty, because, you want to see what they’re up to, and you want to see how the story continues to unfold and all of that. Yeah, a good set run by good people makes you feel like you’re part of the gang forever, and so, yeah, there are definitely things that I’m now just a fan of, even though I was a part of it for a period of time.

Suzanne:   That’s good. You gotta find a show that where they’re not going to kill you off so quickly.

Olli:   I agree with you. I would love [that]. I am on the market for that exact thing.

Suzanne:   And you said you watched some of your favorites during the pandemic. Can you tell us what some of your favorites are?

Olli:   Sure. I mean, I’m still in the middle. I’m very slowly working my way through Veep again, which is just the best. Every single person on that is phenomenal. I found Better Things to be really comforting during this period of time, Pamela Adlon’s show. And there are some new things I’ve watched. I mean, I thought I May Destroy You was unbelievable. One of my best friends is the lead of High Town, so I was thrilled to watch all of that as fast as I could. But yeah, something about this time has – you know, we’re all sort of limited – at least I feel like I’m limited in the amount of new things that I can take on. I just want to watch something comforting.

Suzanne:   Well, actually, one thing I forgot to mention, we were talking about all the Marvel stuff. A really great show that came before yours was Wandavision.

Olli:   I watched that.

Suzanne:   Oh, you did watch that? Because that one you don’t really have to have seen the movies much.

Did you read any of the background stuff about the shows like the Easter eggs they put in for fans and stuff like that?

Olli:   A little bit. And I’m sure you know, there are so many amazing videos on YouTube where people do just deep dives into that stuff, and I think Marvel and Disney Plus did such a good job. I can’t remember what the series is called, but but they put out such nice little sort of background videos for –

Suzanne:   Right, yeah.

Olli:   They did for The Falcon and the Winter Soldier too.

Suzanne:   “Legends,” I think it’s called.

Olli:   Yes, yes, yes. And that’s so smart of them, and they’re so well done. And I’m a longtime diehard Kathryn Hahn fan, so I watch whatever she decides is worth her time. I’m happy to watch. So, I would have watched Wandavision, no matter what.

Suzanne:   Yeah, she was great in that. And the thing about her was that, from the beginning, you know that something that’s going to be with her [is going to be good], because she wouldn’t have done it to just have this little bit part.

…Do you have anything else coming out that we should watch for?

Olli:   No, The Falcon and the Winter Soldier was sort of my finish line. I did an episode of Social Distance, Jenji Kohan’s quarantine series that came out at the end of last year, which I loved. So, The Falcon and the Winter Soldier and Social Distance were sort of the two things that were hovering around.

And I just got back to New York yesterday, and I’m enthusiastically auditioning for whatever the next job may be. I’m excited to find out.

Suzanne:   I read that your father was a soccer star and that your grandfather was also a player. Did you ever play?

Olli:   I did play a little bit. I suffered from the expectations of having a father like that. I mean, I really enjoyed playing, like in the backyard with my dad. That was really fun, but anytime it was more organized than that, there was always some sort of like, “I bet you’re really good at this” or something like that from a coach, which made it much less fun. You know, when you’re in second and third grade, that’s not what you want to hear. I mean, tennis was a little bit more the sport that I played a little more seriously for a while, but, yeah, I mean, I couldn’t deal with that weird sort of expectation when playing soccer, because my dad is and was phenomenal at it. So, yeah, very few people can measure up to that much less, you know, a third grader.

Suzanne:   Well, thank you, and I hope you book some more things we can see you in.

Olli:   Thank you. I hope so too.

Here is the video version of it.

Interview Transcribed by Jamie of http://www.scifivision.com


Olli HaaskiviOlli Hasskivi appears in the latest episode of “Marvel’s The Falcon and the Winter Soldier.” Olli plays the name on everyone’s lips this week, Dr. Wilfred Nagel. He is the doctor responsible for the super soldier serum, having reverse-engineered Dr. Abraham Erskine’s (Stanley Tucci’s character in the franchise) serum. This was a pivotal episode and character for the series as the hunt for the super soldier serum is in full force, and Dr. Nagel comes face-to-face with Anthony Mackie (Falcon), Daniel Brühl (Zemo), Emily VanCamp (Sharon Carter) and Sebastian Stan (Winter Soldier) in his lab, who all want to know the truth.Olli Haaskivi and Dr. Nagel

For reference, Olli is a very talented “actors actor” based in NYC. He is chameleon who can truly play any role he feels passionately about (including teachers, a doctor, a villain, a waiter, etc. – you name it!) His film and TV credits include: “The Deuce”, “The Sinner”, “Manifest”, and “Oh Jerome, No,” plus the films Motherless Brooklyn directed by Edward Norton, The Miseducation of Bindu directed by Prarthana Mohan, and Nancy directed by Christina Choe. Olli has appeared in the off-Broadway premieres of Bella: An American Tall Tale (Playwrights Horizons), Who’s Your Baghdaddy? Or How I Started The Iraq War (Actors Temple), and The Rafa Play (Flea Theatre).

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Olli Haaskivi

Interview with “Van Helsing” stars

TV Interview!

Nicole Muñoz, Jonathan Scarfe and Tricia Helfer

Interview with Nicole Muñoz, Jonathan Scarfe and Tricia Helfer of “Van Helsing” on Syfy by Suzanne 4/12/21

This was a very fun Zoom call with the actors of this Syfy show. I’ve enjoyed watching them on “Van Helsing” and in their other shows as well. It was great to chat with them. This last season of the show is very exciting. I hope you can watch it and enjoy it as well!

Question:   How do you relate to Jack as a person? How do you get into that character and follow her through, I guess, season four and into season five?

Nicole:  I was just saying before, I have some similarities. I think Jack has really helped me grow as a person, and in terms of offering me some inner strength and some confidence, Jack’s stubbornness and tenacity are things that I think come decently naturally to me.

So, at least a fun thing about Jack this season is we kind of get to see a bit more of her humor, which, you know, it kind of is coming out just because of the circumstances. And I do think that I kind of get to put a little bit more of my personality into Jack, this season. And she’s a little bit less on edge. She’s kind of come into a bit more of “this is the reality that we’re dealing with, and now we’re gonna go forth and push on.”

Jonathan:   Oh, I was just saying that Jack has to like find her alpha this year, big time. So, that was, I think, pretty fun for Nicole.

Nicole:  Yeah, and Jonathan helped me with that, immensely. Yeah. It was a lot of “what would Jonathan do?” “What would Axel do?”

Question:   I posed it to Nicole how she relates to her character Jack, and it was sort of open to everybody, how they relate to their character. So, Trisha, how you relate to Dracula, but also how you relate to Jack and how you relate to Nicole, on and off set.

Tricia:  It was definitely a lot of fun getting to work more. I mean, I was only in two episodes last season. In the first episode, Jack and, well, Keeya (King) – I keep saying your names wrong – Violet…were basically knocked out the whole time. So, it was a real treat to get to kind of work with everybody more.

I can’t say I necessarily relate to Dracula myself, but similar to what Nicole said…I do play a lot of very strong characters, and in person, I’m a little bit of an introverted goof. I can come off as cold, because I’m shy quite often. So, it allows me to really kind of just be something that I’m not in my own life. So, sort of learning – I can’t really say I learned much useful from Dracula that would be legal in our society, but certainly playing her does give you a sense of confidence and just sort of a take charge mentality that hopefully I can kind of take that into my own life at some point. Lost our voices a few times, though didn’t we, Nicole?Van Helsing poster season 5

Nicole:  A few, yeah. Thanks Jon.

Tricia:  It’s Jonathan’s fault.

Question:  I’m going to alter my question a little bit so Jonathan can add to it too, but my question was, we don’t really even know if what the Dark One said to them about Vanessa not being their mother is true. I’m kind of still wondering that, but this season, at least at the beginning, you too definitely, I’d say, [since last season] have different interactions and relationships since they’re not, you know, [in the same place] as where they were last season. So, can you kind of talk about how that relationship between the two of you is going to continue this season and change? And then Jonathan, your relationship with – well, you probably don’t really have one with Dracula, but maybe with Jack.

Jonathan:   Yeah.

Nicole:  Wanna try to work around spoilers.

Question:  Just kind of how those relationships will evolve this season.

Nicole:  How my relationship with Dracula evolves this season?

Question:  Yeah.

Nicole:  Is that kind of the question? I would think definitely –

Jonathan:   No [unintelligible] for COVID protocols, it starts there.

Nicole:  Yeah, I think we definitely get to know each other, maybe more than we would have wanted to this season, our characters. I think spoiler-wise, I’m gonna stay very far away from this question, but I do think that Jack gets some answers. Some she likes; some she definitely doesn’t. It’s kind of the feeling of the floor coming out under you, or the rug coming out under you.

Tricia:  For me, Dracula didn’t really know much about anything going on. She’d been in the Dark Realm. So, she’s kind of at the end of the season coming into the world, and she definitely has her confidence shaken a little bit. I mean, she maybe had a little bit too much of an ego, and again, not giving away spoilers, but she starts to question who she can trust and things like that along the way. And throughout her relationships – interactions, not relationships – interactions with the Van Helsings and the other characters in the show – It’s hard to say without spoilers – She comes to realize they’re more of a formidable foe than she maybe gave them credit for. So, if anything, I could say there’s maybe a little bit of a more of a respect for them than she would have thought at the end of season four. Did that give away too much, Jonathan?

Jonathan:  No, I mean, I think that – we were talking about this earlier – I think the writers did an amazing job, but it was, I mean, to not spoil things, but to try and pique some curiosity for the fans, is that, you know, a couple other things you get to discover this season is not just the origin stories of Dracula, which are totally unique to the show; they’ve completely invented their own version of what that would be, but also the origins of the Van Helsings, where they came from, how they evolved, and like how intertwined the two are in a particular way. So, that’s all fully revealed by the end of the season, and I think it’s like the most fun thing about the season, personally, so I’m really excited for fans to check that out and see how they respond to it.

Question:   …Let me just congratulate you all, I mean, five seasons finally coming to an end, which is like, hard to believe. So, let me just ask you all a pretty generic question, Nicole, I’ll start with you, then, we’ll go to Jonathan and Trisha. It’s been five seasons; it’s coming to an end. So, first up, how excited are you that these final episodes are coming out and we get to see the Van Helsings and the Dark One come head to head? Then, of course, how are you feeling? A little nostalgic given the fact that the shows come to an end?

Nicole:  I’m excited to see the reaction of the viewers once they get to watch the final few episodes. I also think the first few episodes of this season are going to be pretty revealing and very exciting to watch the reactions. I will definitely be looking on Twitter this year and reading what everybody has to say about this season, because, I mean, if I’m this excited, everybody’s gonna be even more so when they watch, because I already know what’s about to happen. But just reading the scripts even was a very fun thing to do, and I like rifle through them so quickly. I can only imagine what that feeling would be like for you, Jonathan, being in this thing for five years, because I only hopped on in season four. What do you think?

Jonathan:   Yeah, well, you know, it’s like all things, like this show, you bring it; you’re grinding it out, and there’re ups and downs and the challenges that you kind of face, and then you turn around and five years have gone by, and the thing’s coming to a close. Yeah, you do get definitely a little bit nostalgic thinking, “Oh, gee whiz, this is it. This is goodbye to all these people that have become kind of family and his character that’s kind of become a second skin.” So, yeah, it definitely had a little melancholy to it, for sure, when we came to a close.

Question:   Right and Trisha, let me ask you the same question. What should fans expect on this final season?

Tricia:  Well, knowing that it was the final season, we had the liberty of being able to follow the mythology from the four seasons prior and really give a conclusion to it. So, we faced a lot this year, like the entire world did, so some alterations were made along the way but not affecting the story, which is great. I think with the first three episodes with the origin story of Dracula and how the Van Helsings meet this character, I think is really going to set it up for the rest of the season, because stuff that happens there and stuff the audience will come to learn is really what drives a lot of the rest of the season to its ultimate conclusion, which I think leading up, I think it the last couple of episodes also really ramp up to this, you know, something’s gonna go down. And, you know, being part of it for really only one season, just briefly introduced in season four, of course, it would have been fun to play longer for me, but I understand what Jonathan’s saying then, it’s a little melancholy when you’ve been on a show for five years or something, and it’s like your second skin. When you’re first playing a character, you’re figuring it out and whatever, and then, by season five, you can just go on set and know who the character is. You almost answer in the character’s voice without even thinking about it. I didn’t necessarily have that with Dracula with only being in the one season, but, boy, did I get some fun stuff to play with.

Question:   …You were doing a series that, although it was a supernatural pandemic, it was still a virus like pandemic kind of thing, and you’re doing that for, well, I guess three and a half seasons, four seasons, and then all of a sudden, you’re living through a real pandemic. Did that change your perspective in any way in your characters, in your performance? Did you have maybe more understanding of people who are like hiding inside? So, how did COVID affect your characters is what, I guess, I’m trying to say.

Jonathan:  Well, I mean, yeah, I’d had all kinds of resonance in terms of that, you know, what isolation feels like, and we had just come back from shooting the first three episodes before the initial shutdown happened, and then there was a big question mark as to whether we’re gonna be able to get back to work. Then, we were lucky enough to be able to do that. I think we were one of the first shows back in Vancouver working with all the new COVID protocols. The company did an incredible job setting those up, and there’s a lot of pressure on them being the first show back not to screw it up. So, we’re happy that we didn’t, but…other than the stress that might have been visible in everyone’s eyeballs, I don’t know how much it impacted performance, but it certainly resonated.

Tricia:  I mean, I don’t think it necessarily affected my character per se.

Jonathan:   They didn’t care.

