Interview with “Van Helsing” stars

TV Interview!

Nicole Muñoz, Jonathan Scarfe and Tricia Helfer

Interview with Nicole Muñoz, Jonathan Scarfe and Tricia Helfer of “Van Helsing” on Syfy by Suzanne 4/12/21

This was a very fun Zoom call with the actors of this Syfy show. I’ve enjoyed watching them on “Van Helsing” and in their other shows as well. It was great to chat with them. This last season of the show is very exciting. I hope you can watch it and enjoy it as well!

Question:   How do you relate to Jack as a person? How do you get into that character and follow her through, I guess, season four and into season five?

Nicole:  I was just saying before, I have some similarities. I think Jack has really helped me grow as a person, and in terms of offering me some inner strength and some confidence, Jack’s stubbornness and tenacity are things that I think come decently naturally to me.

So, at least a fun thing about Jack this season is we kind of get to see a bit more of her humor, which, you know, it kind of is coming out just because of the circumstances. And I do think that I kind of get to put a little bit more of my personality into Jack, this season. And she’s a little bit less on edge. She’s kind of come into a bit more of “this is the reality that we’re dealing with, and now we’re gonna go forth and push on.”

Jonathan:   Oh, I was just saying that Jack has to like find her alpha this year, big time. So, that was, I think, pretty fun for Nicole.

Nicole:  Yeah, and Jonathan helped me with that, immensely. Yeah. It was a lot of “what would Jonathan do?” “What would Axel do?”

Question:   I posed it to Nicole how she relates to her character Jack, and it was sort of open to everybody, how they relate to their character. So, Trisha, how you relate to Dracula, but also how you relate to Jack and how you relate to Nicole, on and off set.

Tricia:  It was definitely a lot of fun getting to work more. I mean, I was only in two episodes last season. In the first episode, Jack and, well, Keeya (King) – I keep saying your names wrong – Violet…were basically knocked out the whole time. So, it was a real treat to get to kind of work with everybody more.

I can’t say I necessarily relate to Dracula myself, but similar to what Nicole said…I do play a lot of very strong characters, and in person, I’m a little bit of an introverted goof. I can come off as cold, because I’m shy quite often. So, it allows me to really kind of just be something that I’m not in my own life. So, sort of learning – I can’t really say I learned much useful from Dracula that would be legal in our society, but certainly playing her does give you a sense of confidence and just sort of a take charge mentality that hopefully I can kind of take that into my own life at some point. Lost our voices a few times, though didn’t we, Nicole?Van Helsing poster season 5

Nicole:  A few, yeah. Thanks Jon.

Tricia:  It’s Jonathan’s fault.

Question:  I’m going to alter my question a little bit so Jonathan can add to it too, but my question was, we don’t really even know if what the Dark One said to them about Vanessa not being their mother is true. I’m kind of still wondering that, but this season, at least at the beginning, you too definitely, I’d say, [since last season] have different interactions and relationships since they’re not, you know, [in the same place] as where they were last season. So, can you kind of talk about how that relationship between the two of you is going to continue this season and change? And then Jonathan, your relationship with – well, you probably don’t really have one with Dracula, but maybe with Jack.

Jonathan:   Yeah.

Nicole:  Wanna try to work around spoilers.

Question:  Just kind of how those relationships will evolve this season.

Nicole:  How my relationship with Dracula evolves this season?

Question:  Yeah.

Nicole:  Is that kind of the question? I would think definitely –

Jonathan:   No [unintelligible] for COVID protocols, it starts there.

Nicole:  Yeah, I think we definitely get to know each other, maybe more than we would have wanted to this season, our characters. I think spoiler-wise, I’m gonna stay very far away from this question, but I do think that Jack gets some answers. Some she likes; some she definitely doesn’t. It’s kind of the feeling of the floor coming out under you, or the rug coming out under you.

Tricia:  For me, Dracula didn’t really know much about anything going on. She’d been in the Dark Realm. So, she’s kind of at the end of the season coming into the world, and she definitely has her confidence shaken a little bit. I mean, she maybe had a little bit too much of an ego, and again, not giving away spoilers, but she starts to question who she can trust and things like that along the way. And throughout her relationships – interactions, not relationships – interactions with the Van Helsings and the other characters in the show – It’s hard to say without spoilers – She comes to realize they’re more of a formidable foe than she maybe gave them credit for. So, if anything, I could say there’s maybe a little bit of a more of a respect for them than she would have thought at the end of season four. Did that give away too much, Jonathan?

Jonathan:  No, I mean, I think that – we were talking about this earlier – I think the writers did an amazing job, but it was, I mean, to not spoil things, but to try and pique some curiosity for the fans, is that, you know, a couple other things you get to discover this season is not just the origin stories of Dracula, which are totally unique to the show; they’ve completely invented their own version of what that would be, but also the origins of the Van Helsings, where they came from, how they evolved, and like how intertwined the two are in a particular way. So, that’s all fully revealed by the end of the season, and I think it’s like the most fun thing about the season, personally, so I’m really excited for fans to check that out and see how they respond to it.

Question:   …Let me just congratulate you all, I mean, five seasons finally coming to an end, which is like, hard to believe. So, let me just ask you all a pretty generic question, Nicole, I’ll start with you, then, we’ll go to Jonathan and Trisha. It’s been five seasons; it’s coming to an end. So, first up, how excited are you that these final episodes are coming out and we get to see the Van Helsings and the Dark One come head to head? Then, of course, how are you feeling? A little nostalgic given the fact that the shows come to an end?

Nicole:  I’m excited to see the reaction of the viewers once they get to watch the final few episodes. I also think the first few episodes of this season are going to be pretty revealing and very exciting to watch the reactions. I will definitely be looking on Twitter this year and reading what everybody has to say about this season, because, I mean, if I’m this excited, everybody’s gonna be even more so when they watch, because I already know what’s about to happen. But just reading the scripts even was a very fun thing to do, and I like rifle through them so quickly. I can only imagine what that feeling would be like for you, Jonathan, being in this thing for five years, because I only hopped on in season four. What do you think?

Jonathan:   Yeah, well, you know, it’s like all things, like this show, you bring it; you’re grinding it out, and there’re ups and downs and the challenges that you kind of face, and then you turn around and five years have gone by, and the thing’s coming to a close. Yeah, you do get definitely a little bit nostalgic thinking, “Oh, gee whiz, this is it. This is goodbye to all these people that have become kind of family and his character that’s kind of become a second skin.” So, yeah, it definitely had a little melancholy to it, for sure, when we came to a close.

Question:   Right and Trisha, let me ask you the same question. What should fans expect on this final season?

Tricia:  Well, knowing that it was the final season, we had the liberty of being able to follow the mythology from the four seasons prior and really give a conclusion to it. So, we faced a lot this year, like the entire world did, so some alterations were made along the way but not affecting the story, which is great. I think with the first three episodes with the origin story of Dracula and how the Van Helsings meet this character, I think is really going to set it up for the rest of the season, because stuff that happens there and stuff the audience will come to learn is really what drives a lot of the rest of the season to its ultimate conclusion, which I think leading up, I think it the last couple of episodes also really ramp up to this, you know, something’s gonna go down. And, you know, being part of it for really only one season, just briefly introduced in season four, of course, it would have been fun to play longer for me, but I understand what Jonathan’s saying then, it’s a little melancholy when you’ve been on a show for five years or something, and it’s like your second skin. When you’re first playing a character, you’re figuring it out and whatever, and then, by season five, you can just go on set and know who the character is. You almost answer in the character’s voice without even thinking about it. I didn’t necessarily have that with Dracula with only being in the one season, but, boy, did I get some fun stuff to play with.

Question:   …You were doing a series that, although it was a supernatural pandemic, it was still a virus like pandemic kind of thing, and you’re doing that for, well, I guess three and a half seasons, four seasons, and then all of a sudden, you’re living through a real pandemic. Did that change your perspective in any way in your characters, in your performance? Did you have maybe more understanding of people who are like hiding inside? So, how did COVID affect your characters is what, I guess, I’m trying to say.

Jonathan:  Well, I mean, yeah, I’d had all kinds of resonance in terms of that, you know, what isolation feels like, and we had just come back from shooting the first three episodes before the initial shutdown happened, and then there was a big question mark as to whether we’re gonna be able to get back to work. Then, we were lucky enough to be able to do that. I think we were one of the first shows back in Vancouver working with all the new COVID protocols. The company did an incredible job setting those up, and there’s a lot of pressure on them being the first show back not to screw it up. So, we’re happy that we didn’t, but…other than the stress that might have been visible in everyone’s eyeballs, I don’t know how much it impacted performance, but it certainly resonated.

Tricia:  I mean, I don’t think it necessarily affected my character per se.

Jonathan:   They didn’t care.

Tricia:  I mean, it did affect shooting for me, because, like Jonathan said, we did the episodes in Slovakia, and then literally all flew home just before the lockdown happened. So, there was a lot of stress for everybody. I really give credit to the production team and studio and network and everything, for getting back up and running as quickly as they did. For me, it really only altered filming in terms of changing schedules. I mean, so many things had to be changed, because you want to have less people on set at a time and less interaction and things like that. So, all my stuff that I had left was consolidated into the very end of the shooting. So, you guys all started shooting way early, and I was down in Los Angeles. So, they all started shooting way earlier, and then, when I came in, it was quarantine, obviously, government quarantine, and then fast and furious shooting everything I had for the rest of the season all in, you know –

Jonathan:   All in a row. Exactly.

Tricia:  All in a row. So, it was –

Jonathan:   Like episodes three through thirteen, all your scenes, all the time, nothing but for the final three weeks of shooting.

Tricia:  It was like a lot to do in the Slovakia episodes, and then nothing, and just sitting there twiddling my thumbs in LA going, “They’re shooting; they’re shooting.” I’m like, I felt so left out of it, but I’m so proud of them for getting back and then just being fast and furious at the end. But, I mean, Dracula is sort of like an enigma. I don’t know she’s – I’m babbling, but it sort of did, without giving away too much, Dracula was sort of feeling a little bit on edge toward the end. So, there was maybe a little isolated that we haven’t seen of her aside from being locked in the Dark Realm. I guess she was locked in the Dark Realm for a long time. That would have been very isolating. Maybe I could have related to that a little bit. I didn’t put too much into it at the time, though, because just everything so new with you just trying to do a good job trying to keep everybody safe and have fun with the character at the same time.

Tricia:  Trying to remember to take your mask off when they say, “Rolling.”

Question:   That happened?

Jonathan:   Oh, yeah.