Tricia:  I mean, it did affect shooting for me, because, like Jonathan said, we did the episodes in Slovakia, and then literally all flew home just before the lockdown happened. So, there was a lot of stress for everybody. I really give credit to the production team and studio and network and everything, for getting back up and running as quickly as they did. For me, it really only altered filming in terms of changing schedules. I mean, so many things had to be changed, because you want to have less people on set at a time and less interaction and things like that. So, all my stuff that I had left was consolidated into the very end of the shooting. So, you guys all started shooting way early, and I was down in Los Angeles. So, they all started shooting way earlier, and then, when I came in, it was quarantine, obviously, government quarantine, and then fast and furious shooting everything I had for the rest of the season all in, you know –

Jonathan:   All in a row. Exactly.

Tricia:  All in a row. So, it was –

Jonathan:   Like episodes three through thirteen, all your scenes, all the time, nothing but for the final three weeks of shooting.

Tricia:  It was like a lot to do in the Slovakia episodes, and then nothing, and just sitting there twiddling my thumbs in LA going, “They’re shooting; they’re shooting.” I’m like, I felt so left out of it, but I’m so proud of them for getting back and then just being fast and furious at the end. But, I mean, Dracula is sort of like an enigma. I don’t know she’s – I’m babbling, but it sort of did, without giving away too much, Dracula was sort of feeling a little bit on edge toward the end. So, there was maybe a little isolated that we haven’t seen of her aside from being locked in the Dark Realm. I guess she was locked in the Dark Realm for a long time. That would have been very isolating. Maybe I could have related to that a little bit. I didn’t put too much into it at the time, though, because just everything so new with you just trying to do a good job trying to keep everybody safe and have fun with the character at the same time.

Tricia:  Trying to remember to take your mask off when they say, “Rolling.”

Question:   That happened?

Jonathan:   Oh, yeah.

Nicole:  Sometimes it did, yeah.

Tricia:  Yeah, it happened more than once, because everybody’s in masks. It’s like the first time you put on a mask, you feel really bizarre, but then when everybody around you has a mask on, and you take your mask off, you actually feel bizarre.

Nicole:  And we even incorporated masks into some of our costumes for a little bit there. I think, character-wise, yeah, it may be a little bit of a stretch, but it must have had some sort of impact just having been isolated. I also came back from Slovakia, and then we isolated for a while, and then they started filming. It was like that feeling of, “I miss everybody, and I can’t wait to see everybody.” Then, once we started filming again, it made those scenes of reunion or scenes with some intimacy in it just that much more important and impactful. And that like yearning for it was more already at the surface and more accessible, I guess, as an actor.

Tricia:  I don’t think Dracula gets to hug anyone, but it was like, if you got to hug anybody on set, you’re like, “I’m not letting go!”

Nicole:  Yeah. It’s like, “Jack, don’t let go.”

Suzanne:   I really enjoyed the three episodes they let us watch… that was great. Without spoilers, obviously, do you think that fans will enjoy the ending?

Tricia:  I do. I was the most excited I’ve been about the show in ages was when I read those first three skip scripts for this season. I thought “Wow.” I had no idea how the writers were going to try and figure out a way to bring the thing to a conclusion, and I think they exceeded all expectations and in terms of what they came up with. So, I’m really excited to see the fan reaction to it.

Nicole:  Yeah, the first three episodes play out of like a mini movie, and, yeah, I think it’s going to be very satisfying for everybody to watch, and it’s going to be quite the launching board for the rest of the season.

Tricia:  That’s exactly what I was just gonna say, Nicole. It’s a launching board for the rest of the season. So, even though they are like a little mini movie and set in Transylvania, where the rest of the season isn’t, it really does set up what the characters are going through, and knowledge and experience and questions to figure things out. But the following episodes are really where all the mythology from the first four seasons really gets layered into the very end, and there’s a nugget at the very end in the finale that I just think is so fun…that I think is just going to have some fans drop their chins to the floor.

Question:   This is for the entire cast. How would you describe season five in three words?

Jonathan:   Season five in three words, wow. “Big questions answered.”

Nicole:  “The final season.”

Tricia:  …I want to look up my notes for the other day. What did I say?

Nicole:  Had I done my press homework, I would have actually had the answer to this.

Tricia:  Family is one of my words. Family, [resilience], and teamwork? I’m trying to stay away from like bloody and gashy and death.

Jonathan:   Jaw freaking dropping.

Here is the video version of it.

Interview Transcribed by Jamie of http://www.scifivision.com


Van Helsing is set in the near future, where vampires have risen and taken control. Vanessa Van Helsing is humanity’s last hope, as her unique blood composition gives her the ability to turn vampires human. With this secret weapon, Vanessa becomes a prime target for the vampires. Van Helsing comes from the producers of Fargo and Hell on Wheels. Jonathan Lloyd Walker serves as showrunner.

In the fifth and final season of “Van Helsing,” Vanessa, Violet, and Jack will risk it all to finally bring an end to the Dark One once and for all. The Van Helsings must figure out ways to escape and evade the various obstacles in their path to prevent them from their mission, leading to an epic final showdown between the Van Helsings and the Dark One. Who will win the battle between light and dark?

Jonathan Scarfe

Axel, “Van Helsing”

VAN HELSING -- Season:1 -- Pictured: Jonathan Scarfe as Axel Miller -- (Photo by: Brendan Meadows/HELSING S1 PRODUCTIONS/Syfy)

Multiple award-winning actor Jonathan Scarfe stars as Axel, a Marine ordered to guard the body of Vanessa Van Helsing.

Scarfe, a seasoned actor, producer, director and writer with over 20 years of experience, has been nominated six times for the Gemini Awards (the Canadian Emmys) and won twice for his work in “The Sheldon Kennedy Story” and the mini-series “Above and Beyond.” He is also the recipient of two Leo Awards for his work on “Hell on Wheels” and “Love on the Air.” As a director, he wrote and shot the multiple award-winning short film “Speak” with his wife Suki Kaiser.

In 2012, Scarfe embarked on a two-and-a-half-year sailing odyssey, entirely off the grid, with his wife and two children. The trip would ultimately encompass a circumnavigation of the North and South Pacific oceans and over 18,000 sea miles.

Nicole Muñoz was born and raised in Vancouver, Canada. She began her acting career at the age of four. With over fifteen years experience Nicole has garnered over 40 credits including beloved shows such as Once Upon A Time, Supernatural, The 100, Defiance and a lead role in SYFY’s Van Helsing.

Tricia Helfer is a Canadian cover girl model-turned-actress who has developed her resume beyond the catwalk to include many diverse roles highlighting her versatile and natural screen presence. Best known as the face of the series, and for her Leo award-winning lead performance as the humanoid, Cylon ‘Number Six’ in the critically acclaimed Syfy series, Battlestar Galactica (2004), Helfer has since gone on to book leading roles on a wide variety of networks. Tricia currently stars in FOX’s “Lucifer”, switching gears from the role as Lucifer’s mother Charlotte, to an attorney by the same name.

Prior to “Lucifer,” Tricia was recurring in season two of the Playstation & Sony Picture TV series, “Powers.” Just before that, Helfer also played the lead of the Syfy channel’s original miniseries “Ascension” co-starring Brian Van Holt. In early 2014, Helfer starred as the lead of the ABC series, “Killer Women”. The Sofia Vergara-produced series followed beautiful badass Molly Parker (Helfer), in the notorious Texas Rangers frontier patrol, as she pursued justice despite being embroiled in a continuous fight for her peers’ respect.

Born in Donalda, Alberta, Canada, Helfer launched her modeling career at age 17, and erupted into an international superstar after winning the Ford Models’ Supermodel of the World Contest in 1992. Her modeling credits include appearances in high-end ad campaigns for Giorgio Armani, Ralph Lauren, Versace, Givenchy, and Dolce & Gabbana as well as covers for national publications such as ELLE, Cosmopolitan, Marie Claire, Flare and Vogue.

In 2002, Helfer turned her focus to acting, moving to Los Angeles and quickly earning a guest star spot on the second season finale of “C.S.I.: Crime Scene Investigation.” The following year she earned her break with “Battlestar Galactica,” achieving a remarkably fast and successful transition into acting. During her hiatus from “Battlestar Galactica,” Helfer portrayed the legendary Farrah Fawcett in NBC’s film, “Behind the Camera: The Unauthorized Story of Charlie’s Angels.” She furthered expanded her portfolio by starring as ‘Stephanie Jacobs’ opposite Dennis Hopper and Billy Zane in the independent feature “Memory,” and later starred alongside LeeLee Sobieski in another independent, “Walk All Over Me,” which premiered at the Toronto International Film Festival.

Helfer returned to the small-screen in 2008, joining the cast of the USA Network’s hit series, “Burn Notice” for a multi-episode arc. The next year she filmed recurring guest spots on the award-winning CBS comedy, “Two and a Half Men,” while appearing on Fox’s crime shows “Chuck,” and “Lie to Me.” In 2010, Helfer booked a series regular role on the ten-episode arc of Jerry Bruckheimer’s “Dark Blue,” starring opposite Dylan McDermott and went on to do a variety of terrific roles on series such as “Suits,” on USA Network, “Key and Peale,” “The Librarians,” “Community,” “Chuck,” “Jeremiah” and “Franklin & Bash,” among others.

In addition to her vast array of television roles, Tricia starred in the film, “A Beginner’s Guide to Endings,” with Harvey Keitel, Scott Caan, and JK Simmons and ;ater, went on to star in “Authors Anonymous” with Kaley Cuoco-Sweeting. Next up, is another lead role in thriller, “Isolation” co-starring Luke Malby, a film that will portray the true events of a couple vacationing in the Bahamas. The getaway quickly spirals out of control, forcing the couple into survival mode.

Adding to her impressive resume, Helfer has done prolific voiceover work in mega-hit video game franchises including, playing the roles of Commander Veronica Dare in Halo: ODST, EDI in Mass Effect 2 and 3, Sarah Kerrigan in Blizzard Entertainment’s StarCraft II: Wings of Liberty, for which she won the 2010 VGA for Best Performance by a Human Female, as well as in StarCraft II: Heart of the Swarm. She also showcased her voice talent in animated productions, “Green Lantern: First Flight,” a Cartoon Network TV movie, on Disney XD’s “The Spectacular Spiderman”, and on Disney XD’s TRON: Uprising.

In addition to acting, Helfer continues to support as many causes as she can, as she strongly believes in giving back. Tricia supports the Humane Society of United States, Best Friends Animal Society, AmFAR, PETA, Kitten Rescue and Richmond Animal Protection Society.

Tricia, who has dual citizenship in the US and Canada, and resides in Los Angeles.

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Nicole Muñoz, Jonathan Scarfe and Tricia Helfer

Interview with “Young Rock” actors

TV Interview!

Stacey Leilua and Ana Tuisila

Interview with actors of “Young Rock” on NBC by Suzanne 3/23/21

There are two short interviews here with the actors from “Young Rock.” One is with Stacey Leilua, who plays Ata; and with Ana Tuisila, who plays her mother, Lia. The other is with Joseph Lee Anderson, who plays Ata’s husband, Rocky, and with Matt Willig, who plays Andre the Giant.  This is a fun little show, and I enjoy watching it.

Here’s the first interview, with the women.

Suzanne:   My first question is for Stacy: what has the fan reaction been like so far that you’ve seen?

Stacey:   It’s mostly just been, I guess, in the way of messages through social media, because it’s not screening in New Zealand yet. So, I get messages from people – like the stuff I love is Pacific Islanders around the world saying how awesome it is to turn the TV’s on and see, you know, their mums and the grandmas sort of represented, their uncles. So, they’re seeing their culture on primetime US TV, and they’re loving it. So, that’s awesome for me to be able to be a part of that representation.

Suzanne:   Yeah, that’s great about the show. I didn’t even realize that he had lived in Hawaii, and I spent three years in Honolulu, and I miss it so much. I was happy to see that. And, Anna, are you on social media at all?

Ana:   Yes, I am.

Suzanne:   What is the reaction that you’ve gotten?

Ana:   Well, like Stacey, my family in New Zealand hasn’t seen the series at all, and so they’re putting on these promotions and “watch this,” and they are coming back to me sort of, “Watch what? We haven’t haven’t seen [it].” So, it’s a bit disappointing that they’re not keeping up with the excitement that I’m feeling as well. But we’re really lucky that I’ve got a link that was sent, so I’m able to watch it at the same time, but for the rest of New Zealand and Australia, it’s a shame that they’re not feeling the same as we all are.

Suzanne:   Yeah. It’s too bad you can’t get a copy to send to your family at least.

Stacey:   It’s coming soon, I think.

Suzanne:   Oh, good. I can’t imagine.

Question:   This is a male fronted comedy, but what I really like about it is that the women are a really big part of it, and you guys get to not just be background players; you’re really in the narrative of it. I was just curious how you feel about that, and how you feel about this show? It’s a success. Did you feel more pressure before it was a success, or do you feel more pressure now to keep it a success?

Stacey:   I think when you get the original audition, and you can see who’s attached to it, and you see Dwayne Johnson, that already is an indication of the success of what it [is] most likely going to be like. It’s pretty hard to imagine that something that he’s attached to is…not going to work or whatever. He’s just incredible like that. So, he finds a way to make everything work.

And I was excited about the fact that he will very often and publicly speak about his mother and his grandmother and the influence that these women had on his life. I mean, to this day, his mother, I think she she lives with him, or she’s pretty close to physically where he is. So, it’s kind of like at the end of this long journey that they’ve been through and the ups and downs. It’s the two of them still there looking after each other.

I quite often say that playing a real character, a real person, Ata Johnson, I don’t like to think of it as pressure, because I feel like that sort of has negative connotations. I think there’s definitely a huge responsibility in there.

I guess, if we’re talking about the success of a show, for me, what I really cared about the most was that I was going to do this character justice and that Dwayne and Ata were going to be watching this and going, “Yes,” and that has happened.