Nicole:  Sometimes it did, yeah.

Tricia:  Yeah, it happened more than once, because everybody’s in masks. It’s like the first time you put on a mask, you feel really bizarre, but then when everybody around you has a mask on, and you take your mask off, you actually feel bizarre.

Nicole:  And we even incorporated masks into some of our costumes for a little bit there. I think, character-wise, yeah, it may be a little bit of a stretch, but it must have had some sort of impact just having been isolated. I also came back from Slovakia, and then we isolated for a while, and then they started filming. It was like that feeling of, “I miss everybody, and I can’t wait to see everybody.” Then, once we started filming again, it made those scenes of reunion or scenes with some intimacy in it just that much more important and impactful. And that like yearning for it was more already at the surface and more accessible, I guess, as an actor.

Tricia:  I don’t think Dracula gets to hug anyone, but it was like, if you got to hug anybody on set, you’re like, “I’m not letting go!”

Nicole:  Yeah. It’s like, “Jack, don’t let go.”

Suzanne:   I really enjoyed the three episodes they let us watch… that was great. Without spoilers, obviously, do you think that fans will enjoy the ending?

Tricia:  I do. I was the most excited I’ve been about the show in ages was when I read those first three skip scripts for this season. I thought “Wow.” I had no idea how the writers were going to try and figure out a way to bring the thing to a conclusion, and I think they exceeded all expectations and in terms of what they came up with. So, I’m really excited to see the fan reaction to it.

Nicole:  Yeah, the first three episodes play out of like a mini movie, and, yeah, I think it’s going to be very satisfying for everybody to watch, and it’s going to be quite the launching board for the rest of the season.

Tricia:  That’s exactly what I was just gonna say, Nicole. It’s a launching board for the rest of the season. So, even though they are like a little mini movie and set in Transylvania, where the rest of the season isn’t, it really does set up what the characters are going through, and knowledge and experience and questions to figure things out. But the following episodes are really where all the mythology from the first four seasons really gets layered into the very end, and there’s a nugget at the very end in the finale that I just think is so fun…that I think is just going to have some fans drop their chins to the floor.

Question:   This is for the entire cast. How would you describe season five in three words?

Jonathan:   Season five in three words, wow. “Big questions answered.”

Nicole:  “The final season.”

Tricia:  …I want to look up my notes for the other day. What did I say?

Nicole:  Had I done my press homework, I would have actually had the answer to this.

Tricia:  Family is one of my words. Family, [resilience], and teamwork? I’m trying to stay away from like bloody and gashy and death.

Jonathan:   Jaw freaking dropping.

Here is the video version of it.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Van Helsing is set in the near future, where vampires have risen and taken control. Vanessa Van Helsing is humanity’s last hope, as her unique blood composition gives her the ability to turn vampires human. With this secret weapon, Vanessa becomes a prime target for the vampires. Van Helsing comes from the producers of Fargo and Hell on Wheels. Jonathan Lloyd Walker serves as showrunner.

In the fifth and final season of “Van Helsing,” Vanessa, Violet, and Jack will risk it all to finally bring an end to the Dark One once and for all. The Van Helsings must figure out ways to escape and evade the various obstacles in their path to prevent them from their mission, leading to an epic final showdown between the Van Helsings and the Dark One. Who will win the battle between light and dark?

Jonathan Scarfe

Axel, “Van Helsing”

VAN HELSING -- Season:1 -- Pictured: Jonathan Scarfe as Axel Miller -- (Photo by: Brendan Meadows/HELSING S1 PRODUCTIONS/Syfy)

Multiple award-winning actor Jonathan Scarfe stars as Axel, a Marine ordered to guard the body of Vanessa Van Helsing.

Scarfe, a seasoned actor, producer, director and writer with over 20 years of experience, has been nominated six times for the Gemini Awards (the Canadian Emmys) and won twice for his work in “The Sheldon Kennedy Story” and the mini-series “Above and Beyond.” He is also the recipient of two Leo Awards for his work on “Hell on Wheels” and “Love on the Air.” As a director, he wrote and shot the multiple award-winning short film “Speak” with his wife Suki Kaiser.

In 2012, Scarfe embarked on a two-and-a-half-year sailing odyssey, entirely off the grid, with his wife and two children. The trip would ultimately encompass a circumnavigation of the North and South Pacific oceans and over 18,000 sea miles.

Nicole Muñoz was born and raised in Vancouver, Canada. She began her acting career at the age of four. With over fifteen years experience Nicole has garnered over 40 credits including beloved shows such as Once Upon A Time, Supernatural, The 100, Defiance and a lead role in SYFY’s Van Helsing.

Tricia Helfer is a Canadian cover girl model-turned-actress who has developed her resume beyond the catwalk to include many diverse roles highlighting her versatile and natural screen presence. Best known as the face of the series, and for her Leo award-winning lead performance as the humanoid, Cylon ‘Number Six’ in the critically acclaimed Syfy series, Battlestar Galactica (2004), Helfer has since gone on to book leading roles on a wide variety of networks. Tricia currently stars in FOX’s “Lucifer”, switching gears from the role as Lucifer’s mother Charlotte, to an attorney by the same name.

Prior to “Lucifer,” Tricia was recurring in season two of the Playstation & Sony Picture TV series, “Powers.” Just before that, Helfer also played the lead of the Syfy channel’s original miniseries “Ascension” co-starring Brian Van Holt. In early 2014, Helfer starred as the lead of the ABC series, “Killer Women”. The Sofia Vergara-produced series followed beautiful badass Molly Parker (Helfer), in the notorious Texas Rangers frontier patrol, as she pursued justice despite being embroiled in a continuous fight for her peers’ respect.

Born in Donalda, Alberta, Canada, Helfer launched her modeling career at age 17, and erupted into an international superstar after winning the Ford Models’ Supermodel of the World Contest in 1992. Her modeling credits include appearances in high-end ad campaigns for Giorgio Armani, Ralph Lauren, Versace, Givenchy, and Dolce & Gabbana as well as covers for national publications such as ELLE, Cosmopolitan, Marie Claire, Flare and Vogue.

In 2002, Helfer turned her focus to acting, moving to Los Angeles and quickly earning a guest star spot on the second season finale of “C.S.I.: Crime Scene Investigation.” The following year she earned her break with “Battlestar Galactica,” achieving a remarkably fast and successful transition into acting. During her hiatus from “Battlestar Galactica,” Helfer portrayed the legendary Farrah Fawcett in NBC’s film, “Behind the Camera: The Unauthorized Story of Charlie’s Angels.” She furthered expanded her portfolio by starring as ‘Stephanie Jacobs’ opposite Dennis Hopper and Billy Zane in the independent feature “Memory,” and later starred alongside LeeLee Sobieski in another independent, “Walk All Over Me,” which premiered at the Toronto International Film Festival.

Helfer returned to the small-screen in 2008, joining the cast of the USA Network’s hit series, “Burn Notice” for a multi-episode arc. The next year she filmed recurring guest spots on the award-winning CBS comedy, “Two and a Half Men,” while appearing on Fox’s crime shows “Chuck,” and “Lie to Me.” In 2010, Helfer booked a series regular role on the ten-episode arc of Jerry Bruckheimer’s “Dark Blue,” starring opposite Dylan McDermott and went on to do a variety of terrific roles on series such as “Suits,” on USA Network, “Key and Peale,” “The Librarians,” “Community,” “Chuck,” “Jeremiah” and “Franklin & Bash,” among others.

In addition to her vast array of television roles, Tricia starred in the film, “A Beginner’s Guide to Endings,” with Harvey Keitel, Scott Caan, and JK Simmons and ;ater, went on to star in “Authors Anonymous” with Kaley Cuoco-Sweeting. Next up, is another lead role in thriller, “Isolation” co-starring Luke Malby, a film that will portray the true events of a couple vacationing in the Bahamas. The getaway quickly spirals out of control, forcing the couple into survival mode.

Adding to her impressive resume, Helfer has done prolific voiceover work in mega-hit video game franchises including, playing the roles of Commander Veronica Dare in Halo: ODST, EDI in Mass Effect 2 and 3, Sarah Kerrigan in Blizzard Entertainment’s StarCraft II: Wings of Liberty, for which she won the 2010 VGA for Best Performance by a Human Female, as well as in StarCraft II: Heart of the Swarm. She also showcased her voice talent in animated productions, “Green Lantern: First Flight,” a Cartoon Network TV movie, on Disney XD’s “The Spectacular Spiderman”, and on Disney XD’s TRON: Uprising.

In addition to acting, Helfer continues to support as many causes as she can, as she strongly believes in giving back. Tricia supports the Humane Society of United States, Best Friends Animal Society, AmFAR, PETA, Kitten Rescue and Richmond Animal Protection Society.

Tricia, who has dual citizenship in the US and Canada, and resides in Los Angeles.

Proofread and Edited by Brenda

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Nicole Muñoz, Jonathan Scarfe and Tricia Helfer

Interview with Corey Reynolds and Alan Tudyk

TV Interview!

Interview with Corey Parker and Alan Tudyk of "Resident Alien" on Syfy

Interview with Corey Reynolds and Alan Tudyk of “Resident Alien” on Syfy by Suzanne 3/23/21

NBC/Universal had a wonderful virtual junket last week, where we were fortunate to interview many of their stars. This particular interview was supposed to just be with Corey Reynolds, but Alan Tudyk showed up as well (much to our delight). I didn’t actually get to ask them any of my questions, but you can see the other reporters’ questions and hear my exchange with them. It was pretty funny in parts.  This is a great show, and I’m so happy that they’re going to have a second season.

Don’t miss the season one finale Wednesday, March 31, 10/9c.

Here’s the transcript of our interview, which doesn’t include my own comments. Make sure you watch the video!

Question:   Good morning, Cory. Good morning, Alan, thank you so much for joining us. [I’m] a big fan of the show and such a big fan of you Alan. I don’t know if anybody else could have ever played this character. Oh my god. Can talk a little bit about that. You’ve played a lot of weird characters, inhuman characters, but this one, even in your human form, from the first episode and the evolution and everything, it was just mind blowing to see that. What’s your process and stuff like that, and how do you still humanize your characters while being so inhuman?

Alan:   Hmm. I think a few things, I guess. You know, you have to start with you, when you act in anything. That’s the best way to go. Whatever you’re doing, it all goes through the filter of you as a human, you as an actor. Then you add things on that are unlike you. Harry’s an alien, and he’s using this body as a sort of meat puppet. He’s having to learn how to move this thing around from the inside. He’s Jim Henson’s hand, which was going to be the title, and I really think it should have been. So, I think that way, sort of as if he’s an alien peering out through the eyes of this character. Like just immediately, if you start thinking yourself that way, that you’re like something just sitting at the rim of the eyes looking out, it’s creepy, and you end up becoming a little creepy when you put your head space there.