So, for me, I think, like, we talk about the ratings or more seasons and things like that, and I’m like, as long as I’m bringing this truth to that character – Just, I think in light of what a life they’ve had, and, you know, like we were saying, the ups and downs, we only see a sort of snippet of it in the show. It was so important to me; that was the priority for me, really being able to do the family justice and make them proud of the representation on the screen, for me, anyway.

Ana, do you want to speak to that?

Ana:   You ask about being the only woman in a very male dominated cast. Well, you know, it just helped me play the role even more diligently, because, Lia, the grandmother, is obviously a very strong character, and being the only woman and in with the wrestlers and the football team, it just makes – you know, I’m even sitting up straight now just thinking about it. It just makes the role that I play so much more physical [and] mentally and emotionally more dominant to just get there and make sure that I play this character the way it should be. So, being in a very male dominated, as you say, cast, and the storyline, it just just helps me portray this character even better.

There isn’t much known about it, but after listening to Dwayne and Ata describe her, I thought, “Oh, that’s great.” It’s just great putting the women up here. So, it wasn’t too difficult. I guess, as Stacey said, the pressure was ensuring that the character and the role was played with integrity and honesty, and making sure that I play the role the way it should be.

Question:   …What role did your mothers and grandmother play in your life?…Was there something that you brought on from your mother and grandmothers on to this show?

Stacey:   Yeah, I think I’ve mentioned before in interviews, my grandfather was actually a boxing champion here in New Zealand, and he held the light heavyweight title in, I want to say, early 1960s, I think. So [it] was my grandmother at home looking after the babies and holding the fort while her athlete sort of superstar husband, as much as he could be back then in New Zealand, was out traveling and on the road and everything that came with that. So, for me, in the early portrayals of Ata, that was something that was on my mind as well, and just kind of channeling a little bit of that and what that might have been like.

Like Ata, my grandmother is a very… strong matriarch of the family and really led with love and care for her children. I think that that was really, [and] after speaking with Dwayne and Ata, we’ve been saying sort of the character is really the heart and soul of the storytelling, and she brings that love and the nurturing. I mean, she’s a fighter, and she’s fierce, but it’s always done with the integrity and love for her son first and foremost, and then the family that wraps around him and guides him through his life journey. So, I was really holding on to, I guess, a lot of those aspects that I had seen myself in my grandmother growing up. Yeah, on a personal note for me.

Ana:   I didn’t know my maternal and paternal grandparents, grandmothers, but when I read the script, that was just truly my mother, my own mother, and, I guess, for myself, as well. She was also the matriarch of the eldest of 13 children. So, even though we had high chiefs, and there were five girls and eight boys, she just dominated. Whatever she says, goes.

When I read the script, I thought, “It sounds just like my mother,” and, I guess, it’s just passed down to the way I have parented. So, it was quite easy for me to step into Lia’s shoes, and even more so that Lia’s Samoan, and I’m Samoan. I guess, the connection there was really easy, and the cultural terms.

So, you asked, were my mother and my grandmother, or people who I knew – Yes, they were great inspiration, and it’s just passed down to how we are. Women are very strong. Even though they talk about the patriarchal system in Samoan, the [unintelligible], it’s the women that run the household. So, they are very strong, and, I guess, for Lia, which is different being in a white male’s institutional sport, that would have been [unintelligible]. Yes. So, the inspiration for me was my mother, which made it easy for me to play the character.

You can see the video here!

Joseph Lee Anderson and Matt Willig

Here’s the transcript of the call with the two men.

Question:   Hey, guys, thank you so much for taking the time and congratulations on on this fantastic journey. So, let me just ask, and I’m sure you’ve been asked, but I’m really curious, what was the biggest challenge for both of you in portraying your characters, especially because they’re based on real people? And what’s the most surprising thing you think you learned in the process of preparing for the characters?

Joseph:   Yeah, the biggest thing for me was the weight. I was at about 220 pounds when I first got the role, and then got a call and said they wanted me to be about 250 pounds. So, I had about two months to put all that weight on and make it as much muscle as possible…The opposite of what Matt did.

…And I was shocked to learn that Rocky, he fell so far from grace. He worked so hard to get to that moment, and he was on top of the world, and it just didn’t end the way I’m sure he wanted it to end.

Matthew:   Yeah, a lot like Joseph, you know, it starts with the weight. I knew I needed to have a certain look, and I normally kind of am more much more diligent about my diet and exercise and stuff. So, I just ate whatever I wanted for a couple months, and I gained about 35 pounds myself, but it was bad weight. So, it was fun for a while, and then it got old after a little bit, but that was important to kind of have that feel of having that girth that André had. I knew I wasn’t gonna be 7’4’’ or, you know, a seven footer, but I could have the dimensions that would be important. So, that was the first thing, and then, getting the sort of the Frenchisms and the French accent down was important [and] not easy. So, just kind of working with a French dialect coach first and then sort of making it my own sort of mumbled André speak was important to have. I had to be very careful about making it understandable for television so that people can understand me, but at the same time, sort of keeping authentic to André in the way that he spoke. So, that was hard.

And the surprising stuff, I guess, it’s just the fact that he was so close to Rocky, their family, and Dwayne. I wasn’t aware of that. So, that was a big revelation and sort of immediately sort of made my character André of all these crazy wrestlers, specifically having André in his life as uncle Andre, so that was pretty cool.

Suzanne:   Hi, guys. For Matt, what research have you done? What did you do before you got the role playing André the Giant?

Matthew:   Well, it started with watching documentaries and going from the documentaries to interviews, listening to him speak, trying to do as much research as possible. What else? You know, like I said, getting the speak down, his accent. Things like that were important, because I knew that when you’re dealing with someone that’s a real person, there is a sense of being true to him. You have to do a lot of work to get to that point before you even put your own spin on it. So, that was important. …Just watching him, watching his videos, watching his interviews was really important. Again, speaking to Dwayne and getting his take on it and finding out what was real in his life, in that relationship, how it was real, and what was going to be explored sort of for the show, as opposed to being in real life. Like I said, it was really nice to hear that that was a real relationship that was really, really important to him. So, that kind of made it nice so that we could be talking to Dwayne and getting the history of where André came into their lives with Peter Maivia, his grandfather, and kind of working into to being uncle André with him as a kid and beyond.

Suzanne:   Okay, great. And Joseph, I watched the four episodes last night on demand. You have such great energy on there. Have you gotten a lot of fan feedback so far?

Joseph:   Yeah, everyone’s been very kind saying they love what I’m doing with Rocky. People that have met him have been awesome with the feedback. So, that was great. Then, most importantly, Dwayne is beyond happy.

Suzanne:   Oh, that’s good.

Joseph:   That’s really the person I wanted to make happy.

Question:   …Joseph, I’ll start with you…Talk to us a little bit about how involved – and Matthew, you can also speak to this – how involved has Dwayne been throughout this process of helping you guys create and build on these characters who are real characters and real people that he lived with? [unintelligible] Like with Joseph, you play his dad. Talk to us a little bit about how involved Dwayne has been throughout this process.

Joseph:   He was insanely involved. Anytime there was a question, anything, it was a text away. He made himself open to me at any time. Anything I needed, it was just, he was there, and that was amazing since we were in different countries. So, yeah, hopefully, once COVID is over, we can all get in the same set, same room. It’d be nice to talk.

Question:   Definitely. Matthew, what about you?

Matthew:   Yeah, you know, it’s obviously a little different being that I’m not playing his dad. So, I come and go, but I think the biggest thing was just, number one, Dwayne being accessible. Like Joe said, from the first zoom call that we had on the first table read, he said, “Anytime any of you want to get with me -“ You know, he kind of apologized for not being able to be with us, but, “Anytime you guys want any information, have any questions, ask us.” And I did. So, him giving me a really detailed, honest account of his relationship with André and what he meant…He actually kind of commented what I think he meant, to me, but he really felt like André had a sense of being uncle André with him, and that was really important to him, especially early on in his life. So, Dwayne was really, really detailed about that relationship, and so, that was really cool. And again, he kind of left with, “If you ever need anything, any questions about anything, please let me know.” So, he’s been great.

Question:   Definitely. Joe, let me ask you this. You play Rocky, Dwayne’s father. Did you study him before Dwayne was assessable in helping you with the character, but did you study him on your own to learn a different side of him than what Dwayne told you? Did you study him and research him yourself?

Joseph:   Well, I think my research on Rocky was a lot of watching matches, a lot of trying to emulate how he moves in the ring and his signature moves, because Dwayne, he really gets the, you know, I’m not gonna learn about the man better than from Dwayne, so that was great. Yeah, I watched any interview I could find, every match I could find. There was a lot of that.

Question:   Why do you think people love the show so much? I mean, the fans are on Twitter; they’re in the comments on Instagram. People love the show. I think it gets better each week. It’s like, “Okay, oh, it was cute.” Then, each week it gets better, and then, you get an inside look into Dwayne’s life. Why do you think viewers love the show so much?

Joseph:   It’s such a heartwarming show. It’s nice; it’s loving. It’s a loving show. It’s about family. There’s so much that this show brings. We go in the 80s with the wrestlers, as, you know, the older generation loves wrestlers. And people who love Dwayne get more of an inside look at Dwayne that they probably would have never known if he wouldn’t have done this. There’s a lot that this show brings.

Question:   Definitely. Matthew, why do you think [that]?

Matthew:   Yeah, I think, just to piggyback Joe a little bit, it is that sense of – it appeals to many different audiences. People that want to see the wrestling and those iconic wrestlers are getting that. People that want to see more about Dwayne’s life are getting that. In today’s age where you can stream any sort of violence and sex and drugs and all that stuff, I think just to have a good heartwarming family type story, where you can sit down with your kids and know that for at least a half hour, they’re not going to be overwhelmed with some sort of sex or violence, it’s kind of a nice change. And I think that people are responding to that and really appreciate [it]. And, again, you’re really getting like four different stories in one show, which is pretty amazing that we’re able to do that. So, people come in and out, and they enjoy different aspects of it. So that’s, I think, contributing to the popularity of it all.

Here is the video of this call!

Interviews Transcribed by Jamie of http://www.scifivision.com


“Young Rock” focuses on different chapters of Dwayne Johnson’s life. From growing up in a strong and resilient family, to being surrounded by the wild characters of his professional wrestling family, to playing football at the University of Miami, the show will explore the crazy rollercoaster that has shaped Dwayne into the man he is today and the larger-than-life characters he’s met along the way.

Dwayne Johnson, Joseph Lee Anderson, Stacey Leilua, Adrian Groulx, Bradley Constant, Uli Latukefu, Ana Tuisila, Fasitua Amosa and John Tui star.

Nahnatchka Khan, Dwayne Johnson, Jeff Chiang, Dany Garcia, Hiram Garcia, Brian Gewirtz and Jennifer Carreras serve as executive producers.

“Young Rock” is produced by Universal Television, a division of Universal Studio Group, Seven Bucks Productions and Fierce Baby Productions.

Stacey Leilua

Ata Johnson, “Young Rock”

YOUNG ROCK --  Season: 1 -- Pictured: Stacey Leilua as Ata Johnson -- (Photo by: Mark Taylor/NBC)
Stacey Leilua plays Ata Johnson on the new NBC comedy “Young Rock.” Leilua is of Samoan, Maori and English heritage and based in New Zealand. She graduated from one of New Zealand’s leading drama schools: UNITEC School of Performing & Screen Arts, where she majored in acting. Leilua has worked on a variety of productions, including New Zealand’s longest-running series, Shortland Street.” Other credits of note are the UK/NZ feature film ”Love Birds” and the highly acclaimed web series “The Factory,” which she also co-executive produced alongside Kila Kokonut Krew under the mentorship of Robin Scholes, one of New Zealand’s most well-known producers. Leilua has also worked as a presenter (“Homai Te Paki Paki”) and director with the South Auckland-based theatre company Kila Kokonut Krew. Most recently she performed in Tusiata Avia’s ”Wild Dogs Under My Skirt,” which won Production of the Year at the 2018 Wellington Theatre Awards. The production was picked up for a season at the Soho Playhouse in New York in January 2020 where it played to full houses every night.

Ana Tuisila

Lia Maivia, “Young Rock”

YOUNG ROCK --  Season: 1 -- Pictured: Ana Tuisila as Lia -- (Photo by: Mark Taylor/NBC)
Ana Tuisila stars as Lia Maivia on NBC’s new comedy “Young Rock.” Tuisila’s career spans over two decades in film, television and theater. Her most memorable performance is in “The Songmaker’s Chair,” a stage production written by esteemed international author, poet and playwright Albert Wendt, and directed by Nathaniel Lees and Nancy Brunning. Following a successful season, the show later participated in the International Arts Festival at Te Papa Museum in New Zealand. Tuisila has starred in two short films on location in Samoa, Vai and Liliu, which have both been recognized throughout film festivals globally. She speaks fluent Samoan as well as having familiarity with other Pacific languages.

Joseph Lee Anderson

Rocky Johnson, “Young Rock”

YOUNG ROCK --  Season: 1 -- Pictured: Joseph Lee Anderson as Rocky Johnson -- (Photo by: Mark Taylor/NBC)
Joseph Lee Anderson plays Rocky Johnson in the NBC comedy series “Young Rock.” Anderson has appeared in the Oscar-nominated film “Harriet,” recurred on “S.W.A.T.” and has guest starred on “Timeless,” “American Soul” and others. He also directed and starred in the critically acclaimed short film “The Jog,” which premiered at South By Southwest. Anderson is a Kansas City native currently living in Los Angeles.




Matthew Willig retired from the NFL after 14 seasons. He played for 6 teams (New York Jets, Atlanta Falcons, Green Bay Packers, St. Louis Rams, San Francisco 49ers and the Carolina Panthers). He went to 2 Super Bowls, winning 1 and losing the other. He is steadily rising up the acting ladder and receiving acclaim as his roles get bigger and better.

Proofread and Edited by Brenda

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Young Rock cast members

B&B Short Recap Tuesday, April 20, 2021

Daytime Soap Opera Short Recaps

B&B logo

Recap written by Mark

Thomas tells both Hope and Liam that whoever ra over Vinny needs to pay. Hope begs Liam to tell her what is wrong. Zoe talks with Ridge and Eric. She hopes they will put in a go word with Carter.

Quinn and Carter discuss Eric and Zoe. Quinn gasps at seeing a shirtless Carter.

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Interview with Melanie Scrofano and Tim Rozon

TV Interview!

Melanie Scrofano and Tim Rozon of "Wynonna Earp" on Syfy

Interview with Melanie Scrofano and Tim Rozon of “Wynonna Earp” on Syfy by Suzanne 3/23/21

This was a lot of fun, even though we didn’t have a lot of time to ask questions. I’d interviewed Tim a month earlier, so it was great to see him again. I hope you enjoy this as much as I did.

Suzanne: I went on Facebook and Twitter where you guys are really popular and asked fans for questions, because I’m behind.

Melanie: Ooh, fun.

Suzanne: Joanne wants to know if either of you… if there’s a scene that you wish you could go back and do over again.

Melanie: Oh, wow. Well, okay. I haven’t seen it yet, but I would do one in Episode 11, because it was such an epic one to shoot. I really haven’t seen it, but I didn’t feel like I was – It just was so important that I just hope that it’s as good as it’s written, because there was a lot going on in terms of like, it took us all day to shoot it, and the sun was moving. So, we’d have to like – we’d be doing this emotional stuff, and then the sun moves, and we’re like, “Okay, stop. Stop crying, and cry,” or whatever the thing was. So, you know, if I could go back and do that, just to make sure we have it, I would do that.

Tim, what would you do?

Tim: Ah, hands down, I think it was 406 or 405. It was the episode you directed.

Melanie: [403].

Tim: 403 with Greg Lawson naked on the ground. I’m running around with the frickin’ lasso. You’re behind the monitors, just screaming with a big smile. Dominique (Provost-Chalkley)’s got a water gun or something. Kat (Barrell) and I are falling all over the ice. We’re just running around like idiots. I just remember having so much fun that why would I not want to do that all over again?…Yeah, remember, we were in the middle of that pit ravine and in the snow, but I don’t remember being cold. I just remember it being like a super fun, crazy day.

Melanie: So awesome.

Tim: So, I’d do that day over and over.

Melanie: That day shortened my life by ten years, because I was so stressed. So, I’m glad you had fun.

Tim: I did. Yeah, it was awesome.

Suzanne: She’s obviously a good director. She made sure you had fun.

Melanie: Great actors.

Tim: It was one of my favorite moments I’ve ever had on the show. Like I remember I was stuck on the floor, Greg Lawson’s leg was on me, Dominique’s knee was here, and I just looked over. From where I could see, I could see Mel at the monitor with a big smile, and it was cool, because it was just her watching her friends and her cast be idiots, and the joy that it gave her gave me joy in that moment. It was a fun moment. It was a fun day.

Question: How is that experience of working with your co star in the boss position of the director? I mean, do you feel there are any specific differences coming from somebody who is in the show and is an actor themselves? And then I will follow up with you on how’s that experience, directing people that you’re working with?

Tim: Yeah, well, I mean, nobody knows Wynona Earp better than Wynonna Earp. And I think I’ve said this a zillion times to every person who will listen: I think Melanie’s Scrofano is one of the best actors that I’ve ever worked with. So, you kind of are a sponge for those notes. You really want them. I remember telling Dom even in the first – because you directed us in a scene originally –

Melanie: Yep.

Tim: The season before.

Melanie: I remember.

Tim: I don’t know if I’m suppose say that or whatever.

Melanie: No, I’ve said it.

Tim: I just remember that day, it was like, it was never anything other than, “This is gonna be sick. What notes are we gonna get?” We were like greedy little actors. It’s just like, “We’re gonna get the good shit from Mama.” So, yeah, you’re kind of like you just know you want it. I just know you want the direction.

Question: And Melanie, for you, how is it working as a director on your show with your own team and being responsible maybe sometimes in calling them out?

Melanie: I didn’t have to call anyone out, because I thought it was unfair on Wynonna. Like, in a way, it wasn’t a real taste of directing, because I knew that they had my back. So, I felt very safe, which is not normal. Like the scene that Tim’s talking about, where they’re running around, I was terrified about – we were losing the sun, like, it was chaos. But I knew that the thing that was gonna mess it up wasn’t going to be that. I knew that I could just yell things, because I didn’t have time. So, it’s like, I couldn’t go over and be like, “I need you to sit on his crotch. It’s really funny.” I was just yelling things, and they’re like, “Okay!” So, to know that I had the room to do that was really good. It was just a blessing to be able to work with [them]. But I would say that, as an actor too, you so seldom get the chance to work with people that you feel safe with that you trust and that you love. So, just, I think, actor or director, I’ve have just been very lucky on the show.

Question: …How is this show special to you in terms of a strong female lead, and what do you hope happens [unintelligible]?

Melanie: I think this was the first time – I auditioned for it, but I didn’t think I’d get it, because I was like, “I don’t know how to do ‘action lady;’ I don’t know how to do that. I don’t know how to be sexy.” I’m like, cool, and whatever. So, I was like, “I’m just gonna go in and do stupid; I’m gonna do how I am.” And it was the first time that anybody – like that I got hired for being myself, and myself isn’t terribly conventionally sexy or whatever. It felt really validating to be thought of as enough the way I am to play this character. So, I hope that girls, anybody, who see that go, “Maybe I’m enough the way I am.” Like, “Maybe I don’t have to represent some stereotype of what people usually think of this character, and I can just bring what I have to this role or to this life, and that enough.”

Suzanne: I just had one more question. Tim, I noticed you look really different from when I saw you on one of these. Is this just for fun, or do you have a new thing you’re working on?

Tim: Yeah, have a new show coming out this summer called Surreal Estate…There’s a guest star you might recognize in it and a director that you might also recognize who might be in this room with us at the same time.

Suzanne: Great.

Melanie: Who also has different hair on that show.

Suzanne: That’s great. Will it be on Syfy or another network?

Tim: Yeah, it will be on the Syfy network. All I know is summertime. I never know anything. I’m the last to know. Well, I’m excited. I’m very excited.

Suzanne: Great. Great. I look forward to it. I’ll make sure to tell all your fans on Facebook.

Here is the Video!

Interview Transcribed by Jamie of http://www.scifivision.com


WYNONNA EARP follows legendary law man Wyatt Earp’s descendant, Wynonna (Melanie Scrofano) who inherits his mystical gun, Peacemaker. With it, Wynonna and her posse of dysfunctional allies must fight against supernatural beings and other paranormal occurrences in a raucous, whisky-soaked struggle to break her family’s demonic curse.

In Season 4, the infamous Earp Curse is broken, and witty and wild demon hunter Wynonna Earp would love to be celebrating with cold whisky and hot donuts. Too bad she has to rescue everyone she loves, save the town of Purgatory, and take on her most diabolical, Earp-hating enemy yet — all without her trustworthy gun, Peacemaker. And that’s just Monday…

WYNONNA EARP is produced in Calgary by Seven24 Films and globally distributed by IDW Entertainment and Cineflix Rights. Emily Andras developed the series for television and continues to serve as showrunner and executive producer. Jordy Randall, Tom Cox, Rick Jacobs, Todd Berger, Peter Emerson and Brett Burlock also serve as executive producers.

Twitter: @WynonnaEarp
Instagram: @WynonnaEarp
Hashtag: #WynonnaEarp

Melanie Scrofano

Wynonna Earp, “Wynonna Earp”

Melanie Scrofano stars on SYFY’s WYNONNA EARP as Wynonna Earp, the great-great-granddaughter of famous lawman Wyatt Earp who inherited his famous gun – and a whole lot of trouble. Wynonna is brave and witty with an impulsive streak that gets her into trouble more than she’d care to admit. She uses her unique abilities, along with her dysfunctional posse of allies to bring the paranormal to justice.

Scrofano has won a People’s Choice Award and received a Canadian Screen Award nomination for best actor for her role as Wynonna. In season four of the SYFY fan-favorite series, WYNONNA EARP, Scrofano makes her directorial debut, with her direction of episode 403. She recently starred in the feature “Ready or Not” and is looking forward to the release of her newest film, “The Silencing.” Fans will recognize her recurring appearances on, “Letterkenny,” “Bad Blood,” “Designated Survivor” and “Damien.” Other notable film credits include “Wolves,” “We Were Wolves,” “Citizen Gangster” and “Saw VI.”

Originally from Ottawa, Ontario, Scrofano currently resides in Canada with her husband, Jeff.

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Tim Rozon

Doc Holliday, “Wynonna Earp”

Tim Rozon stars on SYFY’s WYNONNA EARP as Doc Holliday, the legendary gunslinger, friend and partner of Wyatt Earp, and now immortal “will they or won’t they” love interest to Wynonna Earp. He is handsome and charming and knows just what he must do to survive in Purgatory. Doc’s on a mission of his own to right the wrongs of his past before they consume him.

Rozon’s first leading role was playing heartthrob Tommy Quincy opposite Alexz Johnson and Laura Vandervoort on the teen drama series, “Instant Star.” Other notable credits include playing Mutt Schitt on “Schitt’s Creek,” gang infiltrator Alex Caine on “Befriend and Betray,” outer space rogue Isaac on SYFY’s VAGRANT QUEEN, and love interest to Candice Cameron Bure on “Christmas Town.” Guest appearances include “Rookie Blue,” “Flashpoint,” “The Listener,” “Heartland,” “Combat Hospital,” “Lost Girl,” “Being Human” and ”19-2.” Rozon won a prestigious Gemini Award for his performance on “Flashpoint” and was nominated for his role in “Befriend and Betray.”

Rozon currently resides in Montreal, where he co-owns the hit restaurants Garde Manger and Le Bremner opposite star chef Chuck Hughes.

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Melanie Scrofano and Tim Rozon of "Wynonna Earp" on Syfy

Interview with Elizabeth Blake-Thomas

TV Interview!

Filmmaker Elizabeth Blake-Thomas

Interview with Elizabeth Blake-Thomas of the film “Evie Rose” on Amazon Prime by Suzanne 4/13/21

This was an interview via email, so there is no audio or video. I enjoyed watching her short film on Amazon, and I look forward to her upcoming feature film.

Suzanne: You were a theater director, I see. Did you work in a particular city?

Elizabeth: I was based in the center of England, but we toured around. I enjoyed taking theater to smaller places that didn’t have easy access to theater or the arts.

Suzanne: How did you get involved in making films?

Elizabeth: My daughter has been in the film and TV industry since a young age, so when she was about 11 or 12 I thought I could help her by producing a short film that she could star in. After we completed that film, “Broken Wings”, which is available online, I realized I had the knowledge to make more, as well as try my hand at directing instead of just producing. On top of that, the whole experience was so enjoyable, working with my daughter and creating art, it just made sense. It reminded me of being a theater director. So I made the conscious decision to get into the film industry myself, writing something with my daughter to have her star in. From there, the projects just kept flowing.

Suzanne: I enjoyed your movie “Evie Rose” on Amazon. I assume that’s what’s referred to as a “short film”?

Elizabeth: That’s correct, a film that’s less than an hour. Some festivals qualify a short as being no more than 50 minutes. The Academy says no more than 40. A short film’s length though can greatly vary, like features. To me, it’s about what length helps tell a story most effectively. If it takes 2 minutes or 2 hours, it doesn’t matter. As long as it best serves the story.

Suzanne: Are there any plans to expand it into a full-length film?

Elizabeth: All of my shorts have this potential. I let things happen organically to tell the story of Evie Rose as best I saw fit, so I need to give this film time to breathe as a short before making any drastic changes. I need to see what happens this year first. I’m currently waiting to hear back from several festivals on the short, which could dramatically change the next course of the film.

Suzanne: Do you know yet where “Will You Be My Quarantine” will be shown (which network or streaming service)?

Elizabeth: No official announcement yet, but it is being pitched to all the major platforms. It really is a fantastic, fun, sweet movie. Something we all really need right now.

Suzanne: Is it finished?

Elizabeth: Yes, it is. All original music has been placed, all visual effects are finalized, and I’ve watched it through thoroughly. I’m very proud of it.

Suzanne: Will this be another short film, or full-length?

Elizabeth: Feature length film.

Suzanne: Can you tell us what it’s about?

Elizabeth: Dating in the pre-Covid world was hard for people, endlessly swiping trying to find “the one”. Once quarantine hit, this became even harder. Swiping was easy, sitting on your couch in your PJs, but meeting anyone in person was impossible. “Will You Be My Quarantine?” is a heartwarming, yet comical, story about finding real love in tricky circumstances, getting to know someone for who they truly are and finding an authentic, genuine connection.

Film Logline: Vanessa has always had trouble in the dating world, never mind now being confined to her home. She soon discovers just how much you can get away with dating via webcam, but is the love she feels true or only a distorted version of reality?

Suzanne: Anything you can tell us about how it was developed?

Elizabeth: It was based on my real experiences during the start of quarantine, when I came to the realization that dating could no longer happen as it did before. How was I going to meet people? Online meetings and dates began and I realized I could be anyone I wanted to be. I could show only the bits of me I wanted that person to see. I could have a nice top on, but baggy sweatpants just off screen. My hair could be greasy, but they’d never know! Which led to my idea of having a fun, relatable romcom about a new couple that are not being truthful with each other. Highlighting how dating online can only show us so much, and raising the important question of, “How can we truly find someone and something that’s real, if we aren’t honest?”