And it’s just adding on all those little things that are given to you in the script. We’ve got great scripts, and because everything’s a first for Harry, specifically for Harry, he doesn’t know anything about being a human. That gives me a lot of leeway to go as far as I want to in many directions, because he’s curious. He’s curious, like a child, and can be surprised very easily. There’re really very few things you can’t accept about his behavior. He can do some really crazy stuff, and you can go, “Well, that makes sense.” So, it’s a it’s a fun character in that there’s a lot of leeway, a lot of leeway there.

Question:   Right. You want to kill the child, and I’m still like, “Sure, go ahead.”

[laughter]

Question:   Which is what I’m saying. I was surprised in the writing and your performance in that sense. Like, how can you actually keep doing that and still root for this character, which I really think is a huge cheers to your performance and [the] writing for that matter. Absolutely. So, congratulations.

Cory, you are so damn hilarious from your first appearance. It’s mind-blowing. I mean, not many people can just go ahead and be the Big Black and still, you know, not feel offensive or feel like –

Corey:   I feel offensive.

Question:   But I want to get to that. Initial[ly], it’s a comedy, and you’re a fantastic actor, but the show kind of taps into this guy’s confidence in being surrounded by white and Native people, but they don’t have the confidence and everything, keeping it so funny, but still kind of acknowledging [it]. So, can you talk a little bit about that? The race aspect of this issue where there’s a fantastic character so confident in himself, but doesn’t acknowledge – that seems ignorant of, like, you know, the race. I’m not sure.

Corey:   Yeah, you know, I had a question come up at our New York City Comic-Con a of couple years ago about that. I had one of the interviewers ask me, “Did Big Black have any concerns about being in a mountain town surrounded by all of those white folks?” I believe that was the question that was asked. I think my response was something along the lines of, “If he does, he hasn’t mentioned it to me.” [laughs] I think, obviously, there is a component of race there, and it’s hard to ignore in the climate that we’re in, but I think one thing we’re going to come to discover about Sheriff Mike, about Big Black, is that – at least for me, and I’m not even really sure if I’ve discussed this as much with Chris, because, we’ve played around with the idea and talked about it, but we haven’t really like delved into it. I think, for me, personally, Mike feels like the sheriff’s department in his hands when it comes to that race component is the safest place for it to be, because despite his exterior, I believe that he sees police work as being 90% communication and 10% enforcement. I think that as long as he’s in that driver’s seat, when it comes to the sheriff’s office, he knows that everyone in that town is going to be treated fairly. He knows that everyone in that town is going to be given equal credence, and no one’s going to be mistreated based on their creed, based on what they look like, who they love, or how they pray. I think that his efforts to fit in, fueled by his insecurities of fitting in, have been what has really fueled his dynamic and downfall with Deputy Liv (Elizabeth Bowen). Mike is trying desperately to prove himself, and we’re going to begin to discover more and more what that’s rooted in and why he is that way.

…Hey, can I just add, one key thing about about Alan as well, when we talk about nobody else being able to play this role, like it’s hard to do scene work with Alan, because he’s so fucking funny and his embodiment of this character. If you watch the show, there’re two things, two little moments, little itty bitty things when he first shows up at the crime scene. He’s holding his hands in the position of his second pair of hands, and he’s like, “This is awesome.” Then, most recently, in the episode where his wife is played by Elvy, [she] is laying in bed with him, and he’s laying there on his back with his hands. You know, that type of commitment to letting that character exist is kind of like always running in the background for him. So, you have the things that we’re seeing in the foreground, but then there’s also this undercurrent of Harry that’s there that’s always being played and suddenly found all over the place. It’s just, he’s great man. Seriously, l’m constantly blown away by Alan. He knows this though. I mean, he knows I am.

Alan:   Thank you very much.

Question:   Do you do the motion capture for the alien?

Publicist:   Sorry, guys, we have to we have to let someone else have a have a turn because we’re gonna have to wrap it [up].

Question:   This is such a hybrid. You have the mystery of sci-fi. It’s from a comic. Is there ever a point where you’re in a scene and you’re like, “What’s the tone here? How do I approach this?” to get the most out of it, you know, to to make the scene really pop? Do you ever have an issue with that?

Question:   Alan?

Alan:   I don’t. There are times we finish a thing in a scene and I’ll say, “This is a one-hour drama, everybody, a one-hour drama,” because it’ll be on the heels of something so very comic. I think Chris [Sheridan] has done a great job in creating a world that can hold all of it. That is no easy feat, and when it doesn’t work, it’s so easy for it not to work, and I think he’s done a good job of of getting it to work.

When we did the pilot, that was something that we all talked about, just play it like a drama, you know, play it like a drama and the comedy will be there. I think we do that for the most part, but again, there’s leeway to be a little bit – You know, there’s a scene where Elvy, or my wife that I didn’t know I had, she’s gone downstairs and she’s opened up the freezer, and she’s taken out steaks, and she’s made steaks, and I’m saying, “Where did you get those steaks?” She says, “I got them downstairs.” And I’m going to say, “It’s closed; that door is closed,” and I say, “That door is open.” I had two takes where I said, “That door is open,” or “That door is open!” or something like that. Then, the third take, I screamed it, and that’s the one they used. So, you know, they use [it] at their discretion also. They have options. But in the world, there’s this alien who has new emotions, and he’s starting to feel he doesn’t have a great governor on his emotions. His feelings can just come up and come up in a rush. So, you can excuse it away that it becomes a very comic “Open!” screaming moment. So, I hope that it holds it all, and we do – I think, Cory, your stuff is so funny. You have the same thing. Right?

Corey:   Yeah, it’s trying to find a way to keep these ungrounded characters somewhat grounded. You know what I mean? The sheriff is definitely over the top, but truth be told, listen, I grew up in Virginia, Richmond, Virginia, Chesterfield County, just outside of Richmond, and a lot of my family was up in Dodgeville County. I have an uncle named Flip. You understand what I’m saying? So, you know, I had an uncle named Butt Cut, so I know folks, not quite like Mike, but he’s not that foreign to me. Maybe his attitude is much bigger, but the person he is, is pretty – I know this guy; I know guy.

And as far as getting the scenes and stuff together, we block shoot. So, we shoot two episodes at a time, so it does require in moments – Like we’ll be shooting something from episode two and three, literally, in the same day. We might even be using the same location but having totally different emotions from scene to scene, because they’re two different episodes. So, we do have to get a reminder every now and again from our directors, or Chris, or our script supervisor, of what’s happened between what are we coming directly out of [and] what are we bringing into this moment, which is pretty standard overall, but when you’re block shooting, it does create a unique kind of challenge to make sure you’re staying in the right moment for the right scene.

Alan:   And I don’t do motion capture on this show. Just a heads up to answer that question from before.

Here is the video version of it.

Interview Transcribed by Jamie of http://www.scifivision.com

Check out Jamie’s interview with Corey Reynolds!

MORE INFO:

Read Our Review!

‘RESIDENT ALIEN’ BLOOPER REEL & DELETED SCENE REVEALED
Season Finale Airs Wednesday, March 31 at 10/9c
In advance of the season finale, we’re excited to share the hysterical season 1 blooper reel and deleted scene from episode 7.

Based on the Dark Horse comic, SYFY’s RESIDENT ALIEN follows Harry, an alien played by Alan Tudyk (“Rogue One,” “Firefly”) that crash lands on Earth and passes himself off as a small-town human doctor. Arriving with a secret mission to kill all humans, Harry starts off living a simple life… but things get a bit rocky when he’s roped into solving a local murder and realizes he needs to assimilate into his new world. As he does so, he begins to wrestle with the moral dilemma of his mission and asking the big life questions like: “Are human beings worth saving?” and “Why do they fold their pizza before eating it?”

From UCP, in association with Amblin TV and Dark Horse Entertainment, RESIDENT ALIEN was adapted to television by executive producer Chris Sheridan (“Family Guy”). Mike Richardson (“Hellboy”) and Keith Goldberg (“The Legend of Tarzan”) of Dark Horse Entertainment (“The Umbrella Academy”), and Justin Falvey (“The Americans”) and Darryl Frank (“The Americans”) of Amblin TV also executive produce. David Dobkin (“Wedding Crashers”) executive produced and directed the pilot. “Resident Alien” also stars Sara Tomko, Corey Reynolds, Alice Wetterlund and Levi Fiehler.

Hashtag: #ResidentAlien

SYFY PICKS UP DARK HORSE COMICS’ ‘RESIDENT ALIEN’ TO SERIES

breaking news | May 30, 2019

Alan Tudyk Stars in Series from UCP, with Chris Sheridan Executive Producing Alongside Dark Horse Entertainment and Amblin TV

David Dobkin Executive Produced and Directed the Pilot

NEW YORK, NY – February 28, 2019 — SYFY today announced the series pickup of RESIDENT ALIEN, a comedic drama based on the popular Dark Horse comics series by co-creators Peter Hogan and Steve Parkhouse. From Universal Content Productions (UCP), in association with Amblin TV and Dark Horse Entertainment, the series was adapted to television by executive producer Chris Sheridan (“Family Guy”). Mike Richardson (“Hellboy”) and Keith Goldberg (“The Legend of Tarzan”) of Dark Horse Entertainment (“The Umbrella Academy”), and Justin Falvey (“The Americans”) and Darryl Frank (“The Americans”) of Amblin TV will also executive produce. David Dobkin (“The Judge”) executive produced and directed the pilot.

RESIDENT ALIEN is a twisted and comedic fish-out-of-water story that follows a crash-landed alien named Harry (Alan Tudyk) who, after taking on the identity of a small-town Colorado doctor, slowly begins to wrestle with the moral dilemma of his secret mission on Earth — ultimately asking the question, “Are human beings worth saving?”

Tudyk (“Doom Patrol,” “Rogue One”) is joined by series regulars Sara Tomko (“Once Upon A Time”), Corey Reynolds (“The Closer”), Alice Wetterlund (“People of Earth”) and Levi Fiehler (“Mars”). The series will begin production in Vancouver this summer.

About SYFY
SYFY is a global, multiplatform media brand that gives science fiction fans of all kinds a universe to call home. Celebrating the genre in all its forms, SYFY super-serves passionate fans with original science fiction, fantasy, paranormal and superhero programming, live event coverage and imaginative digital and social content. The brand is powered by SYFY WIRE (www.syfy.com), the premier portal for breaking genre news, insight and commentary. SYFY is a network of NBCUniversal, one of the world’s leading media and entertainment companies. NBCUniversal is a subsidiary of Comcast Corporation.