Suzanne: What about the casting process?

Elizabeth: Most of the cast are friends or close contacts, who I immediately knew were perfect for their roles. After everyone accepted, I was thrilled, for I truly feel the entire cast is stellar and represents such a diverse group of individuals that the audience can relate to. Having that proper representation was key for me, as we all have been affected by this “Great Pause”. I wanted everyone who watches the film to be able to connect with someone that looks just like them or relate to something a character does that they too did while stuck at home. Casting this project was fun and honestly a breeze since each actor was ideal for their role.

Suzanne: I’ve interviewed Eddie McClintock a few times before, and he’s very funny as well as quite a good dramatic actor. Which side does he get to show off in this movie?

Elizabeth: In this film he shows off his fantastic comedic side. He totally embraced this character and brought something even more than I could have imagined. He is a true artist.

Suzanne: Joe LoCicero was just recently on “The Bold and the Beautiful.” His character was killed off on that show, and now there’s a murder mystery. What is his character like in your movie?

Elizabeth: More details on his character once the film is released, but I can say that Joe was so adorable. I auditioned him originally for a smaller role, but he impressed me so much with his tape, I gave him a bigger one. He is very talented, and I can’t wait to put him in my next feature film.

Suzanne: Were you a fan of Jodie Sweetin’s before she was cast?

Elizabeth: Who wasn’t a fan of “Full House?” Jodie is the perfect girl-next-door and such a talent. She can play all levels of characters and everyone connects to her, making her perfect for this film’s role.

Suzanne: Tell us about your business and website – medicinewithwords.com How did it come about?

Elizabeth: I’ve always been a storyteller. Across mediums, across time zones. When I wanted to make films on my own timeline, I created my entertainment company Mother & Daughter Entertainment. I’ve also always mentored, guided and helped people. During the Covid Great Pause, I was able to put some time into really finessing who I am and what I want to do. The clarity I was given enabled me to create Medicine with Words, a “spring cleaning” journey of your mind, encompassing everything from your emotions and surroundings, to your purpose and desires. Through guided studies of intention and reflection using pen to paper, meditation, stories and your senses, my “stars” (clients) learn to lead a more purposeful, contented, peaceful life. They learn to free themselves from the unnecessary noise that the world muddles their mind with, and start living intentionally, without fear. I already have many “stars” that I help guide to transform their lives. Think of it as yoga for the mind. It is something very unique and special to me and I feel very blessed that I have been given the tools to share this.

Suzanne: How did you become a philanthropist, and why did you pick human trafficking as your focus?

Elizabeth: It was a natural progression through my company Mother & Daughter Entertainment. Our motto “making content that matters” is something my team and I believe strongly in. The cause of human trafficking awareness actually just found me. Upon meeting an individual who escaped being trafficked and hearing her story, I was inspired to write and produce a short film called UNSEEN. This film was purely made to distribute for free and educate others of the potential lure tactics of traffickers, especially those used through social media. The film was viewed by the non-profit Awareness Ties and I became their Ambassador for Human Trafficking Awareness, working with them and others to raise awareness and end human trafficking. Seeing the assistance that storytelling can bring to philanthropic work, I now strive to have an impact with everything I put my time into. This also includes mentoring fellow filmmakers and storytellers, especially women. It’s important to me to give back.

Suzanne: Reading your bio and your website, I was very impressed. What you’ve achieved is amazing. Most people would be too scared to do half the things you’re doing, with the major changes in your life. What age were you, if you don’t mind my asking, when you left the UK and came to the US?

Elizabeth: It is a scary thing to do. I was 32 when I first experienced LA and then was 34 when I officially moved over from the UK. I won’t sugar coat it. It wasn’t easy. It cost me my marriage; it took all my strength to continue on this path. But I did it for my daughter, and then ended up finding my calling in LA as a storyteller as well. I have not one single regret about making these changes. In regards to my industry achievements, I like to use the phrase “filmmaking with fear”, as sometimes you just have to go for it and live each day intentionally.

Suzanne: How long after that did you get into either theater or film?

Elizabeth: I was a theater director from aged 16, running my theater company in the UK for almost 20 years. I became a film director 5 years ago once in LA. In just the past 5 years, I feel I have completed a huge amount in the film industry, pushing myself to make things happen no matter what others around me said or did.

Suzanne: Do you have a favorite type of movie or TV series you like to watch for fun?

Elizabeth: I love procedurals. My brain is constantly thinking of new storytelling ideas from the moment I wake up at 4 or 5am. When I feel I need my brain to turn off, a procedural is the perfect outlet that allows me to sit mindlessly and still know what’s going to happen. They are so formulaic with the story that they are easy to follow along and often the story is wrapped up with a perfect bow by the end of the 45 minutes. A different story each episode, but with characters I can still love and enjoy seeing snippets of their lives.

Suzanne: What is your next project?

Elizabeth: I have a couple of fantastic feature films that are in pre-production. I will be filming both this year. My environmental short documentary Consume As Little As Possible will also be released in a few months, and is something I believe we all need to watch. My book “Filmmaking Without Fear” is set to release later this month. My podcast and featurette of the same name are already available to stream, documenting my career thus far, as well as storytelling tips and tricks


Elizabeth Black-Thomas directing a film.

ELIZABETH BLAKE-THOMAS is a British award-winning storyteller and philanthropist based
in Los Angeles, having recently directed her latest feature film during the COVID-19 pandemic.
Will You Be My Quarantine? is a romcom starring Full House/Fuller House star Jodie Sweetin
and is set to release in 2021. Elizabeth’s recent film Evie Rose, starring Oscar-nominated actress
Terry Moore, is premiering on Christmas Eve 2020. Elizabeth is the founder and resident
director of entertainment company Mother & Daughter Entertainment, whose motto is “Making
Content That Matters”, putting focus on each project starting a conversation amongst viewers.
Through MDE, Elizabeth established the MD Foundation Initiative, a campaign to mentor and
employ undiscovered filmmakers through fellow philanthropic pledges.
An Official Ambassador of Awareness Ties for Human Trafficking, Elizabeth hopes to raise
more awareness to the horrific nature of human trafficking and help put a stop to it. Her award-
winning short film UNSEEN, which addresses the role technology plays in the facilitation of
child trafficking, is being used to educate children on the dangers of lure tactics. A regular on
panels at Sundance, Cannes and Toronto International Film Festival, Elizabeth mentors wherever
possible, ensuring she sends the elevator back down to all other female storytellers.
Directing Showreel Awareness Ties Ambassador Page

The Self-Made Triumph of Director, Storyteller and Philanthropist, Elizabeth Blake-Thomas

Single mum of a 10-year-old, 6 suitcases total for the both of them, packed and headed from the UK to LA. That was 8 years ago.

Cut to now, living happily on a houseboat in sunny Redondo Beach, California, a successful 18-year-old daughter who just starred as one of the leads in the latest Disney+ movie Secret Society of Second Born Royals, and a fruitful, self-made directing career. To top it off, Elizabeth just wrapped her latest feature film, a romcom, safely shot during the COVID-19 pandemic!

Elizabeth and her daughter Isabella are a resourceful mother-daughter team, who in light of wanting to forge their own path in the LA industry rather than waiting around for a big break to be handed to them, founded a company together, Mother & Daughter Entertainment. Through MDE, they develop, write, produce, and direct everything from feature films to short films to episodics. Isabella even stars in a few. Their team is on fire, with over 12 projects under their belt in the last four years, finishing off 2019 with an award-winning short film UNSEEN about child trafficking and educating kids on the dangers of lure tactics. Just in 2020, they have filmed two additional feature films, created three pilots, completed a documentary and created and written pitches and teasers for several other projects.

Against all odds, they have become a successful team in LA.

Even COVID couldn’t stop them from creating. Following SAG’s safety protocols, they worked together and completed their latest romcom, Will You Be My Quarantine?, starring Full House and Fuller House alum Jodie Sweetin and David Lipper. The entire cast and crew safely tested throughout filming, social distanced and wore masks. Many thought it would be impossible to get the industry back on its feet, but Elizabeth pushed forward and succeeded through her resourcefulness and inspiring tenacity.

During COVID and 2020, Elizabeth has also completed and released the first season of her new podcast “Filmmaking Without Fear”. The podcast episodes are available to stream on all platforms (Apple Podcasts, Google Podcasts, Spotify).  Her book of the same name, documenting her success in the industry from ground zero up, is also due to be published end of the year. Elizabeth also directed and produced a movie titled Evie Rose, starring Oscar-Nominated actress Terry Moore (Come Back, Little Sheba), which is set to screen on Christmas Eve.

All of this has been accomplished by Elizabeth and Isabella whilst living on their 34ft boat with their Maltese Chai!

If anyone can prove LA is possible, Elizabeth can!

Take it from Elizabeth’s friend and mentor Sean McNamara, Emmy-nominated Producer, Director, and Co-Chairman of Brookwell McNamara Entertainment, “I’ve honestly watched in awe, and even used several of Elizabeth’s excellent ideas. She has actually taught me a thing or two, even though I’ve been in this industry as a director/producer for over thirty-five years. Elizabeth is always bringing fresh new approaches and ideas to filmmaking that are inspirational for me as a fellow filmmaker.”

Elizabeth’s drive to learn as she went and create her own opportunities, forged her path to success. LA is the land of dreamers and Elizabeth Blake-Thomas is proof that you can do whatever you set your mind to and accomplish your goals.

Proofread and Edited by Brenda

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Elizabeth Blake-Thomas directing her film.

B&B Short Recap Friday, April 16, 2021

Daytime Soap Opera Short Recaps

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Recap written by Mark

Hope and Thomas recap about Thomas and Liam. Charlie jokes around with Liam. Liam joins Hope and Thomas as Thomas rais about finding Vinny’s killer if the police don’t.

Quinn and Carter discuss his feelings for Zoe. Quinn tells Carter that Eric hasn’t looked at her or touched her.

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GH Short Recap Thursday April 8, 2021

Daytime Soap Opera Short Recaps

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Recap written by Anthony

Alexis remembers her mother dancing with her father when she was a little girl. Sam shows up and asks if she is alright. Alexis thanks Kevin for meeting with her before she heads to prison. Kevin wonders what she has done with her last days of freedom. Alexis remembers going to celebrate with Ned, Finn, and Jax. Valentin joined them. Alexis admits to Kevin that her father didn’t have that strong a presence in her life. Alexis had gone to see Dante but he wasn’t home. Olivia was and Olivia is terrified of what she will be dealing with. She knows the type of woman that Alexis was. Alexis continues to think of her life and the next day she goes to serve her sentence.

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B&B Short Recap Wednesday, April 14, 2021

Daytime Soap Opera Short Recaps

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Recap written by Mark

Bill and Liam continue to argue over Vinny. Vinny invades Liam’s dreams.  Quinn tells Zoe that she will talk to Carter for her.

Lt. Baker who is now Deputy Chief talks to Thomas about Vinny’s death.

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GH Short Recap Wednesday, April 7, 2021

Daytime Soap Opera Short Recaps

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Recap written by Anthony

Brando and Cyrus go to the Grill and discuss the fact that Valentin has taken an interest in Gladys. Cyrus and Nikolas discuss a deal. He will give Alexis safety in jail if he gets his mother back. Violet and Finn go to GH together. They run into Chase. Finn admits that he hasn’t spoken to Greg much since the truth came out.

Britt checks in with Maxie. They overhear Brook Lynn arguing with Valentin in the hallway. He’s amazed that she is so indifferent towards this child when he is already so attached. Peter rushes to see Maxie because she called. Britt claims that Maxie has a close call. Brook Lynn claims that she already had her appointment and doesn’t need to talk anymore.

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B&B Short Recap Monday, April 12, 2021

Daytime Soap Opera Short Recaps

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Recap written by Mark

Bill and Liam rant a rave about Vinny’s death. Bill tells Wyatt Liam is still disgusted about not being with Hope.

Thomas identifies Vinny’s body. Thomas vows that the police better find out who murdered Vinny or he will. Brooke and Katie are still overjoyed about Flo joining their family.

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Interview with Dick Wolf, Chris Meloni and Ilene Chaiken

TV Interview!

Chris Meloni, Ilene Chaiken and Dick Wolf of "Law & Order: Organized Crime" on NBC.

Interview with Dick Wolf, Chris Meloni and Ilene Chaiken of “Law and Order: Organized Crime” on NBC by Suzanne 4/7/21

This was a virtual press conference with Wolf, the creator of this show (and all the Law & Order shows, as well as all the Chicago shows and all the FBI shows), the headwriter Chaiken and star Meloni.  There wasn’t a lot of time, and many press people were there, so I didn’t get to ask a question. However, they did answer most of the questions I would have asked, anyway. It was just great to see them.

Question: Chris, I think Stabler is probably one of the most hot-headed of the characters in the “Law & Order” brand. What’s the secret as an actor to playing hot- headed– playing anger without going over the top?

Chris: Well, I think that that template was set right from the beginning. Meaning, I still remember very vividly, Dick [Wolf] wrote the initial “SVU” pilot. Dick was the one who hired me. And I went to him. And I said, he originally had Elliot Stabler with three kids. I said, “I think he needs four.” He’s like, “Oh, okay.” And I saw this guy as a guy under pressure constantly. And I felt that and this had a lot to do with after speaking with real SVU detectives, about the pressures that they were under and the crimes that they witnessed. And I knew that I as me, personally, Chris Meloni would have a very difficult time downloading and processing what these real people in heroes do every day, and the things that they see. So, that’s like kind of the genesis of this. So, it’s not like, “Oh, he’s a hothead to be a hothead.” I think it’s his reaction to injustice. I think to him injustice makes his head explode. And I think that’s also now part of Elliot 2.0 is hopefully his evolution towards having a clear understanding of the world is unjust. And then now how is it that you adapt yourself to realities that keep punching you in the face literally and figuratively?