About UCP
UCP is a premium content studio that operates with a highly curated indie sensibility, while simultaneously leveraging the power and scale of NBCUniversal. As fierce advocates for creators with an eclectic point of view, the UCP team develops pioneering original programming with partners such as Amazon (“Homecoming”), Netflix (“The Umbrella Academy”), Hulu (“The Act”) and YouTube (“Impulse”). In addition, UCP produces high-caliber content for NBCU Cable networks, including Bravo (“Dirty John”), USA (the Emmy® and Golden Globe®-winning drama “Mr. Robot,” the Golden Globe nominated “The Sinner,” “The Purge” and “Suits” ) and SYFY (“Happy!,” and “The Magicians”). UCP’s content library also features 800 hours of award-winning and critically-acclaimed content, including the Emmy Award-winning “Monk,” the Peabody and Hugo Award-winning “Battlestar Galactica” and the Emmy nominated “Psych.”

About Amblin Television:
Amblin Television, a long-time leader in quality programming, is a division of Amblin Partners, a content creation company led by Steven Spielberg. Amblin Television’s co-presidents, Darryl Frank and Justin Falvey, oversee all development, production and programming for the company. Amblin Television currently has thirteen projects in various stages of production including “Bull” and “Tommy” for CBS, “Roswell, New Mexico” for the CW, “The Haunting of Bly Manor” for Netflix – the follow-up chapter to The Haunting of Hill House, “Amazing Stories” for Apple, “Halo” for Showtime, a straight-to-series order for “Brave New World” from USA Network, “Cortes and Moctezuma” for Amazon, “Animaniacs” for Hulu, “Why We Hate” for Discovery, “Resident Alien” for SYFY, and the documentary films “Natalie Wood: What Remains Behind” for HBO and “Laurel Canyon” for Epix.

Some of Amblin Television’s previous credits include the Emmy and Golden Globe Award-winning drama “The Americans” for FX, Emmy-nominated HBO movie “All The Way” starring Bryan Cranston, “Smash” for NBC, “Under the Dome” for CBS, “Falling Skies” for TNT, “The Borgias” and “The United States of Tara” for Showtime, and “Las Vegas” for NBC.

About Dark Horse Entertainment:
Dark Horse Entertainment was spun off from founder Mike Richardson’s Dark Horse Comics in 1992. The company’s first major hits—THE MASK and TIMECOP — were based on Richardson’s creations and DHE has since produced over 30 films and series, including an Emmy Award–winning documentary, MR. WARMTH: THE DON RICKLES PROJECT. Recent projects include THE LEGEND OF TARZAN with Warner Bros., the DARK MATTER television series for Syfy network and POLAR, adapted from Victor Santo’s noir graphic novel starring Mads Mikkelsen (Rogue One) at Netflix. Current projects include a reboot of Mike Mignola’s HELLBOY starring David Harbour (Stranger Things) directed by Neil Marshall (The Descent), and THE UMBRELLA ACADEMY, a Netflix original series based on the comics created by Gerard Way (My Chemical Romance) and Gabriel Ba.

Proofread and Edited by Brenda

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Interview with Corey Parker and Alan Tudyk of "Resident Alien" on Syfy

Interview with Tim Rozon

TV Interview!

Tim Rozon of "Wynonna Earp" on Syfy

Interview with Tim Rozon of “Wynonna Earp” on Syfy by Suzanne 2/22/21

This was a fun interview because he really loves to talk about the show, and really appreciates the fans. I hope they get another season!

Here’s the video of our interview

Question: You had some big gaps in the scheduling. Were you confident you’d be back for this? Or were you just relieved? How did you feel about that?

Tim: You know, it’s so crazy. I started Schitt’s Creek before I started Wynonna Earp. Schitt’s Creek wrapped season six, six seasons before we wrapped the fourth season of Wynonna Earp, just to show you how long it was to film that show. Yeah, I don’t know. There was almost a year hiatus between season three and four that we weren’t sure if we were coming back, and then we finally did, and then the global pandemic hit. So, we only got halfway through the season, and then to come back, I wasn’t sure, but if I was ever sure about anything, it’s kind of with Wynonna that it was gonna get done. There’s just something so special about this show. Then, yeah, it finally happened. It took five years, I think, maybe a little longer, five and a half years, to finally finally get there. Well, we eventually got there.

Question: Do you feel like your character got a satisfying ending, and have you been able to let him go yet?

Tim: You know, I love the the ending of the show. If that is truly the way it ends, I loved it. So, especially for my character, I remember telling Emily just, “Wow.” I mean, she’s wonderful, and as a showrunner and a writer, she’s very open. She’s there for you if you need her, but I’m not one of those people who are really – I never bug her. I never ask for things. You know, I’m not that person. I just put my trust in what they do, and I perform, and I understand that I have a job to do. You know, sometimes my character is going to do some of the things that aren’t so great, man, and I understand that’s just that’s part of it. But the way it all came together, I just remember telling Emily, just, “Thank you. I mean, I thought you did an incredible job with this character. You showed him so much love and compassion and growth.” And it was really touching.

How do I say goodbye to him? I made sure to, though while we were filming the second part of Season Four, just because you never know. It took us so long to get there, to finally film Season Four, to complete it. It almost never happens twice. So, yeah, I was aware of it the entire time, so I tried to literally enjoy every second that I possibly could with that character. It’s difficult now that it’s more real than ever, that the show most likely isn’t coming back. To say goodbye to that character is difficult. I think most people understand that it’s one of my favorite characters I’ve ever played. He just has a special place in my heart, the old cowboy. So yeah, it’s tough.

Question: So, last we saw everyone, our hearts were cheering for Waverly and Nicole but breaking for Wynonna and Doc. So, how would you describe those two relationships in these final episodes? What are the chances of maybe two weddings before it’s over?

Tim: You know, this love is complicated, and it comes in different shapes and forms and people love differently, and they love different things about other people and themselves. You know, it’s funny, I just feel like Doc has come so far by Season Four, and he’s really done with the old life. You know, I think he understands that sometimes to move forward, we’ve got to let the old ways die. I think as a society we’re learning that. And I think Doc, he finally gets that it’s time to let go.

It’s unfortunate, because I don’t think Wynonna has yet, but Wynonna has the burden of the curse. Well, she did at least. So, before it was tough. You couldn’t really say anything, because she was the one who had the burden. Anyway, at the end of the day, it was Wynonna who had to save the day. So, you couldn’t really say “Hey, let’s stop and grow a family and grow barley in the little farm,” like Doc wanted, because well, she had the burden of the curse. But now, the curse is gone, and for him, he just sees it as, “Why are you fighting?” Did you somehow come to love the fight? Is that what it’s become?” You know? Will she ever let go? Because they can never be together if she doesn’t let go too. So, I don’t know. We’ll see. We’ll see what happens.

Well, Waverly and Nicole, that’s just magic. Those are those stories we hear about, just, you know, magic. It exists. True love like that does exist. I mean, that’s the beauty of love and life. Doc and Wynonna is a little closer to real life. Maybe not. If you’re in a relationship, to be honest, like Doc and Wynonna’s, you should probably get out. [laughs] Probably not the healthiest.

Suzanne: So, you said that you think it’s the end of the season? Have you heard anything about the possibility of it continuing?

Tim: I haven’t heard anything. I’m always the last to know. People think that we know stuff. I don’t know. I’d know, honestly, a little before anybody if we ever came back, because I’d have to grow the mustache. You know, no one [unintelligible] grow a mustache. So, yeah, I don’t know; I don’t know anything.

I’ll say this, and this is the thing that makes the whole process easier for me, the only thing at the end of the day that I really care about is the Earpers, the fandom, and the way that the story ends. Now, if it ends, I’m very proud of it, and I’m very happy, and I think everybody’s going to be very happy. Now, if it continues on, I’m 100% sure that Emily and her team can write another amazing story, and there’re other stories and other avenues to go down, other than telling these stories. You know what I mean? Even if Doc doesn’t come back, you could tell the (Rachel) Valdez story. You know, there’re so many great stories you could tell and everything, but, for me, the main thing and the most important thing is I’m really proud and happy that I think the Earpers are going to be happy. That’s what makes me happy, to be honest, the most, because they deserve it the most. They’re the reason we got as far as we ever did, and there’s no doubt. So, that’s the one part that makes it all kind of okay, because I know that they’re still gonna be happy.

Question: Over four seasons, how is it been playing somebody who’s a lot older than you look, or at least who has the sensibilities of somebody who’s a lot older than you look?

Tim: Yeah, does he have too many sensibilities? I don’t know, it’s interesting. We didn’t play the man out of time as much as I would have loved to, and I did find some moments early on in season one to really play it. I remember I was doing things like [that]. I remember, specifically, there was an episode where I went to where all the broken cars were, where Bobo lived, and Doc went to meet Bobo whenever Bobo was camping there. I remember, I got into a car with the Levi character, and I got in the car, and I acted like it was the first time in a car. I remember the director, Ron Murphy’s, like, “Tim, what the hell are you doing?” I’m like, “Well, Doc Holliday, he’s never been in a car before. He wouldn’t know.” He’s like, “Yeah, dude, we’re not playing that. We don’t have time for that.” You know, he’s like, “He’s figured out stuff right away.” He’s just like, “You got to figure that he’s figured out stuff.” Yeah, so we never played the matter of time stuff. So, I don’t know how sensible he is, because I don’t know how much he’s learned from – You know, I think he’s less crazy than he should be, to be honest, because if we’re being honest, he was stuck there for 180 years in solitude. I’m pretty sure that would drive me nuts. So, I think the old cowboy did pretty good, to be honest.

Question: So, you’re not playing the inclination to go up to every person you meet and go, “Talk to me; talk to me! I was by myself for 180 years. Say something.”

Tim: No. And I mean, had I wanted to play it, I think they would have told me not to, so, no.

Question: Both Schitt’s Creek and Wynonna Earp have tremendous fan bases. I was just wondering how life has changed for you over the last six or so years?