Question: The tragic incident that started this all-in motion is the death of your wife. Has that ramped him up more? How do you feel like that’s changed him? Is it for the better for the worse? Or could he get any worse?

Chris: Well, I think it’s what I that that can be tagged along to the last question that I answered, which is so a guy who’s dealt with injustice, always one step removed, which is it’s a victim that it is my job to go and to attend to. Now, it’s how do you attend to your own wounds? How do you attend to this own injustice? How do you carry on carrying that much grief? I asked Dick, “Can I have four kids,” and that later was five kids? How do you carry on through there with financial pressures and all these and family pressures. Now deal with your your family, being literally figuratively blown up? So how do you deal with that faith wise and personally? So, let’s hope that Elliot has found better coping mechanisms, but is still very passionate.

Question: Ilene, I believe you had to shut down twice for COVID concerns, how has that affected your delivery as far as episodes go, and also the overall arc you’re planning to tell the season Have you had to compact that at all?

Dick: We’ve been remarkably lucky with COVID. It hasn’t affected the storytelling at all, but you open the door for a gratuitous statement here that, needless to say, I’m thrilled to have Chris back. It’s been a wonderful collaborative relationship with Ilene on this pilot and the show. But the thing that really excites me about the show, and I’m not speaking in progress, what I think is exciting for him is that this is the first “Law & Order” with literally, completely different storytelling. That in a twenty-four-episode season, which next year will be, you should think about the fact that it’s going to be three, eight-episode arcs. And the first third of the season is The Godfather. The second third is American Gangster. And the last third is Scarface. And these villains are going to be really bad guys. That gives Chris a constant source of energy, outrage, belief in justice and a different way of pursuing criminals than we’ve had before. He could always say, in things like this, “What are you going to be doing this year?” And on the mothership, or in Season 3, you could just go and check off your fingers. Now, we’re doing this is a very long, but not too long period to really get inside both your protagonist and your antagonist heads. And I’m not all you have to do is look at the casting and the first episode. And realize this is not episodic casting. We’re shooting for bigger game. And I think it’s gonna be endlessly interesting and the character craft has evolved in subtle ways that are given a lot more than lip service this last week. Just think of the challenge that will be this gentleman was the most pre-Miranda cop on television. And he is come back and the adjustment to the new realities that he well represents I’m very proud of and this is – I’m almost afraid to say it. It’s one of the real reasons that I ebb and wain here is because Ilene is not only an excellent writer, but she has managed to take a very tough character and make him more sympathetic last week than he’s ever been. You ever think you’d see Stabler cry? Anyway, that’s the commercial.

Question: Chris mentioned about literally blowing his family up with Kathy. Talk a little bit about what’s going to happen on the personal side of his life because it looks like that was setting it up for a lot of Stabler and some family interaction and are we going to spend time at home with him?

Ilene: Yeah. This is this is a show that will spend time with Stabler and his family and his life and his emotions. We tell stories. We tell procedural stories. The DNA of the “Law & Order” franchise of “SVU” very much in our show, but we probably will get to know Stabler in a way you’ve never gotten to know him.

Question: Dick and Ilene, there have been crossovers with SVU in the first two episodes. Can you talk about finding the balance of doing that to keep the focus on organized crime?

Dick: Well, I certainly think the second episode…I’m going to turn this over to Ilene, but I would say, the most accurate measure is how often there will be crossovers? And what depth are the Chicago shows? We’re going to do it whenever it gave us both shows a different way to shine. And, obviously, I’m very supportive to the audience and says, “Geez, this is frustrating. Why don’t you just put them both in the same show again?” It’s not exciting. This, to me, is scary, is much more engaging.

Ilene: I’ll take the lead on this. Because it’s a thing that he so intuitively knows how to do. But it’s…I mean, these two shows within the same universe in the same fictional but very grounded universe. And we never forget that those other characters in those other stories exist. And when we tell a story about Stabler in Benson’s (Mariska Hargitay) world or Benson in Stabler’s world, and things happen, that affect their characters, we don’t just forget about it. So, it’s both challenging and tantalizing from the point of view of story writing, to make sure that you keep those things a lot, while the shows have their own identity.

Question: For Ilene and Dick, I’m curious about the choice to use the dead wife as motivation, the trope, at the opening of this show. I know there was some pushback, and some criticism of that aspect.

Dick: Look, I have to tell you, it’s one of the most dramatic. I’ve been doing this for a long time. It’s probably the most dramatic teaser that I can remember on any show, too. I don’t know what. I didn’t see anything that was critical of that storytelling. You can’t please all the people any of the time. It’s not what we do. The only thing we can do is tell stories that if we’re sitting there and it doesn’t compel us, why are we going to think that it’s going to compel and audience? When I thought that was like, “Wow, what a re-intro!”

Ilene: When I joined this project that was already a fait accompli. It was a premise that I was given to work with. And I said, “Wow, this is a great place to start.” I was not in any way put off by it. I was immediately drawn in. When you tell a story like this, when you tell a story about a beloved character, who’s been gone for many years, the first question you ask yourself is why now? And that as a storytelling catalyst is one of the best why nails I could ever think of?

Question: Chris, when you left did you say, “Someday I’ll be back? Or did you say, “No, I’m done with that. I’m over with that.” And then when you were gone, did you watch the shows and and say, “Oh, God, I should be in that.” What was your kind of thinking about all of that?

Chris: My thinking was it was time to go. So, I wasn’t and I don’t tend to look back. So, I didn’t and my journey has been fantastic and very fulfilling. And I must admit, I have maybe watched ten minutes. I’m not much of a TV watcher. So, it wasn’t anything personal. That’s it. Those are the facts, Jack.

Question: Dick, one of the hallmarks of your shows is ripped from the headlines. And it sounds like from what you said earlier that it that this show “Organized Crime” is going to have two levels of ripped from the headlines, the overriding arc of these eight episodes. And the second is the individual episodes. I was wondering between you and Ilene, what headlines are we going to see ripped from the headlines as the show continues?

Dick: I’ve had the same answer for thirty-one years. “Law & Order” is fiction. We make the headline, but not the body copy. And I hate to be abrasive, but this show started off as a story that while we were going to be covering with “Organized Crime,” criminal enterprises that are ongoing, and their headlines…Well, every day in every major newspaper that have some reference point. And the thing that’s fascinating about Wheatley (Dylan McDermott) to me is that he is the old mob and the new mob. And there’s plenty of vaccine right now there wasn’t last week. And I thought that the oldest mob activity that there is or was was hijacked. And here is an opportunity to combine hijacking and COVID. I don’t know how to get it much more ripped from the headlines. But there will be others and Ilene should really be answering. She’s the one inserting the flavor into the sauce. But we never think consciously, “Okay, what’s the headline in this show?” It’s life. It’s what’s going on. It’s zeitgeist. And when there was some discussion, “Gee, how are we gonna handle COVID.” I said, “The show is going to be on by Spring. It’s not going to be gone by then.” And sure enough, it couldn’t have felt more timely, but it is taking up the major share of Americans thinking for the last year. So, I can’t say I was surprised that people found it interesting. But Ilene, what other headlines?

Ilene: Well, what usually happens is, you know, given the template that we’re working on, we come up with a story, we think maybe it’s ludicrous, we hope not. But we run with it. And then the next day, Chris sends me an article that he found, and the thing that we just made up in the writers room, has actually happened. So, I mean, we’re taking our lead from what’s going on in the world and imagining where it might be going. And usually it pans out. And sometimes we feel just the ungainly weight of responsibility for having imagined these things into existence.

Question: A lot of police shows have made adjustments since the events of last year relating to matters like police behavior and brutality, racial justice. I’ve seen it on “SVU.” Hhow much will that enter into here? And how does Elliot as the protagonist did, said pre Miranda cop, how much did that factor in how he has or hasn’t changed over this decade? And how much will that affect him since that could seem like it could be a point of conflict in some ways?

Dick: I will just, again…Obviously, the people inside the company, the showrunners, the producers, we spend a lot of time talking about police behavior. I would put it to that you probably more time than any other non-law enforcement group of people in the country, because it’s what we do every day. And I made a statement when everything erupted in the Spring and early Summer that somebody said, “What are you doing to change?” I said, “We’re doing what we always do, which is listen very carefully, read virtually everything written about this from both sides of the spectrum – from the far left to the far right.” And what I said in the Spring still holds. The shows will speak for themselves. That if you’ve been watching “Chicago PD,” the question is asked and answered. Of course, we deal with what’s going on. But it’s never in a knee jerk way. That “Law & Order” for years that people say “There is no character in it.” And I said, oh, there’s a lot of character if you’re a regular viewer, you know, surprisingly huge personal dossiers on all six of the regulars. But we don’t dole it out with soup labels. We dole it out with Demi tap spoons, because that’s the way life is because nobody gets a job walks in and says, here’s my resume for the last five years. It’s much more interesting that television shows exist on a very different timeframe than movies or books. That a movie exists for 110 minutes. An hour show to be considered successful, the old standard was five seasons. So, a successful drama exists for 110 hours. And we cover a lot of ground in terms of a) trying to be current and b) tell the truth in a sense that people don’t get to hear it. And again, something that I’ve said, we’ve come very close. But the paradigm episode of “Law & Order” or as “SVU” has yet to be written, which is where all six of the regulars are on different sides of the same question. As you hear the arguments, or you hear them discussing every one of them is right. Because life is not black and white, it’s Shades of Grey. And again, coming full circle back to Chris, and I’d like to know what he thinks that I think he’s becoming one of the most complex television stars in the history of the medium because he – you don’t know what he is gonna do now. He is a little less predictable. But he sure has had a play it. When he walked in to the interrogation room and rolled up his sleeves I don’t think that was in the script. It is an instinct, it’s like…I hate to say it, but Peacock says sales are there for sexual display. It’s literally is this big enough? He takes all these rolls up his sleeve 80% of the audience, I am sure thought he was gonna approach the guy. That’s pretty cool.

Question: Chris, we have seen videos and talks about you and the rest of the cast reuniting. But how was it reuniting with the actors who play your kids? And will we see more of them in their background, what they’ve done for the last 10 years? We’ve seen Eli in the second episode, but will we see the rest of the kids and future episodes?

Chris: Yeah, and I’ll give Ilene the lion’s share on this. But I will say what was it like? My son, Dickey was the only original, original from day one “SVU” hits. And then some came on later. And then some were brand new. Some, “Hi, you’re my new daughter. Let’s figure out our history.” It was very sweet and nice. And I think the biggest, the biggest thing to try and overcome was (and it was very sweet), they made me feel like OG – the original gangster – you know, because I’ve been playing and I’ve lived in this world for almost 20 years. And many of them were new to it. So we just had to get to know each other as people. And it was lovely. It was it. I think there’s a lot of ground that’s available to cover.

Ilene: Oh, we certainly will see more of them. Some more than others, but a big part of Stabler’s life now a big part of his story is that he’s now a single father to a 14 year old kid. So, how he manages to balance that with being back in New York and back on the job is going to be in his story. And we did that great thing. Before we started working, we got the whole family together all the kids with Chris and they talked about who they are and where they’ve been and what they’ve been doing and what they do now. And hopefully that will go on with the show.

Question: Chris, fans of course I freaked out seeing Olivia and Elliott back together last week. How does it feel seeing a positive fan reaction to your return ten years and have you and Mariska talked about it since the episodes aired?

Chris: Mariska and I have talked. And the conversation went something basically like this. “Wow. Congratulations. Congratulations to you.” Ah, yeah, it was pretty overwhelming. I think she was expecting it more than I was. You know, because I think she’s still been the she’s been on the “Law & Order” stew. She’s been in that world continuously for the 20 years. I don’t know, I was not prepared. And it’s overwhelming. And it’s wonderful. And it’s very appreciated. And I think this time around I don’t know the pressures off. I feel less pressure than I did when Dick first tasked me with being Elliott Stabler. So, I’m a little freer to appreciate everything. It’s a nice journey.

Here is the audio version of it.

Interview Transcribed by Jamie S.


Christopher Meloni, reprising his role as Elliot Stabler, returns to the NYPD to battle organized crime after a devastating personal loss. However, the city and police department have changed dramatically in the decade he’s been away and he must adapt to a criminal justice system in the midst of its own moment of reckoning. Stabler will aim to find absolution and rebuild his life while leading a new elite task force that is taking apart the city’s most powerful criminal syndicates one by one.


NBC is reuniting two of the most popular members of the NYPD in TV history with a must-watch April 1 crossover that will serve as the launch of the highly anticipated new Dick Wolf drama, “Law & Order: Organized Crime.”

A two-hour television event set for Thursday, April 1, this crossover between “Law & Order: SVU” (9 p.m.) and “Law & Order: Organized Crime” (10 p.m.) will finally bring back together Olivia Benson and Elliot Stabler, played by Mariska Hargitay and Christopher Meloni.

Christopher Meloni, reprising his role as Elliot Stabler, returns to the NYPD to battle organized crime after a devastating personal loss. Stabler will aim to rebuild his life as part of a new elite task force that is taking apart the city’s most powerful criminal syndicates one by one.

The cast features Christopher Meloni, Dylan McDermott and Tamara Taylor.

“Law & Order: Organized Crime”was created by Dick Wolf, who will executive produce along with Ilene Chaiken, Terry Miller, Fred Berner, Arthur W. Forney and Peter Jankowski.

The series is produced by Wolf Entertainment and Universal Television, a division of Universal Studio Group.