Tim: Oh, I mean, just in the best way possible, and in just the sense of family and community that I’ve met in this thing. Meeting people virtually is one thing, and it’s amazing, but some of my most favorite memories in the past years have been meeting people in person, the fans of both those shows. I’m happy you said that, because Schitt’s Creek, you know, everybody talks about the Earpers, but the Creekers, man, they’re amazing, same energy. I’ve gone to Australia, and I’ve met Earpers and Creekers together, and they’ve all been just very supportive and amazing. It’s immediate. The most amazing thing is, especially with the Earper communities, we don’t need to talk about it. We already understand; it’s a symbiotic thing. It’s almost like, every time we’re seeing each other, it’s like saying, “Thank you.” It’s like, “Thank you.” “But thank you,” and both people meaning it. I don’t know, in a lot of ways, it just made me conscious to make sure that I’m just the best version of myself that I can be.

I’ve seen some amazing things, just amazing things. I’ve seen a lot of people come out for the very first time and the courage that it takes to do that. I’ve seen just fathers that came to the cons to support their daughter for the first time. You know, just stuff. It’s just amazing stuff that’s bigger than the show at the end of the day. That’s why I said I’m happy that if it is over, that part’s never over, the Earpers. It’s not over. The community and everything they built, it’s bigger than the show. It’s better than the show. It’s more important than the show. The show was amazing. It was great, but at the end of the day, we are fighting demons, pretending to be – you know what I mean? What these people created, it’s incredible, and I feel lucky that I got to be a part of that and into their world. It’s so weird, because they feel lucky that they got let to ours, but it’s so obvious to me that it’s the other way around. Yeah, it’s very special, very special communities, and the same with the Creekers. I just did a Zoom meeting with Karen for a charity for a couple of Creek fans, and it was supposed to be a 15 minute zoom call. I think we went almost two hours just chatting. But, honestly, we’re just chit chatting, and it was great.

Question: Speaking of Zoom, how is it working with the COVID protocols? How was shooting the second part?

Tim: You know, it was very difficult. In a weird way, it was the busiest year I’ve had in my life, actually, shooting during COVID, because I went directly from the last day of Wynonna Earp, getting on a plane and flying and starting a new show called Surreal Estate four days later. I just had to test I think six times within those three days that I was off. Yeah, it was very interesting. It was difficult.

I felt for the crew a lot. There were groupings at first, and at first, Wynonna was kind of tough, because we were the first show back in Canada. So, there was a lot of eyes on us, a lot of pressure. And for me, that was a lot of responsibility to make sure that we got this season done. When we first got out to Alberta, the numbers were kind of low. I remember some of the rest of the cast were like, “Oh, let’s go for dinner,” or “We can go for lunch.” I’m like, “I’m not going anywhere. I just quarantined at home for three months. If you think I’m coming here to start work and put this entire production at risk of how lucky we are, you’re crazy.” And they’re all like, “Oh my god.” But nobody went for lunch either. You know what I mean? It’s like, it’s the crews job. The Earpers are waiting for that season. It was just too important. There was just so much responsibility to be responsible, because the actual part of it, the actors, we’re the luckiest ones, again. We’re the only ones that get to take our masks off, even if it’s just to film or when you go to your little area after your mask is off. The crew, that mask is on from seven in the morning until 8:30 at night when we wrap. It’s difficult.

I didn’t like the groupings, because we never had that on Wynonna Earp. I’m friends with the crew as much as I am friends with Melanie, you know what I mean? Like, on the weekend, I’m going to equally hang out, go have brunch with the grip, because it doesn’t matter for me, but the groupings kind of made it like “Well, only Group B can talk to Group B. Well, what group are you in?” It’s kind of like sometimes there is that on a set anyway, different groupings, and I hate that. So, that part I didn’t like. The grouping part was tough, but you understand; it’s a global pandemic.

It’s hilarious that we actually lived during – we’re living still. They never would have wrote this for Wynonna Earp. It’s too crazy. All the crazy stuff we did, but they never would have went to pandemic, because that’s just too nuts, and yet, here we are. We’re all dressed as Mortal Kombat characters.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

poster for "Wynonna Earp" on Syfy

Tim Rozon

Doc Holliday, “Wynonna Earp”

Tim Rozon stars on SYFY’s WYNONNA EARP as Doc Holliday, the legendary gunslinger, friend and partner of Wyatt Earp, and now immortal “will they or won’t they” love interest to Wynonna Earp. He is handsome and charming and knows just what he must do to survive in Purgatory. Doc’s on a mission of his own to right the wrongs of his past before they consume him.

Rozon’s first leading role was playing heartthrob Tommy Quincy opposite Alexz Johnson and Laura Vandervoort on the teen drama series, “Instant Star.” Other notable credits include playing Mutt Schitt on “Schitt’s Creek,” gang infiltrator Alex Caine on “Befriend and Betray,” outer space rogue Isaac on SYFY’s VAGRANT QUEEN, and love interest to Candice Cameron Bure on “Christmas Town.” Guest appearances include “Rookie Blue,” “Flashpoint,” “The Listener,” “Heartland,” “Combat Hospital,” “Lost Girl,” “Being Human” and ”19-2.” Rozon won a prestigious Gemini Award for his performance on “Flashpoint” and was nominated for his role in “Befriend and Betray.”

Rozon currently resides in Montreal, where he co-owns the hit restaurants Garde Manger and Le Bremner opposite star chef Chuck Hughes.

WYNONNA EARP follows legendary law man Wyatt Earp’s descendant, Wynonna (Melanie Scrofano) who inherits his mystical gun, Peacemaker. With it, Wynonna and her posse of dysfunctional allies must fight against supernatural beings and other paranormal occurrences in a raucous, whisky-soaked struggle to break her family’s demonic curse.

In Season 4, the infamous Earp Curse is broken, and witty and wild demon hunter Wynonna Earp would love to be celebrating with cold whisky and hot donuts. Too bad she has to rescue everyone she loves, save the town of Purgatory, and take on her most diabolical, Earp-hating enemy yet — all without her trustworthy gun, Peacemaker. And that’s just Monday…

WYNONNA EARP is produced in Calgary by Seven24 Films and globally distributed by IDW Entertainment and Cineflix Rights. Emily Andras developed the series for television and continues to serve as showrunner and executive producer. Jordy Randall, Tom Cox, Rick Jacobs, Todd Berger, Peter Emerson and Brett Burlock also serve as executive producers.

Twitter: @WynonnaEarp
Instagram: @WynonnaEarp
Hashtag: #WynonnaEarp

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Tim Rozon as Doc Holliday on "Wynonna Earp" on Syfy

Interview with Chris Sheridan and Sara Tomko

TV Interview!

Chris Sheridan and Sara Tomko of "Resident Alien" on Syfy

Interview with Chris Sheridan and Sara Tomko of “Resident Alien” on Syfy by Suzanne 2/22/21

I love this show, and it was great to talk with these two, even for the short time I had with them. They had great answers to my question. There other questions came from the other press interviewers on the Zoom call.

Here’s the video of our interview!

Question:   What’s been the most satisfying aspect of the response to the show so far?

Chris:   Gonna preview this by saying that I thought I was the only one who didn’t read any reviews, and as it turns out, Sara doesn’t read any either. That being said, I know I did join Twitter, and I do try to live tweet for an hour during the show. So, I do get to see a little bit of what people are saying. For me, and I’ll let Sarah talk, but for me, I mean, it’s been a long road; it’s been five years.

So, to put all this effort into something – and by the way, this happens all the time  – you put all this effort into something, and it doesn’t work for one reason or another, or you think it works, but no one likes it. So, to put all this effort into something for the main purpose of getting people to feel maybe better about their lives or better about feeling human, or getting them through the day or [giving them] something to look forward to, and look forward to laughing, and finding out that people really are doing that and enjoying it and looking forward to it and even in a small way having it make their lives a little better. I mean, yeah, it makes all the hard work over the last – you know, for me over the last five years – worth it. So, that’s the greatest thing, for me, is just feeling like you’re touching people in a way, even making them lives a tiny bit better. So, I love that.

Sarah?

Sara:   Yeah, I, like Chris, do not read the reviews, just so I kind of stay grounded. I don’t think too much about good or bad. I just kind of wanted to separate between just doing the work and letting the work speak for itself.

But it’s impossible to not hear from family and friends, especially who will send me sometimes things…but it’s so lovely, because they’re obviously very excited.

Meredith Garretson and I, who plays Kate, she’s one of my best friends, and right before the show premiered, we were talking about [how] it never occurred to us. What if we just aren’t good? We were all like, “It’s been two and a half years.” Corey [Reynolds], especially, would hype us up, like, “Yeah, of course, this is gonna go. Of course, it’s gonna be good.” We would always have these pep talks. Then, you get to that point where you’re about to reveal, and you’re like, “Oh, god, what if it’s not good?”

So, to hear that it is exactly what we believed it was, to hear that people are not only enjoying it, they’re inspired by it, that it’s something that’s bringing them solace in a time of grief – We’ve had a lot of really wonderful people reach out individually to us, and we have a little alien thread that we have going on. So, people are always letting us know, like my friend said “this,” or, my cousin said “that,” and, you know, my family is just floored. It feels really lovely to be seen by them in that way. They’ve known for a long time I’ve been an actor, and they’ve seen me do other parts. But I can’t tell you how many of them were like, “You have so much screen time.” [unintelligible] like they didn’t quite understand that. I’m like, “Yeah, I’m the lead next to Alan…” So, that part’s been really, really rewarding, and I just want people to continue to like it and continue to watch it, so we can get that season two, and three, and four, and the list goes on.

Question:   Chris, what made this a story you wanted to tell in the first place, and for Sara, what made Asta an irresistible character for you to play?

Chris:   I’ll jump in. I fell in love with Peter Hogan and Steve Parkhouse’s  comic, Resident Alien. What I loved about it mostly was this outsider alien observing human nature and trying to figure out what it’s like to be human. Out of all the things I loved about it, that one thing to me is the soul of the comment that I wanted to capture in the show. I really wanted to be able to tell a story about humanity and be able to sort of pick it apart and figure out, you know, what it is that makes us human, that makes us good, that makes us bad. Being able to do that in a light hearted way, through the eyes of this is new being coming to earth, I knew it’d be entertaining, and I thought that would be a really fun journey for me, as a writer, to sort of go down. That’s what really drew me to it.

Sara:   The thing that’s so enticing and intoxicating about playing this role is how vulnerable I get to be, how honest. When I was younger, especially early in my career, I longed for a character like this, I really did. You know, you’re in the industry, if you get a role worth a damn, it’s like, that’s a win. As a woman, if you get a roll that doesn’t have to just do with how you look, that’s a win, and if you get a role that the story’s great, and then the cast is great. I mean, then on top of it, it gets picked up and people like it. It’s just one checkbox after another with this show. That doesn’t happen for everybody. So, I just really feel grateful that my very specific dreams came true, which was I wanted to play a raw, vulnerable, honest, multilayered, larger than life character, and I think that’s what I got with Asta.

I think that the whole cast was brought together by a fate that none of us can really explain, which makes me feel really confident about our future. Even if the show didn’t go on, I believe that we all have this synergy now that we will continue to create things together in the future, because it just it works so well.

And I just I love playing her. I love being able to also be a woman on screen who looks like a woman. I [don’t have] the perfect body, not the perfect temperament, like that. That’s no shame or anything; that’s just the truth of being a woman. I get to just be that, and it’s it’s not pretty all the time. In fact, she’s messy. So, it’s really nice to be able to show that and show that that’s what it really is like most days for most people.

Question:   [What does] Asta think of how he changed the more he’s around? And how might you react if she finds out the truth?

Sara:   Whoo, how has it changed? Well, we have to get in pretty quickly to her trusting him. So, I think right away, it’s obvious, because this town is so small and so reliant on the doctor, which is what everyone tells him, you know, as a therapist, as someone who was like a father figure to me. I mean, we have to really just allow Harry into our world and let him replace someone that was really the heart of the town is what it really feels like.

So, it changes for me, because Asta has this ability to really hear a man in her life tell her the truth, the honest truth, and nothing but the truth. So, she finally gets an experience with a friend and a man that is unlike no other. So, that, ultimately, leads her to rethink how she looks at life and how she trusts men.

I think that, ultimately, leads to this question for the audience of, “What’s going to happen when she finds out?“ But he’s lied to her this whole time. I mean, it’s a really big irony. When I took on the role, I really didn’t know what would happen if she ever found out. I think there are ways that maybe there’s an understanding somehow oddly to [be], “Yeah, that makes sense. It makes sense, but you’re weird; you’re that weird.” But I also think that there’s going to be a feeling of betrayal if she ever finds out that information. That will be something that Harry’s gonna have to deal with. And he’s not gonna like when Asta is mad at him. He likes watching her get angry, but he’s never had it at him.

Chris:   Aimed at him, exactly right.

Question:   For Mr. Sheridan, once you saw what Alan Tudyk was doing with the role, were there any things that you wrote towards or away from?

Chris:   That’s a great question, and there was nothing that I wrote away from and everything that I wrote towards, and that we all in the writers room did. I mean, he’s so gifted that there was actually – I mean, the very simple quick answer is, there’s a sequence in in Episode Two, where he comments that he can’t switch bodies; he can’t leave and switch bodies to someone else. It took him three weeks to learn this body, and we just do a quick montage of him trying to learn how to walk and trying to sit down and, you know, can’t brush his teeth. That was that sequence I specifically put in for no other reason than the fact that it was Alan. And when I realized how talented he was, I mean, this is a guy who went to Juilliard and literally studied clowning, and when I could see what he could do with his body and his movements and how he really encapsulated this character, it just gave you so many places to go and so many ideas. So, that sequence specifically was for his strengths, but so much of it is stuff that he’s just doing on his own, all of this stuff that he does, with his hands. Even in the pilot, when he leans over Sam’s body and looks at it like this, this is him just naturally as an actor, sort of mimicking his sort of alien little baby arms that he has. That wasn’t anything anyone told him; that was just him sliding into the role and the physicality of the role. So much of what he does in the show, certainly physically and stuff that he’s brought to it, it’s writing to all his strengths. It’s realizing he can kind of do anything.

The other aspect of it, I’ll say really quick, is there are scenes in it in this season where we will see – and there was one in the pilot in the beginning, but there are more scenes coming up, where we will see what the real Harry Vanderspeigle was like. That was put in specifically to show the range of Alan Tudyk. You really get a chance to see what he’s doing with this alien role when you see Alan playing the real Harry Vanderspeigle, who’s not an alien, and see the differences between the two. So, as an audience, you’ll have an opportunity to experience that as well as the season goes on.

Question:   How does playing opposite him inform how you play Asta?

Sara:   Yeah, I was just about to say, actually, I think it’s really awesome to see the range he gets to play. I think there’s a lot of people that understand his comedy in his career, but Episode Four, when we’re lying down in the field, and he’s talking about his wife that’s passed on, there was this look that he has in his eyes that I don’t know if anybody’s ever seen Alan portray that kind of an emotion. I got a chance to see it a couple of times while we were working together, and it’s really beautiful. It’s really something that I think people don’t realize is in his bag of tricks, and it’s not a trick, it’s him just truly having a moment of stillness and honesty.  So, most of the time, obviously, when I’m playing opposite of him, I just sit back and watch. All those reactions are real and organic.

My little brother was like, “I think Asta’s reaction is going to become like an Asta-ism,” like one of her claims to fame. There’s so much range to what he’s doing that I can’t keep making the same face, otherwise, it’ll just be one note. So, I appreciate that he switches it up, because then it gives me the opportunity to have fresh reactions to him every time that are very real, and it’s so fun. When you’re on set, you want to be able to be in the moment.

Alan and I had a scene that you’ll get to see towards the end of the season that was a bit emotional, a little explosive, too, and it was really interesting to witness how we both approached that work. You know, he shows up – and we talked about this later, he shows up, kind of wanting to work at it from the ground up, this idea of how to get into it, and I show up wanting to kind of explode onto the scene and like soften into it. So, even as characters, even as actors, we have this different way of approaching it, but we always find our way to the middle ground, and our chemistry is really, really wonderful. You know, to be honest, when Alan and I do takes, it’s like two, three takes and we’re done. It’s almost a little sad. It doesn’t last long enough, because we just both click in so quick. We’re like, “Okay, well, good to see ya.”

Suzanne:   Hey, guys, love the show. Sara, I want to know how you feel about playing a Native woman, who’s a major character on an American show, which seems very rare.

Sara:   Yeah, thank you for asking. To be respectful to the other Native actors on the show, I am not a part of a tribe or a community. So, it’s respectful to at least acknowledge and showcase that there are so many wonderful Native actors on the show. Chris has done an incredible job being so inclusive to that community and writing so respectfully and authentically. You have [actors] like Eugene Brave Rock and my adopted dad, Gary Farmer, my, as we now know, daughter, Kaylayla Raine, and even we have a woman in the writers’ room, Tazbah Chavez, just so many incredible –

Chris:   [unintelligible]

Sara:   Yeah, so much incredible Native talent that I’m very fortunate to be able to play this role, because I have my own thing that I’m searching for in my own life, for how I fit in into this community, into this world, and where I belong. It’s so lovely to be surrounded by so many true Native actors who guide us both, Chris and I, who provide such guidance on what is really honest about a modern day evolutionary world of living on or off the reservation. It’s so lovely to witness that as Asta, who is raised in the community, but she’s not really one of them. So, she struggles with that. It’s the same thing I think I get to experience as Sara. I have my own family, oral traditions, but it’s not that I was ever raised in that community. So, it’s a little bit opposite, and I have to really sit back and listen and respect those beautiful, talented Native actors around me and say, “Hey, thanks for being here and showing up for us and guiding us on what is right and what is respectful.”

Chris:   Yeah, and I made some adjustments in the show. In Episode Two, Asta reveals that Dan is not her real father. She was adopted into his family and was raised with the culture, but is not native in the show. One of the reasons we did that, is because it was important to me that Asta felt like she didn’t belong, because that was the thing that connects her with Harry. Harry comes here as an alien and doesn’t belong to this world, and the fact that they’re both outsiders is the thing that connects them. And yes, as Sara says, I mean, in the process then of representation, there’re so many amazing Native American actors that we’ve cast into the show. There’s incredible native music that we’ve added to the show throughout the season, and a lot of these indigenous artists are having people hear their music that have never heard them before, and we’re really excited about that.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Read Our Review!

Based on the Dark Horse comic, SYFY’s RESIDENT ALIEN follows Harry, an alien played by Alan Tudyk (“Rogue One,” “Firefly”) that crash lands on Earth and passes himself off as a small-town human doctor. Arriving with a secret mission to kill all humans, Harry starts off living a simple life… but things get a bit rocky when he’s roped into solving a local murder and realizes he needs to assimilate into his new world. As he does so, he begins to wrestle with the moral dilemma of his mission and asking the big life questions like: “Are human beings worth saving?” and “Why do they fold their pizza before eating it?”

From UCP, in association with Amblin TV and Dark Horse Entertainment, RESIDENT ALIEN was adapted to television by executive producer Chris Sheridan (“Family Guy”). Mike Richardson (“Hellboy”) and Keith Goldberg (“The Legend of Tarzan”) of Dark Horse Entertainment (“The Umbrella Academy”), and Justin Falvey (“The Americans”) and Darryl Frank (“The Americans”) of Amblin TV also executive produce. David Dobkin (“Wedding Crashers”) executive produced and directed the pilot. “Resident Alien” also stars Sara Tomko, Corey Reynolds, Alice Wetterlund and Levi Fiehler.

Hashtag: #ResidentAlien

Proofread and Edited by Brenda

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Chris Sheridan and Sara Tomko of "Resident Alien" on Syfy

Interview with Alan Tudyk #2

TV Interview!

Alan Tudyk of "Resident Alien" on Syfy

Interview with Alan Tudyk of “Resident Alien” on Syfy by Suzanne 2/2/21

I was thrilled to be able to interview Alan, even if they only gave me about 12 minutes. He was very nice, and he was fun to chat with. I love this new show, and I can’t wait to see more.

Here is the audio version of the “Resident Alien” part of it, or you can hear the entire interview here.

Suzanne: Hi, Alan, how are you?

Alan: Hey, how you doing?

Suzanne: Oh, good.

Alan: I’m great.

Suzanne: I’m a huge– I’m a huge fan of yours, ever since “Firefly.”

Alan: Thank you very much.

Suzanne: And I loved “Con Man.” It was so funny, and I’m glad to say that “Resident Alien” is funny. I’m hooked on it. I watched the first seven episodes this weekend, and it’s just great. I can’t wait to see the next one.

Alan: Thank you, how brilliant. That’s great. Thank you.

Suzanne: You’re welcome. So, can you tell us how this role came about for you?

Alan: It came about in a very normal way, sort of like most roles that I’ve ever had. They’re all pretty much just a call, like, “Here’s the script. They can’t find this guy. Would you want to go in on this?” type of thing. They literally auditioned many people before.

I fell in love with it immediately, went and auditioned, and met David Dobkin who directed the pilot, and Chris Sheridan. They were, I think, on FaceTime. We didn’t even know about Zoom back then! They were on FaceTime, and I was in a casting office in Los Angeles, and it was one of the auditions that I got done with and walked away and said, “I think that went well,” because they seemed so happy. Not always the case.