Christopher Meloni

Elliot Stabler, “Law & Order: Organized Crime”

LAW & ORDER: ORGANIZED CRIME -- Season: 1 -- Pictured: Chris Meloni as Detective Elliot Stabler -- (Photo by: Virginia Sherwood/NBC)
Christopher Meloni returns to his iconic character, Elliot Stabler, in the new NBC drama series “Law & Order: Organized Crime.”

Meloni was last seen starring on the Hulu British comedy “Maxxx.”

Meloni starred in SYFY’s dark comedy “Happy!” based on Grant Morrison and Darick Robertson’s graphic novel. In addition to his starring role as Nick Sax, he directed an episode as well as executive produced the series. Meloni also co-starred in the third season of the critically acclaimed Hulu series “The Handmaid’s Tale” as Commander Winslow, a powerful and magnetic commander who hosts the Waterfords on an important trip.

Meloni had a guest arc on the breakout FX series “Pose,” from Ryan Murphy and Brad Falchuk. He also appeared in the landmark historical series “Underground,” executive produced by John Legend, and directed an episode.

Following his breakout role on “NYPD Blue,” Meloni was cast in HBO’s gritty prison drama “Oz” and then moved on to “Law & Order: SVU,” where he received an Emmy Award nomination for Outstanding Lead Actor in a Drama Series. Following his 12 seasons on “SVU,” Meloni returned to HBO in Alan Ball’s wildly popular drama “True Blood” and the Julie Louis-Dreyfus-starrer “Veep.”

On the film side, Meloni’s credits include “Diary of a Teenage Girl,” “White Bird in a Blizzard,” “Sin City: A Dame to Kill For,” “Man of Steel,” “42,” “They Came Together,” the Terry Gilliam films “Fear and Loathing in Las Vegas” and “Twelve Monkeys,” “Bound,” “Runaway Bride,”  “Nights in Rodanthe,” and the cult favorites “Wet Hot American Summer,” “Harold & Kumar Go to White Castle” and its first sequel, “Harold & Kumar Escape from Guantanamo Bay.”

Dick Wolf

Executive Producer, “Chicago Med”; Executive Producer, “Chicago Fire”; Executive Producer, “Chicago P.D.”; Executive Producer, “Law & Order: Special Victims Unit”; “Law & Order: Organized Crime”; Executive Producer, “FBI”; Executive Producer, “FBI: Most Wanted”; Executive Producer, “Murder for Hire”; Executive Producer, “Cold Justice”

Dick Wolf, a two-time Emmy Award winner (13-time Emmy nominated), Grammy Award winner and New York Times best-selling author, is one of television’s most respected drama series creator/producers and the architect of one of the most successful brands in the history of television – “Law & Order.”

He serves as creator and executive producer of all of the “Law & Order”- branded series from Wolf Entertainment and Universal Television, including “Law & Order: Special Victims Unit,” which made television history which is beginning its 22nd season and is the longest-running live action primetime series in the history of television (surpassing “Gunsmoke” and “Law & Order,” both of which ran for 20 seasons). Wolf has extended his branding expertise to the Windy City, with his Chicago-based NBC series: “Chicago Fire” (season nine); “Chicago P.D.” (season eight) and “Chicago Med” (season six), with all three series receiving three-year pick-ups. Wolf’s CBS brand, “FBI,” which was the network’s top-rated new drama series for the 2018-19 television season, continued its stellar performance in season two and is now poised for season three. The success of “FBI” has spawned the spinoff “FBI Most Wanted,” which consistently wins its time period and has been renewed for season two.

Wolf’s seventh broadcast series is “Law & Order: Organized Crime,” which premieres on NBC in early 2021 and showcases the return of former “SVU” detective Elliot Stabler. In addition, NBC’s new streaming service Peacock, which launched in July 2020, announced an unprecedented deal for Wolf’s “Law & Order” and “Chicago” branded series.

Wolf has also expanded into non-fiction as executive producer of Oxygen’s critically acclaimed “Murder for Hire,” “Cold Justice” and “Criminal Confessions.” He also executive produced USA’s docuseries “Inside the FBI: New York,” the successful A&E series “Nightwatch” and its spinoffs, and Fox’s “First Responders Live.” Wolf Entertainment has also expanded into audio content with the successful debut of the podcast “Hunted,” in conjunction with Endeavor Audio and executive produced by Elliot Wolf.

Wolf’s company also produced two award-winning documentaries. “Twin Towers” is the 2003 Academy Award-winning documentary short about two brothers – one a policeman and the other a fireman – who lost their lives in the line of duty on Sept. 11. “When You’re Strange” is the Emmy-nominated documentary about the 1960s group The Doors, which won a Grammy Award for Outstanding Longform Video in 2011.

In 2007, Wolf executive produced (with Tom Thayer) the critically acclaimed HBO original movie “Bury My Heart at Wounded Knee,” which won six Emmy Awards, including Outstanding Made for Television Movie. The film tells the tragic and powerful story of the subjugation and cultural extermination of the Native American, and garnered a record 17 Emmy nominations, the most of the 2006-07 television season. The film also received the prestigious Broadcast Film Critics Association’s Critic’s Choice Award for Best Picture Made for Television. Wolf and Thayer have teamed up again with the high-profile limited series “American Babylon,” which is in development at Showtime.

Wolf’s debut novel, “The Intercept,” was a New York Times bestselling thriller about Jeremy Fisk, a new kind of hero for a new kind of enemy. His follow up book, “The Execution,” debuted in 2014 and, like its predecessor, was both popular and critically acclaimed. “The Ultimatum,” the third installment of the series, was released in 2015 from HarperCollins.

Wolf’s “Law & Order”-branded series continue to rewrite the annals of television history. “Law & Order” earned 11 consecutive Outstanding Drama Series Emmy nominations – the record for most consecutive series Emmy nominations in the history of television (tied with “Cheers” and “M*A*S*H”) – and won the coveted Emmy in that category in 1997. Additional accolades “Law & Order” has garnered include the highly coveted Peabody Award; multiple Emmys; the Crystal Apple Award from New York City’s Mayor’s Office of Film, Theater and Broadcasting; the Writer’s Guild Award for Television; and numerous other high-ranking tributes.

“Law & Order: Special Victims Unit,” which has received a three-year pick up from NBC, has been one of the network’s top performers. Mariska Hargitay, who plays Det. Olivia Benson, has received seven Emmy nominations for Lead Actress in a Drama Series, winning in 2006. The show has earned five Emmys for Outstanding Guest Actress in a Drama Series. Wolf, “SVU” and Hargitay, through her Joyful Heart Foundation, have used the show’s platform to make groundbreaking changes in the way sexual assault is prosecuted and reported.

“Law & Order: Criminal Intent” completed its critically acclaimed and successful 10-year run on NBC and USA Network in 2011. Other “Law & Order”-branded series include “Law & Order: True Crime: The Menendez Murders,” “Law & Order: Los Angeles,” “Law & Order: “Trial By Jury,” “Crime & Punishment” and “Exiled: A Law & Order Movie.”

Wolf Entertainment’s feature arm will be producing “77” for Paramount, directed by Jared Leto and based on an original screenplay by James Ellroy. Wolf also produced, with Fortress Films, the psychological thriller “The Super,” written by John J. McLaughlin (“Black Swan”) and starring Patrick Flueger (“Chicago P.D.”), which was distributed by Saban and premiered in 2018. Wolf also wrote the screenplay for the hit Paramount release “School Ties,” was writer and executive producer of “Masquerade,” and writer and producer of “No Man’s Land.”

His personal accolades include the Television Academy Hall of Fame (inducted 2013); the International Academy of Television Arts & Sciences’ Lifetime Achievement Award; the Producers Guild of America’s Norman Lear Showmanship Award; the DGA Honors; the Governor’s Award by the New York Chapter of the National Academy of Television Arts & Sciences; the Achievement Award from the Caucus for Producers, Writers, and Directors; the Television Showman of the Year Award from the Publicist’s Guild of America; the Monte Carlo Television Festival Gold Nymph Award; the Award of Excellence from the Banff Television Festival; NATPE’s Brandon Tartikoff Award; accolades from the Saban Clinic; and the Alliance for Children’s Rights. On March 29, 2007, Wolf received a star on Hollywood’s world famous Walk of Fame.

Wolf is also an Honorary Consul of Monaco and is actively involved in the principality’s annual Monte Carlo Television Festival and is its primary liaison with the entertainment community. He is also the founder and benefactor (with Marcy Carsey) of the Carsey-Wolf Center for Media at the University of California, Santa Barbara, as well as numerous philanthropic endeavors, including MOXI, the Wolf Museum of Exploration and Innovation, chairman of the board of Bellosguardo, Trustee of the Paley Center for Media, the Alliance for Children’s Rights and the Princess Grace Foundation and, through his Wolf Family Foundation, endowed the new Wolf Theatre at the Television Academy.

Ilene Chaiken

Executive Producer, “Law & Order: Organized Crime”

Ilene Chaiken serves as executive producer and showrunner for NBC’s new drama series “Law & Order: Organized Crime.

Best known for creating the Showtime series “The L Word,” Chaiken received an Emmy, among many other awards, for Hulu’s “The Handmaid’s Tale.” She was the showrunner for the first four seasons of the Golden Globe-nominated Fox series “Empire” and currently serves as executive producer of “The L Word” sequel, “The L Word: Generation Q,” which has been renewed for a second season on Showtime.

Prior to that, Chaiken produced the docu-dramas “The Real L Word” and “The Real L Word Mississippi” for Showtime, which won the GLAAD Media Award for Outstanding Documentary.  She also executive produced pilots for Jerry Bruckheimer, McG and Joel Silver, and served as showrunner of the ABC drama series “Black Box.”

Hailing from Elkins Park, Penn., Chaiken resides in Los Angeles with her wife, LouAnne Brickhouse, and is the mother of two daughters, Augusta and Tallulah Hood. She serves as a member of the Rhode Island School of Design Board of Trustees.

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GH Short Recap Tuesday, April 6, 2021

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Recap written by Anthony

Michael tells Willow that her feelings matter to him. Willow is happy that he matters to her too. They get closer and Sasha walks in. She explains that she had rung the doorbell buteveryone was too busy. The housekeeper let her in. Sasha thinks that if she had been expected that Michael and Willow wouldn’t be so close together. Michael admits that he still has feelings for Willow but he doesn’t know how Willow feels. Sasha admits that she could see Michael look at Willow the way he used to look at her. Michael suggests that they had been waiting for the old normal to return for a while now. Sasha thinks that is why she stopped by. She knew that her and Michael had been honest with each other and she didn’t know how to say goodbye. Brook Lynn sits on her bed and speaks with her mother about the situations going on in the house. She insists that Valentin would make a good father as she pats her pregnancy padding. She realized that it was a quiet house and ends the call. She sees Willow leaving. Willow explains that she is fine.

Valentin is in the middle of sending Brook Lynn a text when Carly wants him to stay focused on getting Jason out of Jail. Valenti appreciates her compassion for his family and wishes she had shown this towards Nina. Carly promised to help Valentin to get Nina back if that is what he wanted. Nikolas and Cyrus have words. Cyrus thought that Nikolas might be there to protect his family.

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GH Short Recap Monday, April 5, 2021

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Recap written by Anthony

Cyrus looks at his phone and thinks that justice has been done for once because Jason has been denied bail. Cyrus announces to Brando that he has business to attend to. He tells Brando to have lunch on his tab. Gladys bumps into Sasha and tells her she needs to talk. Gladys worries that Brando is getting involved with someone else in recovery. Sasha insisted that she and Brando are just friends. Valentin lets Carly into his room and updates on Jason. Valentin is not shocked and he informs her that proving that Jason is innocent will take time. Later, Valentin runs into Gladys at the bar.

Michael opens the door at the Q mansion and Ned is there to check on Brook Lynn. Michael wonders whether Ned worried moe about his daughter or the fact that it is Valentin’s child. Ned explains that he is worried about both. Brook Lynn takes a bite of sushi when Olivia walks into the room and grabs the plate from her. Ava discusses Franco’s final works on the phone with someone. She hangs up and Nikolas shows up. They are excited about the vow renewal. Martin walks in. Nikolas knows what Martin did for Julian. Ava gets a package later and it has a plastic hand in it.

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Primetime TV Review: Home Economics

TV Review!

“Home Economics” Review on by Eva 4/9/2021



New Comedy “Home Economics” Coming WEDNESDAY APRIL 7 to ABC

By Steve Dove
Jan 25th, 2021

Starring and executive produced by Topher Grace, “Home Economics” takes a look at the heartwarming yet super uncomfortable and sometimes frustrating relationship between three adult siblings: one in the 1%, one middle-class and one barely holding on. The comedy is inspired by the life of writer and executive producer Michael Colton. The new comedy premieres WEDNESDAY APRIL 7 8:30|7:30c on ABC.

The series stars Topher Grace as Tom, Caitlin McGee as Sarah, Jimmy Tatro as Connor, Karla Souza as Marina, and Sasheer Zamata as Denise. Also starring is Shiloh Bearman as Gretchen, Jordyn Curet as Shamiah, Chloe Jo Rountree as Camila and JeCobi Swain as Kelvin.

“Home Economics” was created by writers Michael Colton & John Aboud. They serve as executive producers alongside Topher Grace and Eric and Kim Tannenbaum of The Tannenbaum Company, whose Jason Wang will co-executive produce. The series is produced by Lionsgate and ABC Signature. ABC Signature, alongside 20th Television, is a part of Disney Television Studios.

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of The TV MegaSite or its other volunteers.

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HOME ECONOMICS – Starring and executive produced by Topher Grace, ÒHome EconomicsÓ takes a look at the heartwarming yet super uncomfortable and sometimes frustrating relationship between three adult siblings: one in the 1%, one middle-class and one barely holding on. The comedy is inspired by the life of writer and executive producer Michael Colton. (ABC/Temma Hankin)

B&B Short Recap Friday, April 9, 2021

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Recap written by Mark

Bill takes drastic measures to protect Liam. Finn tells the coroner about Vinny.