Suzanne: When was it filmed?

Alan: Oh my gosh, so long ago we filmed this. We filmed the pilot two years ago. We started, and then Syfy liked it and said, “Okay, we’re probably going to pick this up. We’re going to pick it up. Yeah, we’re picking it up.” It took some time to come up with that idea. Then they said, “But we don’t know when we’re gonna shoot it,” and they kept – I don’t know what they were doing. I just assumed it had to do with scheduling and big corporate-y decisions that I wasn’t privy to.

So, we finally shot it, probably almost a year later we got into shooting the series, and then COVID came along and pushed us out another six months. We finished it just a few months ago, two or three months ago.

Suzanne: Had you worked with any of the other people on the series before this?

Alan: Never, nobody. It was great. Well, it was great, because we all got along, and they’re kind of like a whole new group of friends.

Suzanne: That’s great. There’re a lot of people in that cast.

Alan: I know. I know. I knew Corey Reynolds before, from his work, but I have to admit, I hadn’t met or hadn’t seen anybody else’s [work] from the cast prior. Everybody’s so great. I hope when people watch it, they enjoy the new faces. They’re so funny and good.

Suzanne: Even though it’s a big cast, they make each character so distinct that you don’t get confused. Sometimes, you watch a show and you’re like, “Who are all these people?” But they did a good job with it.

Alan: Right, yes, they did.

Suzanne: I heard that you went to clown school to help you prepare for the role. Is that true?

Alan: I did, well… I took a clown class in – my first clown class in the late 1900s, in 1993 or 1994 when I went to Juilliard. There’s a clown named Chris Bayes, and he runs a program at Yale, and one of his students Orlando [unintelligible] is a great friend of mine, who also went to Juilliard, but now he teaches clowning at NYU. I know lots of clowns. I love clowns, like real clowns. Clowning is a big part of theater training at the major schools around the United States, for sure.

When we did the pilot, I had identified… so much of who Harry was could be considered clowning because of his physicality, the challenges in the physicality, and his lack of knowledge. He’s just waved into situations without knowing the rules, the social rules, and he’s curious. You just have to put put your head in a place where you’re looking at the world where anything is possible. That’s kind of how clowns see the world, and I mean, I’m talking good clowns. These are like the Lecoq School of Clowning out of France. These aren’t the kind of clowns that hang out in sewers and kill children and make them float. These are the real kind of Charlie Chaplin type of Laurel and Hardy clowns.

Suzanne: It’s interesting that you brought up the physicality, because when they showed you learning how to walk and talk and all that, it really reminded me of like a comedy version of Jeff Bridges and “Starman” when he first arrives.

Alan: I saw “Starman” when that thing came out!

Suzanne: Yeah, me too.

Alan: Yeah, I love his performance in that. His breathing always freaked me out. [laughs] He went for real on that, like he was into the mechanics of how to – I don’t go that far, luckily, for me, because I can’t hear that sound again and again, but definitely the manipulating your mouth, you know, that sort of thought process behind some of the speaking when he’s learning to speak. It’s like you’re pushing air over the back of the tongue and you manipulate the tongue in this way to create these sounds and these sounds mean these things. So, he becomes alien pretty fast if that’s your thought process going on in your head.

Suzanne: When you’re looking like the alien, how long does it take for them to make you look like that?

Alan: Two hours. Two hours, and there is another version of the alien that we haven’t seen yet that is much more involved. It’s sort of torso piece that is closer to four hours, and that involves body shaving, and I’m not a hirsuite man, but any kind of hair becomes problematic. So, you try to go all swimmer with yourself and just lose all the hair. So, that’s no fun, but usually just the main one, whenever the kid Max sees me and you see me standing there in my flannel shirt with the alien head and hands, that’s a two hour process.

Suzanne: What was the best part for you, filming the series?

Alan: I love this stuff. Early on, you mentioned walking and talking and sitting and trying to figure out how to sit down. Any new experiences, especially the physicality stuff that is that the challenge for Harry, those are so much fun for me. I enjoy going to work and falling down. It’s just something I’ve done since I was a child. Then I learned to balance, and then I kept falling down, because I found it very funny. I like falling down and getting hit with things. So, anytime there’s more of the physical stuff, those are fun.

Suzanne: Thank you so much!

Alan: Thank you.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Read Our Review!

‘RESIDENT ALIEN’ BLOOPER REEL & DELETED SCENE REVEALED
 
Season Finale Airs Wednesday, March 31 at 10/9c
 
In advance of the season finale, we’re excited to share the hysterical season 1 blooper reel and deleted scene from episode 7.
 

Based on the Dark Horse comic, SYFY’s RESIDENT ALIEN follows Harry, an alien played by Alan Tudyk (“Rogue One,” “Firefly”) that crash lands on Earth and passes himself off as a small-town human doctor. Arriving with a secret mission to kill all humans, Harry starts off living a simple life… but things get a bit rocky when he’s roped into solving a local murder and realizes he needs to assimilate into his new world. As he does so, he begins to wrestle with the moral dilemma of his mission and asking the big life questions like: “Are human beings worth saving?” and “Why do they fold their pizza before eating it?”

From UCP, in association with Amblin TV and Dark Horse Entertainment, RESIDENT ALIEN was adapted to television by executive producer Chris Sheridan (“Family Guy”). Mike Richardson (“Hellboy”) and Keith Goldberg (“The Legend of Tarzan”) of Dark Horse Entertainment (“The Umbrella Academy”), and Justin Falvey (“The Americans”) and Darryl Frank (“The Americans”) of Amblin TV also executive produce. David Dobkin (“Wedding Crashers”) executive produced and directed the pilot. “Resident Alien” also stars Sara Tomko, Corey Reynolds, Alice Wetterlund and Levi Fiehler.

Hashtag: #ResidentAlien

Proofread and Edited by Brenda

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Alan Tudyk as Harry and as the alien on Syfy

Interview with Alan Tudyk

TV Interview!

Alan Tudyk, star of "Devil May Care"

Interview with Alan Tudyk of “Devil May Care” on Syfy by Suzanne 2/2/21

This is a fun animated show. Tudyk does a great take on this kinder, gentler Satan.  It was very nice to speak with him! It was only four minutes – part of a longer interview I did with him. He’s one of the few people to have two shows on Syfy at the same time!

Here is the audio version of it, or you can hear the entire interview here.

Suzanne: Hi, Alan, how are you?

Alan: Hey, how you doing?

Suzanne: Oh, good.

Alan: I’m great.

Suzanne: I’m a huge. I’m a huge fan of yours ever since Firefly.

Alan: Thank you very much.

Suzanne: They wanted me to [ask you about] “Devil May Care.”

Alan: Devil May Care. It’s on the TZGZ Syfy midnight animation block. I don’t know what TZGZ stands for.

Suzanne: I don’t either.

Alan: Has anybody has told anybody? I think it just sounds good together, and it’s for some reason memorable. I’m the devil –

Suzanne: Was it fun developing the voice for the devil?

Alan: Yeah, you know, he’s similar to a character I played in Knocked Up for a head of an Entertainment Tonight or Weekly type executive or something like that, which seems appropriate. [laughs] “Come on, be a team leader! “That’s the way the devil is different in this show.

Suzanne: He’s not evil sounding.

Alan: He’s not evil – not sounding, and not even in the way he goes about running Hell. He’s trying to gentrify Hell. He wants it to be a place where you can go and have a good time. He just happens to be the angel that got put in charge of Hell is the thing.

Suzanne: How many total episodes are there for Devil May Care?

Alan: That’s a good question.

Suzanne: Oh, you don’t know? It’s okay.

Alan: [laughs] I think it’s eight. Yeah, eight ten, but only like fifteen-minute episodes. It’s got like an Adult Swim type feel to the shows…It’s crazy.

Suzanne: It was fun to recognize Louis Black in the first episode. Are there a lot of recognizable guest star voices in the other episodes?

Alan: Yes, there’s somebody else that I was stoked that we got, but I didn’t know that we got Louis until I saw the episode, because, again, this was all very pandemic in the way we recorded it. So, you can you can record whole things and never meet another person. You’re able to talk and meet and handshake, but it’s just that we haven’t been able to do [that]. I don’t know. I don’t have a list of who all is in the show, but yeah, Louis Black is a cool cat.

Suzanne: You do a lot of animated shows, do you have to turn down a lot of them, because you get so much animated voice work?

Alan: Yeah, I guess I’m choosy in my animated work. They’re pretty easy to do, as far as the time commitment and things like that, but, yeah, it kind of feels like when you’re spoiled. [laughs] I love tacos, and then you move to a neighborhood that has the best taco place and [someone’s] like, “You want a taco?” “From where?” I’m at the “from where?” place. “Who’s making the taco. What are the fixins?”

Suzanne: Thank you so much!

Alan: Thank you.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Watch “Devil May Care” on YouTube

SYFY GREENLIGHTS NEW ANIMATED SERIES ‘DEVIL MAY CARE’ STARRING ALAN TUDYK FOR LATE-NIGHT ADULT ANIMATION BLOCK ‘TZGZ’

— Network Also Greenlights Three TZGZ Pilots —

NEW YORK, NY – June 15, 2020 – SYFY today announced new original projects for its late-night adult animation block, TZGZ, including a new original animated series and three original pilots. Airing on SYFY every Saturday at midnight-ish, TZGZ is a 90-minute block of adult comedic, animated, genre-based programming of varying lengths. Since its 2019 debut, TZGZ has grown +7% in the 18-49 demo vs prior year, and continues to bring younger viewers to the network.*

DEVIL MAY CARE, TZGZ’s second internally developed pilot greenlit to series, has earned a 7-episode series pickup. For the series, the Devil (Alan Tudyk, SYFY’s “Resident Alien”) hires a social media coordinator (Asif Ali, “BoJack Horseman”) to rebrand Hell as the ultimate place to live, and the two form the most unlikely of friendships. Recurring roles are played by Fred Tatasciore, Pamela Adlon and Stephanie Beatriz.

Created and executive produced by Douglas Goldstein (3x Emmy winner, “Robot Chicken”), this 15-minute series is developed and executive produced by Amanda Miller at PSYOP in partnership with Titmouse, the Emmy-award winning independent animation production company. Chris Prynoski, Shannon Prynoski and Ben Kalina from Titmouse are also executive producers.