Thomas and Hope identify Vinny’s body at the morgue.

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GH Short Recap Friday, April 2, 2021

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Recap written by Anthony

Elizabeth and Cam discuss the Invader article that refers to the end of terror from both Franco and Jason. Cam thinks that it was a little harsh on Jason. Elizabeth thinks that Cam was not much better towards Jake in regards to Jason. Cam thinks that Jason needs to pay for killing Franco. Elizabeth points out they might not have all the facts. Trina and Joss show up at the gallery for Trina to open it for the day. Joss hasn’t heard from her first choice in schools yet. Cam shows up. Joss thinks he was harsh towards Jake last night. Cam thinks that Jason needs to pay for his crimes. Joss reminds him that Jason hates Franco for years and would never commit a crime so poorly.

Jackie tells Peter that it is obvious he wrote the front page article for the Invader. Peter doesn’t think she has a say in the matter. She signed a two year contract. Finn tells Chase that Violet misses him. Chase misses her too. Scott wakes up to find he is in Obrecht’s hotel room. Neither of them are sorry for sleeping together.

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GH Short Recap Thursday, April 1, 2021

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Recap written by Anthony

Cam explains to Joss that he hasn’t been in the mood to see anyone. Jake gets angry at Elizabeth because he isn’t allowed to see Jason. Cam yells at him because he thinks that Jason is responsible for Franco’s death and Jake doesn’t want to hear this. Jake runs away and Elizabeth runs after him. Joss goes after Cam for telling his brother this. She thinks that he is being stubborn. Cam wants Jake to be able to handle himself around town. Scott goes to see Jason and goes after him about how he killed his child. Obrecht shows up and explains to Scott that it wasn’t Jason. It was Peter who killed Jason. Obrecht and Scott go to drink away their sorrows.

Britt is reluctant to help Maxie fake a stillbirth. She however changes her attitude. Nina and Sonny spend time together around town. Mike is clearly developing feelings for Nina. Elijah shows up and is weary of the new visitor. He calls to have Nina looked into. Carly tells Jax that Nina called her but she hung up on her. Jake and Elizabeth show up at the jail in order to see Jason. Jason tells him that he wouldn’t hurt someone that meant so much to Jake. Elizabeth seems to grasp something from this comment.

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Interview with Milo Ventimiglia

TV Interview!

Milo Ventimiglia of "This Is Us" on NBC

Interview with Milo Ventimiglia of “This Is Us” on NBC by Suzanne 3/23/21

It was great to interview Milo. He seems very nice and took the time to remember my name. I was on another conference call interview with him back in 2015 as well. I loved him in “Heroes.” I don’t watch “This Is Us” that regularly, but he’s great in it from what I’ve seen. I know he and the show are very popular and loved. I hope you enjoy our brief interview!

Here is the Video!

Question: This show itself was like a defining moment, in some ways, right? Like it completely changed [from] a man in his early 40s to America’s Dad. How’s that? I mean, did you expect this in your journey as an actor, and how has the near death experience shaped you now?

Milo: I mean, I’ve always been told I look younger than my actual age. So, to play my actual age and even play older has been really nice. The subject matter of being a dad, being a husband, being a friend, brother, being a war buddy, being a support member in AA, we’ve covered a lot of ground with Jack, and I wasn’t expecting it. It’s just really been a blessing to be able to play a mature man, a good man who is flawed that I think everybody can learn from, everybody can relate to, not just men, but women. Families can look at this guy and draw something, some kind of inspiration from the way that he views family, he lives his life, the dedication he has to his wife and kids, and the commitment to be strong of his own shortcomings to protect his family. So, for me, it’s just the whole thing; the whole experience has just really been a blessing.

Question: …Of course, he has some flaws, but he’s like this idyllic man, right? Which is how the show is set him up. Now we’re exploring more flaws as the time goes [on], but was that a challenge, as an actor, [to play an] idol sort of and still bring out the flaws and make him relatable?…

Milo: I mean, Jack definitely has very big shoes to fill, even for me, Milo, out in the world, because of how beloved the character is, when I’m out in the world, I definitely feel the good graces that get showered onto me because of Jack and [understand] how important he is as a character to people in their daily life. But, playing the flaws, I mean, there’s been one or two moments in the five years we’ve been doing this show that I’ve been playing Jack that I’ve disagreed with how he’s handled something, but I also accept and understand that Jack is an individual of himself. We may share certain qualities. We may look the same, sound the same, present similar, but there have been a couple times where I just completely disagree with Jack, but I also understand that he’s a character. When the cameras start rolling, I myself, Milo, don’t exist, and only Jack lives. When the cameras call cut, then all of a sudden, Jack gets put to the side for a moment, and then, I resume my life. So, I’m always just trying to honor the character I’m playing, the experiences. He’s lived through alcoholism, through fatherhood, through marriage, through war. I’m just trying to honor those different life experiences that I think a lot of people can relate to.

Suzanne: I asked a bunch of people on Facebook and Twitter that were really big fans of the show what they would ask you, and I got a few good questions. Krista wants to know, if you could give Jack one piece of advice, what would it have been?

Milo: Man, I don’t know if there’s any advice I could give Jack. I feel like in a strange way it’d be like giving advice to my father. Jack is a man of a certain generation and a man built of a certain fiber. I don’t know that Jack needs a lot of direction, but I think what Jack needs to know is that he’s not alone, that he has support, that he has people that care for him and love for him. He doesn’t always have to be the epitome of strength; he can actually depend on people at times. I think a lot of men of that era, born in the 40s, experienced 50s and the 60s, maybe went to war, came home started a family went through, you know, financial booms and losses and things like that, I think, also just where men were in terms of positioning and kind of not really being allowed or able to speak about what was impacting them and affecting them. I mean, I’m 40 now. I feel like as my generation, I was able to really talk about how we felt, how we felt about something. So, I think the only thing I’d say to Jack is, “Hey, man, you’re not alone. There’s a lot of us going through life, and we’re here to help.”

Suzanne: Great. And this show has been so popular right from the beginning. Why do you think that is?

Milo: It’s always been the relatability. I think that’s been the success of the show. Every single person, it doesn’t matter where you’re from or who you are, can relate to family, can relate to the struggle of not having a family, can relate to the happiness and joy and pain and everything that life throws at you. It’s incredibly, incredibly telling of the human story, the human condition, human emotion, experience. I think Dan Fogelman and our writers just so tapped into that, into also knowing what people need. People need that outlet, especially the last year that we’ve had. People need to know that, again, they’re not really alone from the rest of us.

Question: …How has [it] been working during this pandemic, because this is hard for everyone, like as an actor, and as an American, as a person, a human being living through these times, having this opportunity and being able to work?

Milo: I have the opportunity. I’m fully aware that it is a huge opportunity to be able to work when a lot of people [weren’t]…So, I’m grateful. At the same time, I understand people have consumed just about everything the internet and the television networks can offer, so I think people are tapped out, and they need something new. So, I’m grateful to be a part of the show that can provide that. For us on production, we have our safety protocols. We all follow them; we all look out for one another. It’s not just about my safety or my co-star’s safety; it’s about our crew safety. And I think all of us have been respectful knowing that we have the opportunity to work and contribute more than to just our own households but to the households of a lot of the world. So, we’re we’re grateful. We’re happy we work through the conditions, and I’ll tell you what, when I’m on set, morale is still pretty high.

Question: …You’ve had a long career and you have a lot of great things, and then I feel like, and I may be wrong, but [there was] like a period where I didn’t see you…then again this great thing. What is your advice to a younger you or other actors who want to pursue this?

Milo: Keep at it. Never give up. Always be true to yourself. Have a line and don’t let people cross it. Push through when you hear no; find a way to make that yes. When people tell you, “You can’t do this,” prove them that you can do this and more. I think so many times, a lot of people fall out of the acting career or the creative space, because they’re critiqued. They’re told that they’re not good enough, or they’re led to believe they’re not good enough, because somebody’s art or somebody else’s creativity was chosen over theirs. It’s really tough. It’s it’s hard not to take it personally. You know, I tell people, “You have to take it personally,” because when you’re personally kind of told, “No” – I know when I am, I push through. Prove people wrong; always prove people wrong and show you deserve to be in that place. You got to work hard at your craft. This isn’t something – I mean, I live and breathe this. I live and breathe my work, I do. If you can’t do that, you’re gonna have a hard time. So, I’d say, “Just push through.”

Question: …Is it possible for Heroes to come back and for us to see [unintelligible]?

Milo: I’m the wrong guy. No, I know, listen, I’m the wrong guy to ask that question to, because, I’m not the creator. I’m not the studio. I’m not the network on it. Peter Petrelli was a great role. I enjoyed playing him. I had my time with playing him.

Interview Transcribed by Jamie of http://www.scifivision.com


Milo Ventimiglia stars as Jack Pearson in the hit NBC drama “This Is Us.”

Ventimiglia has been nominated three times for an Emmy Award forOutstanding Lead Actor in a Drama Series. He was also nominated for a People’s Choice Award, Critics’ Choice Award and won an MTV Movie Award for his work in the show. He was named the 2019 Man of the Year by the Harvard Hasty Pudding Theatricals, the oldest theatrical organization in the U.S.

Ventimiglia has built an impressive resume of television and film credits and also embraced the power of the Internet and new media with numerous projects.

One of Ventimiglia’s early signature television roles was as Jess Mariano on the hit series “The Gilmore Girls.” Other notable television work includes “Heroes,” “American Dreams,” “Mob City” and “Gotham.” He also has had guest-starring roles on several series, including “The Fresh Prince of Bel-Air,” “CSI,” “Promised Land” and “Sabrina, the Teenage Witch.”

Ventimiglia recently starred in the Disney feature film “The Art of Racing in the Rain,” an adaptation of the international best-selling novel by Garth Stein. He also starred alongside Jennifer Lopez in the romantic comedy “Second Act” and had a memorable cameo in “Creed II.” He starred alongside Sylvester Stallone playing his son, Rocky Jr., in the sixth installment of the Rocky series “Rocky Balboa. He worked alongside Adam Sandler in “That’s My Boy” and “Grown Ups 2,” and with Nicole Kidman in “Grace of Monaco.” Other film credits include Xan Cassavetes’ “Kiss of the Damned,” “Wild Card,” a remake of the 1986 Burt Reynolds drama “Heat,” alongside Jason Statham, and “Killing Season,” with Robert De Niro.

With his production company DiVide Pictures, Ventimiglia has both scripted and alternative projects in active development with a variety of studios and networks. Also, under the DiVide banner, he launched two comic book titles with Top Cow Productions.

Ventimiglia is involved with the Iraq and Afghanistan Veterans of America organization (IAVA), which supports veterans who need help when they return home from the war. He recently traveled across three continents to five countries with the USO to spend time over the holidays meeting with the servicemen and women of the U.S. military. Additionally, he took time during his hiatus from “This Is Us” and traveled to Kenya with the nonprofit organization Comic Relief to see first-hand the challenges kid face and bring awareness to the positive work and impact of Red Nose Day.

Ventimiglia currently resides in Los Angeles.

Everyone has a family. And every family has a story. “This Is Us” chronicles the Pearson family across the decades: from Jack (Milo Ventimiglia) and Rebecca (Mandy Moore) as young parents in the 1980s to their kids (the big three), Kevin (Justin Hartley), Kate (Chrissy Metz) and Randall (Sterling K. Brown) searching for love and fulfillment in the present day along with Toby (Chris Sullivan) and Beth (Susan Kelechi Watson). This grounded, life-affirming dramedy reveals how the tiniest events in our lives impact who we become, and how the connections we share with each other can transcend time, distance and even death.

Dan Fogelman, Isaac Aptaker, Elizabeth Berger, John Requa, Glenn Ficarra, Ken Olin, Charlie Gogolak, Jess Rosenthal and Steve Beers executive produce. “This Is Us” is produced by 20th Television.

Please visit the official show site at http://www.nbc.com/this-is-us
Facebook: Facebook.com/NBCThisIsUs
Twitter: @NBCThisIsUs
Hashtag: #ThisIsUs

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Milo Ventimiglia of "This Is Us" on NBC

B&B Short Recap Wednesday, April 7, 2021

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Recap written by Mark

Bill and Liam scream and shout at each other over Vinny’s death. Bill tells Liam that he is protecting him. Thomas returns Douglas back to Hope and apologizes for bringing Vnny into their lives.

Thomas tells Hope to fully trust her gut about iam. He also tells her he fully supports her. Quinn and Zoe bask in Paris’ misfortune.

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GH Short Recap Wednesday, March 31, 2021

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Recap written by Anthony

Curtis walks in on Marcus and Jordan sitting down together. He wanted to talk with Jordan but stops himself. Marcus explains that Jordan is letting him stay with him through his trial. Curtis thinks that is nice of her. Jordan is left alone with Curtis but he doesn’t have anything left to say. Britt shows up at Maxie’s in order to check up on her and the baby. Maxie begs for Britt to help her cover up her pregnancy but Britt thinks that is illegal and won’t do it. Then Peter shows up and tricks Maxie with a bear he claims is from his childhood but Britt tells her is really from Faison. Britt reluctantly agrees to help out.

Valentin shows up at the Metro Court and sees Gladys sitting alone. Peter walks over to him and tells him to stop thinking that he can be stopped. Carly storms in and goes after Gladys. Valentin interjects and tells Carly to stop getting involved in things that are not her business. He takes Gladys of to get drinks elsewhere. Carly stops Peter from following by telling him off as well. Dante gives his statement in court and Alexis pleads guilty. The judge gives her a sentence of three years which Alexis seems content with.

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