Additionally, SYFY has greenlit 3 pilots for TZGZ:

  • From ShadowMachine (“Final Space,” “BoJack Horseman”), CHRONICLES OF FRANK follows an overzealous squirrel that kidnaps an exterminator from the Bronx, transporting him to a magical realm where he must conquer the forces of evil and maybe win back his girlfriend. Ordered for a 15-minute pilot, CHRONICLES OF FRANK is created and executive produced by Chris Osbrink (Writer/Director, “Trip Tank,” Writer/Director, “Campus Law”), with ShadowMachine executive producers Corey Campodonico and Alex Bulkley.
  • In a galaxy far, far away there’s an epic war of the worlds where countless alien species will fight to the death – and THE BLACK HOLE is about the crappy dive bar where they drink. Picked up for a 15-minute pilot, THE BLACK HOLE from Starburns Industries (“Rick and Morty,” “Moral Orel”) is written and executive produced by Dino Stamatopoulos (Creator, “Moral Orel”) and Michael Waldron (Producer, “Rick and Morty”). Paul Young (EP, “Key & Peele”), James A Fino (EP, “Rick and Morty”), Duke Johnson (Director, “Anomalisa”) and Nick Weidenfeld (President of Programming, Viceland) also executive produce.
  • Heavy is the belly that wears the suit in THE POLE, a twisted, edgy comedy about the struggle for power on the North Pole. From Yeti Farm Creative (“Hotel Transylvania” Season 2, “Pete the Cat” Season 2), THE POLE has been ordered for a 15-minute pilot. Created and executive produced by Matthew Bass (Writer, “Future Man”) and Theodore Bressman (Writer, “Future Man,” Writer/EP, “Jungleland”). Mark Gordon (Producer, “Grey’s Anatomy,” “Ray Donovan”) also executive produces, as well as Frank Saperstein and Jay Surridge from Yeti Farm Creative.

More at SyfyWire

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Devil (Alan Tudyk) and Beans (Asif Ali)

Primetime TV Review of “Resident Alien”

TV Review!

"Resident Alien" on Syfy

“Resident Alien” on Syfy Review by Suzanne 2/5/21

I love this show. Syfy let me see the first 7 episodes because I recently interviewed the star of the show, Alan Tudyk. The first episode is good, but it gets better and better. There were many times I laughed out loud. The story is great, and it has many wonderful characters.

Alan Tudyk (Firefly, Doom Patrol) stars as an alien that crash-lands in the small, snowy town of Patience, Colorado. He finds this doctor in a nearby cabin and kills him, then takes his identity. His mission was to drop a small device that will kill everyone, but he ends up crashing instead. He then has to try to find his spaceship and the pieces of the device, out in the snowy wilderness.

However, the town doctor is found dead, so the alien, now posing as Harry, the doctor, takes over his office temporarily. It’s fun to watch Harry learn how to be human. We also hear his voice-over, which is very funny. There are many characters, but the writing is so good that you don’t get any confusion about who they all are. Harry makes friends with the doctor’s nurse, Asta (Sara Tomko), and her friend D’arcy (Alice Wetterlund), the town bartender. There is also a funny town sheriff, Mike (Corey Reynolds), his deputy Liv (Elizabeth Bowen), the mayor (Levi Fiehler), the mayor’s son, Max (Judah Prehn), and more. Max is the only one in town that can see the alien as he really is.

You’ll notice that the show will remind you of other scifi shows, like “Mork & Mindy,” “Starman,” “Alien Nation” and more. We’ve really never seen a scifi comedy like this one, however. Not only is it a comedy/drama/scifi show, but it’s also a mystery. For each episode, they really leave you wanting more. As the episodes progress, we see that Harry is not alone here and that there are some people who know he’s here (and are not friendly). Linda Hamilton (“The Terminator”) plays a general that’s hunting for the alien.

Asta and her family are native Americans, and it’s great that they showcase them because that’s rare on American TV. Canadian TV shows seem to show them much more often than we do on this side of the border.

If you’re a fan of scifi or comedy, you won’t want to miss this one.

MORE INFORMATION:

‘RESIDENT ALIEN’ BLOOPER REEL & DELETED SCENE REVEALED
 
Season Finale Airs Wednesday, March 31 at 10/9c
 
In advance of the season finale, we’re excited to share the hysterical season 1 blooper reel and deleted scene from episode 7.
 

Based on the Dark Horse comic, SYFY’s RESIDENT ALIEN follows Harry, an alien played by Alan Tudyk (“Rogue One,” “Firefly”) that crash lands on Earth and passes himself off as a small-town human doctor. Arriving with a secret mission to kill all humans, Harry starts off living a simple life… but things get a bit rocky when he’s roped into solving a local murder and realizes he needs to assimilate into his new world. As he does so, he begins to wrestle with the moral dilemma of his mission and asking the big life questions like: “Are human beings worth saving?” and “Why do they fold their pizza before eating it?”

From UCP, in association with Amblin TV and Dark Horse Entertainment, RESIDENT ALIEN was adapted to television by executive producer Chris Sheridan (“Family Guy”). Mike Richardson (“Hellboy”) and Keith Goldberg (“The Legend of Tarzan”) of Dark Horse Entertainment (“The Umbrella Academy”), and Justin Falvey (“The Americans”) and Darryl Frank (“The Americans”) of Amblin TV also executive produce. David Dobkin (“Wedding Crashers”) executive produced and directed the pilot. “Resident Alien” also stars Sara Tomko, Corey Reynolds, Alice Wetterlund and Levi Fiehler.

SYFY PICKS UP DARK HORSE COMICS’ ‘RESIDENT ALIEN’ TO SERIES

breaking news | May 30, 2019Alan Tudyk Stars in Series from UCP, with Chris Sheridan Executive Producing Alongside Dark Horse Entertainment and Amblin TV

David Dobkin Executive Produced and Directed the Pilot

NEW YORK, NY – February 28, 2019 — SYFY today announced the series pickup of RESIDENT ALIEN, a comedic drama based on the popular Dark Horse comics series by co-creators Peter Hogan and Steve Parkhouse. From Universal Content Productions (UCP), in association with Amblin TV and Dark Horse Entertainment, the series was adapted to television by executive producer Chris Sheridan (“Family Guy”). Mike Richardson (“Hellboy”) and Keith Goldberg (“The Legend of Tarzan”) of Dark Horse Entertainment (“The Umbrella Academy”), and Justin Falvey (“The Americans”) and Darryl Frank (“The Americans”) of Amblin TV will also executive produce. David Dobkin (“The Judge”) executive produced and directed the pilot.

RESIDENT ALIEN is a twisted and comedic fish-out-of-water story that follows a crash-landed alien named Harry (Alan Tudyk) who, after taking on the identity of a small-town Colorado doctor, slowly begins to wrestle with the moral dilemma of his secret mission on Earth — ultimately asking the question, “Are human beings worth saving?”

Tudyk (“Doom Patrol,” “Rogue One”) is joined by series regulars Sara Tomko (“Once Upon A Time”), Corey Reynolds (“The Closer”), Alice Wetterlund (“People of Earth”) and Levi Fiehler (“Mars”). The series will begin production in Vancouver this summer.

About SYFY
SYFY is a global, multiplatform media brand that gives science fiction fans of all kinds a universe to call home. Celebrating the genre in all its forms, SYFY super-serves passionate fans with original science fiction, fantasy, paranormal and superhero programming, live event coverage and imaginative digital and social content. The brand is powered by SYFY WIRE (www.syfy.com), the premier portal for breaking genre news, insight and commentary. SYFY is a network of NBCUniversal, one of the world’s leading media and entertainment companies. NBCUniversal is a subsidiary of Comcast Corporation.

About UCP
UCP is a premium content studio that operates with a highly curated indie sensibility, while simultaneously leveraging the power and scale of NBCUniversal. As fierce advocates for creators with an eclectic point of view, the UCP team develops pioneering original programming with partners such as Amazon (“Homecoming”), Netflix (“The Umbrella Academy”), Hulu (“The Act”) and YouTube (“Impulse”). In addition, UCP produces high-caliber content for NBCU Cable networks, including Bravo (“Dirty John”), USA (the Emmy® and Golden Globe®-winning drama “Mr. Robot,” the Golden Globe nominated “The Sinner,” “The Purge” and “Suits” ) and SYFY (“Happy!,” and “The Magicians”). UCP’s content library also features 800 hours of award-winning and critically-acclaimed content, including the Emmy Award-winning “Monk,” the Peabody and Hugo Award-winning “Battlestar Galactica” and the Emmy nominated “Psych.”

About Amblin Television:
Amblin Television, a long-time leader in quality programming, is a division of Amblin Partners, a content creation company led by Steven Spielberg. Amblin Television’s co-presidents, Darryl Frank and Justin Falvey, oversee all development, production and programming for the company. Amblin Television currently has thirteen projects in various stages of production including “Bull” and “Tommy” for CBS, “Roswell, New Mexico” for the CW, “The Haunting of Bly Manor” for Netflix – the follow-up chapter to The Haunting of Hill House, “Amazing Stories” for Apple, “Halo” for Showtime, a straight-to-series order for “Brave New World” from USA Network, “Cortes and Moctezuma” for Amazon, “Animaniacs” for Hulu, “Why We Hate” for Discovery, “Resident Alien” for SYFY, and the documentary films “Natalie Wood: What Remains Behind” for HBO and “Laurel Canyon” for Epix.

Some of Amblin Television’s previous credits include the Emmy and Golden Globe Award-winning drama “The Americans” for FX, Emmy-nominated HBO movie “All The Way” starring Bryan Cranston, “Smash” for NBC, “Under the Dome” for CBS, “Falling Skies” for TNT, “The Borgias” and “The United States of Tara” for Showtime, and “Las Vegas” for NBC.

About Dark Horse Entertainment:
Dark Horse Entertainment was spun off from founder Mike Richardson’s Dark Horse Comics in 1992. The company’s first major hits—THE MASK and TIMECOP — were based on Richardson’s creations and DHE has since produced over 30 films and series, including an Emmy Award–winning documentary, MR. WARMTH: THE DON RICKLES PROJECT. Recent projects include THE LEGEND OF TARZAN with Warner Bros., the DARK MATTER television series for Syfy network and POLAR, adapted from Victor Santo’s noir graphic novel starring Mads Mikkelsen (Rogue One) at Netflix. Current projects include a reboot of Mike Mignola’s HELLBOY starring David Harbour (Stranger Things) directed by Neil Marshall (The Descent), and THE UMBRELLA ACADEMY, a Netflix original series based on the comics created by Gerard Way (My Chemical Romance) and Gabriel Ba.

Proofread and Edited by Brenda

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"Resident Alien" on Syfy